Scene
1.VII.
Cyrano, Le Bret. Then actors, actresses, Cuigy, Brissaille, Ligniere, the
porter, the violinists.
CYRANO (falling into Le Bret's arms):
A rendezvous . . .from her! . . .
LE BRET:
You're sad no more!
CYRANO:
Ah! Let the world go burn! She knows I live!
LE BRET:
Now you'll be calm, I hope?
CYRANO (beside himself for joy):
Calm? I now calm?
I'll be frenetic, frantic, - raving mad!
Oh, for an army to attack! - a host!
I've ten hearts in my breast; a score of arms;
No dwarfs to cleave in twain! . . .
(Wildly):
No! Giants now!
(For a few moments the shadows of the actors have been moving on the stage,
whispers are heard - the rehearsal is beginning. The violinists are in their
places.)
A VOICE FROM THE STAGE:
Hollo there! Silence! We rehearse!
CYRANO (laughing):
We go!
(He moves away. By the big door enter Cuigy, Brissaille, and some officers,
holding up Ligniere, who is drunk.)
CUIGY:
Cyrano!
CYRANO:
Well, what now?
CUIGY:
A lusty thrush
They're bringing you!
CYRANO (recognizing him):
Ligniere! . . .What has chanced?
CUIGY:
He seeks you!
BRISSAILLE:
He dare not go home!
CYRANO:
Why not?
LIGNIERE (in a husky voice, showing him a crumpled letter):
This letter warns me . . .that a hundred men . . .
Revenge that threatens me . . .that song, you know -
At the Porte de Nesle. To get to my own house
I must pass there . . .I dare not! . . .Give me leave
To sleep to-night beneath your roof! Allow . . .
CYRANO:
A hundred men? You'll sleep in your own bed!
LIGNIERE (frightened):
But -
CYRANO (in a terrible voice, showing him the lighted lantern held by the
porter, who is listening curiously):
Take the lantern.
(Ligniere seizes it):
Let us start! I swear
That I will make your bed to-night myself!
(To the officers):
Follow; some stay behind, as witnesses!
CUIGY:
A hundred! . . .
CYRANO:
Less, to-night - would be too few!
(The actors and actresses, in their costumes, have come down from the stage,
and are listening.)
LE BRET:
But why embroil yourself?
CYRANO:
Le Bret who scolds!
LE BRET:
That worthless drunkard! -
CYRANO (slapping Ligniere on the shoulder):
Wherefore? For this cause; -
This wine-barrel, this cask of Burgundy,
Did, on a day, an action full of grace;
As he was leaving church, he saw his love
Take holy water - he, who is affeared
At water's taste, ran quickly to the stoup,
And drank it all, to the last drop! . . .
AN ACTRESS:
Indeed, that was a graceful thing!
CYRANO:
Ay, was it not?
THE ACTRESS (to the others):
But why a hundred men 'gainst one poor rhymer?
CYRANO:
March!
(To the officers):
Gentlemen, when you shall see me charge,
Bear me no succor, none, whate'er the odds!
ANOTHER ACTRESS (jumping from the stage):
Oh! I shall come and see!
CYRANO:
Come, then!
ANOTHER (jumping down - to an old actor):
And you? . . .
CYRANO:
Come all - the Doctor, Isabel, Leander,
Come, for you shall add, in a motley swarm,
The farce Italian to this Spanish drama!
ALL THE WOMEN (dancing for joy):
Bravo! - a mantle, quick! - my hood!
JODELET:
Come on!
CYRANO:
Play us a march, gentlemen of the band!
(The violinists join the procession, which is forming. They take the
footlights, and divide them for torches):
Brave officers! next, women in costume,
And, twenty paces on -
(He takes his place):
I all alone,
Beneath the plume that Glory lends, herself,
To deck my beaver - proud as Scipio! . . .
- You hear me? - I forbid you succor me! -
One, two three! Porter, open wide the doors!
(The porter opens the doors; a view of old Paris in the moonlight is seen):
Ah! . . .Paris wrapped in night! half nebulous:
The moonlight streams o'er the blue-shadowed roofs;
A lovely frame for this wild battle-scene;
Beneath the vapor's floating scarves, the Seine
Trembles, mysterious, like a magic mirror,
And, shortly, you shall see what you shall see!
ALL:
To the Porte de Nesle!
CYRANO (standing on the threshold):
Ay, to the Porte de Nesle!
(Turning to the actress):
Did you not ask, young lady, for what cause
Against this rhymer fivescore men were sent?
(He draws his sword; then, calmly):
'Twas that they knew him for a friend of mine!
(He goes out. Ligniere staggers first after him, then the actresses on the
officers' arms - the actors. The procession starts to the sound of the violins
and in the faint light of the candles.)
Curtain.
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