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Leaf 1 |
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Leaf 2 Inscription in regular script by Wang Hui: Peonies are the most subject to vulgarization, and the most difficult to paint. Take for
example the peony painting of recent artisans. They smear on greens and reds, and in spite of ten thousand blooms, |
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Leaf 3 |
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Leaf 4 Inscription by Wang Hui in regular script: Autumnal flowers and grasses. The brush-spirit is fine and exquisite. The only man after Chao Wen-min (Meng-fu). |
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Leaf 5 |
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Leaf 6 Inscription by Wang Hui in regular script: The narcissi by (the Southern Sung master) Chao Tzu-ku (Meng-chien) are pure, untrammeled and sublime in spirit consonance. In this copy by Nan-tien there is beauty to spare. |
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Leaf 7 Self-inscription in regular script: I once saw the "Peach Blossom Fishing Boat" painted by Old Man Ou-po Chao Tzu-ang (Meng fu) where
his coloration came entirely from the Southern Sung master Chao Po-chu. |
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Leaf 8 Self-inscription in regular script: Spontaneously painted during night rains, before dawn mists had yet lifted. The Yuan master Kao Shang-shu (Ko-kung) once made a painting like this which was recently in my house, hence I copied it. |
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Leaf 9 Self-inscription in regular script: In imitation of "Wintry Mists over the Ancient Stream" by Li Hsien-hsi (Cheng), on the 26th Day of the 10th Month of 1672. (by) Shih-ku, Wang Hui. |
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Leaf 10 Self-inscription in regular script: Autumn Vapours Over the Red-leafed Forest in the manner of Fan Hua-yuan (Kuan) |
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Leaf 11 Self-inscription in regular script: For brush-method I have used that of Tsao Yun-hsi (Chih-po), in lace like the "Thatched Studio" by Lu Hung. |
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Leaf 12 Self-inscription in regular script: (In the manner of the Tang master Wang Wei) Yu-cheng's "Gathered Snow" |
Album 8 | |||||||||||
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