At the Saturday Club
By Oliver Wendell Holmes
THIS is our place of meeting; opposite
That towered and pillared building: look at it;
King's Chapel in the Second George's day,
Rebellion stole its regal name away,--
Stone Chapel sounded better; but at last
The poisoned name of our provincial past
Had lost its ancient venom; then once more
Stone Chapel was King's Chapel as before.
(So let rechristened North Street, when it can,
Bring back the days of Marlborough and Queen Anne!)
Next the old church your wandering eye will meet
A granite pile that stares upon the street--
Our civic temple; slanderous tongues have said
Its shape was modelled from St. Botolph's head,
Lofty, but narrow; jealous passers-by
Say Boston always held her head too high.
Turn half-way round, and let your look survey
The white facade that gleams across the way,--
The many-windowed building, tall and wide,
The palace-inn that shows its northern side
In grateful shadow when the sunbeams beat
The granite wall in summer's scorching heat.
This is the place; whether its name you spell
Tavern, or caravansera, or hotel.
Would I could steal its echoes! you should find
Such store of vanished pleasures brought to mind:
Such feasts! the laughs of many a jocund hour
That shook the mortar from King George's tower
Such guests! What famous names its record boasts,
Whose owners wander in the mob of ghosts!
Such stories! Every beam and plank is filled
With juicy wit the joyous talkers spilled,
Ready to ooze, as once the mountain pine
The floors are laid with oozed its turpentine!
A month had flitted since The Club had met;
The day came round; I found the table set,
The waiters lounging round the marble stairs,
Empty as yet the double row of chairs.
I was a full half hour before the rest,
Alone, the banquet-chamber's single guest.
So from the table's side a chair I took,
And having neither company nor book
To keep me waking, by degrees there crept
A torpor over me,-- in short, I slept.
Loosed from its chain, along the wreck-strown track
Of the dead years my soul goes travelling back;
My ghosts take on their robes of flesh; it seems
Dreaming is life; nay, life less life than dreams,
So real are the shapes that meet my eyes.
They bring no sense of wonder, no surprise,
No hint of other than an earth-born source;
All seems plain daylight, everything of course.
How dim the colors are, how poor and faint
This palette of weak words with which I paint!
Here sit my friends; if I could fix them so
As to my eyes they seem, my page would glow
Like a queen's missal, warm as if the brush
Of Titian or Velasquez brought the flush
Of life into their features. Ay de mi!
If syllables were pigments, you should see
Such breathing portraitures as never man
Found in the Pitti or the Vatican.
Here sits our POET, Laureate, if you will.
Long has he worn the wreath, and wears it still.
Dead? Nay, not so; and yet they say his bust
Looks down on marbles covering royal dust,
Kings by the Grace of God, or Nature's grace;
Dead! No! Alive! I see him in his place,
Full-featured, with the bloom that heaven denies
Her children, pinched by cold New England skies,
Too often, while the nursery's happier few
Win from a summer cloud its roseate line.
Kind, soft-voiced, gentle, in his eye there shines
The ray serene that filled Evangeline's.
Modest he seems, not shy; content to wait
Amid the noisy clamor of debate
The looked-for moment when a peaceful word
Smooths the rough ripples louder tongues have stirred.
In every tone I mark his tender grace
And all his poems hinted in his face;
What tranquil joy his friendly presence gives!
How could I think him dead? He lives! He lives!
There, at the table's further end I see
In his old place our Poet's vis-à-vis,
The great PROFESSOR, strong, broad-shouldered, square,
In life's rich noontide, joyous, debonair.
His social hour no leaden care alloys,
His laugh rings loud and mirthful as a boy's,--
That lusty laugh the Puritan forgot,--
What ear has heard it and remembers not?
How often, halting at some wide crevasse
Amid the windings of his Alpine pass,
High up the cliffs, the climbing mountaineer,
Listening the far-off avalanche to hear,
Silent, and leaning on his steel-shod staff,
Has heard that cheery voice, that ringing laugh,
From the rude cabin whose nomadic walls
Creep with the moving glacier as it crawls!
How does vast Nature lead her living train
In ordered sequence through that spacious brain,
As in the primal hour when Adam named
The new-born tribes that young creation claimed!--
How will her realm be darkened, losing thee,
Her darling, whom we call our AGASSIZ!
But who is he whose massive frame belies
The maiden shyness of his downcast eyes?
Who broods in silence till, by questions pressed,
Some answer struggles from his laboring breast?
An artist Nature meant to dwell apart,
Locked in his studio with a human heart,
Tracking its caverned passions to their lair,
And all its throbbing mysteries laying bare.
Count it no marvel that he broods alone
Over the heart he studies,-- 'tis his own;
So in his page, whatever shape it wear,
The Essex wizard's shadowed self is there,--
The great ROMANCER, hid beneath his veil
Like the stern preacher of his sombre tale;
Virile in strength, yet bashful as a girl,
Prouder than Hester, sensitive as Pearl.
From his mild throng of worshippers released
Our Concord Delphi sends its chosen priest,
Prophet or poet, mystic, sage, or seer,
By every title always welcome here.
Why that ethereal spirit's frame describe?
You know the race-marks of the Brahmin tribe,--
The spare, slight form, the sloping shoulder's droop,
The calm, scholastic mien, the clerkly stoop,
The lines of thought the sharpened features wear,
Carved by the edge of keen New England air.
List! for he speaks! As when a king would choose
The jewels for his bride, he might refuse
This diamond for its flaw,-- find that less bright
Than those, its fellows, and a pearl less white
Than fits her snowy neck, and yet at last,
The fairest gems are chosen, and made fast
In golden fetters; so, with light delays
He seeks the fittest word to fill his phrase;
Nor vain nor idle his fastidious quest,
His chosen word is sure to prove the best.
Where in the realm of thought, whose air is song,
Does he, the Buddha of the West, belong?
He seems a wingèd Franklin, sweetly wise,
Born to unlock the secrets of the skies;
And which the nobler calling,-- if 'tis fair
Terrestrial with celestial to compare,--
To guide the storm-cloud's elemental flame,
Or walk the chambers whence the lightning came,
Amidst the sources of its subtile fire,
And steal their effluence for his lips and lyre?
If lost at times in vague aerial flights,
None treads with firmer footstep when he lights;
A soaring nature, ballasted with sense,
Wisdom without her wrinkles or pretence,
In every Bible he has faith to read,
And every altar helps to shape his creed.
Ask you what name this prisoned spirit bears
While with ourselves this fleeting breath it shares?
Till angels greet him with a sweeter one
In heaven, on earth we call him EMERSON.
I start; I wake; the vision is withdrawn;
Its figures fading like the stars at dawn;
Crossed from the roll of life their cherished names,
And memory's pictures fading in their frames;
Yet life is lovelier for these transient gleams
Of buried friendships; blest is he who dreams!
About the time when these papers [The Autocrat] were published, the Saturday Club was founded, or, rather, found itself in existence, without any organization, almost without parentage. It was natural enough that such men as Emerson, Longfellow, Agassiz, Peirce, with Hawthorne, Motley, Sumner, when within reach, and others who would be good company for them, should meet and dine together once in a while, as they did, in point of fact every month, and as some who are still living, with other and newer members, still meet and dine. If some of them had not admired each other they would have been exceptions in the world of letters and science. The club deserves being remembered for having no constitution or by-laws, for making no speeches, reading no papers, observing no ceremonies, coming and going at will without remark, and acting out, though it did not proclaim the motto, "Shall I not take mine ease in mine inn?" There was and is nothing of the Bohemian element about this club, but it has had many good times and not a little good talking.
Online editor's notes
The Saturday Club met from 1855 on the fourth Saturday of each month, at the Parker House hotel, on Tremont Street, Boston. Originally it was formed from those around the Atlantic Monthly magazine, of which Holmes and James T. Fields were original editors. (The Old Corner Bookstore down School Street from the Parker House was the first office of the Ticknor and Fields publishing company, which moved to Park Street when it became Houghton Mifflin and Company.) A literary club by the same name still meets, at the Boston Athenaeum, nearby.
Ay de mi! is Spanish for "Ah, me!"
Henry Wadsworth Longfellow (1807-1882), the "Poet Laureate," is one of two American poets honored by a bust in the Poet's Corner, Westminster Abbey, London. He died two years before this poem.
Jean-Louis Agassiz (1807-1873) was a Harvard professor of geology who never agreed with Darwin.
The great ROMANCER is of course Nathaniel Hawthorne (1804-1864), who in fact attended few Saturday Club meetings between his return from England in 1860 and his death in 1864, since he was sick and he lived in Concord. The characters Hester and Pearl are of course from The Scarlet Letter, which was set in Boston. (In the novel, Hester is buried in King's Chapel Burying Ground, across School Street from the Parker House.)
Ralph Waldo Emerson was the sage of Concord and always attracted a crowd of would-be intellectuals.
Oliver Wendell Holmes lived for another nine years, outliving all the original members. He was friends with them all, even though they did not always admire each other, as he points out.