EMUSIC-L Digest Volume 63, Issue 17 This issue's topics: "The Crow" Soundtrack ??? Acid jazz? Algo-Comp?? Black Cow Chords (3 messages) Brian Eno ruled Chicago? (2 messages) Classic rock discussions? Favoured MIDI FTP site Finale Users (3 messages) HAIL JOE (6 messages) Help HELP! -- MIDI (2 messages) Holophonic sound (3 messages) Korg Rumor Korg rumors (2 messages) M and "niche ecology" Mail troubles (more) MIDI Programming Music Mouse- Instructions? (2 messages) Patch Sysex problem? (2 messages) Paul Lansky... programming the pc timer chip Spatial Placement of Sound Using Phase Delay Techniques Your EMUSIC-L Digest moderator is Joe McMahon . You may subscribe to EMUSIC-L by sending mail to listserv@american.edu with the line "SUB EMUSIC-L your name" as the text. The EMUSIC-L archive is a service of SunSite (sunsite.unc.edu) at the University of North Carolina. ------------------------------------------------------------------------ Date: Fri, 8 Apr 1994 10:00:56 -0400 From: Mike Corso Subject: Re: "The Crow" Soundtrack ??? On Thu, 7 Apr 1994 JRS016@ACAD.DRAKE.EDU wrote: > > >Poor Brandon Lee; he's dead but he left behind a new film with a killer > >soundtrack: > > > > Machines of Loving Grace, "Golgotha Tenement Blues" > > > >The Machines of Loving Grace track confirms that they are an excellent > >band with a lot more to offer...._Concentration_ was not a fluke. > > Hi, > I've got a question about Machines of Loving Grace. I really love that > song they do on the Crow soundtrack, "Golgotha Tenement Blues". I'm thinking > about picking up their new one "Concentration". Before I do I want to know if > it is as good as that song would indicate. Could you tell me what you think > of the album and (in your words) what it sounds like. Thanks a lot, I really > appreciate it. > > Jesse (jrs016@acad.drake.edu) Jesse: Machines of Loving Grace have been playing with My Life With Thrill Kill Cult and, most recently, with Course of Empire. There's talk of them going out on the road with Depeche Mode. They've been described as "industrial pop" although my first impression was of an accessible NIN. Their latest album, _Concentration_, is excellent. "Butterfly Wings" is but one of several outstanding songs on the album--it's truly solid from beginning to end. I hear that Detroit is ga-ga over this band (don't ask why). BTW, after the end of the album there's 30 minutes of dead space except for a few spots where a voice says "Dont' Fool Yourself"--quite amusing in an eerie way. BT ------------------------------ Date: Tue, 12 Apr 1994 12:35:12 GMT From: JOEL STERN Subject: THE TEST Just out of curiosity, what is acid jazz? What would one listen to to have the "acid jazz" experience. (I figured I could ask this after learning all about techno bass on this list:)) Joel Stern stern@mail.loc.gov ------------------------------ Date: Mon, 4 Apr 1994 07:16:11 -0400 From: Doug Walker Subject: Algo-Comp?? Help! I have been trying with great ingenuity and so far in vain to subscribe to the algo-comp discussion list for those interested in algorithmic composition. Could someone supply me with the correct information so I can join the list. Doug Walker ab704@freenet.carleton.ca ------------------------------ Date: Tue, 5 Apr 1994 17:13:44 EST From: Brian McLane Subject: Black Cow Chords Can anyone send me a chord chart for the song "Black Cow" from Steely Dan's Aja album. I've put something together from ear and am curious if my chords jive with others. This applys to elec-music in that I use the charts to create midi sequence. Please send to CCP_MCLANE@HSLC.ORG Thanks ------------------------------ Date: Wed, 6 Apr 1994 16:37:18 EDT From: Bill Fox Subject: Two Items Hi Brian, Please pass the chord chart along to me! ------------------------------ > End of EMUSIC-L Digest - 4 Apr 1994 to 5 Apr 1994 > ************************************************* Bill Fox wbf@aloft.att.com ------------------------------ Date: Fri, 8 Apr 1994 01:06:14 EST From: Brian McLane Subject: Black Cow Chords How do these chords look for Steely Dan's (or I guess I should say Donald Fagen, Walter Becker, and studio musicians etal)'s "Black Cow" from AJa: Feel free to edit, if you disagree. C9 (slide from Bb9-C9) In the corner of my eye, I saw you in Rudy's. You were very high. A7#9 Fmaj7 E7#9 Bbmaj7 You-- were high. It was a crying disgrace. I saw your face. C9 (slide from Bb9-C9) On the counter by your keys, was a book of numbers and your remedies. A7#9 Fmaj7 E7#9 One of each surely will screen out the sorrow Bbmaj7 Em7 But where are you tomorrow Amaj7 Em7 Dmaj7 Amaj7 I can't cry anymore while you run around, run around. C#m7 F#m7 C#m7 D/A bass Dmaj7 C#m7 Break away. Just when it seems so clear that it's over-- now C#m7 Bm7 Dmaj7 Cmaj7 Ebmaj7 Drink your big - black - cow and get out of here Bb9-B9-C9 (same chords as first verse) Up on Green street there you go, lookin' so outrageous and they tell you so. You should know how all the pro's play the game, You change your name. Like a ganster on the run, you will stagger home to your precious one. I'm the one who must make everything right, and talk it out till daylight (Chorus) (Lead Break) G9 A9 Ebmaj7 C6 Bb7sus4 D9 E9 Bb9 Em7 Ebmaj7 Em7 (Chorus) Amaj7 Drink your big black cow and get out of here. -Brian ------------------------------ Date: Fri, 29 Apr 1994 10:34:54 CDT From: HARRY HAECKER Subject: Re: ReMusic and the Like (Created by interference from Culbreath) Hi, Joe This message really has nothing to do with the subject header...but was spawned by your tag line. Having been an Enophile for the past 20 years, I was wondering when it was that Eno ruled Chicago.I guess the answer is probably less controversial than ReReReReMusic, but I may be wrong about that! Harry Haecker bthaec@lsuvm.bitnet ------------------------------ Date: Fri, 29 Apr 1994 15:02:02 -0400 From: Joe McMahon Subject: Re: ReMusic and the Like (Created by interference from Culbreath) >I was wondering when it was that Eno ruled Chicago.I guess the answer is >probably less controversial than ReReReReMusic, but I may be wrong about >that! I'm quoting from Mystery Science Theater 3000's interpretation of "The Beginning of the End" (coming up this Sunday at 10 AM on Comedy Central, I think). I don't have the precise context for it yet, but someone mentioned it in passing on the MST3K newsgroup, and it was just too good a phrase to let go. :-) --- Joe M. -- "He's sneaking past Robert Fripp's room." (MST3K) ------------------------------ Date: Sun, 24 Apr 1994 12:40:02 CET From: Jack Latanowicz Subject: Hi ppl. My friend is looking for some discussion lists about rock music from the 60'ies...if anyone knows any whereabouts I would be very thankful... Jack L. ------------------------------------------------------------------------ Jacek Latanowicz tel/fax Pl-(0-61) 798-202 Ul.Porzeczkowa 27 jack@plpuam11 or smile@plpuam11 (bitnet) 61-306 Poznan jack@vm.amu.edu.pl or smile@vm.amu.edu.pl (internet) POLAND "'Dancing barefoot' - Patti Smith..." ------------------------------------------------------------------------ ------------------------------ Date: Tue, 5 Apr 1994 12:04:16 +0100 From: "Steven D. Bramson" Subject: Favoured MIDI FTP site A number of people have recently been asking for a recommended FTP site for MIDI files. Piet van Oostrum mailed the list recently but clearly modesty provents him from blowing his own trumpet, so I will instead and vote ftp.cs.ruu.nl [131.211.80.17] as my favourite site with an excellent selection of songs and utilities and a list of other sites. Steven D Bramson Data Management Group JET Joint Undertaking Abingdon Oxfordshire OX14 3EA United Kingdom E-mail sdb@jet.uk Voice 0235 465 013 Fax 0235 465 399 ------------------------------------------------------------------ JET is Europe's fusion research project Disclaimer: Any views expressed are mine and do not represent those of JET ------------------------------ Date: Wed, 13 Apr 1994 05:44:32 -0600 From: "ROY E. BREILING" Subject: Finale Users I'm looking for any Finale users to correspond with. I have lots of questions. Thank you. ------------------------------ Date: Wed, 13 Apr 1994 13:48:53 BST From: Stephen Deutsch Subject: Re: Finale Users > > I'm looking for any Finale users to correspond with. I have lots of questions. > Thank you. > I have been using Finale 3 for some short while, but I don't know if I am that expert. The problems is that the software is best as a graphic software, less useful if you use the inboard sequencer. It's quite good at importing other midi files, though. ======================================================================= Stephen Deutsch # # BOURNEMOUTH The Digital Music Studio # UNIVERSITY ----------------------------------------------------------------------- JANET: sdeutsch@uk.ac.bournemouth Talbot Campus World: sdeutsch@bournemouth.ac.uk Fern Barrow, Poole Phone: 0202 595102 Fax: 595530 Dorset, BH12 5BB, UK ======================================================================= ------------------------------ Date: Wed, 13 Apr 1994 13:52:12 CST From: jrt72269@ACUVAX.ACU.EDU Subject: Re: Finale Users Hi, You didn't leave a personal e-mail address so I'm leaving this meassage via the listsrv. I use Finale just about every day and I would be glad to help you if you have any questions. My address is JRT72269@ACUVAX.ACU.EDU Jesse ------------------------------ Date: Fri, 15 Apr 1994 09:31:09 GMT From: JOEL STERN Subject: HAIL JOE I think some appreciation should be shown to Joe M. at least once a year for his great work as moderator/sysop of emusic-l and synth-l. Joe keeps a great balance, fending off interlopers of commercial and other menacing varieties on the one hand, and on the other hand offering sincere advice on even the the most basic questions to people groping their way into electronic music. So without further ado, ***a round of drinks for everyone in honor of Joe McMahon*** Joel Stern stern@mail.loc.gov ------------------------------ Date: Fri, 15 Apr 1994 13:11:08 -0500 From: Pam Henry Subject: Re: HAIL JOE I agree! Thanks Joe! Pam Henry phenry@services.dese.state.mo.us Band Director 816-524-4730 Pleasant Lea Junior High FAX 816-525-4338 630 SW Persels Lee's Summit, MO 64081 On Fri, 15 Apr 1994, JOEL STERN wrote: > I think some appreciation should be shown to Joe M. at least once > a year for his great work as moderator/sysop of emusic-l and > synth-l. Joe keeps a great balance, fending off interlopers of > commercial and other menacing varieties on the one hand, and on > the other hand offering sincere advice on even the the most basic > questions to people groping their way into electronic music. > > > So without further ado, ***a round of drinks for everyone in > honor of Joe McMahon*** > Joel Stern > stern@mail.loc.gov > ------------------------------ Date: Fri, 15 Apr 1994 19:47:23 -0400 From: William Matthews Subject: Re: HAIL JOE Naah... I still think we should sell him off... get a really good price, buy one of those physical modelling synths or something... "Delightfully stupid," indeed! It's just that we can't run the ad here, for some reason... Fondly, Mr. McM. Bill Matthews wmatthew@abacus.bates.edu ------------------------------ Date: Sat, 16 Apr 1994 14:36:04 +0100 From: Nick Rothwell Subject: Re: HAIL JOE >"Delightfully >stupid," indeed! It's just that we can't run the ad here, for some reason... Am I missing something, or does someone not understand USEnet signatures? Nick Rothwell CASSIEL Contemporary Music/Dance nick@cassiel.com ------------------------------ Date: Sat, 16 Apr 1994 13:31:42 -0400 From: "Joseph D. McMahon" Subject: Re: HAIL JOE About my signature quote: No, no you misunderstand me. Nick's comment about a keyboard he bought was (to me) quite humorous; Nick is famous for wringing every possible nuance out of his equipment -- he was pleased that the keyboard was so stupid because now he wouldn't have to deal with Roland's idea of what was "the right thing". Now, of course, since I've explained it to death, it's no longer funny, and I'll have to pick a new one. Half the fun was quoting it out of context. :-) And about ads - I don't like to see them here because 1) they merely add to the already-dense traffic we've got here without adding information value and 2) because synth-l@auvm.american.edu exists to accept them for those who want to see them. --- Joe M. ------------------------------ Date: Mon, 18 Apr 1994 09:39:36 EDT From: Keith Maynard - CCC Subject: Hail Joe!!! Hi folks, I agree with Joel Stern, Hail Joe, you must be a really cool person, I have witnessed some of the cr*p you have to endure but you just keep going. Thanks for your patience and great nature. Lesser mortals would probably have pulled the plug by now. If you're in Research Triangle Park, NC let me know. Keith Maynard ------------------------------ Date: Tue, 19 Apr 1994 19:01:30 GMT0BST From: Paul Egan Subject: Help I'm sorry if this has come up before, but i have a problem with my midi files. I recently aquired an ethernet card and have obtained .MID files with my ftp program. I was hoping to load these into my GM keyboard ( Technics KN2000 ) but it didn't recognise the files. I know the keyboard reads SMF and reads MS-DOS disks. If anyone has an answer could you please mail me personally. E-MAIL :- SCP12012@NOVELL1.RTC-CARLOW.IE ------------------------------ Date: Mon, 18 Apr 1994 13:15:24 18000 From: Bill Waters Subject: HELP! -- MIDI I am interested in finding an inexpensive MIDI program that will measure the time interval between successive notes in terms of seconds up to several decimal places. These notes could all be the same as I am only interested in recording the time measured so it can be converted into a tempo. I understand the basic operations of MIDI but am not sure what sequencing program (if any) will do what I want. If anyone can help me it would be greatly appreciated. Thanks BW ------------------------------ Date: Tue, 19 Apr 1994 22:13:22 +0100 From: Nick Rothwell Subject: Re: HELP! -- MIDI >I am interested in finding an inexpensive MIDI program that will >measure the time interval between successive notes in terms of >seconds up to several decimal places. Bit of a sledgehammer perhaps, but it's a few seconds' programming in MAX. Nick Rothwell CASSIEL Contemporary Music/Dance nick@cassiel.com ------------------------------ Date: Fri, 8 Apr 1994 22:54:43 -0500 From: Ronald Beal Subject: Holophonic sound A friend brought up a discussion on the book: "The Holographic Theory of the Universe" by Michael Talbot, and had the question of holophonic sound. It sounds like some advanced form of phase controlled binaural recording, but I'm not sure. Supposedly, it was developed by a scientist in Argentina, and is drawing the attention of Peter Gabreil(sp?), Vangelis(sp?) and others. Does anyone know for sure what holophonic sound is? Atilla ------------------------------ Date: Sun, 10 Apr 1994 08:50:16 -0500 From: Jeff Wheeler Subject: Re: Holophonic sound On Fri, 8 Apr 1994, Ronald Beal wrote: > A friend brought up a discussion on the book: "The Holographic Theory of > the Universe" by Michael Talbot, and had the question of holophonic sound. > It sounds like some advanced form of phase controlled binaural recording, but > I'm not sure. Supposedly, it was developed by a scientist in Argentina, > and is drawing the attention of Peter Gabreil(sp?), Vangelis(sp?) and others. > Does anyone know for sure what holophonic sound is? > > Atilla > Hi all, For fear of letting this topic disappear into obscurity, I too am VERY interested in Holophonic sound and am trying to keep it on the list until someone can enlighten us. Atilla, can you give more info about the book you describe above (publisher, etc.)? Any info would be great! Thanks in advance. Jeff Wheeler jwheeler@bigcat.missouri.edu ------------------------------ Date: Sun, 10 Apr 1994 21:51:33 -0700 From: HIgH TeCH Subject: Holophony I dunno if this is much help, but Psychic TV were heavy into Holphonic sound in their earlier days. R. ------------------------------ Date: Fri, 29 Apr 1994 14:38:35 EDT From: "william.b.fox" Subject: Re: Korg Rumor Jack Latanowicz said: > I heard some rumours that Korg company is out of buisness... This is a rumor I haven't heard. But I seem to recall that Yamaha bought a significant portion of Korg sometime in the last few years. Bill Fox wbf@aloft.att.com ------------------------------ Date: Thu, 28 Apr 1994 12:37:43 CET From: Jack Latanowicz Subject: Hey Ppl :) I heard some rumours that Korg company is out of buisness...also that Roland was bought by some Italian company. Can anyone confirm this ? I can't believe that Korg broke down. I always thought of it as a good company... Jack L. ------------------------------------------------------------------------ Jack Latanowicz tel/fax Pl-(0-61) 798-202 Ul.Porzeczkowa 27 jack@plpuam11 or smile@plpuam11 (bitnet) 61-306 Poznan jack@vm.amu.edu.pl or smile@vm.amu.edu.pl (internet) POLAND "'Dancing barefoot' - Patti Smith..." ------------------------------------------------------------------------ ------------------------------ Date: Sat, 30 Apr 1994 12:39:16 +0100 From: Nick Rothwell Subject: > I heard some rumours that Korg company is out of buisness... I doubt it. >also >that Roland was bought by some Italian company. Other way round; I think it was Siel that was bought by Roland. One of my Roland keyboards is Italian-made... Nick Rothwell CASSIEL Contemporary Music/Dance nick@cassiel.com ------------------------------ Date: Fri, 1 Apr 1994 11:20:35 +0200 From: Guy Van Belle Subject: Re: M and "niche ecology" Why don't you all discuss it with David Z.! himself? He is working @IRCAM.FR and I wouldn't be surprised if he would read this discussion secretely and have a good laugh. Besides, I don't think that there is such a division between Ready To Use Programs and Max. You don't have to be a super-programmer to make some patches that work well in it. It is in a way a quick-and-dirty thing as well as a program that allows you to do the more refined work. It just depends on your experience and progress. Nobody should be afraid of it. GuyZ11B for YOUNG FARMERS CLAIM FUTURE. PS - NICK'S REMARKS ARE QUITE APPROPRIATE I just took his message to RE. On Thu, 31 Mar 1994, Nick Rothwell wrote: > I have no problem with niche ecology, so long as the immune system is still > functioning. If David Z. is still maintaining M and keeping it working on > new hardware and system releases, then that's fine. I'm just a little wary > of stiffware. > > This concept of a software package being maintained but *not* enhanced with > yet more features to occupy more disk space, eat more RAM, and introduce > more bugs, is quite a novel one. I applaud it. > > > Nick Rothwell CASSIEL Contemporary Music/Dance nick@cassiel.com > ------------------------------ Date: Mon, 25 Apr 1994 12:12:43 -0400 From: Joe McMahon Subject: Mail troubles (more) Because the server which normally gets all of my mail is out for the count, I will be unable to receive mail until it is fixed. I can send it; I just can't receive it. This means no help on list problems until then. If it's a total emergency, send your request to jim@auvm.american.edu. Normal unsubscriptions: send mail to listserv@auvm.american.edu with the text UNSUB EMUSIC-L as the body. EMUSIC-D/SYNTH-L subscribers should substitute the list name necessary. --- Joe M. -- "We also have means to convey sounds in trunks and pipes, in strange lines and distances." - F. Bacon, The New Atlantis (1624) ------------------------------ Date: Tue, 5 Apr 1994 09:10:00 CST From: "L. Finken" Subject: MIDI Programming Responses to the question "Can anybody suggest a good book or resource on MIDI programming for the Macintosh?": -- ---------------------- >Try contacting Opcode Systems at OPCODETECH@PAN.COM or call them at >415.856.3331" -- >The only book I can think of is surprisingly called "MIDI programming for >the macintosh" by Steve de Furia and Joe Scacciaferro. M&T publishing INC, >501 Galveston drive, Redwood city, ca 94063. It has samples for programming >in pascal and basic. If you really want to get started qickly try MAX from >opcode. It's the best programming enveronment for MIDI there is, and you don't >have to bother with c,basic, or pascal." -- >I know of two references but the bookstores here can't locate the books. If >you find out that they are still available please let me know. > "MIDI Programming for the Macintosh" by DeFuria and Scacciaferro > "MIDI Programmer's Handbook" by DeFuria and Scacciaferro" -- > If you're interested in *programming* the MIDI, perhaps the best >reference is Apple's own MIDI Management Tools Set. It contains full >documentation of the Mac's MIDI interface and progamming tools. The current >version of it is 2.0.2. > You can get this and other stuff for apda, Apple Programmers & >Developer Association. You can reach them via the internet at >APDA@applelink.apple.com. Their phone numbers are : (800)282-2732 (US), >(800)637-0029 (Canada), and (716)871-6555 for Intl." -- ---------------------- Another reference is "MacWorld Music and Sound Bible", by Christopher Yavelow, IDG Books, 1-800-762-2974 ------------------------------ Date: Sun, 3 Apr 1994 10:41:00 -0400 From: gert braakman Subject: Re: Music Mouse- Instructions? I used music mouse some years ago. But stopped using it when the version I had wasn't compatible with system 7. Is their an update to music mouse available? ------------------------------ Date: Mon, 4 Apr 1994 16:30:07 -0400 From: "Jon Crystal (Jon Crystal)" Subject: Re: Music Mouse- Instructions? >I used music mouse some years ago. But stopped using it when the version I >had wasn't compatible with system 7. Is their an update to music mouse >available? The demo version I downloaded does seem to work with System 7 (with the possible exception of the midi channel assignment problem I first mentioned). Jon Crystal University of Vermont 357 Waterman Burlington, VT 05405 email: jcrystal@moose.uvm.edu phone: 802 656-1163 ------------------------------ Date: Mon, 25 Apr 1994 16:49:23 CST From: jrt72269@ACUVAX.ACU.EDU Subject: Patch Sysex problem? Ok, I'v go this problem that I've been trying to solve for a while, but I keep coming up with empty answers. The goal of my process is to enter sysex info in to a standard midi file track so that I can always have the patch in the midi file in case it is not in my synth. I am working in a general purpose lab where anything can change at anytime. The equipment that I am using is a TX816 and a DX7. The sequencing software is Performer. We also use the Galaxy patch editor, but that does not have to do with this exact process. I have succesfully recorded a sysex patch in any track, but when it comes to playback the paremeter change alwas playback the paremeter change always accours in channel one, no matter where the patch originated and no matter what the channel the track is actually playing music on. I can open the sysex information and see the hexadecimal format, so I know that the patch is actually in each track, but my question comes in about the channel information. The TX816 operators manual tells some but very little info on the subject. (FO, 43, OO, OO is 1 voice bulk for example, but it says nothing about channel) Can anyone identify with this problem? I think the problem lies in the hex info, but I am not for certain. Any help would be appriciated. Jesse JRT72269@ACUVAX.ACU.EDU ------------------------------ Date: Tue, 26 Apr 1994 11:49:20 -0500 From: Dean Keith Subject: Reply to Patch Sysex problem? >Ok, I'v go this problem that I've been trying to solve for a while, but I keep >coming up with empty answers. The goal of my process is to enter sysex info >in to a standard midi file track so that I can always have the patch in the >midi file in case it is not in my synth. I am working in a general purpose lab >where anything can change at anytime. The equipment that I am using is a TX816 > and a DX7. The sequencing software is Performer. We also use the Galaxy patch > editor, but that does not have to do with this exact process. >I have succesfully recorded a sysex patch in any track, but when it comes to >playback the paremeter change alwas playback the paremeter change always accours > in channel one, no matter where the patch originated and no matter what the > channel the track is actually playing music on. > >I can open the sysex information and see the hexadecimal format, so I know that > the patch is actually in each track, but my question comes in about the >channel information. The TX816 operators manual tells some but very little >info on the subject. (FO, 43, OO, OO is 1 voice bulk for example, but it says >nothing about channel) > >Can anyone identify with this problem? I think the problem lies in the >hex info, but I am not for certain. > >Any help would be appriciated. > >Jesse >JRT72269@ACUVAX.ACU.EDU This may be too simple of an answer, but in case you didn't know, the original DX7 can only utilize MIDI channel 1. If it's a DX7 II than it can respond to all 16 channels. ______________________________________________________________________________ Dean Keith dkeith@tarleton.edu Tarleton State University Stephenville, Texas, USA ______________________________________________________________________________ ------------------------------ Date: Mon, 18 Apr 1994 17:45:54 +0000 From: HomeyLeDieu Subject: Paul Lansky... If anyone out there can tell me where I can buy a copy of Paul Lansky's album (CD really) entitled "Home Brew", I would be a very happy man. Thanks, \\| | | |\ // Doug George/ |--| | | ) HomeyLeDieu/ | | |__ |/ DJ MC Scratchmaster Bee-Bop Chocolate Chip Cookie Dog ** There is Truth in that the sky falls from my eyes. Long Live Sleet! ** ------------------------------ Date: Wed, 20 Apr 1994 04:23:03 -0500 From: TIM Subject: programming the pc timer chip Does anyone know how to program the PC-timer channel 0? I need to speed up the frequency of interrupt 08H's to give my sequencer timing accuracy. Thanks, Tim Harrison harrison@depauw.edu ------------------------------ Date: Fri, 1 Apr 1994 15:05:18 EST From: David Lunney Subject: Re: Spatial Placement of Sound Using Phase Delay Techniques John Perser asks for papers on spatial placement using phase delay techniques. The Journal of the Audio Engineering Society has published numerous articles over the years on localization, and the Journal of the Acoustical Society of America would also be another good source. Localization by artificial techniques is a real can of worms, and I wish John well in his efforts. David Lunney Department of Chemistry and Science Institute for the Disabled East Carolina University Greenvlle, NC 27858 USA VOICE: 919-757-6713 919-758-6453 FAX: 919-757-6210 CHLUNNEY@ECUVM1.BITNET CHLUNNEY@ECUVM.CIS.ECU.EDU ------------------------------ End of the EMUSIC-L Digest ******************************