========================================================================= Date: Mon, 1 Jan 1996 15:18:52 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "Holly A. Miller" Subject: midi to au converter I have been off this list for a few months now. Please forgive me if this is a repeat question. I am looking for a Mac utility that will convert midi files to au files or even aiff files so that they could be used in multimedia applications such as Digital Chisel. Is such a thing possible? Would I be better off trying to go from midi to Quick time 2.0? I would appreciate any advice. Thank you in advance, Holly Miller ham@halcyon.com 43507 SE 76th St. Snoqualmie, WA 98065 ========================================================================= Date: Tue, 2 Jan 1996 21:29:23 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Kevin Miller <71760.476@COMPUSERVE.COM> Subject: Re: midi to au converter > I am looking for a Mac utility that will convert midi files to au files > or even aiff files so that they could be used in multimedia applications > such as Digital Chisel. Is such a thing possible? Would I be better off > trying to go from midi to Quick time 2.0? I would appreciate any advice. I haven't heard of such a utility and I don't think it's possible - at least not easily. Midi files are like the paper rolls on player pianos - they just reproduce the keystrokes of someone who actually played the song. Even if you have the paper roll (midi file), you'll need a player piano (sound card or synth) to make a sound. Au, aiff, mov, and wav files on the other hand are actual recordings of a sound. Of course, you could play the midi file and record it into an au file at the same time. Kevin ========================================================================= Date: Wed, 3 Jan 1996 11:47:32 +0100 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Piet van Oostrum Subject: Midi files/software archives on the Internet There is a list of ftp and mail server archives with MIDI documentation, programs and music on the Internet. Also enclosed is a list of MIDI and electronic music related mailing lists. The latest version of this file can be obtained by ftp from ftp.cs.ruu.nl [131.211.80.17] in pub/MIDI/DOC/archives, on the WWW by http://www.cs.ruu.nl/pub/MIDI/DOC/archives or by e-mail from mail-server@cs.ruu.nl (send a message with HELP in the body). The latest monthly version is also available in the various news.answers archives around the world, in music/midi/archives. Version: $Id: archives,v 1.152 1996/01/03 10:45:34 piet Exp $ ========================================================================= Date: Wed, 3 Jan 1996 11:47:33 +0100 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Piet van Oostrum Subject: Computer Music bibliography There is a bibliography on synthesizers, midi, computer and electronic music that I have collected from various sources. I have tried to bring some structure into it, but not all books will fit into a single subject. NOTE: I haven't read these books, and the comments are from other people. The latest version of this file can be obtained by ftp from ftp.cs.ruu.nl [131.211.80.17] in pub/MIDI/DOC/bibliography, on the WWW by http://www.cs.ruu.nl/pub/MIDI/DOC/bibliography or by e-mail from mail-server@cs.ruu.nl (send a message with HELP in the body). The latest monthly version is also available in the various news.answers archives around the world, in music/midi/bibliography. Version: $Id: bibliography,v 1.38 1996/01/02 12:56:17 piet Exp $ ========================================================================= Date: Wed, 3 Jan 1996 09:28:49 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "william.b.fox" Subject: My First Playlist Comments: To: jarre@cs.uwp.edu, space-music@cs.uwp.edu Playlist for DISEMBODIED VOICES Bill Fox filling in for Jeff Bauer. Aired on WDIY 88.1 FM ALLENTOWN 12/31/95 at 11 pm to 1 am 1/1/96. WDIY - Changing the sound of the Lehigh Valley. The right place to be at the left end of the dial. 11 pm: ARTIST ALBUM TITLE ------------------ -------------------- --------------------- Wendy Carlos Digital Moonscapes Genesis Harold Budd Lovely Thunder The Gunfighter Team Metlay Ballistic Fragment G Steve Roach World's Edge Thunderground Jean Michel Jarre Oxygene Oxygene Parts V & VI Steve Verity Digital Planet Forests of Nereid 12 am: ARTIST ALBUM TITLE ------------------ -------------------- --------------------- Team Metlay Ballistic Aqua Regia Chuck Van Zyl & Peter Gulch Regeneration Mode Regeneration Mode Bill Fox EC101 George Martin Yellow Submarine Sea of Holes Klause Schulze The Essential KS Totem ========================================================================= Date: Wed, 3 Jan 1996 10:37:55 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Joshua Fried Subject: physical modeling Hi, all-- I'm writing an article for Contemporary Music Journal! (My first and probably last--long story...) I'll be contrasting different approaches to technology, referring to Marshall McLuhan's principle that new technologies are usually thought of in terms of the old. I'd like to use physical modeling as an example, but since I don't know very much about it, I'd like to run some thoughts by the distinguished members of this list. Would it be accurate to say that pm was originally conceived in academia as yet another way to imitate existing acoustic instruemnts, such as violin, clarinet (read: uncool)? And that, fortunately, pm is already being used (by whom?) to model "impossible" instruments, such as a clarinet with a 50-foot bore (read: very hip)? Or would it be more accurate to say that pm, as conceived in academia, was "hip" as described above and fell into the McLuhan trap only when the commercial music companies such as Yamaha jumped in? Or is it the other way around? Or am I way off-base here? Another example of this point would be the observation that commercial synths are still largely thought of as a cheap means to replace acoustic instruments. Or that multi-track recording equipment evolved as a means to imitate the sound of a live ensemble, and is often still used that way, and seldom for its inherent creative possibilities. thoughts? flames? Joshua Fried ========================================================================= Date: Wed, 3 Jan 1996 10:40:40 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mark Nutter Subject: Re: My First Playlist Comments: cc: "william.b.fox" "william.b.fox" writes: >Playlist for DISEMBODIED VOICES... I notice you sent this to EMUSIC-L, but I didn't see in your mail headers anything about the new-age-radio list, which is where I usually see playlists and stuff. Just in case you (or anyone else who might be interested) didn't know, you can subscribe to the new-age-radio list by sending email as follows: TO: majordomo@cs.uwp.edu SUBJ: subscribe new-age-radio Or, alternatively, you can subscribe to new-age-radio-digest instead, if you would like to get all the messages bundled up into a daily digest. ----------------------------------------------------------------------------- Mark Nutter Internet: manutter@grove.iup.edu College Technology Systems Manager BITNET: MANUTTER@IUP ACS/College of Fine Arts WWW: http://www.iup.edu/~manutter/ G-4 Stright Hall, IUP Indiana, PA 15705 "Prejudice is what keeps us from seeing that every member of the human species is a person with human rights equal to our own." ============================================================================ ========================================================================= Date: Wed, 3 Jan 1996 11:46:57 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Jesse Lackey Subject: alesis quadraverb II digital i/o ....? A quick question to quadraverb II owners: blurbs in music mail-order stores say it has digital i/o...adat format. Does it also work with SPDIF, and is it coax or optical or both? I'd like to use one as a digital effects loop on my PC, where I can do simultaneous SPDIF in & out. Any help appreciated! Thanks. Jesse p.s. what do you think of the effects? I'm primarily interested in the reverb for vocals. -- jesse lackey - jesse@eye.com - 3d/eye, ithaca, ny | I don't speak for 3d/eye! ========================================================================= Date: Wed, 3 Jan 1996 09:18:53 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mike Metlay ++ Atomic City Subject: Re: physical modeling In-Reply-To: <199601031537.KAA28958@escape.com> from "Joshua Fried" at Jan 3, 96 10:37:55 am Joshua Fried writes-- > >I'm writing an article for Contemporary Music Journal! (My first and >probably last--long story...) I've never heard of that journal. (I'm not up on current holdings in libraries, though I should be.) Any relation to the Computer Music Journal from MIT Press? I owe them an article or three myself.... >I'll be contrasting different approaches to technology, referring to >Marshall McLuhan's principle that new technologies are usually thought of >in terms of the old. > >I'd like to use physical modeling as an example, but since I don't know >very much about it, I'd like to run some thoughts by the distinguished >members of this list. Well, I dunno if Dan Phillips is still on here, but I just did an article for RECORDING (everybody wave to Nick Batzdorf! HI NICK! :) on the future directions of synthesis, including physical modeling. My current mood on the topic is a bit sour, for reasons I'll go into below. >Would it be accurate to say that pm was originally conceived in academia >as yet another way to imitate existing acoustic instruemnts, such as >violin, clarinet (read: uncool)? And that, fortunately, pm is already >being used (by whom?) to model "impossible" instruments, such as a >clarinet with a 50-foot bore (read: very hip)? No, I think that the two were probably thought of hand in hand. The place you want to go for the skinny on this is the research papers published by CCRMA on the field. I'll see if I can get you (and the list) some titles and references, but others here may be closer to music libraries and more able to get at it quickly than I am, hint hint. >Or would it be more accurate to say that pm, as conceived in academia, was >"hip" as described above and fell into the McLuhan trap only when the >commercial music companies such as Yamaha jumped in? Or is it the other >way around? > >Or am I way off-base here? I think that it was developed with cool ideas in mind but with a strong eye toward saleable stuff as well. You have to be pretty damn ivory-tower to completely ignore the manufacturers slavering around your pants legs sniffing for money-making ideas, especially after what happened to Chowning.... >Another example of this point would be the observation that commercial >synths are still largely thought of as a cheap means to replace acoustic >instruments. Or that multi-track recording equipment evolved as a means >to imitate the sound of a live ensemble, and is often still used that way, >and seldom for its inherent creative possibilities. This is true enough, but the real steps forward come from the folks who either make new noises for their own sake, or more likely figure out a way to make technologies that do what the suits want AND make new noises. >thoughts? flames? Here's a flame for the lawyers out there. Did you know that it's almost impossible to make any sort of comparison between the different types of modeling technology used by the various synth manufacturers without getting threatened with a lawsuit? It turns out that each company is not only busy developing its own modeling methods, but is jealously looking over its shoulder and snarling at anyone who might (a) make public any information that The Other Guys could steal and/or (b) use any terminology that hints at technologies (and the names associated with them) that might be patented by The Other Guys. Here's a for-instance: Technics calls their WSA1 an "acoustic modeling" synth (because they're afraid that CCRMA has patented the words "physical modeling" for their own research), and strenuously protests against anyone even using the term "physical modeling" in the same breath as their box. It's making this review I'm working on for the CMJ pretty damned annoying, to say the least. When I wrote my article on the future of synthesis for RECORDING, I was tripped about a half dozen times by my contacts at Korg, Yamaha, Roland, and Technics, each of whome frantically inserted disclaimers and revisions to disassociate themselves from one another. In some cases, this was fact-based, for example a claim that a particular synth used a modeling algorithm that it didn't; in other cases, it was just arse-covering. I know it's just business as usual, but I don't have to like it. mike -- The Royal Headsman watched the guards drag the Court Jester to the block... "You know," he mused with a smile as he sharpened his axe, "You didn't just tell great jokes about the King. No, YOU gave us something to THINK about." ========================================================================== Mike Metlay : ATOMIC CITY : P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com = http://pd.net/atomic-city = 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825 ========================================================================= Date: Wed, 3 Jan 1996 16:10:21 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: David Crandall Subject: Re: midi to au converter In-Reply-To: On Mon, 1 Jan 1996, Holly A. Miller wrote: > I am looking for a Mac utility that will convert midi files to au files > or even aiff files so that they could be used in multimedia applications > such as Digital Chisel. Is such a thing possible? Would I be better off > trying to go from midi to Quick time 2.0? I would appreciate any advice. There's a DOS/Windows program from DiAcoustics called Midi Renderer that should do the trick. Goes from MIDI to .wav files, and .wav to aiff should be easy enough. Sorry it's not a Mac thang, though... I just checked their homepage and didn't see any mention of cross-platform versions other than DOS/Windows and OS/2. Their web address is http://www.iquest.com/~diac/mr-home.html Hope this hits the spot. David Crandall dcrand1@umbc.edu Baltimore (Stoop Sitter Central) MD. ========================================================================= Date: Wed, 3 Jan 1996 11:53:05 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "william.b.fox" Subject: Re: My First Playlist Comments: To: manutter@grove.iup.edu Mark Nutter writes, in part: > I notice you sent this to EMUSIC-L, but I didn't see in your mail headers > anything about the new-age-radio list, which is where I usually see > playlists and stuff. Just in case you (or anyone else who might be > interested) didn't know, you can subscribe to the new-age-radio list by > sending email as follows: Thanks for the tip, Mark. I'm already a member there. But the reason I didn't include the new-age-radio-digest in my post is because I only joined yesterday. I wanted to lurk a week or two to get the flavor of the list before posting something that may or may not be appropriate. Since you see playlists there (regularly?), I plan to post the playlist there, eventually. Bill Fox wbf@aloft.att.com ========================================================================= Date: Thu, 4 Jan 1996 15:52:42 +1000 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: David Rodger Subject: Re: physical modeling Hi Joshua... > Marshall McLuhan's principle that new technologies are usually thought of > in terms of the old. Oh, cool. Do let us know when it's being published. Re the chicken and egg question: My reading of CMJ and other sources over the last few years indicates (to me, anyway) that pm was developed by trying to simulate acoustic instruments, but the researchers never stated that this was the reason they were doing it. The physical properties of acoustic instruments are known (or can be found), so, if anything, the research became exercises in seeing what (and how) they could be modelled. (Whoops! slight misplacement of bracket there, but I think you'll know what I mean.) This doesn't mean that other paradigms can't be found. But if you're trying to evaluate the efficacy of a synthesis technique, modelling acoustic instruments seems to be a good way of doing it. > fell into the McLuhan trap only when the > commercial music companies such as Yamaha jumped in? Well, since physical modelling is very complicated, I tend to think that yer average punter will wish less to model than he/she was willing to program FM. Physical models seem to be very specific. Those with access to the Korg Prophecy can tell us how _it_ works (and have recently). I expect that specific models will be available which the user can mix and match. e.g. a flute mouthpiece and a bass string sustain. This would be different from the old sampled-attack + synth sustain in that the mouthpiece modelling could be made to have an effect on the bass string model. > Another example of this point would be the observation that commercial > synths are still largely thought of as a cheap means to replace acoustic > instruments. Or that multi-track recording equipment evolved as a means > to imitate the sound of a live ensemble, and is often still used that way, > and seldom for its inherent creative possibilities. Much of this has been said already, but you'd always find exceptions. Rather than artists necessarily wishing to _imitate_ an ensemble, they may only wish to have a greater degree of processing control over discrete elements of the ensemble, which a stereo recording would not afford. Regardless of whether one approves of this or not, the fact that 'mixing' and 're-mixing' are respected in the industry says something. Why is Bob Clearmountain so sought after? Regards, David musdr@lure.latrobe.edu.au ========================================================================= Date: Thu, 4 Jan 1996 01:23:59 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "A. Kar Vivekananthan" Subject: Re: Rap and new wave songs Normally, I simply read this list. But today... Electronic music most definitively encompasses rap music and it's derivatives. Aside from basic cultural significances found within the lyrics - the music is just as significant, progressive and profound as anything else created with electronic instruments. In addition, it might prove cathartic if one would take the time and listen to some of rap and hip-hop music's composition... Don't knock it till you try it. Rap culture is vibrant, genuine and useful. Maybe it is not part of your reality. -- But, so what?! One might be surprised at how many of today's youths use phrases and ideas found within top40 rap... I wonder what's in store for posterity? DKAV@aol.com production/engineering ========================================================================= Date: Thu, 4 Jan 1996 01:43:07 GMT Reply-To: jetman@tunanet.com Sender: Electronic Music Discussion List From: jetman Organization: tunanet Subject: Re: midi to au converter Comments: To: homer!AMERICAN.EDU!EMUSIC-L@AMERICAN.EDU Kevin Miller wrote: >Of course, you could play the midi file and record >it into an au file at the same time. Or play an au file and transcribe it into MIDI at the same time. Hey, could you play a MIDI file and record it into an au file while you were transcribing that file into a MIDI file that was being recorded into an au file, . . . ? Jeff Talman NYC-USA jetman@tunanet.com ========================================================================= Date: Thu, 4 Jan 1996 20:29:42 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: AA90000 Subject: KYMA AND PITCH-TO-MIDI People: I'm new on this list (and, as a matter of fact, new to lists). I've some questions for anyone who's had the opportunity to work on the KYMA system from Symbolic Sound. What computer did you run it from? How much RAM did you have... ...how much did you wish you had? Did the system belong to an individual or an institution? If an institution, which one and how did you gain access privileges? I'm very curious about this system and would appreciate any information you could share about experiences with KYMA. Thanks- T.F. ========================================================================= Date: Thu, 4 Jan 1996 21:33:15 -0600 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Benjamin Leon Subject: Address Greetings! Anyone know if there is a direct address to Roland and Kurzweil. Not through any Web pages - PLEASE! thanks in advance. Ben Bleon@omnifest.uwm.edu ========================================================================= Date: Fri, 5 Jan 1996 20:11:51 +0000 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Nick Rothwell Subject: Re: Rap and new wave songs >Electronic music most definitively encompasses rap music I have nothing against rap music - I actually like some of it - but I don't see what makes it "electronic music". Is it concerned with the creative and innovative use of electronically-generated timbre (which is what I generally assume EM means)? Nick Rothwell CASSIEL Contemporary Music/Dance nick@cassiel.com years, passing by, VCO, VCF, and again, and again ========================================================================= Date: Fri, 5 Jan 1996 17:35:11 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Jeff Peters Subject: Re: Response to Address request Try Keyword Kurzweil. ========================================================================= Date: Fri, 5 Jan 1996 19:06:02 -0600 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Benjamin Leon Subject: Re: Response to Address request Thanks for the Kurzweil/Keyword, But maybe I forgot to mention in the first letter. I am also not on AOL. BLeon ========================================================================= Date: Fri, 5 Jan 1996 20:55:31 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Kevin Miller <71760.476@COMPUSERVE.COM> Subject: Re: Response to Address request >Thanks for the Kurzweil/Keyword, >But maybe I forgot to mention in the first letter. >I am also not on AOL. >BLeon Try David Fox at 75300.2272@compuserve.com. He's the Kurzweil rep on their forum on Compuserve. Kevin ========================================================================= Date: Sat, 6 Jan 1996 03:00:21 -0600 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "i.s.o.r. magazine!" Subject: PC based simulations of Has anyone toyed with the windows based program SimSynth? i've had it on my computer for a long time and am just now trying to understand it but this seems like a brillant idea that has been overlooked many times. For those of you that don't know it is an analogue synth simulator. I'm sure it does not exactly replicate a snyth but is it not more satiating to 'invent' your own sound? ps- anyone know of a program that allows the user to draw via mouse or co-ordinates a wave-form for sampling? ========================================================================= Date: Sat, 6 Jan 1996 09:06:52 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Kirlu@AOL.COM Subject: Remove from list Please remove me from your mailing list. Thank You ========================================================================= Date: Sat, 6 Jan 1996 17:12:17 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Kevin Miller <71760.476@COMPUSERVE.COM> Subject: Re: PC based simulations of >ps- anyone know of a program that allows the user to draw via mouse or >co-ordinates a wave-form for sampling? I use Wave II SE from Turtle Beach (SE asn in Sample Editing) to edit and audition samples. It is also able to send and receive samples from their wave table synth cards. You can draw with the mouse, which I've used to remove clicks and pops from existing samples. I think it's a good package. It works with MSW wave files, but it can import and export may file types. Kevin ========================================================================= Date: Sat, 6 Jan 1996 20:13:42 -0600 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Benjamin Leon Subject: Re: Response to Address request Thanks a lot!! BLeon