========================================================================= Date: Sat, 15 Feb 1997 03:56:46 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Charles Baker Subject: Re: tunings & harmonics >I can accept alternative non twelve tone equally tempered scales, but the >underlying phase cancellation & resonant frequency physics are like >gravity. There not imaginary, culturally generated aesthetical concepts. >They are real enough to bring bridges down if non taken into account. I >don't see how you could alter the physical characteristics of an isolated >vibration by assuming it's embedded in a different tuning structure. First: how familiar are you with the harmonic structure of metal bars and gongs? They don't match Helmholtz's nice integer multiples AT ALL. No wonder cultures where the primary instruments are mettalophones and Gongs (BALI,JAVA, ALL OF INDONESIA) don't share the octave dominated world of our musical scales! Second: How we can alter the physical characteristics of an "isolated vibration"?!?!?!?!??!?!?! Gosh, hich mailing list are we in, anyway?!? I guess that all that work on synthesis and signal processing that I did in college will never create a sound that works in 19-tone scales. Thanks for informing me. Hint: look up research in "additive synthesis". Sorry for the sharp tone, but your attitude is backwards, and full of self important 19th century "scientific" attitutes (or I guess to be honest, I *see* it that way.) I have studied instrument physics for years, and have performed (trumpet) in orchestras for years, and yes, in western music, we like to "lock up" harmonics in performance. OF, I guess this raises this practice to universal law? This discussion started with a note about an interesting study where harmonics were moved/"stretched"/etc. to better align with different tunings. For our ears. Myself, I like a nice sharp beat-frequency in my music now and again. I think if you tried to tell the Balinese that they should move to instruments with integer multiple harmonics (such as the western flute), and base those scales of theirs on "scientific principles", they *might* get a good laugh from it.... Nothing personal...just a serious topic for me. I have had attitudes like this one I have been putting in your mouth shoved at me CONSTANTLY in the conservatories I worked/studied at. Again apologies: It's late. But do you understand my point? (or do I misunderstand yours?) CharlieB baker@charlieb.com http://www.charlieb.com ========================================================================= Date: Sun, 16 Feb 1997 11:25:22 +0000 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Nick Rothwell Subject: Re: Ego: the training wheel of creativity Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" >Yo, Rothwell: I got rid of my LXP-5 for >the same reason! You didn't "get rid" of it, you sold it to me... :-( Nick Rothwell, CASSIEL contemporary dance projects http://www.cassiel.com music synthesis and control years, passing by, VCO, VCF, and again, and again ========================================================================= Date: Sun, 16 Feb 1997 11:24:51 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mike Metlay ++ Atomic City Subject: Re: Ego: the training wheel of creativity In-Reply-To: from "Nick Rothwell" at Feb 16, 97 11:25:22 am MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Nick Rothwell writes-- > >>Yo, Rothwell: I got rid of my LXP-5 for >>the same reason! > >You didn't "get rid" of it, you sold it to me... :-( Er, no, papasan. I'm crazy and occasionally stupid, but I'm not mean. I sold you the first one I owned, because you fell in love with it at the sessions and I knew I could get another more easily than you. I then went out and got a second one. It was THAT one that I ditched sometime in 1993 or early 1994, right around when yours (ex-mine) began to have problems. Not to be shirty about this, but I can't very well sit back and let people think that I sell people defective gear. mike -- I don't get it. I use an Oberheim Cyclone with impunity. I send DX-7 sysex directly into my Jupiter Six, just to show my wife my true manliness... Then I get involved in one of your damned projects, and everything just turns whimpy on me. For pete's sake, when I normally combine incompatibilities like this, I end up with something better than was intended! Now, stuff just fails. (darwin) ========================================================================== Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825 ========================================================================= Date: Mon, 17 Feb 1997 11:11:16 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: "Robert M. Sanders" Subject: Re: tunings & harmonics -Reply Charles Baker writes: < Sorry for the sharp tone, but your attitude is backwards, and full of self important 19th century "scientific" attitutes (or I guess to be honest, I *see* it that way.) < Charles and everybody else on tuning thread: I agree, you guys are the experts. As I prefaced, I'm merely a layman when it comes to this stuff (ignorant of the accumulated theory and terminology) and some of it seems counterintuitive to at least me, and probably to others. Hasn't any of this stuff ever challenged your intuition? Nevertheless, I *am* interested in upgrading my understanding and reversing any false/half-baked conceptions I currently hold. I've thought about the experiment with tuning two tones each comprised of two sine waves seperated by a major seventh interval. You are esentially tuning the pitch of the lower sine wave of the "higher pitch tone" to the same pitch as the pitch of the higher pitched sine wave of the "lower pitched tone". 1) does the "agreeability" of this interval hold if I change the relative amplitude of the pair if sine waves? (e.g., if the "lower sine wave" in each pair is 5 times louder than the upper sine wave, does the major seventh tuning sound better than the octave tuning? What about if the base tone is 10 times louder? 2) you still seem to be reducing the "beat" frequency to a local minimum ========================================================================= Date: Mon, 17 Feb 1997 16:49:10 +0000 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Nick Rothwell Subject: Re: Ego: the training wheel of creativity Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" >Not to be shirty about this, but I can't very well sit back >and let people think that I sell people defective gear. Ah. Sorry, and thanks for setting the record straight. You mean, my LXP-5 is buggered and your replacement LXP-5 was also buggered? Why does everyone at Lexicon and Stirling deny any knowledge of problems with them? Nick Rothwell, CASSIEL contemporary dance projects http://www.cassiel.com music synthesis and control years, passing by, VCO, VCF, and again, and again ========================================================================= Date: Mon, 17 Feb 1997 15:39:46 -0500 Reply-To: Bogdan Dragan Sender: Electronic Music Discussion List From: Bogdan Dragan Subject: I WANT TO LEAVE! PLEASE LET ME OUT OF THIS LIST! THANX ! _____ _____ ********************************** | \ _____ | \ * * | __ \ / \ | __ \ * Bogdan Dragan * | / | | | | / *::::::::::::::::::::::::::::::::* |_____/ | | | |_____/ * Tel^Fax^Data:(40)-1-745.6218 * | \ | | | | \ * E-mail: ndragan@pcnet.pcnet.ro * | __ \ | | | | __ \ * nick@pemail.net * | / | | | | / * BUCHAREST * |_____/ \_____/ |_____/ * R O M A N I A * ********************************** QUOD SCRIPSI SCRIPSI ! ========================================================================= Date: Tue, 18 Feb 1997 08:47:17 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mike Metlay ++ Atomic City Subject: Re: Ego: the training wheel of creativity In-Reply-To: from "Nick Rothwell" at Feb 17, 97 04:49:10 pm MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Nick Rothwell writes-- > >>Not to be shirty about this, but I can't very well sit back >>and let people think that I sell people defective gear. > >Ah. Sorry, and thanks for setting the record straight. De nada. >You mean, my LXP-5 is buggered and your replacement LXP-5 was also buggered? That's exactly what I mean. >Why does everyone at Lexicon and Stirling deny any knowledge of problems >with them? Because they're idiots? I have an MPX 1 in my studio right now. Impressive sounds, but the UI takes some getting used to. I'm not sure whether I'd rather have an LXp15II... mike -- I don't get it. I use an Oberheim Cyclone with impunity. I send DX-7 sysex directly into my Jupiter Six, just to show my wife my true manliness... Then I get involved in one of your damned projects, and everything just turns whimpy on me. For pete's sake, when I normally combine incompatibilities like this, I end up with something better than was intended! Now, stuff just fails. (darwin) ========================================================================== Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825 ========================================================================= Date: Tue, 18 Feb 1997 22:04:07 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: michelle l maness Subject: Critique my sequences! Hey Everybody! If you have a minute to download - check out our homepage and give my sequences a grade! Everything but the guitar is sequenced, so tell me what I could do to improve! We're at: www.cqws.com/zone2/two4one Thanks! David Maness Two 4 One Two4One@Juno.com ========================================================================= Date: Wed, 19 Feb 1997 15:34:47 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: William B Fox Subject: EM Concerts Comments: To: ambient@hyperreal.com, analogue@hyperreal.com, chuckv@starsend.org, mirage@hpdsojk.ptp.hp.com, mostly-midi@nosuch.com, sgroup@lotus.uwaterloo.ca, synth-diy@horus.sara.nl, synth-l@american.edu, vectory@synthcom.com, xpansions@synthcom.com The following dates in March have events you shouldn't miss if you're into electronic, ambient, or space music and live near or can drive to Philadelphia. - SEG#9: Sunday, March 2nd, 1997 7:30pm Star's End Gathernig Concert with The Ministry of Inside Things (Peter Gulch, formerly of the Nightcrawlers and Chuck van Zyl - I've heard them before and they're tops in my book. I'll be playing their CD on my show.) - SEG#10: Saturday, March 29th, 1997 8:00pm Star's End Gathering Concert with Bionaut (I have been and will be playing their CD on my show. It's quite good!) Gatherings are held in Houston Hall Auditorium, 3417 Spruce Street, Philadelphia, Pennsylvania. ................................................................................ "Star's End" can be heard every Saturday night/Sunday morning from 1am-6am on: 88.5fm WXPN Philadelphia, PA 88.1fm WXPH Harrisburg, PA 90.5fm Worton/Baltimore, MD 104.9fm Allentown, PA Host: Chuck van Zyl http://www.starsend.org chuckv@starsend.org ................................................................................ Bill BillFox@lucent.com Host of "Emusic" Thursdays at 11pm on WDIY 88.1 FM, Allentown & Bethlehem and 93.9 FM in Easton & Phillipsburg. ========================================================================= Date: Thu, 20 Feb 1997 09:05:40 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mike Metlay ++ Atomic City Subject: Re: EM Concerts In-Reply-To: <9702192034.AA11098@acropolis> from "William B Fox" at Feb 19, 97 03:34:47 pm MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit William B Fox writes-- > >The following dates in March have events you shouldn't miss if you're >into electronic, ambient, or space music and live near or can drive to >Philadelphia. > >- SEG#9: Sunday, March 2nd, 1997 7:30pm Star's End Gathernig Concert > with The Ministry of Inside Things (Peter Gulch, formerly of the > Nightcrawlers and Chuck van Zyl - I've heard them before and they're > tops in my book. I'll be playing their CD on my show.) I've said it before and I'll say it again. REGENERATION MODE by Van Zyl and Gulch is one of the best electronic CDs to come out of America in the past ten years. Highly recommended. "Ministry of Inside Things"?! mike -- I don't get it. I use an Oberheim Cyclone with impunity. I send DX-7 sysex directly into my Jupiter Six, just to show my wife my true manliness... Then I get involved in one of your damned projects, and everything just turns whimpy on me. For pete's sake, when I normally combine incompatibilities like this, I end up with something better than was intended! Now, stuff just fails. (darwin) ========================================================================== Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825 ========================================================================= Date: Thu, 20 Feb 1997 14:03:34 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: JOHN VOLANSKI Organization: Sensormatic Video Products Division, San Diego, CA, 92121 USA Subject: Re: EM Concerts Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Anyone know where I can get a hold of this Regeneration Mode CD? THX JV ---------- From: Electronic Music Discussion Lis[SMTP:EMUSIC-L@AMERICAN.EDU] Sent: Thursday, February 20, 1997 9:44 AM To: EMUSIC-L Subject: Re: EM Concerts William B Fox writes-- > >The following dates in March have events you shouldn't miss if you're >into electronic, ambient, or space music and live near or can drive to >Philadelphia. > >- SEG#9: Sunday, March 2nd, 1997 7:30pm Star's End Gathernig Concert > with The Ministry of Inside Things (Peter Gulch, formerly of the > Nightcrawlers and Chuck van Zyl - I've heard them before and they're > tops in my book. I'll be playing their CD on my show.) I've said it before and I'll say it again. REGENERATION MODE by Van Zyl and Gulch is one of the best electronic CDs to come out of America in the past ten years. Highly recommended. "Ministry of Inside Things"?! mike -- I don't get it. I use an Oberheim Cyclone with impunity. I send DX-7 sysex directly into my Jupiter Six, just to show my wife my true manliness... Then I get involved in one of your damned projects, and everything just turns whimpy on me. For pete's sake, when I normally combine incompatibilities like this, I end up with something better than was intended! Now, stuff just fails. (darwin) ========================================================================= = Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825<> ========================================================================= Date: Fri, 21 Feb 1997 11:10:16 EST Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: William_B_Fox Subject: EMUSIC Playlist Playlist for "EMUSIC" on WDIY-FM, Allentown 88.1 FM in Allentown/Bethleham and 93.9 FM in Easton/Phillipsburg Show #5 February 20, 1997. Host: Bill Fox This show is the third in a month-long focus on the emusic scene in the Netherlands. Each week, a CD will be featured at midnight. In addition, previews of the upcoming Star's End Gatherings in Philadelphia were presented by playing the music of The Ministry of Inside Things (Chuck van Zyl & Peter Gulch) and Bionaut. ARTIST TRACK ALBUM (label) ----------------------- ----------------------- ------------------------------- 11:00 pm Satori Relocations Invisible Rythm (Ancient Sun) Chuck van Zyl The Relic The Relic (Centaur) Bionaut Astral Unraveler Au Naturel (Tiny Bubbles) Lycia Bare Cold (Projekt) Dennis Haley Reflections on Tranquil Seven Seconds After Dimensions (Synesthesia) Alpha Wave Movement Melting Boundaries Transcendence(HarmonicResonance) 12:00 am Various Artists The Sensation of Vorte The Truth Is Twisted (Cue) Various Artists We've X-ed the Line The Truth Is Twisted (Cue) Various Artists Asylum The Truth Is Twisted (Cue) Various Artists Cryogenic Hypersleep The Truth Is Twisted (Cue) Various Artists The Tears from the The Truth Is Twisted (Cue) Insane Bounce like Bullets of My Brain Various Artists The Last Busstop The Truth Is Twisted (Cue) Various Artists Alien Artifacts of Ice The Truth Is Twisted (Cue) Various Artists Current The Truth Is Twisted (Cue) Various Artists Take 2, the 3rd The Truth Is Twisted (Cue) 1:00 am Sign off On next week's program, I'll continue to preview the upcoming Star's End Gatherings and conclude my month-long Netherlands special by featuring a CD at midnight called I.C. by Zodiak. ========================================================================= Date: Fri, 21 Feb 1997 17:47:47 +0000 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Nick Rothwell Subject: Re: Critique my sequences! Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" > If you have a minute to download - check out our homepage and >give my sequences a grade! Everything but the guitar is sequenced, so >tell me what I could do to improve! First thing you could do is take this to a more appropriate mailing list. Nick Rothwell, CASSIEL contemporary dance projects http://www.cassiel.com music synthesis and control years, passing by, VCO, VCF, and again, and again ========================================================================= Date: Fri, 21 Feb 1997 16:39:40 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Terry Leigh Britton Subject: Re: Arnold's choice -Reply MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit I wrote: > > > > > Primitive cultures don't like change, and in fact may ostracize anyone > > trying to be too 'different.' Civilized cultures embrace change as a > > motivating force, and welcome individualism. Give me civilized any day. > > -- > > > > Terry Leigh Britton > In response, Michael A. Michalski wrote: > This is an interesting opinion. Would you mind supporting this? I would like to see > where this takes us in the area of present day civilized societies and their > corresponding tastes in music as well as their acceptance of electronic art forms. > > Michael Just catching up on over a week's worth of backlog mail, so I hope this doesn't feel like dinosaur bone stuff by now. Reading my own words above, I have to say, "Gads! Do I throw around platitudes or WHAT???" :) But there is, I feel, a grain of truth to what I say, even though we have witnessed 'civilized' societies partaking in what I'd refer to as 'uncivilized' behavior. I think that -- in the grey-scale spectrum between civilized and uncivilized -- one can generally use these two criteria (as laid out above) to determine where in that scale a society is at any particular time. In the name of 'tradition,' humans keep up accepted ways of doing various things. If someone comes up with an untraditional approach, that necessarily threatens the stronghold position which tradition holds upon that local society, and as such is either thwarted or discouraged, in instance after instance. As long as we embrace the concept of 'traditions' we will experience this grey-scale spectrum between my civilized and uncivilized societal 'types.' So, when twelve-tone-sounding stuff was being played (in private) and composed by Charles Ives, he knew enough about the ways of the world to keep his stuff in a drawer and to take it out for his own amusement only. He knew the level of 'civilization' of his society as measured in its tolerance of 'different' things, and that tolerance was limited. It still is, but it is far less likely that one will be castigated for experimenting with new ideas now than even ten years ago. (Only recently have a couple of dictatorships which will go un-named loosened up their strict adherence to their own, self-indulgent 'traditions,' and artists in those countries aren't fully out of the water yet!) In summation, if I had to fear punishment or physical harm for merely expressing myself artistically in an artform or medium or style of approach or viewpoint that was 'non-traditional' I would feel I was living amidst an uncivilized society. That many, many people embrace traditions and perpetuate them almost zealously is not the issue... it's whether these people are permitted to resort to using force, chicanery, banishment, black-listing, imprisonment, beating/whipping, or other insidious means to enforce their perpetuation -- that is what is at issue in my meaning above. I feel quite fortunate to have been born into an age where I have been permitted and encouraged to compose and perform some pretty radical stuff with no fear of any harm upon myself (only the wrath of critics! :) Terry Leigh Britton http://www.rbdc.com/~brittont ========================================================================= Date: Fri, 21 Feb 1997 16:59:57 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Terry Leigh Britton Subject: Re: microtonal harmonics (was Alerative tunings) MIME-Version: 1.0 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit George Henry wrote: > > At 09:55 PM 2/11/97 -0500, Terry Leigh Britton wrote: > > >That makes me wonder... can you 'alternatively tune' the HARMONICS in a > >sound? Does microtonality apply to the elements of a sound beyond the > >fundamental level? Is this worth looking into? Has it been looked into? > > Harmonics are no respecters of temperaments, and are *inherently* > "microtonal". Instruments which emphasize harmonic overtones, representing > small-number frequency ratios of the fundamental, produce readily > identifiable pitches, because they give the human hearing apparatus a > reasonable set of reference points; instruments which emphasize inharmonic > overtones (which are not small-number freq. ratios...) produce less > clearly-pitched, "noisier" sounds. > > (That's the way I read it, and it makes sense....) > > George Henry > Bandana Computer > Synergizing Business, Arts, and Technology for the 21st Century > http://www.bandanacomputer.com/ > "Our goal is to consistently surpass your expectations." So, I could conceivably 'morph' a sound with 'clean' harmonic characteristics into a metallic sounding one by sliding around the harmonic's pitch? I have a Korg Wavestation, and just realized that I can have up to 32 sinewaves going at once, all tuned differently and with different volume settings -- and all dynamic in that they can each be individually modulated by a host of modulation sources. (AND any of these 32 'waves' can be instead a wave-sequence of tones seguing from one tuning &/or volume to another). If I keep the modulations timings different, I should hear the result as a cavalcade of tonalities/timbres 'morphing' from harmonic to metallic to wooden, I would suppose. How subtle a shift in frequency should I keep things to reflect the 'reality' of harmonic series? It is my understanding of harmonic series that the intervals get closer and closer together the higher in position that harmonic 'sits.' Is this too-limited a view of harmonic overtone series? Terry Leigh Britton http://www.rbdc.com/~brittont PS- I will set up an experiment over the next few days. ========================================================================= Date: Fri, 21 Feb 1997 17:12:53 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: david friday Subject: thanks for welcoming me Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" hello every one and thank you for welcoming me. I am an electronic musician and my interest range from jazz to rock. I am also a home recording entheusiast whom is quite interested in sharing information and possibly working on a midi project via the net, since there is software to do this. if any one is interested please contact me. I hope I have sent this message correctly, it really not my intention to anger anyone. thanks.......david ========================================================================= Date: Fri, 21 Feb 1997 19:13:45 -0500 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: david friday Subject: Re: Critique my sequences! In-Reply-To: Mime-Version: 1.0 Content-Type: text/plain; charset="us-ascii" great i'll give your work a listen......i'm sure it's great! if theres a more appropriate mailing list for this type of subject let me know. thanks ========================================================================= Date: Fri, 21 Feb 1997 16:36:49 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: Mike Metlay ++ Atomic City Subject: Re: EM Concerts In-Reply-To: <1997Feb20.135636.1689.74534@apollo.sensormatic-vpd.com> from "JOHN VOLANSKI" at Feb 20, 97 02:03:34 pm MIME-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit JOHN VOLANSKI writes-- > >Anyone know where I can get a hold of this Regeneration Mode CD? Wayside Music keeps it in stock. I don't know if they have a Website up yet, but you can always write or FAX them for a catalog. They mostly deal with free jazz and avant-garde rock/uptown stuff, but there are a few exceptional electronic titles in their catalog as well. mike -- Me: "As usual, I'm hours behind where I have to be...." John Simonton: "A constant state for those who give a sh*t." ========================================================================== Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825 ========================================================================= Date: Fri, 21 Feb 1997 17:24:06 -0800 Reply-To: Electronic Music Discussion List Sender: Electronic Music Discussion List From: JOHN VOLANSKI Organization: Sensormatic Video Products Division, San Diego, CA, 92121 USA Subject: Re: EM Concerts Mime-Version: 1.0 Content-Type: text/plain; charset="US-ASCII" Cool! I'm interested. Can you give me a phone or fax number, and I'll ring em up on the telly! THX Muchly- JV ---------- From: Electronic Music Discussion Lis[SMTP:EMUSIC-L@AMERICAN.EDU] Sent: Friday, February 21, 1997 4:59 PM To: EMUSIC-L Subject: Re: EM Concerts JOHN VOLANSKI writes-- > >Anyone know where I can get a hold of this Regeneration Mode CD? Wayside Music keeps it in stock. I don't know if they have a Website up yet, but you can always write or FAX them for a catalog. They mostly deal with free jazz and avant-garde rock/uptown stuff, but there are a few exceptional electronic titles in their catalog as well. mike -- Me: "As usual, I'm hours behind where I have to be...." John Simonton: "A constant state for those who give a sh*t." ========================================================================= = Mike Metlay - ATOMIC CITY - P. O. Box 81175, Pittsburgh, PA 15217-0675 USA = atomic@netcom.com -- http://pd.net/atomic-city -- 800.924.ATOM = CD orders via LOFTY PURSUITS: 800.548.6724 & 904.385.6463, FAX 904.668.5825<>