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	<title>EMUSIC-L &#187; announcements</title>
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	<link>http://www.ibiblio.org/emusic-l</link>
	<description>electronic music and other vaguely-related topics</description>
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		<title>@differentskies on Twitter</title>
		<link>http://www.ibiblio.org/emusic-l/2009/09/06/differentskies-on-twitter/</link>
		<comments>http://www.ibiblio.org/emusic-l/2009/09/06/differentskies-on-twitter/#comments</comments>
		<pubDate>Mon, 07 Sep 2009 05:52:01 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[administrative]]></category>
		<category><![CDATA[announcements]]></category>
		<category><![CDATA[differentskies]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=204</guid>
		<description><![CDATA[We&#8217;re trying an experiment this year for Different Skies: the @differentskies Twitter ID will be used by all the participants to do updates during the week. 
Normally we have a lot of different blog entries that generally end up getting written at the end of the day or even a day or so later &#8211; [...]]]></description>
			<content:encoded><![CDATA[<p>We&#8217;re trying an experiment this year for Different Skies: the <a href="http://twitter.com/differentskies">@differentskies</a> Twitter ID will be used by all the participants to do updates during the week. </p>
<p>Normally we have a lot of different blog entries that generally end up getting written at the end of the day or even a day or so later &#8211; a lot happens at a Different Skies!</p>
<p>Having the one Twitter ID to watch saves everyone from having to chew up Twitter real estate on a #differentskies hashtag.</p>
<p>It will be interesting to see if everyone&#8217;s too busy even to use Twitter.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Wordpress 2.7</title>
		<link>http://www.ibiblio.org/emusic-l/2008/12/13/wordpress-27/</link>
		<comments>http://www.ibiblio.org/emusic-l/2008/12/13/wordpress-27/#comments</comments>
		<pubDate>Sat, 13 Dec 2008 19:02:55 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[administrative]]></category>
		<category><![CDATA[announcements]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=104</guid>
		<description><![CDATA[I&#8217;ve upgraded to version 2.7 &#8211; less painful than usual. I&#8217;m planning to try out the new features that will let me post faster &#8211; perhaps I&#8217;ll post more that way.
]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve upgraded to version 2.7 &#8211; less painful than usual. I&#8217;m planning to try out the new features that will let me post faster &#8211; perhaps I&#8217;ll post more that way.</p>
]]></content:encoded>
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		<item>
		<title>Different Skies: T -2:05:29</title>
		<link>http://www.ibiblio.org/emusic-l/2007/10/11/different-skies-t-20529/</link>
		<comments>http://www.ibiblio.org/emusic-l/2007/10/11/different-skies-t-20529/#comments</comments>
		<pubDate>Fri, 12 Oct 2007 07:55:11 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[differ]]></category>
		<category><![CDATA[gear]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=62</guid>
		<description><![CDATA[I&#8217;ll be attending the Different Skies festival this year as a performer. This will be my first public performance on keyboards. Gulp.
I&#8217;m still doing my last minute planning &#8211; I&#8217;ve finalized the gear, gotten the software I want to use ready, and have made lists of the stuff to actually be packed and taken. I [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ll be attending the <a href="http://differentskies.com">Different Skies</a> festival this year as a performer. This will be my first public performance on keyboards. Gulp.</p>
<p>I&#8217;m still doing my last minute planning &#8211; I&#8217;ve finalized the gear, gotten the software I want to use ready, and have made lists of the stuff to actually be packed and taken. I haven&#8217;t actually <em>done</em> any packing yet, but at least I know what I&#8217;m taking.</p>
<p>Gearwise, I&#8217;ll be exhibiting my simultaneous impulses to Luddism and bleeding-edge: the <a href="http://www.vintagesynth.com/ensoniq/sd1.shtml">SD-1</a> and <a href="http://www.loopers-delight.com/tools/vortex/vortex.html">Vortex</a> on the Luddite side &#8211; pretty much unchanged since 1993; and the Presonus <a href="http://www.presonus.com/firebox.html">Firebox</a>, <a href="http://www.greenoak.com/crystal/">wildly</a>-<a href="http://www.u-he.com/TripleCheese/index.html">assorted</a> AU and VST plugins, <a href="http://www.defectiverecords.com/vstihost/index2.html">host</a> <a href="http://www.ableton.com/">programs</a>, and software I haven&#8217;t even quite finished writing yet on the neophile side.</p>
<p>Haven&#8217;t yet decided whether to try getting the didjeridoo and dumbek in somehow or not; possibly the dumbek, and I might see if the didj will fit in the keyboard&#8217;s SKB case since it will be being handled by fellow musicians instead of airport baggage handlers.</p>
<p>Oh yeah, clothes, shoes, etc. Sure. I <em>am</em> going to pick up most of my personal stuff at the far end rather than dork with plastic bags and 1-oz bottle stupidity.</p>
<p>More updates as we get closer to the day.</p>
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		<item>
		<title>77 Million Paintings</title>
		<link>http://www.ibiblio.org/emusic-l/2007/06/30/77-million-paintings/</link>
		<comments>http://www.ibiblio.org/emusic-l/2007/06/30/77-million-paintings/#comments</comments>
		<pubDate>Sun, 01 Jul 2007 02:33:36 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[concerts]]></category>
		<category><![CDATA[generative art]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=9</guid>
		<description><![CDATA[Those of you who&#8217;ve read my postings on EMUSIC-L and have followed this blog have probably noted that I&#8217;m a big fan of generative art: ambient music, installation pieces, and so on.
wmode=&#8221;transparent&#8221; width=&#8221;425&#8243; height=&#8221;350&#8243;&#62;
Brian Eno has just released 77 Million Paintings; a DVD of generative art accompanied by music. You can see an excerpt at [...]]]></description>
			<content:encoded><![CDATA[<p>Those of you who&#8217;ve read my postings on EMUSIC-L and have followed this blog have probably noted that I&#8217;m a big fan of generative art: ambient music, installation pieces, and so on.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/NWRrL2YJbLM"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/VRkNrWp6tLg" type="application/x-shockwave-flash"></embed>wmode=&#8221;transparent&#8221; width=&#8221;425&#8243; height=&#8221;350&#8243;&gt;</object></p>
<p>Brian Eno has just released <em>77 Million Paintings</em>; a DVD of generative art accompanied by music. You can see an <a href="http://www.77millionpaintings.com/">excerpt</a> at this link (requires Flash; the full-size piece is Flash as well). The music for the demo is &#8220;Ikebukuro&#8221; from <em>The Shutov Assembly</em>.</p>
<p>The version on the website is a limited subset, of course, but it&#8217;s an effective sample. The images combine very organic textural bits with more hard-edged graphics in a nicely-judged way. I also find the rate at which the piece changes to be just right: interesting enough to look at for a while if you like, but not so quick that it constantly engages the reptilian brain&#8217;s &#8220;what was that?&#8221; reflex. More details on the piece and how it was done are available at the <a href="http://www.apple.com/pro/profiles/eno/">Apple</a> website. A lot of the work was apparently done on the Mac.</p>
<p>The piece is available at <a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2F77-Million-Paintings-Brian-Eno%2Fdp%2FB000EMSU2O%3Fie%3DUTF8%26s%3Ddvd%26qid%3D1183257007%26sr%3D8-1&amp;tag=elw-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325">amazon.com</a><img src="http://www.assoc-amazon.com/e/ir?t=elw-20&amp;l=ur2&amp;o=1" width="1" height="1" border="0" style="border-width: initial !important; border-color: initial !important; border-style: none !important; margin: 0px !important" />.Â <span style="font-weight: bold" class="Apple-style-span">Update:</span>Â The <a href="http://www.longnow.org/77m/">three-day North American premiere</a> is on at the Yerba Buena Center in San Francisco. I&#8217;ve missed two of the three days; I may try to hit tomorrow&#8217;s Long Now Foundation member&#8217;s day.</p>
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		<item>
		<title>Musica Nova 2006</title>
		<link>http://www.ibiblio.org/emusic-l/2006/09/29/musica-nova-2006/</link>
		<comments>http://www.ibiblio.org/emusic-l/2006/09/29/musica-nova-2006/#comments</comments>
		<pubDate>Sat, 30 Sep 2006 02:13:50 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[announcements]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=8</guid>
		<description><![CDATA[Passing on the announcement:
 Spolecnost pro elektroakustickou hudbu (Society for Electro-acoustic Music of the Czech Republic) announces an International Electro-acoustic Music Composition Competition: Musica Nova 2006.

The competition MUSICA NOVA was for the first time realized in 1969.
Composers, irregardless of their age and nationality are invited tosubmit their works of electro-acoustic music created after 1st January [...]]]></description>
			<content:encoded><![CDATA[<p>Passing on the announcement:<br />
<blockquote> Spolecnost pro elektroakustickou hudbu (Society for Electro-acoustic Music of the Czech Republic) announces an International Electro-acoustic Music Composition Competition: Musica Nova 2006.
<ol>
<li>The competition MUSICA NOVA was for the first time realized in 1969.</li>
<li>Composers, irregardless of their age and nationality are invited tosubmit their works of electro-acoustic music created after 1st January 2003 in one of two categories: 
<ol>
<li>Category A is open to compositions of autonomous art electro-acousticmusic (tape music), or only one independent movement. </li>
<li>Category B is open to compositions of autonomous art electro-acousticmusic, or only one independent movement, for acousticinstrument/voice/ensemble plus electronic media. (Note: this should be a completely-realized version of the composition; versions without theinstrumental or voice part will be disqualified.)</li>
</ol>
</li>
<li>Each composer may submit only one entry to each category in duration ofno longer than 20 minutes, and the work may not have been awarded a prize inanother competition, nor been submitted to previous MUSICA NOVA competitions. </li>
<li>Competition entries in both categories must be submitted with the name ofthe composer specified. </li>
<li>Members of the jury cannot take part in the competition.</li>
<li>The jury of the competition shall be appointed by the leadership of the Society for Electro-acoustic Music and composed of leading composers ofelectro-acoustic compositions, musicologists, critics, and recording engineers specializing in the electro-acoustic music field.</li>
</ol>
</blockquote>
]]></content:encoded>
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		<item>
		<title>Library of Congress 2005 Selected Recordings</title>
		<link>http://www.ibiblio.org/emusic-l/2006/04/18/library-of-congress-2005-selected-recordings/</link>
		<comments>http://www.ibiblio.org/emusic-l/2006/04/18/library-of-congress-2005-selected-recordings/#comments</comments>
		<pubDate>Tue, 18 Apr 2006 20:42:32 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[library of congress]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=18</guid>
		<description><![CDATA[In 2000, the National Recording Preservation Act, was established. This act requires the Library select recordings each year that are &#8220;culturally, historically, or aesthetically significant.&#8221;
I find it heartwarming and lovely that among the 2005 selections are both Varese&#8217;s &#8220;Poem Electronique&#8221; and Zappa&#8217;s &#8220;We&#8217;re Only In It For The Money&#8221;, as Zappa was a big fan [...]]]></description>
			<content:encoded><![CDATA[<p>In 2000, the National Recording Preservation Act, was established. This act requires the Library select recordings each year that are &#8220;culturally, historically, or aesthetically significant.&#8221;</p>
<p>I find it heartwarming and lovely that among the 2005 selections are both Varese&#8217;s &#8220;Poem Electronique&#8221; and Zappa&#8217;s &#8220;We&#8217;re Only In It For The Money&#8221;, as Zappa was a big fan of Varese.</p>
<p>Wendy Carlos&#8217; &#8220;Switched-On Bach&#8221; and Dave Brubeck&#8217;s &#8220;Time Out&#8221; were also included. It&#8217;s good to know that someone else thinks they&#8217;re worth keeping.</p>
<p>It&#8217;s interesting to realize that the Zappa and Carlos recordings were both done in 1968. I didn&#8217;t hear the entirety of the Carlos album for another five years.</p>
<p>It&#8217;s fascinating to see all of these albums on the list at once. Quite a window into the current <em>Zeitgeist</em>.</p>
<p>(<a href="http://www.loc.gov/today/pr/2006/06-083.html">Announcement</a> here.)</p>
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		<item>
		<title>Roger Reynolds at the Library of Congress</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/11/roger-reynolds-at-the-library-of-congress/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/11/roger-reynolds-at-the-library-of-congress/#comments</comments>
		<pubDate>Tue, 12 Apr 2005 02:06:20 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[announcement]]></category>
		<category><![CDATA[library of congress]]></category>
		<category><![CDATA[roger reynolds]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=7</guid>
		<description><![CDATA[Looks very interesting; wish I could be there &#8230; love to hear from anyone who attends.
 American composer Roger Reynolds, winner of the Pulitzer Prize in 1989, will discuss his work at the introduction and demonstration of a new Library of Congress Web presentation devoted to his music. Thanassis Rikakis, director of Arts, Media and [...]]]></description>
			<content:encoded><![CDATA[<p>Looks very interesting; wish I could be there &#8230; love to hear from anyone who attends.<br />
<blockquote> American composer Roger Reynolds, winner of the Pulitzer Prize in 1989, will discuss his work at the introduction and demonstration of a new Library of Congress Web presentation devoted to his music. Thanassis Rikakis, director of Arts, Media and Engineering at Arizona State University, and Michael Boyd from the University of Maryland will comment on Reynolds&#8217; music and new sound technologies. Steve Soderberg, the Library&#8217;s Senior Specialist for Contemporary Music, will speak on the compositional algorithms used in the composer&#8217;s ditigal sound processing. Joining these participants for a panel discussion about Reynolds&#8217; contributions to the computer spatialization of sound will be Music Division Chief Jon Newsom.Roger Reynolds&#8217; music incorporates elements of theater, digital signal processing, dance, video and real-time computer spatialization. His work with spatialization of sounds merged in 1962 with his music-theater work, &#8220;The Emperor of Ice Cream.&#8221; Founder of the Center for Music Experiment (now the Center for Research in Computing and the Arts) at the University of California at San Diego, where he is currently a professor of music. His work &#8220;Justice,&#8221; for soprano, actress, percussionist and real-time spatialization based on texts from Aeschylus, was premiered in the Great Hall of the Library of Congress in 2001.</p></blockquote>
<p>No link yet for the Web presentation; will fill it in later when I can find it.</p>
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		<item>
		<title>A few more messages surface &#8230;</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/05/a-few-more-messages-surface/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/05/a-few-more-messages-surface/#comments</comments>
		<pubDate>Wed, 06 Apr 2005 02:04:40 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[recovery]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=6</guid>
		<description><![CDATA[I was able to dig a few more random messages out of Google&#8217;s Usenet archive by hand-crawling through the earliest archives. A few more messages showed up; unfortunately EMUSIC-D doesn&#8217;t seem to have been archived. Pity. Anyway, a few more scraps of volumes 25 and 26 are now available, including one quite thoughtful one from [...]]]></description>
			<content:encoded><![CDATA[<p>I was able to dig a few more random messages out of Google&#8217;s Usenet archive by hand-crawling through the earliest archives. A few more messages showed up; unfortunately EMUSIC-D doesn&#8217;t seem to have been archived. Pity. Anyway, a few more scraps of volumes 25 and 26 are now available, including one quite thoughtful <a href="http://www.ibiblio.org/emusic-l/back-issues/vol025/issue2.txt">one</a> from Brett Maraldo.</p>
]]></content:encoded>
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		<item>
		<title>GarageBand</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/05/garageband/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/05/garageband/#comments</comments>
		<pubDate>Tue, 05 Apr 2005 22:21:42 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=48</guid>
		<description><![CDATA[Apple has added a new iApp, GarageBand, to iLife &#8216;04. For $49, Mac OS X users can have a decent multi-track recorder and loop compositor. Looks great!
]]></description>
			<content:encoded><![CDATA[<p>Apple has <a href="http://www.apple.com/ilife/garageband/">added</a> a new iApp, GarageBand, to iLife &#8216;04. For $49, Mac OS X users can have a decent multi-track recorder and loop compositor. Looks <em>great</em>!</p>
]]></content:encoded>
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		<item>
		<title>piksel04</title>
		<link>http://www.ibiblio.org/emusic-l/2004/08/05/piksel04/</link>
		<comments>http://www.ibiblio.org/emusic-l/2004/08/05/piksel04/#comments</comments>
		<pubDate>Thu, 05 Aug 2004 20:42:55 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[announcements]]></category>
		<category><![CDATA[events]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=19</guid>
		<description><![CDATA[&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;

-- piksel04 - FLOSS in motion
-- call for participation
-- deadline 15. september 2004

&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;&#60;&#62;
Piksel &#8211; www.piksel.no &#8211; is a yearly event for artists and developers working with Free Libre and Open Source Software (FLOSS) for realtime processing of
video and sound. It will take place at BEK &#8211; the Bergen Centre for Electronic Art, in Bergen, Norway [...]]]></description>
			<content:encoded><![CDATA[<p>&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;</p>
<pre>
-- piksel04 - FLOSS in motion
-- call for participation
-- deadline 15. september 2004

&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;</pre>
<p>Piksel &#8211; <a href="http://www.piksel.no">www.piksel.no</a> &#8211; is a yearly event for artists and developers working with Free Libre and Open Source Software (FLOSS) for realtime processing of<br />
video and sound. It will take place at BEK &#8211; the Bergen Centre for Electronic Art, in Bergen, Norway from october 29. to  november 7. 2004.</p>
<p>The first Piksel event was arranged in november 2003, and gathered around 30 artists/developers from all parts of the world. It consisted of artistic/technical presentations, coding workshops and live performances. All activities were documented in a daily blog: <a href="http://www.piksel.no/log.html">http://www.piksel.no/log.html</a>. One of the results from the event was the initiation of the Piksel Video Framework for &#8216;interoperability between various free software applications<br />
dealing with video manipulation techniques&#8217; &#8211; <a href="http://www.piksel.org">http://www.piksel.org.</a></p>
<hr /> CALL for PARTICIPATIONAn important part of piksel04 is a series of evening events of live art and audio-visual performance in cooperation with Landmark/Bergen Kunsthall<br />
(<a href="http://www.kunsthall.no/landmark">www.kunsthall.no/landmark</a>).</p>
<p>Performing artists using open source software in the creation and presentation of their work are invited to apply. This call goes out to VJ-crews, live coders, typing divas, virtual actors, noise combos and FLOSS performers of all kinds.</p>
<p>Please send documentation material &#8211; preferably as a URL to online documentation with images/video to <a href="mailto:piksel04@bek.no">piksel04@bek.no</a><br />
Deadline &#8211; september 15. 2004</p>
<p>Use this form for submitting (or go to the online form at <a href="http://www.piksel.no/piksel04/form.html">http://www.piksel.no/piksel04/form.html</a>):</p>
<pre>&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;

1. Name of artist(s), email adr.
2. Short bio/CV
3. URL to online documentation
4. Short statement about the work(s)
5. List of software used in the creation/presentation of the work(s)

&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;&lt;&gt;</pre>
<p>Or send by snailmail to:</p>
<p>BEK<br />
att: Gisle Froysland<br />
C. Sundtsgt. 55<br />
5004 Bergen<br />
Norway</p>
<p>More info: <a href="http://www.piksel.no/piksel04">http://www.piksel.no/piksel04</a></p>
<p>piksel04 is produced by BEK in cooperation with KunsthÃ¸gskolen in Bergen dep The Academy of Fine Arts, Bergen Kunsthall/Landmark. Supported by  PNEK, Bergen Kommune, Norsk Kulturfond.</p>
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