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	<title>EMUSIC-L &#187; resources</title>
	<atom:link href="http://www.ibiblio.org/emusic-l/category/resources/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.ibiblio.org/emusic-l</link>
	<description>electronic music and other vaguely-related topics</description>
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		<title>The ARP 2600 manual</title>
		<link>http://www.ibiblio.org/emusic-l/2008/01/19/the-arp-2600-manual/</link>
		<comments>http://www.ibiblio.org/emusic-l/2008/01/19/the-arp-2600-manual/#comments</comments>
		<pubDate>Sat, 19 Jan 2008 09:10:05 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[gear]]></category>
		<category><![CDATA[resources]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[speculation]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=76</guid>
		<description><![CDATA[Quite some time back, I found a scanned copy of the ARP 2600 User&#8217;s manual. I&#8217;ve always had a soft spot for the 2600, though I could never quite afford one; it&#8217;s always seemed like a great balance as far as analog synths go.In a recent fit of &#8220;my disk is too full&#8221;, I unzipped [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://ibiblio.org/emusic-l/arp2600blue.jpg" alt="blue-face Arp 2600" />Quite some time back, I found a scanned copy of the ARP 2600 User&#8217;s manual. I&#8217;ve always had a soft spot for the 2600, though I could never quite afford one; it&#8217;s always seemed like a great balance as far as analog synths go.In a recent fit of &#8220;my disk is too full&#8221;, I unzipped the file of scans and started reading. It&#8217;s really a very good introduction to the machine and how it works; I&#8217;ve actually started feeling like if I had one in front of me, that I&#8217;d be able to use it effectively.<span id="more-76"></span>An idle thought crossed my mind that it would be amusing to figure out how much an equivalent synth (from analog modules) would cost to put together nowadays; Richard Wentk was kind enough to point out that theÂ <a href="http://www.macbethstudiosystems.com/" title="Macbeth synthesizers">Macbeth M5N</a>Â is pretty much a modern 2600. Quite a drool-worthy box, but still quite pricey at about $6k &#8211; although that&#8217;s roughly $1200 in 1970 dollars; I seem to vaguely recall from the time that the originals sold new for about twice that, so hey, prices have gone down. Up. Sideways.One-scan-per-page was getting hard to read, so I started transcribing it (copying the illustrations inline). At the same time, inspired by the really lovely design choices in this synth, I decided to poke around and see what emulations of the 2600 were out there &#8211; I had remembered seeing them before, but I wasn&#8217;t in an analog place at the time. I found two:Â <a href="http://www.arturia.com/en/arp/arp2600v.php" title="ARP 2600V">Arturia&#8217;s Arp 2600V</a>, andÂ <a href="http://www.wayoutware.com/products.html" title="TimewARP 2600">WayOutWare&#8217;s TimewARP 2600</a>. Perusing the docs (which are really quite good for both products), I found out that the TimewARP 2600 manual is a pretty faithful version of sections 4 and 5 &#8211; the real meat &#8211; of the manual (it&#8217;s even written by the original author!), so my transcription has halted for the moment. I did find it interesting that just the act of transcribing did a lot to put the concepts into my head, even though I wasn&#8217;t particularly studying them.I&#8217;ve played with both some now,Â and I&#8217;m liking the TimewARP 2600 better than the Arturia one: it seems to run better for me, and doesn&#8217;t make weird user interface decisions (I was convinced for quite some time that the Arturia guys had never heard of a scroll bar, until I was told that there&#8217;s a +/- control at the top of the window that expands and contracts it. Note to anyone contemplating their own softsynth: <span class="Apple-style-span" style="font-style: italic">never</span>Â just make up your own UI conventions. It makes long-time users of Macs <span class="Apple-style-span" style="font-style: italic">really irritable</span>).Â It <span class="Apple-style-span" style="font-style: italic">feels</span>Â like a 2600, so much so that I remembered vividly the hour or so I was lucky enough to spend with one when I was fifteen, making silly noises. And it&#8217;s certainly cheaper than a real 2600 at less than $200.I had this dream the other night, of a custom MIDI controller that mapped real physical sliders to every slider on the face of the 2600 emulator, and which would look just like a real 2600. Definitely a pipe dream, but hey, those are the best kind.</p>
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		<item>
		<title>A quick guide to opensource synthesis</title>
		<link>http://www.ibiblio.org/emusic-l/2007/11/05/a-quick-guide-to-opensource-synthesis/</link>
		<comments>http://www.ibiblio.org/emusic-l/2007/11/05/a-quick-guide-to-opensource-synthesis/#comments</comments>
		<pubDate>Mon, 05 Nov 2007 17:02:25 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[chuck]]></category>
		<category><![CDATA[csound]]></category>
		<category><![CDATA[pd]]></category>
		<category><![CDATA[supercollider]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=75</guid>
		<description><![CDATA[A quick overview of Pure Data, ChucK, Supercollider, Csound, and several other synthesis languages/tools I haven&#8217;t heard of before. Looks like it would repay some link-mining. [Edited 01/08 ... I forgot the link!]
]]></description>
			<content:encoded><![CDATA[<p>A <a href="http://diagrammes-modernes.blogspot.com/2007/08/music-control-languages-specialised.html" title="Diagrammes Modernes overview">quick overview</a> of Pure Data, ChucK, Supercollider, Csound, and several other synthesis languages/tools I haven&#8217;t heard of before. Looks like it would repay some link-mining. [Edited 01/08 ... I forgot the link!]</p>
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		<title>The Avant-Garde Project</title>
		<link>http://www.ibiblio.org/emusic-l/2007/07/02/the-avant-garde-project/</link>
		<comments>http://www.ibiblio.org/emusic-l/2007/07/02/the-avant-garde-project/#comments</comments>
		<pubDate>Mon, 02 Jul 2007 21:14:58 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[composers]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=25</guid>
		<description><![CDATA[The Avant-Garde project is &#8220;a series of recordings of 20th-century classical-experimental-electroacoustic music digitized from LPs whose music has in most cases never been released on CD, and so is effectively inaccessible to the vast majority of music listeners today.&#8221;Some wonderful stuff that&#8217;s just not available any other way. It&#8217;s being released via BitTorrent (though older [...]]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://www.avantgardeproject.org/index.htm">Avant-Garde project</a> is &#8220;a series of recordings of 20th-century classical-experimental-electroacoustic music digitized from LPs whose music has in most cases never been released on CD, and so is effectively inaccessible to the vast majority of music listeners today.&#8221;Some wonderful stuff that&#8217;s just not available any other way. It&#8217;s being released via BitTorrent (though older &#8220;releases&#8221; are available direct from the project website), and includes some absolute gems which I&#8217;ve alwas wanted to hear. Subotnick&#8217;s <a href="http://www.avantgardeproject.org/AGP6/index.htm"><em>The Double Life of Amphibians</em></a>, an example of his &#8220;ghost electronics&#8221; technique; three <a href="http://www.avantgardeproject.org/AGP18/index.htm">indeterminate</a> pieces from John Cage; and a set of <a href="http://www.avantgardeproject.org/AGP28/index.htm">underwater recordings</a> of &#8220;humpback whales, beluga whales, narwhals, orcas, and bearded seals.&#8221;<strong>Update:</strong> The AGP has released several more recordings of particular interest, one of which is &#8220;The World of Harry Partch&#8221; (<a href="http://www.avantgardeproject.org/agp57/index.htm">AGP 57</a>), which I&#8217;ve missed ever since I heard it once at a friend&#8217;s house on vinyl. It&#8217;s particularly notable for the great (and funny!) performance of &#8220;Barstow&#8221; with Partch himself as the principle vocalist.</p>
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		<title>The Orchestra: a User&#8217;s Manual</title>
		<link>http://www.ibiblio.org/emusic-l/2006/10/30/the-orchestra-a-users-manual/</link>
		<comments>http://www.ibiblio.org/emusic-l/2006/10/30/the-orchestra-a-users-manual/#comments</comments>
		<pubDate>Mon, 30 Oct 2006 21:59:07 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[orchestra]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=40</guid>
		<description><![CDATA[Fascinating site from the Philharmonia orchestra; includes an incredible amount of information concerning the individual instruments (including extended techniques, which I found particularly interesting).
]]></description>
			<content:encoded><![CDATA[<p>Fascinating <a href="http://www.mti.dmu.ac.uk/~ahugill/manual/intro.html">site</a> from the Philharmonia orchestra; includes an incredible amount of information concerning the individual instruments (including extended techniques, which I found particularly interesting).</p>
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		<title>The Hand That Feeds</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/27/the-hand-that-feeds/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/27/the-hand-that-feeds/#comments</comments>
		<pubDate>Wed, 27 Apr 2005 22:23:28 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[composition]]></category>
		<category><![CDATA[garageband]]></category>
		<category><![CDATA[nine inch nails]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=49</guid>
		<description><![CDATA[OS X readers: if you haven&#8217;t already done so, pop on over to the Nine Inch Nails website and pick up the GarageBand version of The Hand That Feeds. It&#8217;s a fairly typical track; but for that reason it&#8217;s pretty interesting.
It&#8217;s a great guide to pop song construction. A relatively short track, but with a [...]]]></description>
			<content:encoded><![CDATA[<p>OS X readers: if you haven&#8217;t already done so, pop on over to the Nine Inch Nails website and pick up the GarageBand version of <a href="http://boss.streamos.com/download/interscope/nin/with_teeth/nin_garageband.sit">The Hand That Feeds</a>. It&#8217;s a fairly typical track; but for that reason it&#8217;s pretty interesting.</p>
<p>It&#8217;s a great guide to pop song construction. A relatively short track, but with a fair amount of variety. I find it particularly interesting as a study in the careful reuse of riffs and motives.</p>
<p>I have fooled around with the tracks a bit &#8211; nothing major yet &#8211; and I find GarageBand actually very good at its job. I think this track was probably made with the newest version of GB, leading to a number of warnings and error -61 messages while the file is loading, but if you stick to it, it will load fine in GB 1.0.</p>
<p>I may play around with reprocessing some of the sounds to see if I can construct something completely different out of it, just for practice in this medium.</p>
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		<title>Other lists to consider</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/05/other-lists-to-consider/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/05/other-lists-to-consider/#comments</comments>
		<pubDate>Tue, 05 Apr 2005 22:01:19 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=41</guid>
		<description><![CDATA[Like many, I still like mailing lists for getting a real exchange of ideas, or for at least getting to watch the exchange go by. EMUSIC-L was unique in its time in having a large number of music theorists and academics along with any number of different orientations toward &#8220;popular&#8221; electronic music.

I haven&#8217;t found any [...]]]></description>
			<content:encoded><![CDATA[<p>Like many, I still like mailing lists for getting a real exchange of ideas, or for at least getting to watch the exchange go by. EMUSIC-L was unique in its time in having a large number of music theorists and academics along with any number of different orientations toward &#8220;popular&#8221; electronic music.</p>
<p>
I haven&#8217;t found any such list currently in existence; greater access has led to greater fragmentation &#8211; but there are a number of lists which I currently (mostly) lurk on and enjoy. Most of these are hosted on Yahoo! Groups (I&#8217;m sure that there are others on Google Groups as well; I haven&#8217;t explored that venue as much). I haven&#8217;t included here the lists that either generate very little traffic, or which tend to be &#8220;all ads&#8221; and light on content.</p>
<dl>
<dt><a href="http://launch.groups.yahoo.com/group/beyond_em/">beyond_em</a>
<dd>is oriented mostly toward performers; tastes tend to run toward Berlin School, but anyone who does interesting and tasteful music will often be discussed. Has a lot of actual performers onboard, so there is a lot to be learned about live performances, and you will also often see performances reviewed. No prohibition against posting gigs &#8211; <i>if</i> you&#8217;ve been a member and have contributed to discussions.</p>
<dt><a href="http://launch.groups.yahoo.com/group/SynthSights/">SynthSights</a>
<dd>is a list I&#8217;ve just lately joined; it has a flavor that reminds me more of EMUSIC-L. Gig spam/CD spam/etc. frowned upon; thoughtful discussions of performance, gear, philosophy.</p>
<dt><a href="http://launch.groups.yahoo.com/group/Ensoniq-VFX-SD/">vfx</a>
<dd>Yes, I still have my VFXsd. Yes, I bought an SD-1 too. Very focused on specific problems/solutions for the VFX and its siblings. Very few TS-1 users, interestingly enough.
</dl>
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		<title>Music for replicants</title>
		<link>http://www.ibiblio.org/emusic-l/2005/01/21/music-for-replicants/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/01/21/music-for-replicants/#comments</comments>
		<pubDate>Fri, 21 Jan 2005 22:36:03 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[listening]]></category>
		<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=53</guid>
		<description><![CDATA[On another ChucK note, I&#8217;m finding some of the algorithmic composition programs in the ChucK examples to be wonderful ambient background music for working.I particularly like band-o-matic for its nice FM textures &#8211; gently drifty and slow-moving. mode-o-matic is also a lot of fun, and a little more surprising in its choices, with a lot [...]]]></description>
			<content:encoded><![CDATA[<p>On another <a href="http://chuck.cs.princeton.edu">ChucK</a> note, I&#8217;m finding some of the algorithmic composition programs in the ChucK examples to be wonderful ambient background music for working.I particularly like <tt>band-o-matic</tt> for its nice FM textures &#8211; gently drifty and slow-moving. <tt>mode-o-matic</tt> is also a lot of fun, and a little more surprising in its choices, with a lot greater dynamic range. It often sounds like a collection of pentatonically-obsessed xylophonists, with an occasional foray into &#8217;60&#8217;s &#8220;computer&#8221; effects.</p>
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		<title>ChucK Wiki now up</title>
		<link>http://www.ibiblio.org/emusic-l/2004/09/24/chuck-wiki-now-up/</link>
		<comments>http://www.ibiblio.org/emusic-l/2004/09/24/chuck-wiki-now-up/#comments</comments>
		<pubDate>Fri, 24 Sep 2004 22:18:14 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[resources]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=46</guid>
		<description><![CDATA[I don&#8217;t seem to have mentioned ChucK here before, which is a serious oversight. ChucK takes a completely different approach to sound synthesis than any other language I&#8217;ve seen.
Possibly the most interesting feature of the language is the =&#62; (or &#8220;chuck&#8221;) operator, which translates pretty much to &#8220;take what&#8217;s on the left, convert it properly, [...]]]></description>
			<content:encoded><![CDATA[<p>I don&#8217;t seem to have mentioned ChucK here before, which is a serious oversight. ChucK takes a completely different approach to sound synthesis than any other language I&#8217;ve seen.</p>
<p>Possibly the most interesting feature of the language is the <strong>=&gt;</strong> (or &#8220;chuck&#8221;) operator, which translates pretty much to &#8220;take what&#8217;s on the left, convert it properly, and put it in what&#8217;s on the right&#8221;. So you have wonderfully transparent code like</p>
<pre>
Â      // connect sine oscillator to D/A convertor (sound card)
Â      sinosc s =&gt; dac;      // allow 2 seconds to pass
Â      2::second =&gt; now;</pre>
<p>The second constuction shows ChucK&#8217;s interesting approach to the passage of time. Real time actually doesn&#8217;t pass, from ChucK&#8217;s point of view, until you chuck a new interval into <tt>now</tt>. This example would play 2 seconds worth of the sine and then stop, because time would have stopped.</p>
<p>The tighter integration of time and sound works better for me in terms of thinking about musical process; I&#8217;ve always found the <tt>csound</tt> model of completely isolated score and orchestra to be a bit off-putting.</p>
<p>ChucK also supports on-the-fly programming and dead-simple concurrency. Say you have three different ChucK programs that emit a note every 23, 27, and 31 seconds. Just do</p>
<pre>Â     chuck 23.check 27.chuck 31.chuck</pre>
<p>and ChucK handles all the scheduling. Sweet.</p>
<p>The language is evolving at a furious pace, with a small but very active user community. The ChucK wiki is located at <a href="http://wiki.cs.princeton.edu/index.php/ChucK">http://wiki.cs.princeton.edu/index.php/ChucK</a>.</p>
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		<title>&#8220;I am Sitting in a Room&#8221; and others</title>
		<link>http://www.ibiblio.org/emusic-l/2004/06/18/i-am-sitting-in-a-room-and-others/</link>
		<comments>http://www.ibiblio.org/emusic-l/2004/06/18/i-am-sitting-in-a-room-and-others/#comments</comments>
		<pubDate>Fri, 18 Jun 2004 21:52:15 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[listening]]></category>
		<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=38</guid>
		<description><![CDATA[The setting: a small room. Two tape recorders. Alvin Lucier records a short text on one, plays it back over the speakers &#8230; and records that. Repeat. Repeat. Repeat &#8230;Each generation has less voice and more of the room&#8217;s resonance: the voice slowly becomes dissolves into hisses, howls, and metallic gonglike noises. The only recording [...]]]></description>
			<content:encoded><![CDATA[<p>The setting: a small room. Two tape recorders. <a href="http://alucier.web.wesleyan.edu/">Alvin Lucier</a> records a short text on one, plays it back over the speakers &#8230; and records that. Repeat. Repeat. Repeat &#8230;Each generation has less voice and more of the room&#8217;s resonance: the voice slowly becomes dissolves into hisses, howls, and metallic gonglike noises. The only recording of this piece is unfortunately now out of print. Luckily for us, <a href="http://www.ubu.com/">UBUWEB</a> has preserved it in <a href="http://ubu.artmob.ca/sound/source/Lucier-Alvin_Sitting.mp3">MP3</a> format, and you can download yourself your own copy.Exploration of the site highly recommended &#8211; you can even find Luigi Russolo&#8217;s original wack-job essay on <a href="http://www.ubu.com/papers/russolo.html"><em>The Art of Noise</em></a> there, along with a slew of other interesting items. I plan to snag the <a href="http://www.epc.buffalo.edu/sound/mp3/sp/airwaves/13_TWO_SONGS_FOR_TAPE_BOW_VIOLIN.mp3">Laurie</a> <a href="http://www.epc.buffalo.edu/sound/mp3/sp/airwaves/14_IS_ANYBODY_HOME.mp3">Anderson</a><a href="http://www.epc.buffalo.edu/sound/mp3/sp/airwaves/15_ITS_NOT_THE_BULLET_THAT_KILLS_YOU.mp3">rarities</a> there as well.p.s. &#8211; the Alvin Lucier website mentioned above also has a recording of <a href="http://alucier.web.wesleyan.edu/listen.html">Music for Piano with One or More Snare Drums</a>, which I find quite beautiful. Subtle, very subtle.</p>
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		<title>The EMUSIC-L Listening Page</title>
		<link>http://www.ibiblio.org/emusic-l/2004/06/18/the-emusic-l-listening-page/</link>
		<comments>http://www.ibiblio.org/emusic-l/2004/06/18/the-emusic-l-listening-page/#comments</comments>
		<pubDate>Fri, 18 Jun 2004 21:41:48 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[listening]]></category>
		<category><![CDATA[resources]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=34</guid>
		<description><![CDATA[Now online for your enjoyment: the Listening page.
I&#8217;m in the process of collecting up interesting pieces from around the Net. &#8220;Interesting&#8221; is subject to my own peculiar tastes. Feel free to send me pointers to items of interest; I&#8217;ll only put up the stuff I like, and I won&#8217;t slam it if I don&#8217;t like [...]]]></description>
			<content:encoded><![CDATA[<p>Now online for your enjoyment: the <a href="http://ibiblio.org/emusic-l/listening/index.html">Listening</a> page.</p>
<p>I&#8217;m in the process of collecting up interesting pieces from around the Net. &#8220;Interesting&#8221; is subject to my own peculiar tastes. Feel free to send me pointers to items of interest; I&#8217;ll only put up the stuff I like, and I won&#8217;t slam it if I don&#8217;t like it &#8211; but I won&#8217;t put it up if I don&#8217;t like it either. (Sometimes it takes me a while to decide if I like a piece, so patience please.)</p>
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