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	<title>EMUSIC-L &#187; review</title>
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	<link>http://www.ibiblio.org/emusic-l</link>
	<description>electronic music and other vaguely-related topics</description>
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		<title>DS 2008 Review</title>
		<link>http://www.ibiblio.org/emusic-l/2008/10/03/ds-2008-review/</link>
		<comments>http://www.ibiblio.org/emusic-l/2008/10/03/ds-2008-review/#comments</comments>
		<pubDate>Fri, 03 Oct 2008 19:33:48 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[concerts]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=99</guid>
		<description><![CDATA[I wasn&#8217;t able to catch the concert live, but my laptop recorded it for me with Audio Hijack Pro &#8211; quite good for this kind of thing, by the way.
Listening later, this was quite an interesting DS. The choice to go for more long-form pieces led to stuff that was considerably more complex; you just [...]]]></description>
			<content:encoded><![CDATA[<p>I wasn&#8217;t able to catch the concert live, but my laptop recorded it for me with <a href="http://www.rogueamoeba.com/audiohijackpro/">Audio Hijack Pro</a> &#8211; quite good for this kind of thing, by the way.</p>
<p>Listening later, this was quite an interesting DS. The choice to go for more long-form pieces led to stuff that was considerably more complex; you just need <em>more ideas</em> for longer pieces, which makes them much more interesting. There was also more room for soloists to stretch out and develop their ideas.</p>
<p>The inclusion of 3(!) P3 sequencers led to the jams dropping into a groove much more quickly than in previous years &#8211; this meant that both there was less noisescaping and that there were improvs that actually had an arc of development, making them much more satisfying.</p>
<p>Highlights: Tim Walters did some serious rocking out on the recorder. All of the guitarists were stellar. Way more percussion and percussion-driven pieces this year. </p>
<p>THe attendees are working hard to get a CD/DVD (not sure which yet &#8211; depends on how much music ends up at what the piece leader decides is releasable).</p>
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		<title>Crossing the Horizon: Brian Flanders/Nauseous Youth Future</title>
		<link>http://www.ibiblio.org/emusic-l/2006/11/18/crossing-the-horizon-brian-flandersnauseous-youth-future/</link>
		<comments>http://www.ibiblio.org/emusic-l/2006/11/18/crossing-the-horizon-brian-flandersnauseous-youth-future/#comments</comments>
		<pubDate>Sat, 18 Nov 2006 21:27:00 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[crossing the horizon]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=29</guid>
		<description><![CDATA[The blurb on CD Baby reads: &#8220;A singing canary being thrown into a helicopter engine, yet still able to sing within the grinding noise of the chopper.&#8221; Well, yes. That&#8217;s a good summary.
But don&#8217;t let this put you off. Dosage combines a real melodic sense (chords! form! modulations! more than one key!) and glitch done [...]]]></description>
			<content:encoded><![CDATA[<p>The <a href="http://cdbaby.com/cd/nauseousyf">blurb</a> on CD Baby reads: &#8220;A singing canary being thrown into a helicopter engine, yet still able to sing within the grinding noise of the chopper.&#8221; Well, yes. That&#8217;s a good summary.</p>
<p>But don&#8217;t let this put you off. <em>Dosage</em> combines a real melodic sense (chords! form! modulations! more than one key!) and glitch done with <em>style</em>. Yes, it is possible, twenty-minute pointless laptop improvisations notwithstanding. Take slightly creepy, sometimes haunting, sometime plaintive melody. Add rhythm tracks ranging from straight-ahead shuffle to light-speed drum-n-bass, all completely composed of crunchy fuzzy squelchy noises, manipulated with a gleeful digital buzzsaw. Now the hard part: make it <strong>work</strong>. <em>Dosage</em> does.</p>
<p>I&#8217;m normally not much of a glitch fan: too often the aesthetic seems to be more &#8220;I am obviously far more an artiste than you, for I like this&#8221; or maybe &#8220;man, I  cannot <em>believe</em> you putting up with this and applauding&#8221;. Nauseous Youth Future comes from a place that says &#8220;this genre has something to say that can&#8217;t be said otherwise&#8221;. Anything that does that is worth a listen.</p>
<p>There&#8217;s a lot of technical excellence here too. In-your-face, dry glitchiness combined with cavernous processed spaces &#8211; which are subject themselves to the glitch treatment <em>in toto</em>. There&#8217;s also a good sense of musicality, with nice choices of instrumentation. No fear of allowing either pure glitch or pure melody its own time before recombining them again.</p>
<p>Overall, I think this CD does a great job of bridging genres, with its own interesting aesthetic. Definitely worth a listen.</p>
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		<title>Live: hey willpower and Amy X. Neuberg</title>
		<link>http://www.ibiblio.org/emusic-l/2005/04/11/live-hey-willpower-and-amy-x-neuberg/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/04/11/live-hey-willpower-and-amy-x-neuberg/#comments</comments>
		<pubDate>Mon, 11 Apr 2005 20:22:41 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[concerts]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=14</guid>
		<description><![CDATA[A great evening at The Lab in San Francisco this weekend. I met Tim Walters and his wife Josie (who is an accomplished sculptor) for dinner, and then Tim and I went over to the Lab. To my surprise, we also ran into Tim Thompson, the creator of KeyKit, who I find works round the [...]]]></description>
			<content:encoded><![CDATA[<p>A great evening at <a href="http://www.thelab.org/">The Lab</a> in San Francisco this weekend. I met <a href="http://doubtfulpalace.com">Tim Walters</a> and his wife Josie (who is an accomplished <a href="http://www.feastofweeds.com/oneironaut.html">sculptor</a>) for dinner, and then Tim and I went over to the Lab. To my surprise, we also ran into <a href="http://nosuch.com/tjt/index.html">Tim Thompson</a>, the creator of <a href="http://nosuch.com/keykit/">KeyKit</a>, who I find works round the corner from me here in Sunnyvale. (Looking at Tim T.&#8217;s website, it&#8217;s no longer a surprise; he&#8217;s working with Herb Heinz&#8217;s band <a href="http://dudland.com/">dud</a>, and Herb works with Amy. Circle closed.)</p>
<p>There were three acts; the first I unfortunately didn&#8217;t catch the name of; the Huts (who were supposed to be on first) were unfortunately unable to appear due to a family emergency. The substitute band was okay &#8211; they did an extended set which appeared to be a lot of live loop mixing &#8211; definite moments, but no definite direction.</p>
<p><a href="http://www.willpowermusic.com/">hey willpower</a> was wonderfully bouncy synth-pop (one vocalist, one synthesist with backing tracks &#8211; on a Powerbook, looked like &#8211; and dancers!) which was simultaeously willing to be silly (the goofy eighties dance moves were priceless) and danceable, with flashes of brilliance. They didn&#8217;t quite get the Lab audience dancing &#8211; not quite that kind of venue, and honestly not enough room! &#8211; but they were really good; I hope to catch them at at an actual dance club sometime.</p>
<p>Last on was <a href="http://www.isproductions.com/amy/">Amy X. Neuburg</a>; I had taken a peek at her website, and I was expecting to enjoy her set, but I was unprepared for the combination of humor, sophistication, and just plain chops. She has a remarkably capable voice &#8211; everything from raspy bluesy to pure operatic soprano to wispy chanteuse to, well you name it.</p>
<p>In this performance, she had a cello trio which mixed wonderfully with the warmth of her voice; she integrates her use of electronics &#8211; mostly live looping of her voice via Echoplex &#8211; beautifully. She also uses a Drumkat to trigger samples, so her performance is visually interesting as well. It&#8217;s obvious that she&#8217;s having <em>such</em> a good time during a performance. She talks with the the audience between numbers, including reading a list of names proposed for her cello trio: &#8220;There&#8217;s Always Room for Cello&#8221; got the largest groan, but &#8220;The K-Y Celli&#8221; got the biggest laugh.</p>
<p>My favorite piece from the evening was probably &#8220;Life Stepped In&#8221;. A stunning combination of Laurie Andersonesque monologue, Baladamenti walking bass, and a chillingly beautiful buildup of the chorus as the song proceeds. Hysterically funny and heartbreakingly sad simultaneously.</p>
<p>She&#8217;s marvelously talented and deserves a much wider audience. I picked up a copy of her CD <a href="http://www.otherminds.org/shtml/Residue.shtml">Residue</a> at the concert (&#8221;Life Stepped In&#8221; is on it, but the whole CD is tremendous). Go. Get one. Listen to it. Tell your friends. Now.</p>
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		<title>Eigenholidays</title>
		<link>http://www.ibiblio.org/emusic-l/2005/01/21/eigenholidays/</link>
		<comments>http://www.ibiblio.org/emusic-l/2005/01/21/eigenholidays/#comments</comments>
		<pubDate>Fri, 21 Jan 2005 21:33:49 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[listening]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=30</guid>
		<description><![CDATA[Those wacky MIT guys at Eigenradio (now, sadly, shut down due to graduation) have put together A Singular Christmas, a collection of holiday music filtered through their bizarro networks, dedicated to finding only the really different parts of the music.
Giant cloudy organ sustains, bowed church bells. String ensembles hovering on the edge of sense. Music [...]]]></description>
			<content:encoded><![CDATA[<p>Those wacky MIT guys at <a href="http://eigenradio.media.mit.edu/">Eigenradio</a> (now, sadly, shut down due to graduation) have put together <a href="http://eigenradio.media.mit.edu/christmas_2004.html">A Singular Christmas</a>, a collection of holiday music filtered through their bizarro networks, dedicated to finding only the really different parts of the music.</p>
<p>Giant cloudy organ sustains, bowed church bells. String ensembles hovering on the edge of sense. Music written by a deeply disturbed Ligeti clone. Escaped experiments from a mad ambient musician&#8217;s studio. The Boston Pops after a really bad drug experience. Threatening industrial undertones behind smooth metallic planes. Between-the-stations experiences on a cross-universe radio. Great stuff.</p>
<p>Those wanting a different musical experience will find this to be literally about as different as you can get.</p>
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		<title>Crossing the Horizon: Steve Castellano</title>
		<link>http://www.ibiblio.org/emusic-l/2004/10/19/crossing-the-horizon-steve-castellano/</link>
		<comments>http://www.ibiblio.org/emusic-l/2004/10/19/crossing-the-horizon-steve-castellano/#comments</comments>
		<pubDate>Tue, 19 Oct 2004 21:26:35 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[crossing the horizon]]></category>
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		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=28</guid>
		<description><![CDATA[Okay, so I&#8217;m looking at the Metasonix website, which has the most wonderful selection of hurtful signal processors, including the (perhaps not safe-for-work) Agonizer. And I see a link to this guy Steve Castellano. Having listened to some of the really nasty noises that the Agonizer could make, I figured, hey, I&#8217;m on a roll, [...]]]></description>
			<content:encoded><![CDATA[<p>Okay, so I&#8217;m looking at the Metasonix website, which has the most wonderful selection of <em>hurtful</em> signal processors, including the (perhaps not safe-for-work) <a href="http://www.metasonix.com/TX1.htm">Agonizer</a>. And I see a link to this guy Steve Castellano. Having listened to some of the really <a href="http://www.metasonix.com/TX1Karma.mp3">nasty</a> noises that the Agonizer could make, I figured, hey, I&#8217;m on a roll, let&#8217;s see what his stuff sounds like.</p>
<p>Folks, Steve can <em>cook</em>. I listened to the first minute or so of &#8220;Shame On You&#8221;, with the Dubya samples (nicely used, too!), and then grabbed everything he had. I&#8217;m listening to <a href="http://stevecastellano.com/audio/increased.mp3">Increased In Strength</a> and I keep turning it up. This is a Good Sign. Yow!</p>
<p><em>Way</em> recommended!</p>
<p><a href="http://stevecastellano.com/index.cgi/sc/audio/">http://stevecastellano.com/index.cgi/sc/audio/</a></p>
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		<title>Crossing the Horizon: Elaine Walker / Chaos Melody Theory</title>
		<link>http://www.ibiblio.org/emusic-l/2003/11/12/crossing-the-horizon-elaine-walker-chaos-melody-theory/</link>
		<comments>http://www.ibiblio.org/emusic-l/2003/11/12/crossing-the-horizon-elaine-walker-chaos-melody-theory/#comments</comments>
		<pubDate>Wed, 12 Nov 2003 21:15:08 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[composers]]></category>
		<category><![CDATA[crossing the horizon]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=26</guid>
		<description><![CDATA[Elaine Walker has done some interesting stuff with iterated function systems, mapping points in both the real line and the complex plane to melodies. Melodies that almost but don&#8217;t quite repeat, and which vector off at strange angles from your expectations.  Hynotic minimalist metallic sculptures. What Philip Glass might sound like if he came [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.ziaspace.com/elaine/">Elaine Walker</a> has done some interesting stuff with iterated function systems, mapping points in both the real line and the complex plane to melodies. Melodies that almost but don&#8217;t quite repeat, and which vector off at strange angles from your expectations.  Hynotic minimalist metallic sculptures. What Philip Glass might sound like if he came from a planet orbiting the Crab Nebula.She has a four-movement piece (mp3&#8217;s: <a href="http://www.ziaspace.com/elaine/chaos/1minusrxsquared/movement1.mp3">1</a> <a href="http://www.ziaspace.com/elaine/chaos/1minusrxsquared/movement2.mp3">2</a> <a href="http://www.ziaspace.com/elaine/chaos/1minusrxsquared/movement3.mp3">3</a> <a href="http://www.ziaspace.com/elaine/chaos/1minusrxsquared/movement4.mp3">4</a>) that explores different points of the complex space laid out by the equation 1-rx^2, as well as a <a href="http://www.ziaspace.com/elaine/chaos/ListeningExamples/CCimprov.mp3">live improv</a>.I&#8217;ve heard a number of &#8220;music from chaos&#8221; pieces and have generally been bored silly within a few minutes. Walker&#8217;s pieces, however, are lively and interesting. Very tasty stuff. Her <a href="http://www.ziaspace.com/elaine/chaos/">thesis</a> on the subject is good reading.[update 01/08] &#8211; Since I originally found her work, she&#8217;s been doing a <span style="font-style: italic" class="Apple-style-span">lot</span>Â of recording: the bandÂ <a href="http://www.ziaspace.com/ZIA/sections/bio.html">ZIA</a>,Â <a href="http://www.myspace.com/numbersine">Number Sine</a>, andÂ <a href="http://www.ziaspace.com/ZIA/sections/music.html#ELAINE">solo work</a>Â as well.</p>
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		<title>Crossing the Horizon: Harry Haecker</title>
		<link>http://www.ibiblio.org/emusic-l/2003/09/17/crossing-the-horizon-harry-haecker/</link>
		<comments>http://www.ibiblio.org/emusic-l/2003/09/17/crossing-the-horizon-harry-haecker/#comments</comments>
		<pubDate>Wed, 17 Sep 2003 21:34:26 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[crossing the horizon]]></category>
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		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=31</guid>
		<description><![CDATA[Harry was one of my favorite folks from EMUSIC-L; enthusiastic, experimental, and always ready to try something new. An idle Google turned up his music page with several pieces available there.I wish MP3&#8217;s had been available while EMUSIC-L was running; Harry&#8217;s got some fine stuff here. Everything from &#8220;Yolobro&#8221; (think Kronos Quartet plus Jack de [...]]]></description>
			<content:encoded><![CDATA[<p>Harry was one of my favorite folks from EMUSIC-L; enthusiastic, experimental, and always ready to try something new. An idle Google turned up his <a href="http://www.ggsounds.com">music page</a> with several pieces available there.I wish MP3&#8217;s had been available while EMUSIC-L was running; Harry&#8217;s got some fine stuff here. Everything from &#8220;<a href="http://www.ggsounds.com/music/yolobro.mp3">Yolobro</a>&#8221; (think Kronos Quartet plus Jack de Johnette and tasty plucked bass) through Enoesque ambience (&#8221;<a href="http://www.ggsounds.com/music/takingtime.mp3">Taking Time to Make Love</a>&#8220;) to mysterious swamp music (partly actually recorded <em>in</em> a swamp, from my recollection &#8211; &#8220;<a href="http://www.ggsounds.com/music/springnight.mp3">Spring Night</a>&#8220;). Lots more. Recommended.</p>
<p>Â [Updated 01/08 to fix the links - JM]Â </p>
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		<title>Crossing the Horizon: Deconstructing Eno</title>
		<link>http://www.ibiblio.org/emusic-l/2003/09/17/crossing-the-horizon-deconstructing-eno/</link>
		<comments>http://www.ibiblio.org/emusic-l/2003/09/17/crossing-the-horizon-deconstructing-eno/#comments</comments>
		<pubDate>Wed, 17 Sep 2003 21:22:05 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[crossing the horizon]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[review]]></category>

		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=27</guid>
		<description><![CDATA[It&#8217;s amazing what you can run across by accident.In the process of cleaning up some old mail, I came across a reference to the Dartmouth College Electro-Acoustic Music group. Idly looking there, I foundÂ MP3&#8217;s of a project in which &#8220;Triennale&#8221; (from Eno&#8217;s &#8220;The Shutov Assembly&#8221;) was reprocessed and reimagined by five students. The results are [...]]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s amazing what you can run across by accident.In the process of cleaning up some old mail, I came across a reference to the Dartmouth College Electro-Acoustic Music group. Idly looking there, I foundÂ MP3&#8217;s of a project in which &#8220;Triennale&#8221; (from Eno&#8217;s &#8220;The Shutov Assembly&#8221;) was reprocessed and reimagined by five students. The results are fascinating.Kyoko Kobayashi&#8217;s <a href="http://eamusic.dartmouth.edu/eno/kyoko.mp3">A Frog Named Brian</a>Â combines tree frogs, retuned bits of ambiance, and pure computerklangfarben into a completely new piece. Masaki Kubo&#8217;sÂ <a href="http://eamusic.dartmouth.edu/eno/masaki.mp3">Eno Desuka</a>Â starts off with quiet time-travel quotes and veers off into happily detuned weirdness, sliding slowly back into the quiet.Â <a href="http://eamusic.dartmouth.edu/eno/steve.mp3">En-o-scope</a>, by Steve Pierce, shows us a picture of the inside of the atoms making up the original piece &#8211; a tight, complex and gorgeous space. Bruno Ruviaro&#8217;sÂ <a href="http://eamusic.dartmouth.edu/eno/bruno.mp3">Sal de Fruta</a>Â combines a wandering shivery fragility with ghosts of the original track, adding a spoken track that fits just right. The final version, sTEfan Tomic&#8217;sÂ <a href="http://eamusic.dartmouth.edu/eno/stefan.mp3">one + 1.7&#215;103</a>, combines brittle indistrial hums with excerpts from the original received over a broken shortwave receiver.All highly recommended. Go get &#8216;emÂ <a href="http://eamusic.dartmouth.edu/eno/">now</a>.</p>
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		<title>Crossing the Horizon: David Lee Myers</title>
		<link>http://www.ibiblio.org/emusic-l/2003/04/16/crossing-the-horizon-david-lee-myers/</link>
		<comments>http://www.ibiblio.org/emusic-l/2003/04/16/crossing-the-horizon-david-lee-myers/#comments</comments>
		<pubDate>Wed, 16 Apr 2003 21:55:20 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[crossing the horizon]]></category>
		<category><![CDATA[listening]]></category>
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		<guid isPermaLink="false">http://www-dev.ibiblio.org/emusic-l/wordpress/?p=39</guid>
		<description><![CDATA[Longtime readers of EMUSIC-L may remember Arcane Device &#8211; the brainchild of David Lee Myers. A visit to Myers&#8217; website is recommended to anyone who&#8217;s interested in the artistic potential of feedback. Of particular interest is the diagram describing theÂ basic setupÂ used in the recording of the Resonant Coil CD. His new CD Ourobouros is available; [...]]]></description>
			<content:encoded><![CDATA[<p>Longtime readers of EMUSIC-L may remember Arcane Device &#8211; the brainchild of David Lee Myers. A visit to Myers&#8217; <a href="http://pulsewidth.com">website</a> is recommended to anyone who&#8217;s interested in the artistic potential of feedback. Of particular interest is the <a href="http://www.pulsewidth.com/Soundart%20%26%20Soundtech/soundartsoundtec.html">diagram</a> describing theÂ basic setupÂ used in the recording of the Resonant Coil CD. His new CD <a href="http://www.pulsewidth.com/Pulsewidth%20Releases/pulsewidthpw01.html">Ourobouros</a> is available; the short samples from the tracks reveal sounds ranging from insects and gongs to nervous marimbas; robot guitar heroes and shortwave non-radios; distant sawmills and rubber drums: ice sculptures on the dark side of a far planet.</p>
<p>[updated 01/08 to point to new pages on Myers' site. - JM]</p>
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