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	<title>EMUSIC-L &#187; hardware</title>
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	<link>http://www.ibiblio.org/emusic-l</link>
	<description>electronic music and other vaguely-related topics</description>
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		<title>Korg SV-1 Stage Piano</title>
		<link>http://www.ibiblio.org/emusic-l/2009/09/19/korg-sv-1-stage-piano/</link>
		<comments>http://www.ibiblio.org/emusic-l/2009/09/19/korg-sv-1-stage-piano/#comments</comments>
		<pubDate>Sun, 20 Sep 2009 03:56:44 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[hardware]]></category>

		<guid isPermaLink="false">http://www.ibiblio.org/emusic-l/?p=206</guid>
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			<content:encoded><![CDATA[<p>Man, this is one gorgeous keyboard. Not only is it pleasing to the eye, but it <em>sounds</em> like a dream. I&#8217;m a sucker for those old &#8217;70&#8242;s electric piano sounds. The SV-1 specifically adds all the <strong>noises</strong> that the actual instruments make. Organs, acoustic piano, and clavinets too. Here&#8217;s a<br />
<a href='http://www.youtube.com/watch?v=0k5QBonuivQ' >Massively detailed demo from Sweetwater Sound</a>.<br />
I&#8217;m really seriously considering switching to this instrument plus maybe a softsynth or two.</p>
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		<item>
		<title>Calling all loopers</title>
		<link>http://www.ibiblio.org/emusic-l/2006/04/18/calling-all-loopers/</link>
		<comments>http://www.ibiblio.org/emusic-l/2006/04/18/calling-all-loopers/#comments</comments>
		<pubDate>Tue, 18 Apr 2006 21:05:28 +0000</pubDate>
		<dc:creator>joemcmahon</dc:creator>
				<category><![CDATA[gear]]></category>
		<category><![CDATA[help-wanted]]></category>
		<category><![CDATA[call for help]]></category>
		<category><![CDATA[hardware]]></category>
		<category><![CDATA[looping]]></category>

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		<description><![CDATA[<p>I got a mail the other day from someone who was looking to duplicate the kind of long, fed-back tape delays that Pauline Oliveros used in &#8220;II of IV&#8221;. I initially suggested a Max/MSP program, or perhaps Supercollider, but, as he put it, &#8220;I use a computer as something to write on&#8221;, and I [...]]]></description>
			<content:encoded><![CDATA[<p>I got a mail the other day from someone who was looking to duplicate the kind of long, fed-back tape delays that Pauline Oliveros used in &#8220;II of IV&#8221;. I<br />
initially suggested a Max/MSP program, or perhaps Supercollider, but, as he put it, &#8220;I use a computer as something to write on&#8221;, and I can understand that.</p>
<p>So, has anyone got a good hardware-based suggestion? Apparently good two-track reel-to-reel tape recorders are hard to come by nowadays, so what he&#8217;d be looking for is a setup which mimicks the following:</p>
<ol>
<li>recorder 1 gets input on channel 1; this is monitored and fed back to channel 2 (resulting in a short delay determined by the distance between record and playback heads)</li>
<li>the tape runs across a gap (TBD by the performer) to a second deck</li>
<li>Channel 1 on this machine is fed back to channel one on the first machine</li>
<li>both channels on machine 2 are monitored and amplified to produce what the audience hears</li>
</ol>
<p>So I think we&#8217;re looking at a long-interval multitap delay, with some clever wiring to feed back parts of the delayed signal. I&#8217;ve suggested a couple of<br />
software solutions, but Real Hardware seems to be indicated. Any takers out there?</p>
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