References
Geoffrey
Ahern. 1984. Sun at Midnight: The Rudolf Steiner Movement and the Western
Esoteric Tradition. Wellingsborough, Northamptonshire:
Aquarian Press.
Dore
Ashton. 1991. A Fable of Modern Art. Berkeley: University of
California Press.
Anna
Balakian. 1967. The Symbolist Movement: A Critical Appraisal. New York:
Random House.
Honoré
de Balzac. [1831] 1977. The Wild Ass's Skin. Trans. Herbert J. Hunt. New
York: Penguin Books.
________.
[1834] 1989. The Quest of the Absolute. Trans. Ellen Marriage. New York:
Hippocrene Books.
________.
[1835] 1989. Séraphita. Trans. Clara Bell, ed. David Blow. New York:
Hippocrene Books (also contains Louis Lambert
and The Exiles).
________.
[1837] 1902. Gambara. In The Works of Honoré de Balzac, vol. II. Trans.
Clara Bell and James Waring. Philadelphia: Avil Publishing Company: 327-91.
Jacques
Barzun. 1951. Berlioz and the Romantic Century, two volumes. London:
Victor Gollancz Ltd.
Ernst
Benz. 1938. Swedenborg und Lavater. Zeitschrift fuer Kirchengeschichte:
153-216.
________.
1941. Immanuel Swedenborg als geistiger Wegbahner des deutschen Idealismus und
der deutschen Romantik. Deutsche Vierteljahrescghrift fuer
Literatuwissenschaft und Geistesgeschichte 19/1: 1-32.
Claire
Boge. 1990. Idea and Analysis: Aspects of Unification in Musical Explanation. College
Music Symposium 30/1: 115-30.
Gunnar
Brandell. 1974. Strindberg in Inferno. Trans. Barry Jacobs. Cambridge,
Mass.: Harvard University Press.
Patricia
Carpenter. 1983. Grundgestalt as Tonal Function. Music Theory Spectrum
5: 15-38.
Ernst
Cassirer. [1918] 1981. Kant's Life and Thought. Trans. James Haden. New
Haven: Yale University Press.
Jean
Christensen. 1979. Arnold Schoenberg's Oratorio "Die Jakobsleiter,"
two volumes. Ph.D. diss. University of California, Los Angeles.
John
Covach. 1990. The Music and Theories of Josef Matthias
Hauer. Ph.D. diss. University of Michigan.
________.
1991a. Dahlhaus, Schoenberg, and the New Music. In Theory Only 12/1-2: 19-42.
________.
1991b. The Sources of Schoenberg's "Aesthetic Theology." Paper
delivered at the AMS conference in Chicago, Ill.
Charlotte
M. Cross. 1980. Three Levels of "Idea" in Schoenberg's Thought and
Writings. Current Musicology 30: 24-36.
Carl
Dahlhaus. [1967] 1982. Esthetics of Music. Trans. William Austin.
Cambridge: Cambridge University Press.
________.
[1978] 1989. The Idea of Absolute Music. Trans. Roger Lustig. Chicago:
University of Chicago Press.
________.
1987. Schoenberg and the New Music. Trans. Derrick
Puffett and Alfred Clayton. Cambridge: Cambridge University Press.
Karlheiz
Essl. 1989. "Das Synthese-Denken bei Anton von Webern," Dissertation, University of Vienna.
Alexander
Goehr. 1977. Schoenberg's Gedanke Manuscript. Journal of the Arnold
Schoenberg Institute 2: 4-25.
________.
1985. Schoenberg and Karl Kraus: The Idea Behind the Music. Music Analysis
4/1-2: 59-71.
Johann
Wolfgang von Goethe. [1772] 1953. Review of Lavater's Aussichten in die Ewigkeit, in Breifen an Zimmerman.
In Schriften zu Literatur und Theatre. Ed. Walther Rehm. Vol. 15 of Gesamtausgabe
der Werke und Schriften in Zweiundzwanzig
Baenden. Stuttgart: J. G. Cotta'sche Buchhandlung
Nachfolger.
________.
[1781] 1962. Letter no. 286 to Lavater. In Goethes Briefe: Hamburger Ausgabe in vier Baenden. ed. Karl
Robert Mandelkow and Bodo Morawe. Vol. 1.
Hamburg: Christian Wagner Verlag.
David
Paul Goldman. 1991. Esotericism as a Determinant of Debussy's Harmonic Language.
Musical Quarterly 75/2: 130-47.
Gerhard
Gollwitzer. 1968. Die Geisterwelt ist nicht geschlossen:
Swedenborgs Schau in Goethes Faust. Stuttgart: Faust-Verlag.
Jelena
Hahl-Koch. [1980] 1984. Arnold Schoenberg-Wassily Kandinsky: Letters,
Pictures, and Documents. Trans. John Crawford. London: Faber and Faber.
Johannes
Hemleben. [1963] 1975. Rudolf Steiner: A Documentary Biography. Trans.
Leo Twyman. East Grinstead, Sussex: Henry Goulden Ltd.
F. W.
J. Hemmings. 1967. Balzac: An Interpretation of La Comedie
Humaine. New York: Random House.
Herbert
J. Hunt. 1959. Balzac's Comedie Humaine. London: Athlone Press.
Allan
Janik and Stephen Toulmin. 1973. Wittgenstein's Vienna. New
York: Simon and Schuster.
Douglas
Jarman. 1979. The Music of Alban Berg. Berkeley: University of California
Press.
________.
1982. Alban Berg, Wilhelm Fliess, and the Secret Programme of the Violin Concerto. International Alban Berg
Society Newsletter 12: 5-11.
________.
1991. "Man hat auch aus Fleisch und Blut": Towards a
Berg Biography. In Alban Berg: Historical and Analytical
Perspectives. David Gable and Robert Morgan. eds. Oxford: Clarendon Press, 11-23.
Wassily
Kandinsky. [1911] 1977. Concerning the Spiritual in Art. Trans. M. T. H.
Sadler. New York: Dover Publications.
________.
[1913] 1964. Reminiscences. In Modern Artists On Art. Ed. Robert L.
Herbert. New York: Prentis Hall Press.
Wassily
Kandinsky and Franz Marc, eds. [1912] 1974. The Blaue Reiter Almanac. New
edition ed. Klaus Lankheit. New York: Da Capo Press.
Immanuel
Kant. [1766] 1969. Dreams of a Spirit Seer. Trans. and
commentary by John Manolesco. New York: Vantage Press.
________.
[1789] 1902. Prolegomena to Any Future Metaphysics That
Can Qualify as a Science. Trans. Paul Carus. La Salle,
Illinois: Open Court.
Walter
Klein. 1924. Das Theosophische Element in Schoenbergs Weltanschauung. Arnold Schoenberg zum fuenfzigsten
Geburtstag, 13 Sept. 1924. Vienna: Sonderheft der Musikblaetter des
Anbruch: 273-74.
Alan
Philip Lessem. 1979. Music and Text in the Works of Arnold
Schoenberg: The Critical Years, 1908‑1922. Studies in Musicology,
No. 8. Ann Arbor: UMI Research Press.
Roger
Lipsey. 1988. An Art of Our Own: The Spiritual in Twentieth‑Century Art.
Boston: Shambhala.
Bryan
Magee. 1983. The Philosophy of Schopenhauer. Oxford: Oxford University
Press.
Robert A. McDermott, ed. 1984. The Essential Steiner. New York: Harper and Row.
William
J. McGrath 1974. Dionysian Art and Populist Politics in
Austria. New Haven: Yale University Press.
Max
Morris. 1899. Swedenborg im Faust. Euphorion: 491-510.
Severine
Neff. 1990. Zusammenhang, Kontrapunkt, Instrumentation,
Formenlehre: The Seed of Schoenberg's Theoretical Work.
Paper presented at the AMS/SEM/SMT conference in Oakland,
Ca.
________.
(forthcoming). Schoenberg and Goethe: Organicism and Analysis. In Music Theory and the Exploration of the Past,
David Bernstein and Christopher Hatch, eds. Chicago: University of
Chicago Press.
V. S.
Pritchett. 1973. Balzac. New York: Harmony Books.
Sixten
Ringbom. 1966. Art in the "Epoch of the Great Spiritual": Occult
Elements in the Early Theory of Abstract Painting. Journal of the Warpurg and
Courtauld Institutes 29: 386-418.
________.
1970. The Sounding Cosmos: A Study in the Spiritualism of Kandinsky and the
Genesis of Abstract Painting. Acta Academiae Aboensis, Ser. A, 38/2. Abo:
Academi.
Alexander
Ringer. 1990. Arnold Schoenberg: The Composer as Jew.
Oxford: Clarendon Press.
Arnold
Schoenberg. [1912] 1986. Attempt at a Diary. Trans. Anita Lugenbuehl. Journal
of the Arnold Schoenberg Institute 9/1: 7-51.
________.
[1923] 1986. 1923 Diary. Trans. Jerry McBride and Anita
Lugenbuehl. Journal of the Arnold Schoenberg Institute 9/1:
78-83.
________.
1975. Style and Idea. Trans. Leo Black, ed. Leonard Stein. Faber and
Faber Ltd. Repr. Berkeley: University of California Press, 1984.
________.
1976. Gesammelte Schriften 1. S. Fischer Verlag.
E.
Randol Schoenberg. 1986. Alban Berg-Arnold Schoenberg Exhibit
at the Arnold Schoenberg Institute, August-December 1985, In
Honor of the Alban Berg Centenial. Trans. Gertrud S. Zersl. Journal of
the Arnold Schoenberg Institute 9/2: 236-59.
Arthur
Schopenhauer. [1819] 1969. The World as Will and Representation, vol. I.
Trans E. F. J. Payne. New York: Dover.
Carl
Schorske. 1980. Fin-de-Siècle Vienna: Politics and Culture.
New York: Knopf.
John
Howard Spalding. 1956. Introduction to Swedenborg's Religious Thought.
New York: Swedenborg Publishing Association.
Rudolf
Steiner. [1886] 1988. The Science of Knowing: Outline of an Epistomology
Implicit in the Goethean World View. Trans. W. Lindeman. Spring Valley, New
York: Mercury Press.
________.
[1888] 1922. Goethe as the Founder of a New Science of Aesthetics. Trans. G. Metaxa. London: Rudolf
Steiner Publishing Company.
________.
[1897] 1985. Goethe's World View. Trans. William Lindeman. Spring Valley,
New York: Mercury Press.
________.
[1904] 1971. Theosophy: An Introduction to the Supersensible Knowledge of
the World and the Destination of Man. Trans. Henry Monges and Gilbert
Church. Hudson, New York: Anthroposophic Press.
________.
[1925] 1951. The Course of My Life. Trans. Olin D. Wannemaker. New York:
Anthroposophic Press.
________.
1988. Goethean Science. Trans. William Lindemann.
Spring Valley, New York: Mercury Press.
Rudolf
Stephan. 1982. Der musikalische Gedanke bei Schoenberg. Oesterreichische
Musikzeitschrift 37/10: 530-40.
Clara
Steuermann. 1979. From the Archives: Schoenberg's Library Catalog. Journal of
the Arnold Schoenberg Institute 3/2: 203-18.
H. H.
Stuckenschmidt. [1974] 1977. Arnold Schoenberg: His Life and Work.
London: John Calder Ltd.
Emanuel
Swedenborg. [1758] 1979. Heavan and Hell. Trans. George F. Dole. New
York: Swedenborg Foundation.
Sig
Synnestvedt, 1984. The Essential Swedenborg. New York: Swedenborg
Foundation.
James
Webb. 1985. The Occult Establishment. La Salle, Illinois: Open Court.
________.
1988. The Occult Underground. La Salle, Illinois: Open
Court.
Pamela
White. 1985. Schoenberg and the God-Idea. Ann Arbor: UMI Press.
Colin
Wilson. 1971. The Occult: A History. New York: Random House.
Karl Woerner. 1965. Schoenbergs Oratorium Die Jakobsleiter: Musik zwischen Theologie und Weltanschauung. Schweizerische Musikzeitung 105: 250-57 and 333-40.