References to "Schoenberg and the Occult: Reflections on the Musical Idea" by John Covach

 

Geoffrey Ahern. 1984. Sun at Midnight: The Rudolf Steiner Movement and the Western Esoteric Tradition. Wellingsborough, Northamptonshire: Aquarian Press. 

Dore Ashton. 1991. A Fable of Modern Art. Berkeley: University of  California Press. 

Anna Balakian. 1967. The Symbolist Movement: A Critical Appraisal. New York: Random House. 

Honoré de Balzac. [1831] 1977. The Wild Ass's Skin. Trans. Herbert J. Hunt. New York: Penguin Books. 

________. [1834] 1989. The Quest of the Absolute. Trans. Ellen Marriage. New York: Hippocrene Books. 

________. [1835] 1989. Séraphita. Trans. Clara Bell, ed. David Blow. New York: Hippocrene Books (also contains Louis Lambert and The Exiles). 

________. [1837] 1902. Gambara. In The Works of Honoré de Balzac, vol. II. Trans. Clara Bell and James Waring. Philadelphia: Avil Publishing Company: 327-91. 

Jacques Barzun. 1951. Berlioz and the Romantic Century, two volumes. London: Victor Gollancz Ltd. 

Ernst Benz. 1938. Swedenborg und Lavater. Zeitschrift fuer Kirchengeschichte: 153-216. 

________. 1941. Immanuel Swedenborg als geistiger Wegbahner des deutschen Idealismus und der deutschen Romantik. Deutsche Vierteljahrescghrift fuer Literatuwissenschaft und Geistesgeschichte 19/1: 1-32. 

Claire Boge. 1990. Idea and Analysis: Aspects of Unification in Musical Explanation. College Music Symposium 30/1: 115-30. 

Gunnar Brandell. 1974. Strindberg in Inferno. Trans. Barry Jacobs. Cambridge, Mass.: Harvard University Press. 

Patricia Carpenter. 1983. Grundgestalt as Tonal Function. Music Theory Spectrum 5: 15-38. 

Ernst Cassirer. [1918] 1981. Kant's Life and Thought. Trans. James Haden. New Haven: Yale University Press. 

Jean Christensen. 1979. Arnold Schoenberg's Oratorio "Die Jakobs­leiter," two volumes. Ph.D. diss. University of California, Los Angeles. 

John Covach. 1990. The Music and Theories of Josef Matthias  Hauer. Ph.D. diss. University of Michigan.

________. 1991a. Dahlhaus, Schoenberg, and the New Music. In Theory Only 12/1-2: 19-42. 

________. 1991b. The Sources of Schoenberg's "Aesthetic Theology." Paper delivered at the AMS conference in Chicago, Ill. 

Charlotte M. Cross. 1980. Three Levels of "Idea" in Schoenberg's Thought and Writings. Current Musicology 30: 24-36. 

Carl Dahlhaus. [1967] 1982. Esthetics of Music. Trans. William Austin. Cambridge: Cambridge University Press. 

________. [1978] 1989. The Idea of Absolute Music. Trans. Roger Lustig. Chicago: University of Chicago Press. 

________. 1987. Schoenberg and the New Music. Trans. Derrick  Puffett and Alfred Clayton. Cambridge: Cambridge University Press. 

Karlheiz Essl. 1989. "Das Synthese-Denken bei Anton von Webern," Dissertation, University of Vienna. 

Alexander Goehr. 1977. Schoenberg's Gedanke Manuscript. Journal of the Arnold Schoenberg Institute 2: 4-25. 

________. 1985. Schoenberg and Karl Kraus: The Idea Behind the Music. Music Analysis 4/1-2: 59-71. 

Johann Wolfgang von Goethe. [1772] 1953. Review of Lavater's  Aussichten in die Ewigkeit, in Breifen an Zimmerman. In Schriften zu Literatur und Theatre. Ed. Walther Rehm. Vol. 15 of Gesamtausgabe der Werke und Schriften in  Zweiundzwanzig Baenden. Stuttgart: J. G. Cotta'sche  Buchhandlung Nachfolger. 

________. [1781] 1962. Letter no. 286 to Lavater. In Goethes  Briefe: Hamburger Ausgabe in vier Baenden. ed. Karl Robert Mandelkow and Bodo Morawe. Vol. 1. Hamburg: Christian Wagner Verlag. 

David Paul Goldman. 1991. Esotericism as a Determinant of Debussy's Harmonic Language. Musical Quarterly 75/2: 130-47. 

Gerhard Gollwitzer. 1968. Die Geisterwelt ist nicht geschlossen:  Swedenborgs Schau in Goethes Faust. Stuttgart: Faust-Verlag. 

Jelena Hahl-Koch. [1980] 1984. Arnold Schoenberg-Wassily Kandinsky: Letters, Pictures, and Documents. Trans. John Crawford. London: Faber and Faber.    

Johannes Hemleben. [1963] 1975. Rudolf Steiner: A Documentary Biography. Trans. Leo Twyman. East Grinstead, Sussex: Henry Goulden Ltd. 

F. W. J. Hemmings. 1967. Balzac: An Interpretation of La Comedie  Humaine. New York: Random House. 

Herbert J. Hunt. 1959. Balzac's Comedie Humaine. London: Athlone Press. 

Allan Janik and Stephen Toulmin. 1973. Wittgenstein's Vienna. New  York: Simon and Schuster. 

Douglas Jarman. 1979. The Music of Alban Berg. Berkeley: University of California Press. 

________. 1982. Alban Berg, Wilhelm Fliess, and the Secret  Programme of the Violin Concerto. International Alban Berg  Society Newsletter 12: 5-11. 

________. 1991. "Man hat auch aus Fleisch und Blut": Towards a  Berg Biography. In Alban Berg: Historical and Analytical Perspectives. David Gable and Robert Morgan. eds. Oxford: Clarendon Press, 11-23. 

Wassily Kandinsky. [1911] 1977. Concerning the Spiritual in Art. Trans. M. T. H. Sadler. New York: Dover Publications. 

________. [1913] 1964. Reminiscences. In Modern Artists On Art. Ed. Robert L. Herbert. New York: Prentis Hall Press. 

Wassily Kandinsky and Franz Marc, eds. [1912] 1974. The Blaue Reiter Almanac. New edition ed. Klaus Lankheit. New York: Da  Capo Press. 

Immanuel Kant. [1766] 1969. Dreams of a Spirit Seer. Trans. and  commentary by John Manolesco. New York: Vantage Press. 

________. [1789] 1902. Prolegomena to Any Future Metaphysics That  Can Qualify as a Science. Trans. Paul Carus. La Salle, Illinois: Open Court. 

Walter Klein. 1924. Das Theosophische Element in Schoenbergs  Weltanschauung. Arnold Schoenberg zum fuenfzigsten  Geburtstag, 13 Sept. 1924. Vienna: Sonderheft der Musikblaetter des Anbruch: 273-74.    

Alan Philip Lessem. 1979. Music and Text in the Works of Arnold Schoenberg: The Critical Years, 1908‑1922. Studies in Musicology, No. 8. Ann Arbor: UMI Research Press. 

Roger Lipsey. 1988. An Art of Our Own: The Spiritual in Twentieth‑Century Art. Boston: Shambhala. 

Bryan Magee. 1983. The Philosophy of Schopenhauer. Oxford: Oxford University Press. 

Robert A. McDermott, ed. 1984. The Essential Steiner. New York: Harper and Row.

William J. McGrath 1974. Dionysian Art and Populist Politics in  Austria. New Haven: Yale University Press. 

Max Morris. 1899. Swedenborg im Faust. Euphorion: 491-510. 

Severine Neff. 1990. Zusammenhang, Kontrapunkt, Instrumentation,  Formenlehre: The Seed of Schoenberg's Theoretical Work.  Paper presented at the AMS/SEM/SMT conference in Oakland, Ca.     

________. (forthcoming). Schoenberg and Goethe: Organicism and  Analysis. In Music Theory and the Exploration of the Past,  David Bernstein and Christopher Hatch, eds. Chicago: University of Chicago Press.    

V. S. Pritchett. 1973. Balzac. New York: Harmony Books. 

Sixten Ringbom. 1966. Art in the "Epoch of the Great Spiritual": Occult Elements in the Early Theory of Abstract Painting. Journal of the Warpurg and Courtauld Institutes 29: 386-418. 

________. 1970. The Sounding Cosmos: A Study in the Spi­ritualism of Kandinsky and the Genesis of Abstract Painting. Acta Academiae Aboensis, Ser. A, 38/2. Abo: Academi. 

Alexander Ringer. 1990. Arnold Schoenberg: The Composer as Jew.  Oxford: Clarendon Press. 

Arnold Schoenberg. [1912] 1986. Attempt at a Diary. Trans. Anita Lugenbuehl. Journal of the Arnold Schoenberg Institute 9/1: 7-51. 

________. [1923] 1986. 1923 Diary. Trans. Jerry McBride and Anita  Lugenbuehl. Journal of the Arnold Schoenberg Institute 9/1: 78-83. 

________. 1975. Style and Idea. Trans. Leo Black, ed. Leonard Stein. Faber and Faber Ltd. Repr. Berkeley: University of California Press, 1984. 

________. 1976. Gesammelte Schriften 1. S. Fischer Verlag. 

E. Randol Schoenberg. 1986. Alban Berg-Arnold Schoenberg Exhibit  at the Arnold Schoenberg Institute, August-December 1985, In  Honor of the Alban Berg Centenial. Trans. Gertrud S. Zersl. Journal of the Arnold Schoenberg Institute 9/2: 236-59. 

Arthur Schopenhauer. [1819] 1969. The World as Will and Representation, vol. I. Trans E. F. J. Payne. New York: Dover.  

Carl Schorske. 1980. Fin-de-Siècle Vienna: Politics and Culture.  New York: Knopf. 

John Howard Spalding. 1956. Introduction to Swedenborg's Religious Thought. New York: Swedenborg Publishing Association. 

Rudolf Steiner. [1886] 1988. The Science of Knowing: Outline of an Epistomology Implicit in the Goethean World View. Trans. W. Lindeman. Spring Valley, New York: Mercury Press. 

________. [1888] 1922. Goethe as the Founder of a New Science of Aesthetics. Trans. G. Metaxa. London: Rudolf  Steiner Publishing Company. 

________. [1897] 1985. Goethe's World View. Trans. William Lindeman. Spring Valley, New York: Mercury Press. 

________. [1904] 1971. Theosophy: An Introduction to the Super­sensible Knowledge of the World and the Destination of Man. Trans. Henry Monges and Gilbert Church. Hudson, New York: Anthroposophic Press. 

________. [1925] 1951. The Course of My Life. Trans. Olin D. Wannemaker. New York: Anthroposophic Press. 

________. 1988. Goethean Science. Trans. William Lindemann.  Spring Valley, New York: Mercury Press. 

Rudolf Stephan. 1982. Der musikalische Gedanke bei Schoenberg. Oesterreichische Musikzeitschrift 37/10: 530-40. 

Clara Steuermann. 1979. From the Archives: Schoenberg's Library Catalog. Journal of the Arnold Schoenberg Institute 3/2: 203-18. 

H. H. Stuckenschmidt. [1974] 1977. Arnold Schoenberg: His Life and Work. London: John Calder Ltd. 

Emanuel Swedenborg. [1758] 1979. Heavan and Hell. Trans. George F. Dole. New York: Swedenborg Foundation. 

Sig Synnestvedt, 1984. The Essential Swedenborg. New York: Swedenborg Foundation. 

James Webb. 1985. The Occult Establishment. La Salle, Illinois: Open Court. 

________. 1988. The Occult Underground. La Salle, Illinois: Open  Court.  

Pamela White. 1985. Schoenberg and the God-Idea. Ann Arbor: UMI Press.     

Colin Wilson. 1971. The Occult: A History. New York: Random House. 

Karl Woerner. 1965. Schoenbergs Oratorium Die Jakobsleiter: Musik zwischen Theologie und Weltanschauung. Schweizerische Musikzeitung 105: 250-57 and 333-40.