"Arthur Miller's Dramatic Theory and Strategy."
Keynote Speaker: Matthew Roudané.
Papers Presented:
Fred Ribkoff, "Shame, Guilt, Empathy, and the Search for Identity in
Arthur Miller's Death of a Salesman."
Gerald Lee Ratliff, "The 'Tragic Fallacy' of Arthur Miller's Death
of a Salesman."
Lucia Cherciu, "The Failure of Simulation and the Economics of Gender
in Death of a Salesman."
Janet Balakian, "'Are You Now, Or Have You Ever Been Guilty?': Dramatic
Form and the Problem of Power, Guilt and
Vengeance in The Crucible."
Kim Cook, "'Raising up a Whore': The Dramatic Construction of Abigail
Williams."
George Castellitto, "Demirep or Pre-Modern Woman: Abigail Williams
in 1953 and 1996."
Robert Shulman, "Left Politics in Death of a Salesman: From
Waiting
for Lefty to Death of a Salesman."
Stephen Marino, "The Destruction of Myth in A View from the Bridge."
Jane Dominik, "Dramatic and Symbolic Uses of Settings and Properties
in Arthur Miller's Drama."
Thomas Porter, "The Outside in The Archbishop's Ceiling."
Susan C. W. Abbotson, "A Whimsical Dramatic Exercise or Serious Social
Drama: Responsibility and Connection in
Elegy for a Lady."
Steve Centola, "Reflections of the Mind: Arthur Miller's Dramatic Strategy
in Two-Way Mirror."
Katherine Egerton, "The Lunatic's Ball: Redemption and the Aesthetics
of Mental Illness in The LastYankee."
Terry Otten, "Coming to Roost Again: Tragic Rhythm in Arthur Miller's
Broken
Glass."
Michelle Sampson, "Ethics, Anti-Semitism, and Tragedy in Arthur Miller's
Broken
Glass."