\version "2.10.0" #(ly:set-option 'point-and-click #f) \include "english.ly" \paper { ragged-last-bottom = ##f ragged-bottom = ##f } \header { dedication = "A mi ilustre amigo el Excemo: Sr. General Lopez Dominguez" title = "Rumores de la Caleta" subtitle = "Malagueña" subsubtitle = \markup {"No. 6 from" \italic "Recuerdos de viaje"} composer = "Isaac Albéniz (1860-1909)" opus = "Op. 71, No. 6" copyright = "Public Domain" mutopiatitle = "Rumores de la Caleta" mutopiacomposer = "AlbenizIMF" mutopiaopus = "71" mutopiainstrument = "Piano" date = "1887" source = "Union Musical Española" style = "Romantic" copyright = "Public Domain" maintainer = "David Surtees" maintainerEmail = "mutopia@davidsurtees.com" maintainerWeb = "http://www.davidsurtees.com" lastupdated = "2006/Dec/27" footer = "Mutopia-2006/12/29-898" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } pmel = \markup {\dynamic p \small \italic melancólico} can = \markup {\small \italic cantando} semprep = \markup {\italic \small sempre \dynamic p} pocorit = \markup {\italic \small "poco ritard."} atempo = \markup {\italic \small "a tempo"} mtempo = \markup {\italic \small "tempo"} rit = \markup {\italic \small "rit."} riten = \markup {\italic \small "riten."} moltorit = \markup {\italic \small "molto ritard."} cadlen = \markup {\italic \small "cadenza lento"} adlib = \markup {\italic \small "ad lib."} dim = \markup {\italic \small "dim."} frit = \markup {\dynamic f \small \italic rit.} voicea = \relative c { \key d \minor \time 3/4 \change Staff = lower \override TupletBracket #'transparent = ##t a32*8/7( e' a \change Staff = upper cs e a cs a'2)\fermata \bar "||" \time 3/8 r8 \times 2/3 {cs,,16^( e a} a,8-.) r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) %%5 16-.[ r -. r -.] r r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] %%10 r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r r8 -. r r8 -. r r8 \times 2/3 {cs16^( e a} a,8-.) %%15 r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. %%20 r8 -. -. r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r r8 \times 2/3 {cs16^( e a} a,8-.) %%25 r8 -. r \once \override Score.RehearsalMark #'self-alignment-X = #left \once \override Score.RehearsalMark #'extra-offset = #'(0 . 2.5) \mark \markup {\small \bold "Meno tempo" } r8 e'\( g~ g8[ f]~ f16 g32( f e4)\) d16\( e f4 g8 %30 \times 2/3 {f16 g f} e4\) \times 2/3 {d16([ e d]} c8 bf) r8 \times 2/3 {cs,16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) %%35 r8 r r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 -. -. r8 -. -. %%40 r8 \times 2/3 {cs16^( e a} a,8-.) r8 r r8 r r8 r r8 e'\( g %%45 g8[ f]~ f16 g32 f e4\) d16\( e f4 g8 \times 2/3 {f16 g f} e4\) \times 2/3 {d16_( e d} c8 bf) %%50 r8 \times 2/3 {cs,16^( e a} a,8-.) r16 cs'( d e g f \times 2/3 {e16 f e} d4) \times 2/3 {d16( e d} c8 bf) r8 \times 2/3 {cs,16^( e a} a,8-.) %%55 cs'16( d e f a g \times 2/3 {e16 f e} d4) \times 2/3 {c16([ d c]} bf f c bf) r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] %%60 r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) %%65 r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r r8 -. r r8 -. r %%70 \once \override Score.RehearsalMark #'self-alignment-X = #left \mark \markup {\small \bold "Lento" } \bar "||" \time 4/4 r2 a'4 a'( 1)\arpeggio \fermata \bar "|." \break \time 3/8 \once \override Score.RehearsalMark #'self-alignment-X = #left \once \override Score.RehearsalMark #'extra-offset = #'(0 . 1.5) \mark \markup {\small \bold "Lento" } a4 g8 a4\prall g8 a8\prall r32 g([ a g] f d bf g %%75 \override Staff.NoteCollision #'merge-differently-dotted = ##t \once \override Score.RehearsalMark #'self-alignment-X = #left \once \override Score.RehearsalMark #'extra-offset = #'(0 . 1.5) \mark \markup {\small \bold "Tempo I°" } \voiceOne << {f4.)~ f4. c'8( d16 e f8~ f8) r32 ef([ f ef] d ef f ef d4.)~ %%80 d4. bf8( c16 d f8~ f8) r32 e([ f e] d16 c f8) r32 d([ e d] c16 a f4.) %%85 c'8( f4) a8\rest a16\rest e32([ f] e d c d e4) \times 2/3 {d16(_\( e d\)} c4.) bf8( c16 d e8~ %%90 e8. d32[ e] d16 c d8. c32[ d] c16 a f4.) bf8( c16 d f8~ f8) e4\fermata~} %%75 \context Voice="1" { \voiceTwo f,16 ^. c\rest ^.[ c\rest ^.] f'16 ^. c\rest ^.[ c\rest ^.] c'16 r8 f'16 f'16 r32 a16.~\noBeam a8 d16 g\rest [ g\rest ] %%80 d'16 g\rest [ g\rest ] bf16 r8 f'16 r32 bf'16.~\noBeam bf8 f'16 \tieNeutral ~ 4 \tieDown f16 ^. c\rest ^.[ c\rest ^.] %%85 c'16 g\rest [ g\rest ] g16\rest [ g\rest ~ 8] g16\rest [ g\rest ]~ 8 c'16 g\rest [ g\rest ] bf'16 e, r8 e'16 %%90 e'16 r ~ 8 d'16 r r8 f16 c\rest [ c\rest ] bf'16 r8 f'16 f'16 r4} >> %%95 \oneVoice \once \override Score.RehearsalMark #'self-alignment-X = #left \mark \markup {\small \bold "Adagio" } \cadenzaOn e'8 r16 f32([ e] d e f g \once \override Voice.TextScript #'extra-offset = #'(0.7 . -1) f16^\markup{\musicglyph #"scripts.prall"}) e32[ d] e([ f g f] e[ f d e]) \cadenzaOff c16\prall bf32([ a] bf[ c bf f] d[ c bf f]) \break r8 \times 2/3 {cs'16^( e a} a,8-.) r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] %%100 r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) %%105 r8 r r8 r r8 r r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. %%110 r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 -. -. %%115 r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r r8 \times 2/3 {cs16^( e a} a,8) r8 r %%120 \once \override Score.RehearsalMark #'self-alignment-X = #left \once \override Score.RehearsalMark #'extra-offset = #'(0 . 1.5) \mark \markup {\small \bold "Meno mosso" } r8 e'( g)\(~ g8[ f]~ f16 g32( f e4)\) d16\( e f4 g8 \times 2/3 {f16 g f} e4\) %%125 \times 2/3 {d16\( e d} c8 bf\) r8 \times 2/3 {cs,16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r %%130 r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 -. -. r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) %%135 r8 r r8 r r8 r r8 e'\( g g8[ f]~ f16 g32 f %%140 e4\) d16\( e f4 g8 \times 2/3 {f16 g f} e4\) \times 2/3 {d16_( e d} c8 bf) r8 \times 2/3 {cs,16^( e a} a,8-.) %%145 r16 cs'( d e g f \times 2/3 {e16 f e} d4) \times 2/3 {d16( e d} c8 bf) r8 \times 2/3 {cs,16^( e a} a,8-.) cs'16( d e f a g %%150 \times 2/3 {e16 f e} d4) \times 2/3 {c16([ d c]} bf f c bf) r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) %%155 r16 -.[ r -. r -.] r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. -. r8 \times 2/3 {cs16^( e a} a,8-.) r16 -.[ r -. r -.] %%160 r8 \times 2/3 {cs16^( e a} a,8-.) r8 -. r r8 -. r r8 -. r \once \override Score.RehearsalMark #'self-alignment-X = #left \mark \markup {\small \bold "Lento" } \bar "||" \time 4/4 r2 a'4 a'( %%165 1)\arpeggio \fermata \bar "|." } voiceb = \relative c { \clef bass \key d \minor \time 3/4 \override TupletBracket #'transparent = ##t \skip 4*3 \time 3/8 << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> %%5 f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> \times 2/3 {d16([ e f])} \times 2/3 {g([ a bf])} \times 2/3 {c([ bf a])} << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r %%10 << {r8 e4} \\ {a,4.} >> \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \setTextDim \times 2/3 {d,([ e f]} \times 2/3 {g\>[ a bf]\!} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> %%15 d16-. f-. g8-. bf-. << {r8 e,4} \\ {a,4.} >> d16-. f-. g8-. bf-. << {r8 e,4} \\ {a,4.} >> d16-. e-. f-. g-. a-. bf-. %%20 g16-. a-. f-. g-. e-. f-. d16-. e-. c-. d-. bf-. c-. << {r8 e4} \\ {a,4.} >> f'4( g16)-. e-. << {r8 e4} \\ {a,4.} >> %%25 f'4( g16)-. e-. \override TupletNumber #'transparent = ##f a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. %%30 a,8 \times 2/3 {e'16( a cs} e8)-. << {r8 bf_( d)} \\ {a,8 4 } >> << {r8 e4} \\ {a,4.} >> d16-.( f-. g8-. bf-.) << {r8 e,4} \\ {a,4.} >> %%35 \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> d16-. e-. f-. g-. a-. bf-. g16-. a-. f-. g-. e-. f-. d16-. e-. c-. d-. bf-. c-. %%40 << {r8 e4} \\ {a,4.} >> \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \setTextDim \times 2/3 {d,16([ e f]} \times 2/3 {g[\> a bf\!]} \times 2/3 {c[ bf a])} \times 2/3 {d,16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \override TupletNumber #'transparent = ##f a,8-. \times 2/3 {e'16( a cs} e8)-. %%45 a,,8-. bf'-. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. << {r8 bf d} \\ {a,8 4 } >> %%50 << {r8 e4} \\ {a,4.} >> \override Staff.NoteCollision #'merge-differently-dotted = ##t << {a8 e'_. bf'_.} \\ {a,4.} >> a8 \times 2/3 {e'16( a d} f8)-. << {r8 d'} \\ {a,8 4 } >> << {r8 e4} \\ {a,4.} >> %%55 << {a8 e'_. bf'_.} \\ {a,4.} >> a8 \times 2/3 {e'16( a d} f8)-. a,,8( d f) << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r %%60 << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> %%65 f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} %%70 a,4( e' cs'2 \clef treble 1)\arpeggio \fermata \clef bass r4 r8 r4 r8 r4 r8 %%75 f,,8( c' a') f,8( c' a') f,8( c' a') f,8( c'' f) bf,,8( f' d') %%80 bf,8( f' d') bf,8( f' d') c,8( g' c) f,,8( c' a') f,8( c' a') %%85 f,8( c' a') f,8( c' a') c,,8( g'' c) c,,8( g'' c) c,8( g' c) %%90 c,8( g' c) f,,8( c' a') f,8( c' a') bf,8( f' d') g,,8( g' \arpeggio) %%95 \skip 8*9 << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r %%100 << {r8 e4} \\ {a,4.} >> \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> %%105 \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> d16-. f-. g8-. bf-. %%110 << {r8 e,4} \\ {a,4.} >> d16-. f-. g8-. bf-. << {r8 e,4} \\ {a,4.} >> d16-. e-. f-. g-. a-. bf-. g16-. a-. f-. g-. e-. f-. %%115 d16-. e-. c-. d-. bf-. c-. << {r8 e4} \\ {a,4.} >> f'4( g16)-. e-. << {r8 e4} \\ {a,4.} >> f'4( g16)-. e-. %%120 \override TupletNumber #'transparent = ##f a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. %%125 << {r8 bf d} \\ {a,8 4 } >> << {r8 e4} \\ {a,4.} >> d16-. f-. g8-. bf-. << {r8 e,4} \\ {a,4.} >> \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} %%130 << {r8 e4} \\ {a,4.} >> d16-. e-. f-. g-. a-. bf-. g16-. a-. f-. g-. e-. f-. d16-. e-. c-. d-. bf-. c-. << {r8 e4} \\ {a,4.} >> %%135 \setTextDim \times 2/3 {d16([ e f]} \times 2/3 {g[\> a bf\!]} \times 2/3 {c[ bf a])} \times 2/3 {d,16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \override TupletNumber #'transparent = ##f a,8-. \times 2/3 {e'16( a cs} e8)-. a,,8-. bf'-. e,-. %%140 a,8 \times 2/3 {e'16( a cs} e8)-. a,,8-. -. e,-. a,8 \times 2/3 {e'16( a cs} e8)-. << {r8 bf d} \\ {a,8 4 } >> << {r8 e4} \\ {a,4.} >> %%145 \override Staff.NoteCollision #'merge-differently-dotted = ##t << {a8 e'_. bf'_.} \\ {a,4.} >> a8 \times 2/3 {e'16( a d} f8)-. << {r8 d'} \\ {a,8 4 } >> << {r8 e4} \\ {a,4.} >> << {a8 e'_. bf'_.} \\ {a,4.} >> %%150 a8 \times 2/3 {e'16( a d} f8)-. a,,8( d f) << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> %%155 f'16-.[ r g-. r e-.] r << {r8 e4} \\ {a,4.} >> \override TupletNumber #'transparent = ##t \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} << {r8 e4} \\ {a,4.} >> f'16-.[ r g-. r e-.] r %%160 << {r8 e4} \\ {a,4.} >> \times 2/3 {d16([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} \times 2/3 {d,([ e f]} \times 2/3 {g[ a bf]} \times 2/3 {c[ bf a])} a,4( e' cs'2 \clef treble 1\arpeggio \fermata) } dynamics = { s2.\f s4.-\pmel s4.*4 s8\< s\! s16*2/3\> s s\! s4.*3 s8\< s16*2/3\! s s s\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! \once \override DynamicText #'extra-offset = #'(1 . 2.5) s4.\pp %%15 s8\< s\! s \once \override DynamicText #'extra-offset = #'(1 . 2.5) s4.\pp s8\< s\! s \once \override DynamicText #'extra-offset = #'(1 . 2.5) s4.\pp s8 s4\< %%20 s4 s16 s\! s4\> s16 s\! s4.*4 s16 \once \override TextScript #'extra-offset = #'(0 . 2.1) s-\can s4 s4\< s16. s32\! s4.*2 s16*2/3\> s s\! s4 s4.*4 %%35 s8\< s16*2/3 s\! s s\> s s\! s4. s4.\< s8 s4\! s4\> s16 s\! %%40 s4. s8\< s\! s16*2/3\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! s8 s\< s\! %%45 s4. s8\< s16*2/3 s s\! s8 s4.*2 s8\> s4\! %%50 s4. s4\< s8\! s4. s4\> s8\! s4. %%55 s4\< s16 s\! s4. s8\> s\! s s4.*5 s8\< s\! s16*2/3\> s s\! s4.*3 \once \override TextScript #'extra-offset = #'(0 . 2.1) s8-\dim s4 s16*2/3\< s s\! s8 s16*2/3\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! %%70 s1*2 s4\ff s8 s4. s8 s32 s16.\> s s32\! %%75 s4-\semprep s8 s4.*2 s8 s16 \once \override TextScript #'extra-offset = #'(0 . 2) s-\pocorit s8 s8-\mtempo s4 %%80 s4 s16 s-\rit \once \override Hairpin #'extra-offset = #'(0 . 1) s8.\> s16\! s8 \override TextScript #'extra-offset = #'(0 . 1.5) s4 s16 s-\rit s4-\atempo s8 s4. %%85 \once \override DynamicText #'extra-offset = #'(2 . 2.5) s4\mf s8 s4 s32 s16.-\rit s4-\atempo s8 s4 s16 s-\rit \revert TextScript #'extra-offset s4\> s8\! %%90 s4.*3 s8-\moltorit s\< s\! s4.-\riten %%95 s8-\cadlen s8*3 s8-\adlib s s16 s-\frit s4 s4.-\pmel s4.*4 s16*2/3\< s s\! s8 s16*2/3\> s s\! s4.*3 %%105 \once \override Hairpin #'extra-offset = #'(0 . 1.5) s8\<^\dim s\! s16*2/3\> s s\! s8\< s\! s16*2/3\> s s\! s8\< s\! s16*2/3\> s s\! \once \override DynamicText #'extra-offset = #'(1 . 2.5) s4.\pp s4.*4 s4.\< s4 s16 s\! %%115 s4.*5 %%120 \once \override TextScript #'extra-offset = #'(0 . 2.1) s4.-\can s4\< s16. s32\! s4.*7 s8\< s\! s16*2/3\> s s\! %%130 s4. s4\< s16 s\! s4. s4\> s16 s\! s4. %%135 s8\< s\! s16*2/3\> s s\! s8\< s\! s16*2/3\> s s\! s8\< s\! s16*2/3\> s s\! s8 s16 s\< s s\! s4. %%140 s8\< s16*2/3 s s\! s8 s4.*2 s8\> s\! s s4. %%145 s4\< s8\! s4. s4\> s8\! s4. s4\< s16 s\! %%150 s4. s8\> s\! s s4. s4.\p s4.*3 s8\< s16*2/3\! s s\> s s s\! s4.*3 \once \override TextScript #'extra-offset = #'(0 . 2.1) s8-\dim s4 \setHairpinDim s16*2/3\< s s\! s8 s16*2/3\> s s\! s16*2/3\< s s\! s8 s16*2/3\> s s\! s1*2 } pedal = { s2\sustainDown s4 \sustainUp s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp %%5 s4. s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp s4. %10 s4\sustainDown s8 \sustainUp s4.*3 s4\sustainDown s16 s\sustainUp %%15 s4. s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s8 s4.*3 s4\sustainDown s16 s\sustainUp s4.*3 s4\sustainDown s8 \sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%30 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4.*3 s4\sustainDown s16 s\sustainUp s4.*3 %%40 s4\sustainDown s16 s\sustainUp s4.*3 s4\sustainDown s16 s\sustainUp %%45 s4. s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%50 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%55 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4. %%60 s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s8 s4. s4\sustainDown s8\sustainUp %%65 s4. s4\sustainDown s8\sustainUp s4.*3 %%70 s1\sustainDown s1\sustainUp s4.*3 %%75 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16. s32\sustainUp s4\sustainDown s16 s\sustainUp %%80 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16. s32\sustainUp %%85 s4\sustainDown s16 s\sustainUp s4.\sustainDown s4.\sustainDown s4.\sustainDown s4\sustainDown s16 s\sustainUp %%90 s4\sustainDown s16 s\sustainUp s4.\sustainDown s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%95 \skip 8*9 s4\sustainDown s16 s\sustainUp s4. s4.\sustainDown s4. %%100 s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s8\sustainUp %%105 s4.*3 s4\sustainDown s8\sustainUp s4. %%110 s4\sustainDown s8\sustainUp s4. s4\sustainDown s8\sustainUp s4.*3 s4\sustainDown s16 s\sustainUp s4.\sustainDown s4\sustainDown s16 s\sustainUp s4. %%120 s4\sustainDown s16 s\sustainUp s4. s4.\sustainDown s4.*3 s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp s4. %%130 s4.\sustainDown s4.*3 s4\sustainDown s16 s\sustainUp %%135 s4.*3 s4\sustainDown s16 s\sustainUp s4. %%140 s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%145 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp %%150 s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4\sustainDown s16 s\sustainUp s4. s4\sustainDown s16 s\sustainUp %%155 s4. s4.\sustainDown s4. s4\sustainDown s8\sustainUp s4. %%160 s4\sustainDown s8\sustainUp s4.*3 s1\sustainDown %%165 s1\sustainUp } \score { \new PianoStaff << \new Staff = "upper" \voicea \new Dynamics = "dynamics" \dynamics \new Staff = "lower" << \clef bass \voiceb >> \new Dynamics = "pedal" \pedal >> \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #7 } } } \score { \new PianoStaff << \new Staff = "upper" << \voicea \dynamics >> \new Staff = "lower" << \voiceb \dynamics >> \new Dynamics = "pedal" \pedal >> \midi { \context { \type "Performer_group" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } }