%----------------% % % Dateiname: alkan-op31-1.ly % Titel: Charles-Valentin Alkan: Prélude op.31,1 % Notensatz: Karsten Hens mit LilyPond % http://www.karsten-hens.de % Quelle: Schlesinger, Berlin, 1887 [Nachdruck Brandus, 1847], % in Kopien von http://alkan.assos.free.fr % Editorischer Bericht: Franz. Originaltitel wieder eingesetzt, % T. 6: Gis fraglich (Olli Mustonen spielt G) % Bearbeitungshistorie: % 12.12.2009: Fingersätze hinzu, tagline weg % 14.12.2009: Fingersätze bearb. % %----------------% \header { %LilyPond headers composer = "Charles-Valentin Alkan" title = "Prélude" subtitle = "Nr. 1" piece = "Lentement" opus = "op. 31,1" date = "1846" instrument = "pour piano ou orgue" lastupdated = "2009/12/14" % Mutopia headers: mutopiatitle = "Prélude" mutopiacomposer = "AlkanCV" mutopiainstrument = "Piano, Orgue" source = "Schlesinger, Berlin, 1887 [Nachdruck Brandus, 1847]" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Karsten Hens" maintainerEmail = "karsten.hens@gmail.com" maintainerWeb = "http://www.karsten-hens.de" moreInfo = "Fingering by Karsten Hens; Comments: Bar 6: \"g#\" ist dubious. Olli Mustonen plays \"g\"" footer = "Mutopia-2009/12/15-1731" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \version "2.12.2" % Makros manualBeam = #(define-music-function (parser location beg end) (number? number?) #{ \once \override Beam #'positions = #(cons $beg $end) #}) manualTextPadding = #(define-music-function (parser location pad) (number?) #{ \once \override TextScript #'padding = #$pad #}) manualDynamicPadding = #(define-music-function (parser location pad) (number?) #{ \once \override DynamicLineSpanner #'padding = #$pad #}) music = { \parallelMusic #'(voiceA voiceB voiceC) { %Takt 1 \relative c'' { 4 \times 2/3 {8 } 8. 16 4 } | \override TupletNumber #'transparent = ##t \relative c'' { g4 \times 2/3 { a8-2 b-2 c-2} d8. [ e16] d4 } | \relative c' { \manualTextPadding #1.0 4^\markup{\italic{p e sempre molto sostenuto}}_\markup{\italic{2 Ped.}} \times 2/3 {8 8 8} 8. 16 4 } | %Takt 2 \override TupletNumber #'transparent = ##t \set fingeringOrientations = #'(up) \relative c'' { 4 \times 2/3 { 8 } 8. 16 4 } | \override TupletNumber #'transparent = ##t \relative c'' { c4 \times 2/3 { \manualBeam #-2.9 #-2.4 e8 g^\markup{\column{\raise #-1.2 \finger 5 \finger 5}} a^\markup{\column{\raise #-1.2 \finger 4 \finger 5}}} \manualBeam #-2.4 #-2.6 g8.[ f16] d4 } | \override TupletNumber #'transparent = ##t \relative c' { 4 \times 2/3 { 8 } 8. 16 4 } | %Takt 3 \relative c'' { 4 \times 2/3 {8 } 8. 16 4 } | \relative c'' { g4 \times 2/3 { a8 b c} d8.[ e16] d4 } | \relative c' { 4 \times 2/3 {8 8 8} 8. 16 4 } | %Takt 4 \relative c'' { 4 \times 2/3 { 8 } 8. 16 4 } | \relative c'' { e4 \times 2/3 { \manualBeam #-2.9 #-2.2 d8-3 a-2 b-2} c8.-2[ a16-2] c4-2 } | \set fingeringOrientations = #'(down) \relative c' { 4 \times 2/3 { 8 } 8. 16 4 } \bar ":|:" | %Takt 5 \set fingeringOrientations = #'(up left) \relative c' { \manualDynamicPadding #'1.7 4\f \times 2/3 {8 } 8. 16 4 } | s1 | \relative c { 4 \times 2/3 {8 8 8} 8. 16 4 } | %Takt 6 \set fingeringOrientations = #'(up left) \relative c' { \manualDynamicPadding #'1.7 4\f \times 2/3 {8 ^\markup{\raise #-3.5 \small{\natural} \raise #-4.5 "?"} } 8. 16 4_\markup{\italic{ten.}} } | s1 | \relative c { 4 \times 2/3 {8 8 8} 8. 16 4_\markup{\italic{ten.}} } | %Takt 7 \relative c' { \manualDynamicPadding #'2.4 4\p \times 2/3 {8 } 8. 16 4 } | \relative c' { e4 \times 2/3 { fis8-2 gis-2 a-2} b8.[ c16] b4 } | \relative c' { 4 \times 2/3 {8 8 8} 8. 16 4 } | %Takt 8 \relative c' { 4 \times 2/3 {8 } 8. 16 4 } | \relative c'' { c4 \times 2/3 { \manualBeam #-3.3 #-3.1 a8 c f^\markup{\column{\raise #-1.2 \finger 4 \finger 5}}} \manualBeam #-3.1 #-3.3 e8.[ d16] b4 } | \relative c' { 4 \times 2/3 {8 8 8} 8. 16 4 } | %Takt 9 \relative c' { \manualDynamicPadding #'1.7 4\< \times 2/3 {8 } 8. 16 4 } | \relative c' { e4 \times 2/3 { fis8 gis a} b8.[ c!16] c4 } | \relative c { 4 \times 2/3 {8 8 8} 8. 16 4 } | %Takt 10 \relative c'' { 4\!\p \times 2/3 { 8 } 8. 16 4 } | \relative c'' { e4 \times 2/3 { \manualBeam #-3.0 #-2.8 d8 a b} c8.[ a16] c4 } | \relative c' { 4 \times 2/3 { 8 } 8. 16 4 } \bar ":|" | %music } } %Druck und Layout \score { \context PianoStaff << % \set PianoStaff.instrumentName = "Piano" \music \new Staff { \clef treble \key c \major \time 4/4 << \voiceA \\ \voiceB >> } \new Staff { \clef bass \voiceC } >> \layout {} \midi{ \context { \type "Performer_group" \name Dynamics \consists "Piano_pedal_performer" } } } \paper { % printallheaders = ##t % between-system-padding = #12 % between-system-space = #10 % ragged-last-bottom = ##f % ragged-bottom = ##f system-count = #4 }