% -*- coding: utf-8 -*- \version "2.10.16" \include "italiano.ly" % la seconde ligne colore chaque voix et numérote toutes les mesures : al = {} te = {} ba = {} nu = {} %al = { \override NoteHead #'color = #red \override Fingering #'color = #red \override TextScript #'color = #red } te = { \override NoteHead #'color = #green \override Fingering #'color = #green \override TextScript #'color = #green } ba = {\override NoteHead #'color = #blue \override Fingering #'color = #blue \override TextScript #'color = #blue } nu = { \override Score.BarNumber #'break-visibility = #end-of-line-invisible } ot = {\once \override TextScript #'extra-offset = #'( 0 . 1 )} ott = {\once \override TextScript #'extra-offset = #'( 0 . 2 )} otttt = {\once \override TextScript #'extra-offset = #'( 0 . 4 )} otm = {\once \override TextScript #'extra-offset = #'( 0 . -1 )} ottm = {\once \override TextScript #'extra-offset = #'( 0 . -2 )} of = {\once \override Fingering #'extra-offset = #'( 0 . 1 )} off = {\once \override Fingering #'extra-offset = #'( 0 . 2 )} offf = {\once \override Fingering #'extra-offset = #'( 0 . 3 )} ofm = {\once \override Fingering #'extra-offset = #'( 0 . -1 )} offm = {\once \override Fingering #'extra-offset = #'( 0 . -2 )} offfm = {\once \override Fingering #'extra-offset = #'( 0 . -2.5 )} offffm = {\once \override Fingering #'extra-offset = #'( 0 . -4 )} ofp = \override Fingering #'extra-offset = #'( 0 . 1.5 ) ofr = \revert Fingering #'extra-offset e = { \once \override TextScript #'font-name = #"Emmentaler"} \header{ mutopiatitle = "Prélude de Prélude et Fugue en Ut mineur" mutopiacomposer = "BachJS" mutopiaopus = "BWV 549" mutopiainstrument = "Organ" date = "1708 1717" source = "Free Sheetmusic Library www.bh2000.net/score" style = "Baroque" mutopiacopyright = "Public Domain" maintainer = "Pierre Pouillon" maintainerEmail = "pierre(at)ssji.net" lastupdated = "2007 décembre" title = \markup\center-align{" " " " " " " " " " " " " " " " "Prélude et fugue en ut mineur" "Prélude" } composer = \markup\center-align{ " " " " " " " " " "" " "Jean-Sebastien Bach" "BWV 549"} subtitle = \markup\center-align{ " " " " "" " " "à un clavier et pédale"} footer = "Mutopia-2008/01/04-1202" copyright = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %\header { %subtitle = " Bach, prélude et fugue en do mineur BWV 549" %} \paper { top-margin = 4.00 head-separation = 0\mm page-top-space = 0\mm system-count = 7 ragged-bottom=##f ragged-last-bottom=##f tagline= ##f %annotate-spacing = ##t } global = { \override Score.VerticalAxisGroup #'remove-first = ##t \key do \minor \set Staff.midiInstrument = "church organ" } #(set-default-paper-size "a4" 'landscape) #(set-global-staff-size 19) fu = \override Fingering #'direction = #UP fd = \override Fingering #'direction = #DOWN hu = { \stemUp \tieUp } hd = { \stemDown \tieDown } su = { \change Staff = up \hd } sd = { \change Staff = down \hu } soprano = \relative do'' { \global \nu s1*8 \break |%9 r16 sol-1 do-4 si-3 do4^\mordent^\markup { \natural }~do16 do-2 fa-5 mi-4 fa4-5~ |%10 soprano fa8. fa16 \e mib!4^"1--2"^"4--5" ~mib16 \off mib-5 re^\prall \off do-3 \off re4-5~ |%11 re16 [\of re-5 \of do32-4 re \of si16-3 ] do4-1-5~do16-1-4 do re \of do-4 \of si!-3 do \of la-2 si |%12 do2-1-4~do16-1 \of do-4 \of re-5 do sib? do la do |%13 soprano \e sib1-1^"3--5" ~ |%14 sib16 \of sib-5 la sol la sib \of mi,-2 \of sol-4 fad2-3 |%15 fa'16\rest re-2 mib re do mib re do-1 la'2-5 |%16 re,2-1-2 ~re16 re-2 mib-3 re-2 do-1 sib-2 la-1 \e sol_"1" |%17 soprano \e re'2^"4--1"^"5--2" sol4-1-5 ~ \e sol16^"2-1"^"5" \off sol-5 \of fa!-4 \of mib-3 |%18 \off re-2 \off mib-3 do-1-2 \off re-5 sib-2-4 \off do-5 la!-1-3 \off do-5 sib2-2-4~ |%19 sib16-1-4 \of sib-3 do-4 reb-5 sol,-1 lab!-3 sib-4 do-5 lab?2-1-4 |%20 soprano 8-1-3 ~sol16-1 \off sol-2 \off do8-5 ~ do16-1 \off do-3 \off mib8-5 ~ |%21 mib16-2 \off mib-4 \off sol-5 \off re-3 \off mib4-4~ mib2~ |%22 mib16-2-4 \off mib8-4 \off mib16-4~ mib16 \off mib-5 \off re-4 \off do-3 \off si-2 \off re-4 sol,-1 \off si-2 \off do8-3 \off do-3~ |%23 soprano do16 \off do-3 \off si-2 \off re-3 \of sol-5 \of re-3 \of mib-4 \of si-2 \ott \e do2^"3--5" |%24 8-1-4 -2-4 |%25 lab?4-1-3 r4 \e do^"2--1"^"4" ~ \ofp do16 do-2 mi-4 do-2 |%26 soprano fa4-5 ~fa16 fa-5 do-2 reb-3 do4-2 ~ do16 fa-5 \ofr lab,-1 sib |%27 do2.-4 do16-2-4 \ofp sib-3 do-4 reb-5 |%28 do-4 reb-5 \ofr sib-1-3 \of do-4 \of lab8.-2 \of sol16-2 \of sol4-4 ~ sol16-1-3 \of do8-5 \of si16-4 %29 < mi, sol do>4 \fermata } alto = \relative do' { \al s1*8 |%9 r4 r16 mib_4 lab_1 sol_2 lab4_1 \fu r8 \off lab-1~ |%10 alto lab16 \offf lab-2 \offf sol8-1~ sol4 \off fa-1~ fa8 \of sol16-1 \of lab-2 |%11 \off mib4-1~ mib16 mib-2 fa-1 sol-2 re2 |%12 mib re~ |%13 re2~ re16 fad-2 sol-3 fa-2 mi-1 fa-2 re-1 mi-2 |%14 alto \of dod2-1 s |%15 s \sd \hd fa16\rest do'-2 re-1 mib-2 re-1 do-2 sib-3 la-4 |%16 \su sib2 \sd \hu sol2-3-1 \su \hd |%17 do~do16 do sib la sib4~ |%18 alto sib8 la! sol fad sol2~ |%19 sol2~ sol16 sol-3 fa-2 mi-1 fa4-2 |%20 s2 mib8. \of mib16-2 sol8. \of sol16-1 |%21 do4~ do16 \off si-1 \off do8-2~ do2~ |%22 alto do8 \offf do-2 \sd fa,4-1 ~ fa8 fa \su r16 \of sol8.-1~ |%23 sol2~ sol16 sol-1 la-2 sol-1 fad4-2 |%24 s1 |%25 fa4 r16 \ofp do'-5 sol-1 sib-3 \ofr lab2~ |%26 alto lab2~lab2 |%27 r16 sol-1 lab-2 sib-3 lab4-2 ~ lab8. sol16-1 lab4~ |%28 alto lab8 sol r16 \of fa8.-1~ fa16 mi-2 re!-1 mi-2 mi8 \of fa-1 %29 s4 } tenor = \relative do, { \global \clef bass \te s1*8 |%9 r2 r4 r16 fa'-5 lab-3 fa-5 |%10 \otttt do'4^\mordent_\markup{ \natural }~ do16 do,-5 lab'-2 sol-3 lab4~ lab16 lab-2 sol-3 \prall fa-4 |%11 tenor sol4^\mordent~ sol16 sol fa mib-5 \e fa2-"4--5" |%12 s16 si-2 do-1 sib-2 la-3 sib-2 sol-4 la-1 \hd fad2-3 \prall ~ |%13 fad16 la-1 sib-2 la-1 sol la fad la-1 sol2-2 \prall |%14 tenor mi-4 la-1 |%15 r2 \clef treble s |%16 sol'16\rest fad-2 sol-1 lab!-2 sol-1 fa-2 mib-3 re-4 mib2 \hu \clef bass |%17 tenor \e fad^"2--1" \ottm \e re^"5"^"2--1" ~ |%18 re8 [mib-2] re-1 [do-2] \ofm re2-1 |%19 tenor \offm do-4-1 ~ \ofm do-5 |%20 s2. \hd mib8.-3 mib16-3 |%21 sol4-1 ~sol8. sol16 \times 2/3 { mib-3 [fa-2 sol-1] } \times 2/3 { do,-4 [re-3 mib-2] } sol,-5 [do-1] \times 2/3 { mib-3 fa-2 sol-1 } |%22 \hu s2 s4 \ofm mib8. mib16 |%23 tenor re8.-2 fa16-1 mib16-2 si do re-1 mib4-2~ mib16 mib-2 re-1 do-2 |%24 s1 |%25 do4 r4 r16 \hd fa16-1 mi-2 do-4 fa4-1~ |%26 fa16 fa-1 mi-2 do-4 fa4-1~ fa16 fa-1 mi?-2 do-4 fa4-1~ |%27 tenor fa4 r16 mi-2 fa-1 si,-5 \hu r \offfm mi!-2 \offfm fa8-1~ fa4~ |%28 fa8. mi16 r8 s s4 s4 %29 do4 } basse = \relative do { \ba \clef "bass" s1*11 |%12 basse \fu \of sol'4-4 s2. |%13 s1 |%14 s |%15 s |%16 basse s |%17 re16\rest la'-4 sib-3 do-2 sib-3 la!-4 sol-5 fad-4 sol2~ |%18 sol2 re16\rest sib'-3 do-2 re-1 sol,-5 la-3 sib-2 re,-5 |%19 mi2 do4 r16 mib-3 re-4 do-5 |%20 basse \set fingeringOrientations = #'(up right) < si-5 re-4 sol-2 si-1>8 < do-5 mib-4 sol-2 do-1~ >8 do'16 [do16-1] r4 |%21 s1 |%22 fa,2-5 sol ~ |%23 sol2. \off la4-4 |%24 basse 8-5-1 -2-1 |%25 4 s2. |%26 s1 |%27 s2 do'2-4 ~ |%28 basse do4 r8 -3-1 do4-2 ~ 8-4-2 \e ^"5--4"^"1" %29 4 } os = {\once \override Script #'extra-offset = #'( 0 . 1 )} a = \rtoe q = \lheel pieds = \relative do { \global \clef "bass" \nu \set Staff.instrumentName = "Pédale " do4_\markup{ " " \musicglyph #"scripts.dpedaltoe" }^\mordent^\markup { \natural }^\markup{ \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" }%^\markup\right-align\huge {"Prélude "} r16 sol16_\a do^\a si_\a do4_\markup{ " " \musicglyph #"scripts.dpedaltoe" }^\mordent^\markup { \natural }^\markup{ \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" } r16 do_\a mib^\a re_\a |%2 mib4_\markup{ " " \musicglyph #"scripts.dpedaltoe" }^\mordent^\markup{ \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" } r16 mib_\a sol^\a fa_\a sol4_\markup{ " " \musicglyph #"scripts.dpedaltoe" }^\mordent^\markup{ \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" } r16 sol_\a do^\a si_\a |%3 do4_\markup{ " " \musicglyph #"scripts.dpedaltoe" }^\mordent^\markup { \natural }^\markup{ \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" } r16 do^\a sol_\a sib!^\a lab_\a do^\a fa,_\a lab^\a re,_\a sib'^\a lab_\a sib^\a |%4 sol sib mib, sol do, lab' sol lab fa lab re, fa si, sol' fa sol |%5 mib sol fa sol re sol fa sol mib sol do, fa re fa sib, mib |%6 do mib la, re sib re sol, do lab do fa, sib sol sib mib, mib' |%7 do mib lab, fa' re fa si, sol' mib sol do, la' re, si' mib, do' |%8 fa,_\a lab^\a re,_\a fa^\a mib_\a sol^\a do,_\a mib^\a \stemDown fa,_\a [lab'^\a sol32^\q lab^\a \once \override TextScript #'Y-offset = #-5 fa16_\markup{ \musicglyph #"scripts.dpedaltoe" \raise #4 { \hspace #0.5 \huge\sharp } \translate #(cons -1 1.5) \musicglyph #"scripts.dpedaltoe" } ] \stemNeutral sol8^\mordent^\markup { \musicglyph #"scripts.dpedaltoe" " " \musicglyph #"scripts.dpedaltoe" } sol,_\a |%9 do1^\a~ |%10 do1~ |%11 do~ |%12 do2 re~ |%13 re1 |%14 re,2~re16 re'^\q mib!^\a re^\q do_\a sib^\a la^\q sol_\q |%15 fad1_\a |%16 sol_\q ~ |%17 sol~ |%18 sol^\a |%19 mi2_\a fa_\q ~ |%20 fa mib!_\a ~ |%21 mib1 |%22 lab?2^\a sol_\a ~ |%23 sol1~ |%24 sol2^\a mi_\a |%25 fa1~ |%26 fa1~ |%27 fa2^\a do2~ |%28 do1 %29 do'4 \fermata \bar "|." } \book { \score {\new StaffGroup \with{ \remove System_start_delimiter_engraver } << \new PianoStaff << \new Staff = up <<\soprano \\ \alto>> \new Staff = down <<\tenor \\ \basse>>>> \new Staff \pieds >> \header{ breakbefore = ##t} \layout { \context { \RemoveEmptyStaffContext } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } } }}