\version "2.10.33" \header { mutopiatitle = "Nun komm, der Heiden Heiland" mutopiacomposer = "BachJS" mutopiaopus = "BWV 659" mutopiainstrument = "Organ" source = "Edition Peters 8662" style = "Baroque" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Urs Metzger" maintainerEmail = "urs@ursmetzger.de" lastupdated = "2007/Dec/23" title = "Nun komm, der Heiden Heiland" subtitle = "a 2 Clav. e Pedale" composer = "Johann Sebastian Bach" opus="BWV 659" footer = "Mutopia-2008/02/19-1189" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \include "deutsch.ly" global = { \key g \minor \time 4/4 #(set-accidental-style 'default) \override Score.MetronomeMark #'transparent = ##t } \paper { head-separation = 0.6 \cm foot-separation = 0.2 \cm page-top-space = 0 \cm ragged-bottom = ##f ragged-last-bottom = ##f } #(set-default-paper-size "a4" 'landscape) #(set-global-staff-size 18) halsup = { \stemUp \tieUp \slurUp \dotsUp } halsdown = { \stemDown \tieDown \slurDown \dotsDown } sopran = { \new Voice \relative g' { \global #(revert-auto-beam-setting '(end 1 32 4 4) 1 8) #(revert-auto-beam-setting '(end 1 32 4 4) 3 8) #(revert-auto-beam-setting '(end 1 32 4 4) 5 8) #(revert-auto-beam-setting '(end 1 32 4 4) 7 8) R1 R1 R1 r4 g g fis8 g16 a %% Takt 5 ================================================== b4~ b16 g \appoggiatura a16 g32 fis g16 c4~ c16 a \appoggiatura b16 a32 g a16 \break d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c \appoggiatura g16 fis8 e16 d g4~ g32 a g fis g16 c32 a g8( fis!16.)\prall g32 g2 r R1 \break %% Takt 10 ================================================== R1 g8 b16 a b4\mordent c~ c16 b a b c16 d es8~ es16 c b c d es f8~ f16 d c d es16 f g8~ g16 c, d es \appoggiatura b16 a8 g16 f f'4~ \break f16 g32 f es f d16 es4~ es16 a32 b c16 es, d4~ %% Takt 15 ================================================== d16 g, g32\prall f g16 c32 b a16 b32 a g16 f16 g32 a b c d es f4~ f16 g32 f es d c b d8( c16.)\prall b32 b2 R1 R1 b8 c32 b a b c8 d32 c b c d16 b a b \appoggiatura b16 f'8. es32 d %% Takt 20 ================================================== c16 d32 c h16 c d es32 d c16 d es c h! c \appoggiatura c16 g'8. f32 es d16 g32 a b!16 f es( d) d( c) c fis32 g a16 es d( c) c( b) b16 g'16. \set stemLeftBeamCount = #2 \set stemRightBeamCount = #3 f!32 \set stemLeftBeamCount = #3 es d c d c h c8~ c16 es32 d c d es16~ es32 c as g as8~ as16 es'32 d es c h c c as g as as g fis g fis16 a32 c es16 d d4~ d32 g fis e d16. c32 b8( a32\prall g) a16 g2 %% Takt 25 ================================================== R1 R1 R1 r4 g \once \override TextScript #'extra-offset = #'(0 . -0.8) g^\markup { \hspace #0.3 \musicglyph #"scripts.mordent" \hspace #1 \musicglyph #"scripts.turn" } fis8 g16 a b4~ b16 g g32\prall fis g16 c4~ c16 a a32\prall g a16 %% Takt 30 ================================================== d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c \appoggiatura g16 fis8 e16 d g4~ g32 a g fis! g c a16 g8( fis!16.\prall) g32 g16 g' f!8~ f16 es!32 d g f es d f es d c b'!8~ b32 a b c b a g a g32 fis g a c,8~ c32 es d c d c b a b16 g'32 es cis d g,16 b8( a32\prall g) a16 g1\fermata \bar "|." } } alt = { \new Voice \relative d' { \global \halsup e2\rest e4\rest d d4 c f4. es16 d es2 d~ d4 c d2~ %% Takt 5 ================================================== d4 e8\rest b~ b a16 g a4 g'4\rest g8\rest g~ g fis g es d4 e8\rest b es!4 d8 c~ c8 b16 c d8 c16 b a4. b16 c d8 es f g c,4. d16 es %% Takt 10 ================================================== f4. g16 f es2 d4~ d8 es16 f g f es d c8 g'\rest g8\rest g f4~ f b8\rest b b4 g8\rest g f4 g8\rest as g4 g8\rest g f4 g8\rest f %% Takt 15 ================================================== g8 g\rest g g\rest c, g'\rest g\rest es d8 g f16 d es8~ es d16 es f8 es16 d c4. d16 es f2~ f8 es16 d es8 c' fis, g a4~ a8 g f!4~ f8 es d g %% Takt 20 ================================================== a8 h\rest h\rest h c c\rest h\rest a b!4 d8\rest b a4 h8\rest a g4 h16\rest f g f g8 g\rest g16\rest d es d es8 g\rest g\rest es d fis g a d,8 g g\rest d~ d c16 h c( d) d( es!) %% Takt 25 ================================================== es2~ es8 d16 c d( es) es( f!) f2~ f16 es g( f) f( es) es( d) d16 as' as( g) g( f) f( es) es8. f16 d8.\prall g16 es f f( es) es( d) d( c) c( b!) b( a) a8 b16 c fis,4 e'8\rest b~ b a16 g a4 %% Takt 30 ================================================== g'4\rest g8\rest g~ g fis g es d4 e8\rest b es!4 d8 c h8 c d h c[ d] c[ d16 b] a8[ g] fis[ a16 es'] d4~ d8. c16~ c16 h f'! d es4 d2\fermata } } altzwei = { \new Voice \relative h { \global s1*33 s16 \stemDown \tieDown \once \override Staff.NoteCollision #'merge-differently-dotted = ##t h8.~ \stemUp \shiftOn h16 h c8 h!2 } } tenor = { \new Voice \relative g { \global \halsdown f4\rest g g f b4. a16 g a4 g~ g4 c2 b8 a g8 fis g a b a16 g a4~ %% Takt 5 ================================================== a8 g16 fis g4 d\rest d8\rest c'~ c8 b16 a b8 d~ d16 c8 b16 a g c8 a4 f8\rest g~ g c a4 g2~ g4 f!~ f4 b2 a4~ %% Takt 10 ================================================== a8 h16 c d4~ d8 c16 h! c4~ c8 b!16 c d4 f,8\rest g a a\rest a8\rest b c a b d16 c d8 f b,8 es16 d c4~ c8 b16 a b c d8~ d8 c16 h c4~ c8 b!16 a! b4~ %% Takt 15 ================================================== b8 a\rest es' a,\rest a a\rest a\rest a b4. a8 f4 b~ b4 a~ a8 h16 c d c h a g4~ g8 a16 b! c d es4 d16 c b8 es4 d16 c b4. b8 %% Takt 20 ================================================== f'8 c\rest c\rest f g f es4 r8 d g f es d c\rest d d4 a16\rest d es d c8 f,\rest f16\rest h c h c8 a\rest a\rest c16 b! a!8 c d16( c) c( b) b8 g~ g fis g2~ %% Takt 25 ================================================== g8 g16 fis g( a) a( b!) b2~ b8 a16 g a( h) h( c) c2~ c2~ c8. d16 h8._\prallprall a!32 h c8 f,\rest f4\rest f2\rest h,8\rest d g4 d\rest d8\rest c'~ %% Takt 30 ================================================== c8 b16 a b8 d~ d16 c8 b16 a g c b a4 f8\rest g~ g c a4 g8 a h! g~ g[ f] es[ d16 es] c8 es d fis! g4~ g8 fis \once\override Tie #'control-points = #'( ( 0.5 . -2.5 ) ( 2.5 . -4.5 ) ( 12.5 . -4.5 ) ( 14.5 . -2.5 ) ) g4~ g8. fis16 g2 } } right = { \clef "treble" \sopran } left = { << \clef "alto" \alt \altzwei \tenor >> } pedal = { \global \clef "bass" \relative g, { g8 a b c d es d c b d f es d c h g c b! a g fis d g f es d es4 d2~ %% Takt 5 ================================================== d8 d' es d e c f! e fis d g g, c d es! c d c b es! c a d d, g a b c d es d c b c d es f g f es %% Takt 10 ================================================== d c h g c d es c g' g, g' f es c f g a g a f b b, b' as g f es4~ es8 es, d c' h g c b a! f b d %% Takt 15 ================================================== es d es d es d es c d es f f, b c d es f g f es d c h g c d c b! a g fis d g g' a f! b, c d es %% Takt 20 ================================================== f f, es d c d es c g' g' r g g fis r fis g f! es4~ es8 d c4~ c8 c, c'4~ c8 a b fis g8 b c d es f! es d %% Takt 25 ================================================== c c, r c' g g' f! es d d, d' g, c es as, c f, f' es as g f g g, c d c b! a! d, d'4~ d8 b es d e c f! e %% Takt 30 ================================================== fis d g g, c d es! c d c b es c a d d, g1~ g2~ g8 b d d, g1_\fermata } } \score { << \new PianoStaff { << \context Staff = right { \context Voice = right \right } \context Staff = left { \context Voice = left \left } >> } \context Staff = pedal { \context Voice = pedal \pedal } >> \layout{ indent = 1.0\cm } } altmidi = { \new Voice \relative d' { \global \halsup e2\rest e4\rest d d4 c f4. es16 d es2 d~ d4 c d2~ %% Takt 5 ================================================== d4 e8\rest b~ b a16 g a4 g'4\rest g8\rest g~ g fis g es d4 e8\rest b es!4 d8 c~ c8 b16 c d8 c16 b a4. b16 c d8 es f g c,4. d16 es %% Takt 10 ================================================== f4. g16 f es2 d4~ d8 es16 f g f es d c8 g'\rest g8\rest g f4~ f b8\rest b b4 g8\rest g f4 g8\rest as g4 g8\rest g f4 g8\rest f %% Takt 15 ================================================== g8 g\rest g g\rest c, g'\rest g\rest es d8 g f16 d es8~ es d16 es f8 es16 d c4. d16 es f2~ f8 es16 d es8 c' fis, g a4~ a8 g f!4~ f8 es d g %% Takt 20 ================================================== a8 h\rest h\rest h c c\rest h\rest a b!4 d8\rest b a4 h8\rest a g4 h16\rest f g f g8 g\rest g16\rest d es d es8 g\rest g\rest es d fis g a d,8 g g\rest d~ d c16 h c( d) d( es!) %% Takt 25 ================================================== es2~ es8 d16 c d( es) es( f!) f2~ f16 es g( f) f( es) es( d) d16 as' as( g) g( f) f( es) es8. f16 es32 d64 es d es d16. g16 | es f f( es) es( d) d( c) c( b!) b( a) a8 b16 c fis,4 e'8\rest b~ b a16 g a4 %% Takt 30 ================================================== g'4\rest g8\rest g~ g fis g es d4 e8\rest b es!4 d8 c h8 c d h c[ d] c[ d16 b] a8[ g] fis[ a16 es'] d4~ d8. c16~ c16 h f'! d es4 d2\fermata } } tenormidi = { \new Voice \relative g { \global f4\rest g g f b4. a16 g a4 g~ g4 c2 b8 a g8 fis g a b a16 g a4~ %% Takt 5 ================================================== a8 g16 fis g4 d\rest d8\rest c'~ c8 b16 a b8 d~ d16 c8 b16 a g c8 a4 f8\rest g~ g c a4 g2~ g4 f!~ f4 b2 a4~ %% Takt 10 ================================================== a8 h16 c d4~ d8 c16 h! c4~ c8 b!16 c d4 f,8\rest g a a\rest a8\rest b c a b d16 c d8 f b,8 es16 d c4~ c8 b16 a b c d8~ d8 c16 h c4~ c8 b!16 a! b4~ %% Takt 15 ================================================== b8 a\rest es' a,\rest a a\rest a\rest a b4. a8 f4 b~ b4 a~ a8 h16 c d c h a g4~ g8 a16 b! c d es4 d16 c b8 es4 d16 c b4. b8 %% Takt 20 ================================================== f'8 c\rest c\rest f g f es4 r8 d g f es d c\rest d d4 a16\rest d es d c8 f,\rest f16\rest h c h c8 a\rest a\rest c16 b! a!8 c d16( c) c( b) b8 g~ g fis g2~ %% Takt 25 ================================================== g8 g16 fis g( a) a( b!) b2~ b8 a16 g a( h) h( c) c2~ c2~ c8. d16 c32. h64 \times 2/3 { c64 h c h c h~ } h16 a!32 h | c8 f,\rest f4\rest f2\rest h,8\rest d g4 d\rest d8\rest c'~ %% Takt 30 ================================================== c8 b16 a b8 d~ d16 c8 b16 a g c b a4 f8\rest g~ g c a4 g8 a h! g~ g[ f] es[ d16 es] c8 es d fis! g4~ g8 fis g4~ g8. fis16 g2 } } sopranmidi = { \new Voice \relative g' { \global #(revert-auto-beam-setting '(end 1 32 4 4) 1 8) #(revert-auto-beam-setting '(end 1 32 4 4) 3 8) #(revert-auto-beam-setting '(end 1 32 4 4) 5 8) #(revert-auto-beam-setting '(end 1 32 4 4) 7 8) R1 R1 R1 r4 g g fis8 g16 a %% Takt 5 ================================================== b4~ b16 g \appoggiatura a16 g32 fis g16 c4~ c16 a \appoggiatura b16 a32 g a16 d4~ d16 g,32 a b c d16 es8. d16 c b32 a a16 b32 c g16 fis e d g4~ g32 a g fis g16 c32 a g8~ g64 fis g fis32. g32 g2 r R1 %% Takt 10 ================================================== R1 g8 b16 a \times 2/3 { b32 a b~ } b8. c4~ c16 b a b c16 d es8~ es16 c b c d es f8~ f16 d c d es16 f g8~ g16 c, d es b a g f f'4~ f16 g32 f es f d16 es4~ es16 a32 b c16 es, es d8.~ %% Takt 15 ================================================== d16 g, a128 g a g f32 g16 c32 b a16 b32 a g16 f16 g32 a b c d es f4~ f16 g32 f es d c b d8 \times 2/3 { d64 c d } c16 b32 b2 R1 R1 b8 c32 b a b c8 d32 c b c d16 b a b b16 f'8 es32 d %% Takt 20 ================================================== c16 d32 c h16 c d es32 d c16 d es c h! c c16 g'8 f32 es d16 g32 a b!16 f es( d) d( c) c fis32 g a16 es d( c) c( b) b16 g'16. f!32 es d c d c h c8~ c16 es32 d c d es16~ es32 c as g as8~ as16 es'32 d es c h c c as g as as g fis g fis16 a32 c es16 d d4~ d32 g fis e d16. c32 b8~ b128 a b a g32 a16 g2 %% Takt 25 ================================================== R1 R1 R1 r4 g g64 fis g16.~ g32 \times 3/5 { a32 g fis g a } g16 fis64 g fis32 g16 a | a16 b64 a b32~ b8~ b16 g a128 g a g fis32 g16 c64 b c8..~ c16 a b128 a b a g32 a16 | %% Takt 30 ================================================== c16 \times 2/3 { d32 c d~ } d8~ d16 g,32 a b c d16 d16 es8 d16 c b32 a a16 b32 c g16 fis e d \times 2/3 { g32 fis g~ } g8.~ g32 a g fis! g c a16 g8 \times 4/5 { fis64 g fis g fis~ } \tempo 4 = 24 fis32 g32 \tempo 4 = 33 g16 g' f!8~ f16 es!32 d g f es d f es d c b'!8~ b32 a b c b a g a g32 fis g a a16~ a64 c,32.~ c32 es d c d c b \tempo 4 = 24 a \tempo 4 = 28 b16 g'32 \tempo 4 = 32 es cis d g,16 \tempo 4 = 30 \times 2/3 { g32 a b~ } b16 b128 a b a g32 \tempo 4 = 28 a16 << \new Voice { g1 } \new Voice { \tempo 4 = 24 s16 \tempo 4 = 28 s4. \tempo 4 = 20 s } >> } } \score { \unfoldRepeats { << \new Staff { \set Staff.midiInstrument = "oboe" \sopranmidi } \new Staff { \set Staff.midiInstrument = "recorder" \transpose g' g''' \sopranmidi } \new Staff { \set Staff.midiInstrument = "pan flute" << \altmidi \altzwei \tenormidi >> } \new Staff { \set Staff.midiInstrument = "pan flute" \pedal } \new Staff { \set Staff.midiInstrument = "recorder" \transpose c c, \pedal } >> } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 34 4) } } } % 09.02.2008: added missing tie h8.~ h16 in the last bar, altzwei