\version "2.1.0" \include "english.ly" #(ly:set-point-and-click 'line) %% CVS $Revision: 1.12 $ \header { title = "Ballade number 4" opus = "Op. 52" composer = "F. Chopin" enteredby = "bjk" instrument = "Pianoforte" mutopiatitle = "Chopin Ballade number 4" mutopiacomposer = "ChopinFF" mutopiaopus = "O52" mutopiainstrument = "Piano" date = "1842" source = "Joseffy Edition" style = "Romantic" copyright = "Public Domain" maintainer = "Bruce J Keeler" maintainerEmail = "bruce@gridpoint.com" lastupdated = "2004/March/20" tagline = "\\parbox{\\hsize}{\\thefooter\\quad\\small\\noindent\\hspace{\\stretch{1}} This music is part of the Mutopia project: \\hspace{\\stretch{1}} \\texttt{http://www.MutopiaProject.org/}\\\\ \\makebox[\\textwidth][c]{It has been typeset and placed in the public domain by " + \maintainer + ".} \\makebox[\\textwidth][c]{Unrestricted modification and redistribution is permitted and encouraged---copy this music and share it!}}" footer = "Mutopia-2004/03/20-422" } andante = \markup { "" \raise #3.5 \bold \large { Andante con moto } } bc = \clef bass tc = \clef violin st = \staccato piuf = \markup { \italic "pi\\`u" \dynamic "f" } semprepiuf = \markup { \italic "sempre pi\\`u" \dynamic "f" } rf = #(make-dynamic-script "rf") ls = { \translator Staff = bass \stemUp } us = { \translator Staff = treble \stemDown } trillSpanner = { \property Voice.TextSpanner \override #'style = #'trill \property Voice.TextSpanner \override #'extra-offset = #'(0 . 2.5) \property Voice.TextSpanner \override #'edge-height = #'(0 . 0) \property Voice.TextSpanner \override #'edge-text = #(cons (make-musicglyph-markup "scripts-trill") "") } invisnext = { \once \property Voice.Stem \override #'transparent = ##t \once \property Voice.NoteHead \override #'transparent = ##t } pd = \sustainDown pu = \sustainUp topPart = \notes \relative c'' { \tc << { \voiceOne \phrasingSlurUp \dynamicUp %% 1 < g g' >8\( ^\andante < g g' > < g g' > < g g' > < g g' > < g g' > < g g' >8\< < g g' > < g g' >\! < g g' >\> < f f' > < e e' >\! \break < e e' >8 < d d' > < c c' > e'4.\accent \) < e, g' >8\arpeggio \( < g g' > < g g' > < g g' > \break %% 5 < e e' >8 ( < d d' > < c c' > e'4.\accent ) < e, e' >8 < d d' > < c c' > e'4.\accent \) ~ e4. ~ e4\fermata } \\ { \voiceTwo %% 1 s4 s8 g,16 c g c g c g16 < bf c > g < bf c > g < bf c > g < a c > f < a c > e < a c > e16 < g b > d < g b > c, g' e < g c > e < f c' > e < g c > e16 c' g g g f e %% 5 e16 < g b > d < g b > c, g' e < g c > e < f c' > e < g c > e16 < g b > d < g b > c, g' e < g c > e < f c' > e < g c > e16 e e 4 } >> c'8 ~ \( \break %% 8 c8 df b ~ b c f e8 bf df4 c8 f e8 bf df \) r c16 ( df c df ef8 ) ef ( ef ef df16 c bf c \break af8 ) r r r4 r8 %% 13 r8 ef' ( af g df ff ~ ff ef af g df ff ) r8 ef16 ( f ef f gf8 ) gf ( gf gf8 f16 c ef df bf8 ) r8 r %% 17 r8 df16 ( ef df ef f8 ) f ( f f ef16 bf df c a8 ) c[ ( f] e8 bf df4 c8 f e8 bf df ) r c16 ( df c df ef8 ) ef ( ef ef f16 c ef df bf4. g4 ) r8 %% 23 r8 c ( f e bf df ~ df8 c f ~ f16 e bf c ef df ) r8 c16 ( df c df ef8 ) ef ( ef ef8 df16 c bf c af8 ) r r %% 27 r4 r8 r8 ef' ( af g8 df ff4 ef8 af ~ af16 g df ef gf ff ) r8 ( ef16 f ef f gf8 ) gf ( gf gf f16 c ef df %% 31 bf8 ) r8 r8 r8 df16 ( ef df ef f8 ) f ( f f ef16 bf df c a8 ) c[ ( f] e bf df ~ df c f ~ f16 e bf c ef df ) r8 c16 ( df c df ef8 ) ef ( ef ef f16 c ef df bf4 ) r8 %% 37 R2. r4 r8 4 \( 8 2. ~ 4. 4 8 4. 4. \) %% 42 4. \( 4 8 2. ~ 4. 4 8 4. << { < ef ef'>4. } \\ { af8 bf cf } >> % 46 d,8\st \) d'16[_"mezza voce" ( ef d ef] f8 ) f ( f f8 gf16 f ef af, cf'4. ) r8 d,16 ( ef d ef f8 ) f ( f f8 gf16 f ef a, c'!4. ) %% 50 << { \phrasingSlurUp bf4. \( g \trill bf8 af16 ef af gf gf8 f4 \) af8 \accent \( gf16 df gf f f8 ef16 f af gf a,8\st \) << { c16[ \( df c df] ef4 } \\ \new Voice { \voiceThree a,4 ~ a4 } >> 8 8\st \) 16[ \( ] 4 8 8\st \) } \\ { \phrasingSlurDown %% 50 s4. df4. df8 c4 ef8 \( df16 af df c c8 bf4 \) bf8 \( c16 df bf c ef,8\st \) gf4 ~ gf8 f4 f8 g!4 ~ g8 gf4 gf8\st } >> ef'16[ \( f ef f] gf8 \) gf \( gf %% 56 gf4.^"ten." ~ gf8 f16 c ef df bf4. g!8 \) r8 r \break << { \phrasingSlurUp %% 58 r8 c \( \arpeggio e bf df ~ df8 c \arpeggio e bf df \break 8\arpeggio \) 16 \( 8\accent \accent \accent 8\arpeggio df16 c bf c af8 \) r8 r8 r4 r8 [ \( ] %% 63 g'8 df ff ~ \) ef \( g8 df ff \) << r \\ \new Voice { ef,8 } >> ef'16 \( f ef f 8\accent \accent \accent \arpeggio \> f16 \! c ef df bf4 ~ bf16 8 \) df16 \( ef df ef 8\accent \accent \accent f ef16 bf df c a16 \) r16 8 \( \arpeggio 16\st \) r16 8 \arpeggio } \\ \relative c'' { %% 58 r16 af af g g\arpeggio f af g f e bf' bf16 af af g g\arpeggio f g \once \property Voice.NoteColumn \override #'force-hshift = #1.9 16 f8 ff 16 bf bf af af g \once \property Voice.NoteColumn \override #'force-hshift = #1.9 g16 f f g f g f ( ef ) ef ( d ) d ( df ) \phrasingSlurDown df16 c c \( f! ef bf' ef, \) ef bf' bf af %% 63 16 \property Voice.Beam \override #'positions = #'(-5 . -5) df c c \property Voice.Beam \revert #'positions 16 c df c df ef16 f ef df c bf a4 a8 f16 ef df gf f ef df f bf c bf c df16 c bf af gf f gf df' c gf ef e f16 s16 s4 s8 bf, a16\arpeggio \> bf \! s4. s8 bf'16 ( a ) a\arpeggio ( bf ) } >> %% 70 16[ ( ] ) [ ( ] 8\accent^"piu rit." ) 8\accent 8\accent 8\st\accent \bc [ ( ] ) %% 72 df'16.[^"a tempo" \( 32] \tc ff!16 af af \) \( gf bff df16 \) \( af cf ef \) \( bf df %74 gf'16 \) \( bf df f #(set-octavation 1) gf g %75 gf16 g gf g gf g e16_"leggiermente" f f' fs, f' g, gs a d c bf g #(set-octavation 0) f16 d ef g f ef c a bf d c bf g16 f d ef g f ef c a bf d c bf16 g f d ef g f ef c a c g %% 80 \phrasingSlurUp f4 ~ \) 8 \( 4 8 4 8 << d4. \\ { bf4 gs8 } >> 4 \) 8 \( 4 8 4 8 4 8 8 \) r8 ^"dolce" \( 4. %% 85 4 8 \grace { \property Voice.Beam \override #'positions = #'(1 . 3.25) bf16[ ( ef~ a] \property Voice.Beam \revert #'positions } 4 ) \tieUp 8 ~ 8 \) \tieBoth r8 ( 4 ) 8 ~ \( 8 4. ~ \) 4 8 \( << bf4. \\ { 4 8 } >> 4 \) 8 \( 4 8 %% 90 4 8 4 8 \) << { 2. ~ 4 8 } \\ { bf8 \ls a \us d c \ls g \us a \ls g f4 } >> 4 \( 8 4 8 \grace { \property Voice.Beam \override #'positions = #'(1 . 3.25) bf16[ ( ef~ a] \property Voice.Beam \revert #'positions } 4 ) 8 4 \) 8 ( 4 ) 8 ~ \( %% 95 8 4. ~ \) 4 << { \phrasingSlurUp bf8 \( bf4. ~ bf4 \) } \\ { 8 4 8 4 } >> 8 \( 4. ~ 4 8 4 8 4\arpeggio 8 4 \) << { \phrasingSlurUp d,8\accent ~ \( %% 100 d16 ef d a' fs ef \) d \( ef d bf' g ef \) } \\ { s8 c4. bf4. } >> %% 101 fs16 \( ef' d fs c' d fs[ c' c a'\st \) r ] \( a,16 fs' fs, d' d, bf' ef c' c,16[ a' \) r32 32 ( 16]\st ) << { \phrasingSlurUp fs,16\st fs( f) f( e~) \( %% 104 e16 f e b' gs f \) e \( f e c' a f \) } \\ { s16 s4 d4. c4. } >> %% 105 gs16 \( f' e gs d' e gs[ d' d b'\st \) r ] \( c,16 a' a, f' f, d' d,16 b' ~ 8\accent^"rit." \accent 16\accent ~ \) 16^"a tempo" \( 8 16~ 8 16 ~ 16 8 16 ~ \acciaccatura a 8 16 ~ \) %% 110 16 \( 8 16~ 8 16 ~ 16 8 16 \acciaccatura g 8 16 \) 16^\markup { "" \raise #3.0 \italic { dolce leggiero } } \( 8^"ten." 16 16 f ef df c \) r 16 \( 8^"ten." 16 %% 115 16 f ef df c \) f' \( 16 f f ef df c \) r #(set-octavation 1) 16 \( f f ef df c bf 16 af g f #(set-octavation 0) ef df c 16 bf af g f ef df \) << { \phrasingSlurUp \trillSpanner %% 120 bf4.\startTextSpan \( a16 bf\stopTextSpan c bf df g, af!4. \) af8 g!16 \( af g af bff8 af gf ff! ~ ff16 ef \acciaccatura gf! ff ef af4 \) af8~ \( af8 g16 af g af cf16 bff bff af af gf ff ( ef ) cf' ( bf ) ff' ( ef ) \) %% 125 8 \( 8 << gf4. \) \\ \new Voice { \voiceThree ef8 ( eff ) df } >> 8 \( c 8^"ritard." \arpeggio \arpeggio e4 b8~ b16[ a]\) 8 \( %% 130 8 cs4. \) e8\arpeggio \( \dynamicUp 8 \< cs4.\arpeggio \! \) 8 cs4. \property Voice.Tie \override #'extra-offset = #'(0 . 2.5) cs4. ~ cs4.\fermata } \\ { %% 120 df,2. c16 ef bf ef c ef df ff ef gf df ff df16 \> ef df ff gf, df' \! g, df' g, df' g, df' c16 ef bf ef c ef af, df af gf' af, ff' df16 ef df ff gf, df' g, df' df g g df' %% 125 df16 c! c bf c af bf af bf f g ef bf'16 a c gf bf gf bf gf bf gf bf gf bff16 af af g! af ef af g! af e f c e16 ds fs\arpeggio b, e\arpeggio b b' \> e, b' ds,! b' d, \! cs16 g' e e e d cs! %% 130 cs16 b a, e' cs cs cs cs16\arpeggio e e e d cs cs16 gs' b, a gs\arpeggio cs cs cs16 b a, e' << \new Voice { \voiceTwo cs cs cs \break cs16 d cs e cs d 4. } \\ \new Voice \relative c' { \voiceOne \tieDown s4 s16 \invisnext a'16 ~ \voiceThree \tieDown a16 a8 a8 a16 ~ \voiceTwo \invisnext a4. } \\ \new Voice \relative c' { s4. s4. \invisnext cs8 ~ \property Voice.TupletBracket \override #'bracket-visibility = ##f \property Voice.TupletBracket \override #'number-visibility = ##f \property Staff.fontSize = #-1 \property Voice.Stem \override #'length = #5.5 \property Voice.Beam \override #'thickness = #0.384 \property Voice.Beam \override #'space-function = #(lambda (beam mult) (* 0.8 (Beam::space_function beam mult))) \times 2/21 { cs16[_"dolciss." \( e a cs e a] cs[ a' cs, \acciaccatura { \once\property Voice.Slur \override #'extra-offset = #'( 0 . 8 ) \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 e16 } d cs a e \acciaccatura { \once\property Voice.Slur \override #'extra-offset = #'( 0 . 6 ) \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 g16 } f e a cs, \acciaccatura { \once\property Voice.Slur \override #'extra-offset = #'( 0 . 5 ) \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 e16 } d cs a e \acciaccatura { \once\property Voice.Slur \override #'extra-offset = #'( 0 . 3 ) \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 g16 } f_"rallent." e a e \acciaccatura { \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 \once\property Voice.Slur \override #'extra-offset = #'( 0 . 3 ) g16 } f e a e \acciaccatura { \once\property Voice.NoteHead \override #'font-relative-size = #-2 \once\property Voice.Stem \override #'font-relative-size = #-2 \once\property Voice.Slur \override #'extra-offset = #'( 0 . 3 ) g16 } f] e8 a4\fermata \> \) ~ a8[ ( bf gs] \! ) } \property Staff.fontSize\unset } >> } >> \break %% 135 a'8^"legato" \( bf d cs g bf a bf d cs g bf \) << \new Voice { \voiceOne \phrasingSlurUp r8 a16 \( bf a bf c8 c c c\arpeggio bf16 a g a 8 \) r r \stemUp r4 r8 c' \( df f %% 140 \stemDown e bf df \) \stemUp r8 c16 \( df c df ef8 ef ef ef\arpeggio df16 c bf c 8 \) r8 r8 r4 r8 ef'8 \( ff af g df ff \) r8 ef16 \( ff ef ff gf8 gf gf %% 145 gf f16 c ef df bf8 \) r r } \\ \relative c'' \new Voice { \voiceTwo s4 g8 c, d f bf,\arpeggio d s4. s2. %% 140 s4. s4 bf'8 ( ef,8 ) f af df,\arpeggio f \phrasingSlurDown s4. ef8 \( ff af g8 af cf bf bff af \) s4 df8 gf, cf bf %% 145 a4. bf8 s4 } \\ \relative c' \new Voice { \voiceThree s2. f4 s8 s4. s2. s2. s4. af4 s8 } >> %% 146 r8 df16 \( ef df ef f8 \) f \( f f8 ef16 bf df c a8 \) c[ \( f] e8 bf df \) r c \( f ~ f16 e bf c ef df \) r8 c16 \( df c df %% 150 ef8 \) ef \( ef ef f16 c ef df bf4. g!4 \) r8 r8 c \( f ~ \times 6/8 { f16 e a, bf b c ef df \) } \times 6/8 { r16 c \( df b c af' g f \) } f ( e) \times 4/7 { r16 a, \( bf b c ef df \) } r8 \times 4/6 { c16 \( df c b c df } \times 6/10 { d ef c' g bf! af c, df d ef \) } %% 155 \times 6/10 { e16 \( g f ef c ef df f, g ef } af8 \) r8 r8 r4 r8 r8 ef' \( af ~ \property Staff.tupletSpannerDuration = #(ly:make-moment 3 24) \property Staff.autoBeamSettings \override #'(end 1 24 6 8) = #(ly:make-moment 3 24) \times 2/3 { af16 g b, c df d ef gf ff \) } r16 ef \( \times 2/3 { f d ef c' bf a } \property Staff.TupletBracket \override #'number-visibility = ##f \times 2/3 { af16 g b, c df d ef gf ff \) } r8 \times 2/3 { ef16 \( f ef d ef f } \times 2/3 { gf16 gf' f ff ef df c bf a gf f! e ef df b c ef df } %% 160 \property Staff.TupletBracket \override #'number-visibility = ##t \times 2/3 { c16 bf \) r16 } r8 r8 r8 \times 2/3 { df16 \( ef df c df ef } \property Staff.TupletBracket \override #'number-visibility = ##f \property Staff.TupletBracket \override #'bracket-visibility = ##f \trillSpanner \times 2/3 { f16 f' c ef df af f ef df } cf16.\startTextSpan bf32\stopTextSpan \times 2/3 { c16 df ef a, c bf \) } \times 2/3 { a \( c e gf f a c f, f' e c ef df bf g e df bf \) } \times 2/3 { a \( c e gf f a c #(set-octavation 1) f f' e c ef df bf g #(set-octavation 0) e df bf \) } \times 2/3 { a16 \( c ef f af! gf ef c a! gf ef c a bf b c df bf } %% 165 \times 2/3 { a16 c ef f a gf ef c a! gf ef c a bf b c df bf \) } \times 2/3 { a16 \( bf b c df bf a bf b c df bf a bf b c df bf \) } \times 2/3 { a16 \( c ef f c' af g gf f ff ef d df c cf \bc bf a af } \times 2/3 { g16 gf f ff ef d df c cf bf a af g gf f ff ef eff \) } \tc << \new Voice \relative c'' { \voiceOne \stemBoth \phrasingSlurUp r4^"a tempo" 8 \( 4. 4 8 4 af8 \voiceOne \stemUp \slurUp af4 \) 8 ( 4 ) } \\ \new Voice \relative c'' { \voiceTwo s2. s2. gf8 f ef df4 } \\ \new Voice \relative c'' { \voiceOne s2. s2. s4 \invisnext 8\arpeggio } >> 8 \( 8 4. \) \acciaccatura f,8 4\arpeggio \( 8 4. ~ \) 4. 4 ( 8 ) %% 175 << \relative c''' { \voiceOne \phrasingSlurUp \times 2/3 { gf8 \( s bf, s c s df s gf s f s f s ef s c[ bf] } 8[ ] \) } \\ \relative c''' { \voiceTwo #(override-auto-beam-setting '(end 1 24 6 8) 3 24 ) \times 2/3 { gf16 gf, bf bf, bf' ef, gf bf, c' gf bf df, df' gf, bf gf gf' bf, df16 gf, f' bf, df gf, f' af, c gf ef' af, c ef, c' gf bf c, } f4 } >> << { \stemDown \phrasingSlurUp 8 \( 4 8 8 f, \stemUp 4 8 \) } \\ \relative c'' { s8 s4. s4. c8 bf af } >> << 4 \\ { ef'8 ( df ) } >> 8 ( 4 ) 8\arpeggio \( %% 180 8 4 \) 8 \( 4 8 \) << { df4 \( 8 \stemDown 4 \) } \\ \relative c'' { af8 g gf s4 } >> \relative c'' 8 \( 4 8 4 \) << \relative c'' { 8 \( 4 8 8[ ] \) } \\ \relative c'' { s8 bf8 bff af 4 } >> \relative c'' 8 \( 4 8 \) %% 185 8 \( 8. 16 \phrasingSlurUp 4 8 ~ \) 8 8. \( 16 4 8 4 8 4 8 \) 8 \( 4 8 \) r8 << \relative c' { \voiceOne \phrasingSlurUp 8 \( \stemDown 8 4 8 8 \) } \\ \relative c'' { \voiceTwo \stemUp s4 \times 2/3 { c16[ ef df] } } >> \relative c' %% 191 \times 2/3 { r16 f \( af f' f af f'\accent af, f f af, f f af, f f'16\st\accent \) f,^\semprepiuf \( a f' f a f' f a f'\accent a, f f a, f f a, f f'16\st\accent \) f, \( bf f' f bf f' f bf f'\accent bf, f f bf, f f bf, f g'!16\st\accent \) f, \( b g' f b g' f b g'\accent b, f g b, f g b, f \) } \property Staff.TupletBracket \override #'bracket-visibility = ##f 8\st \ls \times 2/3 { r16 c, \( f af b c \us f af b c f af b c f } \stemBoth \property Voice.autoBeaming = ##f af8\st \) \st \st \st \st \st \property Voice.autoBeaming = ##t \st \ls \times 2/3 { r16 c,, \( f af b c \us f af b c f af b c f } \stemBoth \property Voice.autoBeaming = ##f af8\st \) \st \st^"stretto" \st \st \st 8\st \st \st \st \st \st %% 200 8\st \st \st \st \st \st \property Voice.autoBeaming = ##t 8\st r r c,^"ritard." ( df f ) 8\st \st \st r4 r8\fermata 2.^"a tempo" \( 2. %% 205 2. 2. 2. ~ 2. ~ 2. ~ %% 210 4 \) r8 r4 r8 \times 2/3 { af,16 \( f g, f df' g' c, af g a, df g' \) } << \new Voice \relative c'' { \voiceOne \phrasingSlurUp \times 2/3 { s16 af4 \( af16 } af16.[ df32] ~ \times 2/3 { df16 c b bf a af ~ af g c \) } } \\ \new Voice \relative c' \times 2/3 { \voiceTwo af16 ef' df \acciaccatura ef df c g' g f r df f df f df f bf, e c } >> \times 2/3 { af16 \( f g, f df' g' c, af g a, df g' \) } << \new Voice \relative c''' { \voiceOne \phrasingSlurUp \times 2/3 { s16 af4 \( af16 } af16.[ df32] ~ \times 2/3 { df16 c b bf a af ~ af g c \) } } \\ \new Voice \relative c'' \times 2/3 { \voiceTwo af16 ef' df \acciaccatura ef df c g' g f r df f df f df f bf, e c } >> %% 215 << \new Voice \relative c''' { \voiceOne af8 s s gf s s } \\ \new Voice \relative c'' \times 2/3 { \voiceTwo 16 \( \) \( \) } >> << \new Voice \relative c'' { \voiceOne e8 } \\ \new Voice \relative c'' \times 2/3 { \voiceTwo 16 \( \) } >> << \new Voice \relative c''' \times 2/3 { \voiceOne \phrasingSlurUp \invisnext c16 \( s8 c16 ef df af c bf \) c, \( af, g, bf \) } \\ \new Voice \relative c''' \times 2/3 { \voiceTwo 16 c[ s bf] af[ s g] c,8[ s16 af8 s16 g16 s bf] } >> %% 218 << \new Voice \relative c'' { \voiceOne \phrasingSlurUp \slurDown \times 2/3 { bf16 \( f~ f ef df~ df c bf } af8[ g]~ 16.[\) 32]( \( 16.) 32( 16.) 32( 16.) 32( 16.) 32( 8) \bc 8 4 c4 \) } \\ \new Voice \relative c'' { \voiceTwo \times 2/3 { bf16[ s af] f'[ s bf,] af[ s g]} f4 s8 s2. f,4 ef16. f32 8[ ] } >> 8 \( %% 221 8 8 4 8 \) \tc \times 2/3 { 16 \( a ef a ef #(set-octavation 1) a ef } 8\st \) #(set-octavation 0) << \new Voice \relative c' { \voiceOne \phrasingSlurUp 8[ \( ] \accent \) } \\ \new Voice \relative c' { \voiceTwo \property Voice.Beam \override #'positions = #'(-7 . -6) \times 2/3 { ef16 f gf } } >> %% 225 \times 2/3 { 16 \( a ef a ef #(set-octavation 1) a ef } 8\st \) #(set-octavation 0) << \new Voice \relative c'' { \voiceOne \phrasingSlurUp 8[ \( ] \accent \) } \\ \new Voice \relative c'' { \voiceFour \property Voice.Beam \override #'positions = #'(-4 . -3) \times 2/3 { ef16 f gf } } >> %% 227 8\st \bc \relative c \times 2/3 { df16 \( c f af f bf af e g af g c \tc df c af' g16 b, c df c f af f bf af e g af g c df c g' f16\st \) b,,\( c df c f af f bf af e g af g c df c af' %% 230 g16 b, c df c f af f bf af e g af g c df c g' f16\st \) #(set-octavation 1) f' e ef df c bf af g f e ef df c bf af g f #(set-octavation 0) af'16 g f ef df c bf af g f ef df c bf af g f df c16 \( f af c f af #(set-octavation 1) c f af df c af f bf af f c g' #(set-octavation 0) f16 c af df c af f bf af f c g' f c af df c af %% 235 f16 bf af f c g' f c af \bc df c af f bf af f c g' f16 c af df c af f df' c af f df' c af f df' c af } f,,8\st \) r8 r8 \tc 8\st r8 r8 8\st r8 r8 8\st r8 r8 2.\fermata \bar "|." } dynamics = \notes { \property Voice.TupletBracket \override #'bracket-visibility = ##f \property Voice.TupletBracket \override #'number-visibility = ##f %% 1 s2. \p s2. s4. s4 \< s16 s16 \! s2. _"poco cresc." s4. s4._\markup { "" \raise #1.0 { dim. e rit. } } s2. s2. %% 8 s2. _"mezza voce" s2. s2. s2. s8 s8 \< s8 s8 \> s8 s8 \! %% 13 s8 s8 \mf s8 s4. s2. s8 s4 \< s4 s8 \! s4. \> s4. \! %% 17 s8 s4 \mp \< s4 s8 \! s4. \> s4. \! s2. s2 s4 \< s4 s8 \! s4. \> s4 s8 \! s4. %% 23 s2. ^"mezza voce" s2. s8 s4 \< s4 s8 \! s8 \> s8. s16 \! s8 s8 \< s8 %% 27 s4 s8 \! s8 s8 \mf s8 s2. s4. s8 s8 \< s8 s4 s8 \! s8 \> s8 s16 s16 \! %% 31 s2 s8 \mp \< s8 s4 s8 \! s8 \> s8 s16 s16 \! s8 s8 \p s2 s8 \< s2 s16 s16 \! s8 s8 \< s8 s4 s8 \! s8 \> s8 s16 s16 \! s8^"dim." s4 %% 37 s2. s8 s8 \pp s2 s2. s2. s2. %% 42 s2. s2. s4. s4. \< s4. \! s4 s8 \> %% 46 s8 s2 \< s8 \! s4 \> s16 s16 \! s4. s8 s2 \< s8 \! s4 \> s16 s16 \! s4. %% 50 s8 s4^"cresc." s4. s2. s2. s8 s4 \< s8 \! s4 \> s8 \! s4 \< s8 \! s4 \> s8 \! s4 \< s4. s4 \! s8 s8 s4 \> s4. s8 \! s4 %% 58 s8 \p s8-"cresc. poco a poco" s8 s4. s2. s2. s2. s4. s4. \f %% 63 s4. s4._"cresc." s2. s4. s4 \> s8 \! s4 \< s8 s8 \! s4^\piuf s2. %% 68 s8 s4 \< s8 \! s4 s4.^\piuf s8^"rit." s8 \< s16 s16 \! s4. s4 s8 \rf s2. %% 72 s8 \fp s16 \< s8 s16 \! s16 \> s16 \! s16 \< s8 s16 \! s16 \> s16 \! s16 \< s8 s16 \! s16 \> s16 \! s16 \< s8 s16 \! s2._"dim. e accel." s16 \< s4 s16 \! s16 \> s4 s16 \! s8 \> s2 s8 s2. s2 \! s4 s2. %% 80 s4 s8 \p \> s4 s8 \! s2. s4 s8 \< s4. s4 \! s8 \> s4. s8 \! s8 s8 \< s4. \> %% 85 s4 \! s8 s4. s2. s4. \< s4. \> s4 \! s8 s4. s4. s4 s8 \< %% 90 s4. s4 s8 \! s2. s4. s4._"poco cresc." s2. s2. %% 95 s4. s4. \f s4 \> s8 s4 s8 \! s2. s4 s8 \p \< s4 s8 \! s4 \> s8 s4 \! s8 %% 100 s2._"poco cresc." s2 \< s8 s16 s16 \! s2 \> s8 s16 s16 \! s4. \< s8 \! s4_"cresc." s2. %% 105 s2 \< s8 s16 s16 \! s2 \> s8 s16 s16 \! s4. \p s8. s8. \< s8. \! s8.^"poco cresc." s4. s8. s8.^"dim." s4. %% 110 s8. s8.^"poco cresc." s4. s4. s4.^"dim." s8 \< s8 \> s8 s16 \! s16 s4 s2. s8 \< s8 \> s8 s16 \! s16 s4 %% 115 s16 \> s4. s16 \! s16 s16 \> s16 s16 \! s2. s2. \f s2. s2. %% 120 s4. \< s16 \! s16 \> s4 s4 \p s16 \< s4. s16 \! s2. s2._"cresc." s2. %% 125 s2. \f s2. s2. s2._"dim." s2. %% 130 s2. s2. s4. s4._"dim." s8. s4._"smorz. e poco rit." s8. s4. s4. \pp %% 135 s2. s2. s2. s4. \> s4. \! s2. %% 140 s4. s4 s8 \< | s4 s8 \! s4. \> | s4. \! s4._"poco cresc." | s2. | s4. \< s4 s8 \! | %% 145 s4. \> s4. \! | s8 s4 \< s4 s8 \! | s4. \> s4. \! | s2. | s16 \< s4 s16 \! s8 s16 \< s8 s16 | %% 150 s4 s8 \! s4. \> | s4. s4. \! | s2. \p | \times 6/8 { s16 s4. \< s16 \! } s16 \> s16 \! \times 4/7 { s16 s16 \> s4 s16 \! } | s8 s4 \< s4 s16 s16 \! | %% 155 s2. | s4. s8 s16 \< s8 s16 \! | s8 s4 \> s16 \! s16 \< s4 | s4. \> s8 \! s4 \< | s4. \> s4 s16 s16 \! | %% 160 s4. s8 \< s4 | s4 s16 s16 \! s8. \> s8. \! | s4 \< s16 s16 \! s8 \> s16 s16 \! s8 | s2.^"poco accel." s4. \rf \times 2/3 { s8. s8 \< s16 \! s8 \> s16 \! } | %% 165 s4. \times 2/3 { s8. s8 \< s16 \! s8 \> s16 \! } | s2._"dim." | s8 \< s4 \> s4. | s4.^"poco rit." s4 s16 s16 \! | s2. \p | %% 170 s2. | s8 s4 \< s4 s8 \! | s2 \> s4 \! | s2.^"dolce" | s4. s4 \< s8 \! | %% 175 s2. | s2. | s8 \> s8 \! s8 \f s4. | s2. | s2. | %% 180 s2. | s4. s4. \< | s4. \! s4 \> s8 \! | s4. s4. \< | s4. \! s4 \> s8 \! | %% 185 s4. \> s4 s16 s16 \! | s4. \mf s8 s4 \< | s4 \! s8_"cresc." s4. | s2. | s2. | %% 190 s2. | s8 \fz s4 \< s4 \> s8 \! | s4. \< s4. \> | s4. \< s4. \> | s4. \< s4. \> | %% 195 s8 \fz s8 \ff \< s8 s4. | s2. \fz | s8 s4 \< s4. | s4 \! s8 \< s4. | s2. | %% 200 s4. s4 s8 \! | s2. | s2. \fff | s2. \pp | s2. | %% 205 s2. | s2. | s2. | s2. | s2. | %% 210 s2. | \times 2/3 { s8. \f s16 \< s4 s16 \! s8. s16 \> s4 s16 \! | s16 s8 \< s4. s4. \> s8 s16 \! | s16 s8 \< s4. s4. \> s8 s16 \! | s16 s8 \< s4. s4. \> s8 s16 \! | %% 215 s16 \fz \< s16*7 s16 \! s16 \fz \< s16*7 s16 \! | s16 \fz \< s16*7 s16 \! s16 \< s16*7 s16 \! | s16 \> s16*13 s16 \! s8 \< s16 \! | s8. s4. \> s4. \! s8 \< s16 \! | s8. s4._"cresc." s8. s4. | %% 220 s8*9^\semprepiuf | s2. \< s4. \! | s16 \> s16*8 s16 \! s2 | s16 \ff \< s16*16 s16 \! s8.\fz s8 \> s16 \! s8. s4. \> s8. \! | %% 225 s16 \fz \< s16*16 s16 \! s8.\fz s8 \> s16 \! s8. s4. \> s8. \! | s8. \fz s8.^"cresc." s2. | s8*9 | s8*9 | %% 230 s8*9 | s8*9 \ff | s8*9 | s2 \< s16 \! s16*9 | s8*9 | %% 235 s8*9 | s8*9 | s8*9 | s8*9 | s8*9 | } } lowerPart = \notes \relative c' { \property Staff.NoteCollision \set #'merge-differently-dotted = ##t \bc \phrasingSlurUp %% 1 r4 r8 e\> e d d8 c\! r f,,16 ( c'' a c d, c' ) g,16 ( g' < f b > g e g c, g' c a g ) r c,,16\st ( g'' c d e8 ) f,,16 ( c'' a c d, c' ) g,16 ( g' < f b > g e g c, g' c a g ) r %% !!! Make phrasing work here? %% 6 g,16 g' < f b > g e g c, g' c a g c, << { s8. c8. ~ \invisnext c4 } \\ { c'16 a g c, c' a 4^\fermata } >> r8 %% 8 r4 r8 f,\st \tc [ ( ] ) \bc f\st \tc [ ( ] ) \bc f,\st \tc [ ] \bc f\st \tc [ ] \bc f\st \tc [ ] \bc ef8\st ef,\st ef,\st [ ] af,8\st [ ( ] ) %% 13 af,,8\st \tc [ ] \bc af\st \tc [ ] \bc af,8\st \tc [ ] \bc af\st \tc [ ] \bc af,8\st \tc [ ] \bc ef,,\st \tc [ ] \bc f,8\st \tc [ ] \bc bf,\st [ ] %% 17 gf,8\st [ ] df,\st [ ] ef,8\st [ ] f,\st \tc [ ] \bc f8\st \tc [ ] \bc f,\st \tc [ ] \bc f8\st \tc [ ] \bc f,\st \tc [ ] \bc f8\st \tc [ ] \bc f,,\st \tc [ ] \bc bf,8\st [ ] c\st [ ] %% 23 f,8\st [ ] f\st [ ] f,8\st [ ] f\st [ ] f8\st ff\st ef\st ef,\st ef,8\st [ ] af,\st [ ( ] ) %% 27 af,8\st [ ( ] ) af,,\st \tc [ ] \bc af8\st \tc [ ] \bc af,\st \tc [ ] \bc af8\st \tc [ ] \bc af,\st \tc [ ] \bc ef,,8\st \tc [ ] \bc f,\st \tc [ ] \bc %% 31 bf,8\st [ ] gf,\st [ ] df,8\st [ ] ef,\st [ ] f,8\st \tc [ ] \bc f\st \tc [ ] \bc f,8\st \tc [ ] \bc f\st \tc [ ] \bc f,8\st \tc [ ] \bc f\st \tc [ ] \bc f,,8\st \tc [ ] \bc bf,\st [ ( ] %% 37 8 \> \! ) [ ( ] 8 ) [_"legato" ( ] 8 8 ) [ ( ] 8 ) [ ( ] %% 42 8 ) [ ( ] 8 8 ) [ ( ] 8 ) [ ( ] %% 46 \st ) [ ] r8 cf8\st [ ] f,\st [ ] bf,\st [ ] b,\st [ ] c8\st [ ] f,\st [ ] %% 50 bf,8\st [ ] ef,\st [ ] af,8\st [ ] df,\st [ ] gf,8\st [ ] c,,\st r8 f,8\st ef''16[ \( f, ef' df] c4 bf8 bf8\st \) ff'16 \( f, ff' ef df4 c8 c8\st \) r8 r r4 r8 r4 r8 f,,\st [ ] bf,8\st [ ] c\st [ ] %% 58 f,8\st [ ] \arpeggio [ ] 8\st [ ] \arpeggio [ ] << { %% 60 s4. r16 df df ( c ) c ( bf ) \stemDown s16 ef,16 ( bf' ef df ef \stemUp df ) ( c ) c ( b ) b ( af ) af8. s8. s4. } \\ { %% 60 8[ ] ( \st ) ef[ ef] ef,8\st s4 af'8. ( f16 ) f ( ff ) \phrasingSlurUp ff16 ( ef ) ef \( \stemBoth 8\st \) [ ] } >> %% 63 8\arpeggio [\arpeggio ] [ ] 8\arpeggio [ ] [ ] %% 65 8\arpeggio [ ] f,16\st << { s8. f'8\arpeggio s16 } \\ { \phrasingSlurDown \slurUp f[ \( c' ef gf\arpeggio ( f] ) 16 \) } >> \phrasingSlurDown gf[ \( f ] 8\st \) [ ] \phrasingSlurBoth 8\arpeggio [ ] [ ] ( 16\st ) [ \( \> ] \! 16\st \) [ \( \> ] \! \) 16[ ] [ \( ] 8\st\accent \) [ ( ] ) ( ) %% 72 8\st r16 gf' ( cf bff ) 8\st r16 af' ( df cf ) 8\st r16 bf' ( ef df ) 8\st r16 c'! ( f! ef ) 8\st r16 \tc c''' ( f ef f,8\st ) r16 a' \( c, a' f,16 a' c, a' f, a' c, a' f, a' c, a' ef8\st \) r8 r8 r4 r8 R2. \bc r4 r8 r8 c,16 \( d f ef d16 bf a f g bf a g ef c ef8 ~ %% 80 ef16 d c bf f8 \) 4 \( 8 4 8 4 8 4 \) 8 \( 4 d,8 4 c,8 f4 f8 8 \) r8 \( 4. ~ %% 85 4 c8 c4 8 \8\st \) r8 4 8 ~ \( 8 4 \) 8\st 8\st r8 \( 4 8 4 \) 8 \( 4 8 %% 90 4 \) 8 \( 4 c8 \) \phrasingSlurDown 2. \( \stemDown bf4. \) \stemBoth \phrasingSlurBoth 4 \( 8 4 8 4 8 4 \) 8 ( 4 ) 8 ~ \( %% 95 8 4 \) 8\st 8\st r8 \( 4 8 4 \) 8 \( 4. ~ 4 ef8 4 c,8 f,4 bf,8 4 \) << { d8 ~ d16 ( ef d4 ~ ) d16 ( ef d4 ) %% 100 } \\ { s8 fs,4. g4. } >> %% 101 a8 ( c' ) r r4 r8 d,,8\st d'[ ( a' c fs] ) r g,,8\st d'[ ( d'16 fs] g\st ) << { \phrasingSlurUp fs,16\st fs( f) f \( e~ e16 f e4~ \) e16 ( f e4 ) } \\ { s16 s4 gs,4. a4. } >> %% 105 b8 ( d' ) r r4 r8 e,,8\st e'[ ( b' d gs] ) r a,,,8\st a'16[ ( e' a e'] a8 ) << { \phrasingSlurUp s4 d,2. s8 d4. \( s4 c2. \) s8 c4. s4 } \\ { e8 \( ef d4 \) fs,8 ( g a bf16 d, d,8\st ) d''[ ] g d' df c4 e,8 ( f g af16 c, c,8\st ) c''[ ] \( f c' \) } >> %% 112 af,8\st af'[\trill ( c,] df\st ) af'[\trill ( \grace { g16[ af] } df8]\st ) ef,,8\st ef'[ ( ] ) af,\st ef'[ ( 16] ) r16 af,8\st \tc af''[\trill ( c,] df\st ) af'[\trill ( \grace { g16[ af] } df8]\st ) %% 115 \bc ef,,8\st \tc ef'[ ( ] ) af,\st ef'[ ( 8] ) \bc ef,8\st \tc ef'[ ( ] ) af,\st ef'[ ( 16]\accent ) r16 \bc ef,,8\st ef'[ \( ] \tc 8 \) r r r4 r8 \bc << { \stemDown r8 df,4\accent ~ df4 ef,8~ \( \stemUp %% 120 ef8 e f fs g ef af \) ef \( gf ff c df gf,8 af a bf \) d,16 \( ef d ef 8\st \) [ \( ] 8 \) %% 125 %% This part switches to the other voice at this point \phrasingSlurUp s4. r8 bf'\st bf\accent ~ \( bf8 a16 \< bf a bf \! ef4. \) 8\st \st ~ af af\st af\accent \phrasingSlurDown gs8 \( fss16 gs fss gs \stemDown gs'4. \) } \\ \relative c { s2. %% 120 af2. af4. s4. s2. s2. s2. %% 125 %% part from other voice enters here \stemUp 8 _"ten." ~ \stemDown 4. ~ 4. s4. s4 \invisnext af,8 ~ af4. gs4. s4. } >> \phrasingSlurDown \stemUp a,,,16\st \( e'' a b cs8 \) d,,16\st \( a'' fs a b, a' \) %% 130 e,16 \( e' e cs e \) << a,4. \\ { a16 \( e' a fs e8 \) } >> a,,16\st \( a' e' b' cs8 \) d,,16\st \( a'' fs a fs, cs' \) es,16 \( cs' gs' cs, fs, cs'\) cs, \( gs' gs' cs, cs'8 \) e,,16 \( e' e cs e a, e' a fs e a, \) << \new Voice { \voiceOne \tieDown s8. a8. ~ 4.\fermata ~ } \\ \relative c \new Voice { \voiceTwo a'16 fs e a, a' fs s4. } \\ \new Voice \relative c { \voiceOne s4. \invisnext e8 ~ \property Voice.TupletBracket \override #'bracket-visibility = ##f \property Voice.TupletBracket \override #'number-visibility = ##f \property Staff.fontSize = #-1 \property Voice.Stem \override #'length = #5.5 \property Voice.Beam \override #'thickness = #0.384 \property Voice.Beam \override #'space-function = #(lambda (beam mult) (* 0.8 (Beam::space_function beam mult))) \stemDown \times 2/21 { e16[ \( a cs \tc e a cs] e[ a e f e cs a d cs a e f! e cs! a d \bc cs e, a, d'! cs e, a, d' ] cs4.\fermata \) r4 r8 } \property Staff.fontSize\unset } >> %% 135 << \relative c' { \voiceTwo r4 r8 a \( bf d cs g bf a bf d \phrasingSlurDown \tieUp df! c! bf ~ \) bf \( a d, g g, c f, \) r8 r8 \phrasingSlurUp \stemDown \us c''8 \( df f e \ls \stemUp bf df %% 140 \stemDown c8 df f e ef df ~ \) df8 c f, bf bf, ef af,8 r r } \\ \relative c { \voiceOne \phrasingSlurUp s2. s2. s2. s4 c8 ~ \( c df! f e bf df \stemDown c \) r r %% 140 s2. s4. \stemUp s4 ef8 ~ \( ef8 ff af \stemDown g df ff ef8 \) r } >> \stemBoth \tc d'8 \( ef ff af g!8 gf ff ef 8 f,! f'! \) \bc bf,,[ ( ] ) af,!\st %% 146 gf8\st [ ] df,8\st [ ] ef,8\st [ ] f,8\st \tc [ ] \bc f8\st \tc [ ] \bc f,8\st \tc [ ] \bc f8\st \tc [ ] \bc f,8\st \tc [ ] \bc %% 150 f8\st \tc [ ] \bc f,,8\st \tc [ ] \bc bf,8\st [ ] c\st [ ] \phrasingSlurBoth f,16 \( c' af' f c' af' \) f,, \( df' g e bf' g' \) f,,16 \( c' af' f c' af' \) f,, \( df' g e bf' g' \) f,,16 ( c' af' ) ff, ( c' af' ) ef, \( c' af' ef c' af' \) %% 155 ef,,16 \( df' g ef df' bf' \) af,, \( ef' c' ef, c' af' \) af,,16 \( ff' c' ff, c' af' \) af,,, \( ef'' c' ef, c' af' \) af,,16 \( ff' df' \tc bf g'! df' \) \bc af,, \( ef' c' \tc af ef' c' \) \bc af,,16 \( ff' df' \tc bf g'! df' \) \bc af,, \( ef' c' \tc af ef' c' \) \bc ef,,,16 \( bf' gf' ef bf' gf' \) f,, \( c' a' f ef' a \) %% 160 bf,,,16 \( f' df' bf f' df' \) gf,, \( df' bf' gf df' bf' \) df,,,16 \( af' f' df af' f' \) ef,, \( cf' gf' \) e, \( df' g \) f,16 \( c'! a' f c' a' \) f,, \( df' bf' e, df' g \) f,,16 \( c' a' f c' a' \) \tc f, \( df' bf' e, df' g \) \property Staff.tupletSpannerDuration = #(ly:make-moment 3 24) \property Staff.autoBeamSettings \override #'(end 1 24 6 8) = #(ly:make-moment 3 24) 8 r r \bc r \times 2/3 { c,16 \( df d ef e df } %% 165 8 \) r r \times 2/3 { c16 \( df d ef e df \) } 8 ( ) ( ) ( 8 ) r r r4 r8 R2. \property Staff.TupletBracket \override #'bracket-visibility = ##f \times 2/3 { df,16\st_"leggiero" \( af' bf c df ef f gf af bf af bf c[ df ef } f8] \) \property Staff.TupletBracket \override #'number-visibility = ##f %% 170 \times 2/3 { df,,16 \( af' bf c df ef f gf af bf af c df[ ef f } gf8] \) \times 2/3 { df,,16 \( af' bf c df ef f gf af bf af bf cf[ df ef } f8] \) \times 2/3 { df,,16 \( af' df f af df af f' df af af' f df af f df af af' \) } \times 2/3 { df,,16 \( af' df af' df, af df af' df af df, af' df af' df, af df, af' } \times 2/3 { df16 af df, af df af' df, af df, \) } gf,\st df' \( \times 2/3 { df' gf, df bf' gf df \) } %% 175 ef16 \( bf' ef gf ef bf \) ef, \( bf' ef bf' ef, bf \) af16 \( ef' gf df' gf, ef \) af, \( ef' gf c gf af, \) \times 2/3 { df,16\fz \< \( af' bf c df ef f gf af bf af bf c[ df ef } f8] \) \! \times 2/3 { df,,16 \< \( af' bf c df ef f gf af bf af c df[ ef f } gf8] \) \! \times 2/3 { df,,16 \( af' bf c df ef f gf af bf af bf c[ df ef } ff8] \) %% 180 \times 2/3 { c,,16 \( c' ef af ef af \tc c ef af ef ef' af, ef c af \bc ef c af \) } cf,8\st \times 2/3 { cf'16 \( df f ef' f, df \) bf \( df gf ef' gf, df df' gf, df \) } \times 2/3 { af16 \( df f c' f, df df' f, df \) gf, \( df' gf ef' gf, df ff' gf, df \) g,!16 \( df' ef a ef df bf' ef, bf \) af! \( ef' af f' af, ef ef' af, ef \) bf16 \( ef g d' g, ef ef' g, ef \) af, \( ef' af ef' af, ef af' ef af, \) } %% 185 \times 2/3 { bf,16 \( df gf bf gf df df' gf, df \) } bf,\accent \( gf' \times 2/3 { df' gf, df' gf, df' gf, \) } bf,16\accent \( gf' \times 2/3 { df' gf, df' gf, df' gf, \) } bf,\accent \( gf' \times 2/3 { df' gf, df' gf, df' gf, \) } bf,16\accent \( f' \times 2/3 { df' f, df' f, df' f, \) } << \relative c, { c8 } \\ \relative c, { c16 \( f \times 2/3 { c' \< df d ef e f \! \) } } >> << \relative c, { df!8 } \\ \relative c, { df16 \( bf' \times 2/3 { c \< df d ef e f \! \) } } >> << \relative c, { e8 } \\ \relative c, { e16 \( c' \times 2/3 { d! \< ef e f fs g \! \) } } >> << \relative c, { f8 } \\ \relative c, { f16 \( df' \times 2/3 { ef e f fs g af \) } } >> << \relative c { g8 } \\ \relative c { g16 \( ef' \times 2/3 { f fs g af a bf \) } } >> \relative c %% 190 \times 2/3 { af16 \( f' af df af f' df af f \) af,, \( af' ef' c' af gf' c, af ef \) } df16.[ \( af'32] \times 2/3 { df16 df af' \tc df df af' df\accent af df, \bc df af df, df af df, \) } df16.[ \( a'32] \times 2/3 { df16 df a' \tc df df a' df\accent a df, \bc df a df, df a df, \) } df16.[ \( bf'32] \times 2/3 { df16 df bf' \tc df df bf' df\accent bf df, \bc df bf df, df bf df, \) } df16.[ \( g32] \times 2/3 { df'16 df g \tc df' df g df'\accent g, df \bc df g, df df g, df \) } %% 195 \phrasingSlurDown 8\st \stemDown c16.[ \( f32] \times 2/3 { af16 b c \stemBoth f af b \tc c f af b c f } \property Voice.autoBeaming = ##f af8\st \) \bc \st \st \st \st \st \property Voice.autoBeaming = ##t 8\st \stemDown c,16.[ \( f32] \times 2/3 { af16 b c \stemBoth f af b \tc c f af b c f } \property Voice.autoBeaming = ##f af8\st \) \bc \st \st \st \st \st 8\st \st \st \st \st %% 200 8\st \st \st \st \st \st \property Voice.autoBeaming = ##t 8\st r8 r8 c8 ( df f ) 8\st \st \st r4 r8\fermata 2. 2. %% 205 2. 2. 2. ~ 2. ~ 2. ~ %% 210 4 r8 r4 r8 f,,8\st \times 2/3 { df''16 df, g c, e' c af' c, f, } df' df, \times 2/3 { c e' c } \property Voice.Hairpin \override #'extra-offset = #'(0 . -3) \times 2/3 { f,16 f' af, ef gf' af, df, f' af, g \(\< af a bf b c df \> c \! \) r } f,8 \times 2/3 { df''16 df, g c, e' c af' c, f, } df' df, \times 2/3 { c e' c } \times 2/3 { f,16 f' af, ef gf' af, df, f' af, g \(\< af a bf b c df \> c \! \) r } \property Voice.Hairpin \revert #'extra-offset %% 215 \times 2/3 { f,16 af' d, b af' d, e, g' df ef, gf' c, a gf' c, d, f' cf df,16 e' bf g e' bf c, e' bf b, e' b g e' b bf, e' c af,16 f'' c af f' c bf, f'' df c, f' c af f' c c, e' c } << \relative c { df4 bf8 } \\ \relative c \times 2/3 { df16 df' af f df' af bf, df' g, c, c'( df c b c g c a) } >> \times 2/3 { bf16\accent f g af\accent ef f g\accent d e f\accent c df bf\accent a bf c\accent b c %% 220 a16 gs a bf c af g af f e f g f g ef df ef c bf16 c df c f ef df ef f e f g f bf af g af bf af16 bf c a gs a bf c df c af f df c df c af' g } 16. ef32 gf'16. a32 \tc c16. ef32 gf16. a32 c16. ef32 gf16. a32 c8\st \bc \times 2/3 { 16 ( ) ( ) ( ) ( ) } %% 225 16. ef'32 gf16. a32 \tc c16. ef32 gf16. a32 c16. ef32 gf16. a32 c8\st \bc \times 2/3 { 16 ( ) ( ) ( ) ( ) } \times 2/3 { f,,16 c' af' } r8 r8 c,16 \( g' e' e, c' bf' \) f,16 \( c' af' af, f' c' \) c, \( bf' e e, c' bf' \) f,,16 \( c' af' af, f' c' \) c, \( bf' e e, c' bf' \) \tc %% 230 f,16 \( c' af' af, f' c' \) c, \( bf' e e, c' bf' \) 8\st 4\accent 8\st 4\accent \bc 8\st 4\accent 8\st 4\accent \bc 8\st\arpeggio r8 r8 \times 2/3 \relative c''' { \tc df16\accent \( c af f bf af f c g' f16 c af df c af f bf af f c g' f c af df c af \bc %% 235 f16 bf af f c g' f c af df c af f bf af f c g' f16 c af df c af f df' c af f df' c af f df' c af } f,,8\st \) r8 r8 8\st r8 r8 8\st r8 r8 8\st r8 r8 2.\fermata \bar "|." } pedal = \notes { %% TODO } \score { \notes \context PianoStaff << \property PianoStaff.connectArpeggios = ##t \context Staff = treble << \key f \minor \time 6/8 \topPart >> \context Dynamics=dynamics \dynamics \context Staff = bass << \key f \minor \time 6/8 \clef bass \lowerPart >> % \context Dynamics=pedal \pedal >> \paper { \translator { \type "Engraver_group_engraver" \name Dynamics \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" TextScript \override #'font-relative-size = #1 TextScript \override #'font-shape = #'italic DynamicText \override #'extra-offset = #'(0 . 2.5) Hairpin \override #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consistsend "Axis_group_engraver" } \translator { \PianoStaffContext \accepts Dynamics TextScript \override #'font-shape = #'italic VerticalAlignment \override #'forced-distance = #8 } % linewidth = 18.0 \cm \translator { \ScoreContext SpacingSpanner \override #'spacing-increment = #1.0 SpacingSpanner \override #'base-shortest-duration = #(ly:make-moment 1 24) SpacingSpanner \override #'shortest-duration-space = #1.9 } } \midi { \translator { \type "Performer_group_performer" \name Dynamics \consists "Piano_pedal_performer" \consists "Span_dynamic_performer" \consists "Dynamic_performer" } \translator { \PianoStaffContext \accepts Dynamics } } }