%Score version: 2.0 \version "2.12.2" \include "english.ly" \paper { %#(set-paper-size "letter") between-system-padding = 1 between-system-space = 3 %ragged-bottom=##f ragged-last-bottom=##f #(ly:set-option 'point-and-click #f) } #(set-global-staff-size 18.26) \header { title = "Nocturne" composer = "Frédéric Chopin" opus = "Op. 9 N. 2" dedication = \markup \italic { "A M.me Marie Pleyel" } % MUTOPIA mutopiatitle = "Nocturne" mutopiacomposer = "ChopinFF" mutopiapoet = "" mutopiaopus = "Op. 9, No. 2" mutopiainstrument = "Piano" date = "1833" source = "G. Schirmer, New York, 1881" style = "Romantic" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Renato Biolcati Rinaldi" maintainerEmail = "rebiolca@gmail.com" maintainerWeb = "http://www.nightpassage.org" moreInfo = "Made from scans available at Library Of Congress http://memory.loc.gov" footer = "Mutopia-2009/03/19-1590" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } %%%Il gruppetto cromatico%%% grc = ^\markup{\column {\center-align { \lower #6.5 {\finger"12121"} \tiny \lower #4.5 { \flat} \lower #3.0 \musicglyph #"scripts.turn" \tiny { \natural}}}} %%%Posizione testo e dinamiche%%% dis = \override DynamicLineSpanner #'staff-padding = #3.5 ddd = \once \override DynamicLineSpanner #'staff-padding = #0 ttt = \once \override TextScript #'staff-padding = #0 dpp = \once \override DynamicLineSpanner #'staff-padding = #1.6 %%%Diteggiatura dentro la legatura %%% did = \override Fingering #'avoid-slur = #'inside %%%Diteggiatura fuori dalla legatura (Default)%%% dif = \override Fingering #'avoid-slur = #'outside %%%Simboli dentro la legatura%%% sot = \override Script #'avoid-slur = #'inside %%%Pedale giù Markup%%% ped = _\markup \small {\hspace #-1.0 \musicglyph #"pedal.Ped" \hspace #-1.0 "."} %%%Pedale su Markup%%% pes = _\markup \small {\hspace #-1.0 \musicglyph #"pedal.*"} %%%Diteggiatura supplementare Markup%%% uno = \markup { \finger "1" } due = \markup { \finger "2" } tre = \markup { \finger "3" } qua = \markup { \finger "4" } cin = \markup { \finger "5" } %%%Vari.%%% pri = \override TextSpanner #'bound-details #'left #'text = "poco ritard. " pra = \mark \markup {\italic \normalsize "poco rallent."} prl = ^\markup {\italic \normalsize "poco rall."} pru = _\markup {\italic \normalsize "poco rubato"} spp = _\markup {\italic \normalsize "sempre " \dynamic pp} dol = _\markup {\italic \normalsize "dolcissimo"} tei = ^\markup{\bold \normalsize "Tempo I."} %%%f tra parentesi%%% fpa = \markup{ \center-align {\line { \bold{\fontsize #3 \italic (} \hspace # -1.0 \raise # 0.5 \dynamic f \bold{\hspace # -1.0 \fontsize #3 \italic )} }} } %%%più P tra parentesi%%% ppt = \markup{ \center-align {\line { \italic ( \italic più \dynamic p \italic ) }} } upper = \relative c'' { \clef treble \key ef \major \time 12/8 \override Score.MetronomeMark #'transparent = ##t \tempo 8=132 \partial 8 \dis \did \once \override TextScript #'extra-offset = #'( -5.0 . 2.0 ) bf8-1^\markup{ \bold "Andante ( "\tiny \note #"8" #1 \tiny "=132)"} \once \override TextScript #'extra-offset = #'( 0.0 . -4.8 ) g'4.^\markup { \finger "54" }~ \once \override TextScript #'extra-offset = #'( -14 . 0.0 ) g8_\markup{\italic \normalsize "espress. dolce"} f-3 (g-4 f4.-3 ef4-2) bf8-1 %1 ( g'4-5 \once \override TextScript #'extra-offset = #'( 0.5 . -4.5 ) \dpp c,8\<\grc c'4-5 \! g8-2 bf4.-4 af4-3 g8-2) %2 \dif f4.-1 g4-3 (d8-1) ef4.-2 c-1 %3 \did bf8-1\f ( \dif d'-5) c-4 (bf16-3 af g af-4) c, (d ef4.) r4 bf8-1 %4 ( \once \override Script #'extra-offset = #'(-0.3 . -1.8) g'4.\p^\markup { \finger "54" } f16-3) (g \sot f\prall e f g f8-.-3) ef4->-2~(ef16 f ef\prall d ef f %5 \ddd g-4)\< [b, (c) df->-3 (c-1) \ttt f->-2_\markup{\italic "cresc."} (e-1) af->-3 (g-1) df'-4 (c) g]\! \dpp bf!4.-3\> ( \did af4-2\! \dif g8-1) %6 f4.^\markup { \finger "23" }\startTrillSpan \grace { e16\stopTrillSpan ([f16] } g8-.-3) g-4 (d-1) ef4.-2 (c-1) %7 \did bf8-1\f ( \dif d'-.-5) \ddd \did c-.-4\< \( \did bf16-.-3 [af-. g-.-1 af-. \once \override TextScript #'extra-offset = #'( -0.5 . -3.4 ) \acciaccatura af8^\qua c,16-1 d\!]\) ef4.-3~ef8 d-2 ef %8 f4.-4\p \dif g4-5\> (f8)\! f4.\pp (c4.) %9 \pri ef8-.-4\startTextSpan ([ef-.-3 ef-.-2] ef-.-1) [d16-2 (ef f16.-4 ef32-3)] ef4.-2 (bf-1)\stopTextSpan %10 \did bf'-5\f\tei ( a4-4 g8-3) 4. %11 \did 4. ( 8-. -. -.) -. ( -. ^\qua -.^\qua \pra -. -.^\qua < af_2 d>-.^\cin) %12 \grace { \once \override DynamicLineSpanner #'staff-padding = #3.3 g16\sf\tei [(bf ef]} g4) \p a,16 (bf cf-- bf #(set-accidental-style 'forget) cs-4 #(set-accidental-style 'default) d-1 g16.-5) f32-4 f4-3 ef8->-2~ ef16 (f ef\prall d-1 ef f %13 g-.) \ddd \dif b,-1\< (c-2) df-3 (c-1) f-2\! (\once \override TextScript #'staff-padding = #2 e-1_\markup { \italic "cresc." } ) af-3 (g-1) df' (c g bf!4.-3) (\ddd \did af4-2\> \dif g8-1\!) %14 \once \override TextScript #'extra-offset = #'( 0.5 . 0.0 ) f4.\p^\markup { \column {\center-align {{\lower #0.5 \finger "23"} {\musicglyph #"scripts.trill"} } }} \grace { e16 ([f] } g8-.-3) \dif g->-4 (d-1) ef 4.-2 c-1 %15 \ddd \once \override TextScript #'extra-offset = #'( 1.5 . 0.5 ) \did bf8-1_\fpa\< (d') cs-.-4 ( c32-.-5 b-.-3 bf-.-4 a-.-5 af-. f-. d-. cf-.->) bf d \times 2/3 {\tupletUp \once \override TupletNumber #'extra-offset = #'( 0.0 . 1.7 ) \once \override TupletBracket #'extra-offset = #'( 0.0 . 1.7 ) g-5 f-4 ef-2\!} ef4.^\markup { \finger "12" }~ ef8 d ef %16 \dif f4.-3\p (g4-4 f8) \did f4.-4 (c-1) %17 <<{ \oneVoice \once \override TextScript #'extra-offset = #'( 1.8 . -2.0 ) \times 3/4 { \once \override PhrasingSlur #'positions = #'(5.5 . 4) \dif ef8-.-3_\ppt \( ( ef-. ef-. ef-.)} ef (\did d16-2 ef f16. ef32)\) ef4. (\ddd bf4.)} \\ {\voiceTwo s4. s4. s4. s8\> %18 \dif bf'4.-5\f (a4 g8) \ddd 4.\> (\!) %19 4. \( \stemUp \once \override TextScript #'extra-offset = #'( 0.0 . -2.2 ) 8-.^\markup{\column {\center-align \lower #3 {\finger"5"}\center-align \lower #1.7 {\finger"2"}}} (\did -.^\markup{\column {\center-align \lower #3 {\finger"4"}\center-align \lower #1.7 {\finger"2"}}} -.) \) \stemNeutral -. ( \once \override TextScript #'extra-offset = #'( -2.0 . 0.0 ) -.\prl -. -. -. -.) %20 \grace { \once \override DynamicLineSpanner #'staff-padding = #3.3 g16\sf\tei [(bf ef]} g4) \p a,16 (bf cf-> bf #(set-accidental-style 'forget) cs #(set-accidental-style 'default) d-1 \dif g16.->-4 f32) \ddd f4\> ( ef8->-2\!)~ ef16 f (ef\trill \ddd d\< ef f\! %21 g) b,-1 (c-2) df->-3 (c-1) f->-2 (\ddd e-1\<) af->-3 (g-1) df' (c g \acciaccatura {g8} bf!4.)\! (af4 g8-1) %22 f4.^\markup { \finger "23" }\startTrillSpan \grace { e16\stopTrillSpan ([f] } g8-.) g-4 (d-1) ef 4.-2 (c-1) %23 \ddd \once \override TextScript #'extra-offset = #'( 1.5 . 0.5 ) \did bf16-1-._\fpa\< ([ \dif d'8-5 \set stemLeftBeamCount = #1 \set stemRightBeamCount = #2 cs16-.-4 \set stemLeftBeamCount = #2 c16-.-5 b32-.-4] bf16-.-3 [a-.-5]) af32-|-4 \did a,-1 ( bf-2 b-1 c cs d-1 \times 2/3 {\tupletUp \once \override TupletNumber #'extra-offset = #'( 0.0 . 1.5 ) \once \override TupletBracket #'extra-offset = #'( 0.0 . 1.5 ) g-4 f-3 ef-2\!} ef2.->-1) %24 ef4.-3^\markup{\bold "Coda"}\p (f8 ef f g2.) %25 ef4.\pp \(~ef16 f (ef) f ( ef f g4\pru) \) ef8-2\turn (ef'-.-5) (d-.-5 c-.-5) %26 bf4-4\spp \(a!8-5 (af) c, d\) ef f16 ( ef\prall d ef ) \acciaccatura ef8 g'8-.\dol f16-.-5 (ef-.-4 d-.-5 c-.-5 %27 cf8---5 bf---4 bff---5) \dif bff16-5 ([af-4]) af-4 ([g-5]) g16.-5 (f32-4 ef2.->-3) %28 ef4.\p~ \(\times 6/8 {\tupletDown ef16 f (ef f ef) \ddd f ( \< ef f)} g4.\!\) r4 r8 %29 ef8-|_\markup{\italic \normalsize "con forza"} \did af,16-2 (bf af\trill g af-2 [cf-1 ef-2 af-3 ef'-5) r32 \dif f-3] ( #(set-octavation 1) \did g8-4 ef) 4-> \once \override TextScript #'extra-offset = #'( -1.0 . 0.0 ) 8_\markup{\italic \normalsize "stretto"} %30 4._> 8 %31 \cadenzaOn 2.-^_\markup {\dynamic ff \italic \normalsize "senza – – tempo" } s4 2.-^\fermata \tiny{ \ddd \stemUp \override DynamicLineSpanner #'staff-padding = #2.0 cf'!16-3\< [bf-2 c!-4 a!-1] cf [bf c! a] cf [bf c! a] cf [bf c! a] cf [bf c! a] cf [bf c! a] cf [bf c! a] cf_\markup { \italic \normalsize "cresc." } [bf c! a\!] \bar "" cf [bf c! a] cf [bf c! a] \ddd cf\>_\markup { \italic \normalsize "dimin." } [bf c! a\!] cf [bf c! a] cf [bf d-5 c!-4] bf-2_\markup { \italic \normalsize "rallent. smorz." } [a-1 af-4 g-3] f-2 [d-1 (ef-2 cf-1] #(set-octavation 0) bf8-4 [ af c, d-3)]} \cadenzaOff \bar "|" \normalsize %32 \stemNeutral \once \override TextScript #'extra-offset = #'( 0.0 . -2.0 ) 8_\markup{\dynamic pp} (\once \override TextScript #'extra-offset = #'( -3.0 . 0.0 ) bf-2\tei g' bf g' bf g' bf g' %33 \once \override TextScript #'extra-offset = #'( 0.0 . -2.0 ) 4._\markup{\dynamic ppp}) 2.\fermata \bar "|." %34 } lower = \relative c { \clef bass \key ef \major \time 12/8 \override Beam #'auto-knee-gap = #3 \partial 8 r8 ef,-.\ped ( )\pes ef,-.\ped ()\pes ef,,-.\ped ()\pes d,,-.\ped ()\pes %1 c,,-.\ped ()\pes c,-.\ped ()\pes f,,-.\ped ()\pes f,-.\ped ()\pes %2 bf,-.\ped ()\pes b,-.\ped ()\pes c,-.\ped ()\pes a,-.\ped ()\pes %3 bf,-.\ped ()\pes bf,,-.\ped ()\pes ef,,-.\ped () ef,-. () %4 ef,-. ()\pes \once \override TextScript #'extra-offset = #'( 0.0 . 3.0 ) ef,-.\ped ()\pes ef,-.\ped ()\pes \once \override TextScript #'extra-offset = #'(0.0 . 2.0 )d,-.\ped ()\pes %5 c,-.\ped () c,-. ()\pes f,,-.\ped (\once \override TextScript #'extra-offset = #'( 0.0 . 2.0 ) )\pes \once \override TextScript #'extra-offset = #'( 0.0 . 3.0 ) f,-.\ped ( \once \override TextScript #'extra-offset = #'( 0.0 . 2.0 ) )\pes %6 bf,-.\ped (\pes) b,-.\ped ()\pes c,-.\ped ()\pes a,-.\ped ()\pes %7 bf,-.\ped ()\pes bf,,-.\ped ()\pes ef,,-.\ped () ef,-. ()\pes %8 bf,-.\ped () bf,-. ()\pes a,-.\ped () a,-. ()\pes %9 af,!-.\ped () af,,-. ()\pes ef,-.\ped () ef,-. ()\pes %10 e,,-.\ped ()\pes e,,-.\ped ()\pes f,-.\ped ()\pes g,-.\ped ()\pes %11 c,,-.\ped ()\pes f,,-.\ped ()\pes -. (-. gs-. g-. -. -.) %12 ef,,-.\ped ()\pes ef,-. () ef,-. () d,-. () %13 c,-. () c,-. () f,,-. () f,-. () %14 bf,-.\ped ()\pes b,-.\ped ()\pes c,-.\ped ()\pes a,-.\ped ()\pes %15 bf,-. () bf,,-.\ped \pes () ef,,-.\ped ()\pes ef,-. () %16 bf,-. () bf,-. () a,-. () a,-. () %17 af,!-. () af,,-.\ped ()\pes ef,-. () ef,-. () %18 e,,-.\ped ()\pes e,,-. () f,-.\ped ()\pes g,-.\ped ()\pes %19 c,,-.\ped ()\pes f,,-. () -. (-. gs-. g-. -. -.) %20 ef,,-.\ped ()\pes ef,-. () ef,-. () d,-. () %21 c,-. () c,-. () f,,-. () f,-. () %22 bf,-. () b,-. () c,-. () a,-. () %23 bf,-. () bf,,-.\ped ()\pes ef,,-.\ped ()\pes ef,-. () %24 ef,,-.\ped () ef,-. ()\pes ef,,-.\ped () ef,-. ()\pes %25 ef,,-.\ped () ef,-. ()\pes ef,,-.\ped () ef,-. ()\pes %26 ef,-.\ped () ef,-. ()\pes ef,-.\ped ()\pes a,-.\ped ()\pes %27 bf,-.\ped ()\pes bf,,-.\ped ()\pes ef,,-.\ped () ef,-. ()\pes %28 af,,-.\ped \pes ef,-.\ped () ef,-. ()\pes %29 af,,-.\ped ef,-.\ped ()\pes a,\ped \pes %30 bf,-.\ped ()\pes b,-.\ped ()\pes c,-. () a,-.\ped <<{ \oneVoice \stemUp 8 \pes } \\ { \voiceTwo f,4} >> %31 \cadenzaOn \once \override PhrasingSlur #'positions = #'(3 . 5) \stemDown bf,,8\ped [ \(\once \override TextScript #'extra-offset = #'( -0.4 . -5.5 ) bf'^\markup { \finger "15" } \did \once \override TextScript #'extra-offset = #'( 0.0 . -4.0 ) f'^\tre \dif af!-2 d-1 \did bf-5 \clef treble \once \override TextScript #'extra-offset = #'( 0.0 . -6.0 ) f'^\tre \once \override TextScript #'extra-offset = #'( 0.0 . -5.0 ) af]^\due\) d2.-1\fermata \clef bass s1 s s s s8 s\pes \cadenzaOff \bar "|" %32 <<{ \oneVoice \stemUp s8 bf,4 s8 bf4 s8 bf4 s8 bf4~ \stemNeutral 4.) } \\ { \voiceTwo \stemDown \slurUp \once \override Slur #'extra-offset = #'(0.0 . 2.5) \once \override Slur #'positions = #'(-1.0 . -1.0) ef,8^.\ped ( bf'' bf, ef8 bf' bf,) \once \override Slur #'extra-offset = #'(0.0 . 1.0) \once \override Slur #'positions = #'(0.0 . 0.5) ef,^. (bf'' bf, ef bf' bf, bf'4 s8 )\stemNeutral \clef treble 4. \clef bass \once \override TextScript #'extra-offset = #'( 3.0 . 1.5 ) 2.\pes^\fermata } >> %33 } \score { \new PianoStaff << \set PianoStaff.instrumentName = "Piano " \new Staff = "upper" \upper \new Staff = "lower" \lower >> \layout { \context { \Score \override NonMusicalPaperColumn #'line-break-system-details = #'((alignment-offsets . (0 -13.7))) } } \midi { } }