\header { filename= "Dussek_Op46_6" title = \markup \center-align {"Six sonates faciles pour le Piano Forte" "avec accompagnement de Violon Ad Libitum" " "} opus = "Opus 46 no. 6 (Craw 22)" subtitle= "Sonate VI" composer="J. L. Dussek (1760-1812)" source="Six SONATES Faciles Pour le Piano Forte AVEC ACCOMPAGNEMENT de Violon Ad Libitum; à Paris Chez RICHAULT, Editeur de Musique, Boulevard Poissonnière N° 26 au Ier 663.R. (undated, apparently first half 19th Century)" copyright="Creative Commons Attribution-ShareAlike 3.0" style = "Classical" mutopiatitle = "Six sonates faciles pour le Piano Forte (VI)" mutopiacomposer = "DussekJL" mutopiainstrument = "Piano" maintainer = "Kris Van Bruwaene" maintainerEmail = "kris.vanbruwaene@gmail.com" lastupdated = "2008-12-23" footer = "Mutopia-2009/01/05-1611" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2009. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \version "2.10.33" globalAllegro = { \time 4/4 \key g \major } TopVoiceAllegro = \relative g' { 2 | %2 4 | %3 2. 4 | %4 g'8 fis a g fis e | %5 2. 4 | %6 r r8 d'16 e d8 d | %7 d'4 b a g | %8 4 r r8 d,16 e d8 d | %9 d'4 c b a | %10 \times 2/3 {b8[ d c]} \times 2/3 {b[ a g]} \times 2/3 {fis[ a g]} \times 2/3 {fis[ e d]} | %11 \times 2/3 {r d' c} \times 2/3 {b[ a g]} \times 2/3 {r a g} \times 2/3 {fis[ e d]} | %12 g4 g,16 a b c d8 b a g | %13 fis4 r | %14 a'2 g8 fis e d | %15 cis16 d e d cis4 r8 e' cis a | %16 d4. a8 g fis e d | %17 cis16[ d e d] cis4 r8 e' cis a | %18 d4. a8 b b16 a b8 cis | %19 d a r a a16 g fis g a8 g | %20 fis4 r8 a b b16 a b8 cis | %21 d a \grace cis16 b8 a16 g fis4 e \trill | %22 fis16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %23 fis,16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %24 8 r r r r | %25 fis16 d' fis, d' fis, d' fis, d' e, cis' e, cis' e, cis' e, cis' | %26 fis,16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %27 fis,16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %28 8 r r r r | %29 fis16 d' fis, d' fis, d' fis, d' e, cis' e, cis' e, cis' e, cis' | %30 4 a8 fis a8 fis g e | %31 d4 a'8 fis a fis g e | %32 d4 r \bar ":|:" | %33 2 | %34 4 | %35 2. 4 | %36 4 d'8 cis e d cis b | %37 2. 4 | %38 2 r8 a16 b a8 a | %39 a'4 fis e d | e r r8 a,16 b a8 a | %41 a'4 g fis e | %42 d2 r8 a16 b a8 a | %43 a'4 g fis e | %44 dis2 r8 b16 c b8 b | %45 b'4 a g fis | %46 \times 2/3 {g8 b a} \times 2/3 {g fis e} \times 2/3 {dis fis e} \times 2/3 {dis cis b} | %47 \times 2/3 {r b' a} \times 2/3 {g fis e} \times 2/3 {r fis e} \times 2/3 {dis c b} | %48 e4 e,16( fis g a) b8 g fis e | %49 dis4 r | %50 gis'16 e' gis, e' gis, e' gis, e' gis, e' gis, e' gis, e' gis, e' | %51 gis, e' gis, e' gis, e' gis, e' gis, e' gis, e' gis, e' gis, e' | %52 2 8 r r | %53 8 r r r r | %54 fis16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %55 fis,16 d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' fis, d' | %56 2 8 r r | %57 r r r r | %58 4 e16 dis e fis 4 fis16 e fis a | %59 g4 g16 fis g b a4 a16 gis16 a c | %60 << {b4 d c b} \\ {g4 b8 d, a' d, g d} >> %61 4\p d' d d | %62 cis8( d e d) d( c b a) | %63 (Rekapitulatie) 2\f | %64 4 | %65 2. 4 | %66 4 g'8 fis a g fis e | %67 2. 4 | %68 2 r8 d'16 e d8 d | %69 d'4 b a g | r r8 d,16 e d8 d | %71 d'4 c b a | %72 g4 g,16 a b c d8 b a g | %73 fis4 r | %74 d'2 c8[ b a g] | %75 fis16[ g a g] fis4 r8 a' fis d | %76 g4. d8 c[ b a g] | %77 fis16 g a g fis4 r8 a' fis d | %78 g4 r8 d e e16 d e8 fis | %79 g8 d r d d16 c b c d8 c | %80 b4 r8 d e e16 d e8 fis | %81 g-| d \grace fis16 e8 d16 c b4 a \trill | %8 b16 g' b, g' b, g' b, g' b, g' b, g' b, g' b, g' | %83 b, g' b, g' b, g' b, g' b, g' b, g' b, g' b, g' | %84 8 r r r r | %85 b16 g' b, g' b, g' b, g' a, fis' a, fis' a, fis' a, fis' | %86 b, g' b, g' b, g' b, g' b, g' b, g' b, g' b, g' | %87 b, g' b, g' b, g' b, g' b, g' b, g' b, g' b, g' | %88 8 r r r r | %89 b16 g' b, g' b, g' b, g' a, fis' a, fis' a, fis' a, fis' | %90 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible 4 r \bar ":|"\mark \markup { \musicglyph #"scripts.ufermata" } } globalMinuetto = { \time 3/4 \key g \major } TopVoiceThema = \relative g' { \partial 4*1 g %1 2 4 | %2 << {\stemDown g4} \\ {\stemUp b8 a} >> b8 c d4 | %3 4 | %4 2 4 | %5 << {\stemDown a a a} \\ {\stemUp c c8 d c4} >> | %6 << {\stemDown g g g} \\ {\stemUp b b8 c b4} >> | %7 a4 a8 g a b | %8 g2 \bar ":|:" d'8 b | %9 a4 a b | c c8 d c4 | %11 b4 b c | cis2 d4 | %13 e4 fis8( g) fis( g) | %14 d4 fis8( g) fis( g) | %15 d4 | %16 2 r4 | 2 4 | %18 8 a b c d4 | %19 | %20 2 4 | %21 4 8 d 4 | %22 8 c 4 | %23 a4 a8 g a b | %24 g2 \bar ":|" } TopVoiceVarOne = \relative g' { \partial 4*1 d4 %1 8[ d, 8 d, d,] | %2 b'[ g c a d b] | % << {\stemDown c4 c c} \\ {\stemUp e4 e e} >> | % << {\stemDown c2 b4} \\ {\stemUp e2 d4} >> | % r8 c[ a' c, a' c,] | % r b[ g' b, g' b,] | % r a-|[ a( g a b)] | % g2 \bar ":|:" d'8 b | % a[ d, a' d, d' d,] | % c'[ b c d] c4 | % b8[ d, b' d, c' d,] | % (Original print has cis4 here) cis'2 d4 | % r8 e[ dis e c' e,] | % r d[ cis d b' d,] | % [ d, d, d] | % 4 r r | % 8[ d, d, d,] | % b'[ g c a d b] | % << {\stemDown c4 c c} \\ {\stemUp e4 e e} >> | % << {\stemDown c2 b4} \\ {\stemUp e2 d4} >> | % r8 c[ a' c, a' c,] | % r b[ g' b, g' b,] | % r a[( a g a b)] | % g2 \bar ":|:" } TopVoiceVarTwo = \relative g' { \partial 4*1 d'4 %1 r8 b'[ d, b' c, a'] | %2 b,[ g' c, a' d, b'] | %3 << {c4 c c} \\ {e,4 e e} >> | %4 << {c'2 b4} \\ {e,2 d4} >> | %5 r8 c[ d fis a c,] | %6 r b[ d fis g b,] | %7 r a[ d c b a] | %8 g2 \bar ":|:" b'8 g | %9 fis[ d fis d g d] | % a'4 a8 b a4 | % g8[ d g d a' d,] | % ais'[ d, ais' d, b' d,] | % r e[ dis e g e] | % r d[ cis d g b] | % [ d, d, d] | % 4 r r | % r8 b[ d, b' c, a'] | % b,[ g' c, a' d, b'] | % << {\stemUp c4 c c} \\ {\stemDown e,4 e e} >> | % << {c'2 b4} \\ {e,2 d4} >> | % r8 c[ d fis a c,] | % r b[ d fis g b,] | % r a[ d c b a] | % g2 \bar ":|" } TopVoiceVarThree = \relative g' { \partial 4*1 d'4 %1 2 4 | %2 4 a8 b c d | %3 4 | %4 2 4 | %5 c8 d c4 | %6 4 b8 c b4 | %7 a4 a8 g a b | %8 g2 \bar ":|:" \times 2/3 {d8 b' g} | %9 \times 2/3 {a fis d} \times 2/3 {a'[ fis d]} \times 2/3 {b'[ g d]} | %10 4 c8 d c4 | %11 \times 2/3 {b8 g d} \times 2/3 {b'[ g d]} \times 2/3 {c'[ a d,]} | %12 2 4 | %13 \times 2/3 {r8 dis, e} \times 2/3 {c'[ g e]} \times 2/3 {c'[ g e]} | %14 \times 2/3 {r cis d} \times 2/3 {b'[ g d]} \times 2/3 {b'[ g d]} | %15 \times 2/3 {d' b d,} \times 2/3 {c'[ a d,]} \times 2/3 {b'[ g d]} | %16 2 d4 | %17 2 4 | %18 8[ a b c] d4 | %19 4 | %20 2 4 | %21 c8 d c4 | %22 4 b8 c b4 | %23 a4 a8 g a b | %24 final repeat sign missing in original \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible g2\fermata \bar ":|"\mark \markup { \musicglyph #"scripts.ufermata" } } BottomVoiceAllegro = \relative a { g,8[ g' d b] g g' d b | % g4 r r2 | r4 d' e fis | % g4 r r2 | r4 d e fis | %6 g16 d' b d g, d' b d g, d' b d g, d' b d | %7 g, d' b d g, d' b d g, d' b d g, d' b d | %8 fis, d' a d fis, d' a d fis, d' a d fis, d' a d | %9 fis, d' a d fis, d' a d fis, d' a d fis, d' a d | %10 4 r r | %11 r r | %12 4 g16 a b c d8 b a g | %13 d[ d' a fis] d4 r | \clef treble %14 d'8[ a' fis a] d, a' fis a | %15 e[ a g a] a,[ g' e g] | %16 d[ a' fis a] d,[ a' fis a] | %17 e[ a g a] a,[ g' e g] | %18 d[ a' fis a] d,[ b' g b] | %19 d,[ a' fis a] cis,[ a' e a] | %20 d, a' fis a d, b' g b | %21 4 g, | %22 d2 d4 cis |\clef bass b2 b4 a | %24 g8[ g g g] g g g g | %25 a[ a a a] a, a a a | %26 d2 d4 cis | b2 b4 a | %28 g8[ g g g] g g g g | %29 a[ a a a] a' a a a | %30 d,4 r r \clef treble | %31 r r | %32 \clef bass r \bar ":|:" | %33 d8[ d' a fis] d d' a fis | %34 d4 r r2 | r4 a' b cis | d r r2 | %37 r4 a, b cis | %38 d16 a' fis a d, a' fis a d, a' fis a d, a' fis a | %39 d,16 a' fis a d, a' fis a d, a' fis a d, a' fis a | %40 cis, a' e a cis, a' e a cis, a' e a cis, a' e a | %41 cis, a' e a cis, a' e a cis, a' e a cis, a' e a | %42 c, a' fis a c, a' fis a c, a' fis a c, a' fis a | %43 c, a' fis a c, a' fis a c, a' fis a c, a' fis a | %44 b, a' fis a b, a' fis a b, a' fis a b, a' fis a | %45 b, a' fis a b, a' fis a b, a' fis a b, a' fis a | %46 4 r 4 r | %47 4 r 4 r | %48 4 e16[( fis g a]) b8 g fis e | %49 b b' fis dis b4 r | e2 gis4 b | %51 e d c b | a8[ a a a] a a a a | %53 a[ a a a] a a a a | %54 d,2 fis4 a | d c b a | %56 g8[ g g g] g g g g | %57 g8[ g g g] g g g g | \clef treble %58 c16 g' e g r4 c,16 a' fis a r4 | %59 b,16 g' d g r4 \clef bass fis,16 d' a d r4 | %60 g,4 g fis g | %61 d r r2 | r1 | g,8[ g' d b] g g' d b | %64 g4 r r2 | r4 d' e fis | g r r2 | r4 d e fis | %68 g16 d' b d g, d' b d g, d' b d g, d' b d | %69 g,16 d' b d g, d' b d g, d' b d g, d' b d | %70 fis, d' a d fis, d' a d fis, d' a d fis, d' a d | %71 fis, d' a d fis, d' a d fis, d' a d fis, d' a d | %72 g,4 g16 a b c d8 b a g | %73 d[ d' a fis] d4 r | %74 g8[ d' b d] g, d' b d | %75 a[ d c d] a d c d | %76 g,8[ d' b d] g, d' b d | %77 a[ d c d] a[ d c d] | %78 g,[ d' b d] g, c g c | %79 g[ d' b d] fis, d' a d | %80 g,[ d' b d] g, c g c | %81 4 c, | %82 g2 g4 fis | %83 e2 e4 d | %84 c8[ c c c] c c c c | %85 d[ d d d] d,[ d d d] | %86 g2 g4 fis | e2 e4 d | %88 c8[ c' c c] c c c c | %89 d[ d d d] d, d d d | %90 g[ g' d b] g4 r \bar ":|" } BottomVoiceThema = \relative a { \partial 4*1 r4 %1 g,4 b d | %2 g2. %3 c,4 c8 d e fis | %4 g fis g fis g4 | %5 fis4 d' d | g, d' d | %7 2. | g4 g, \bar ":|:" r4 | %9 d'8 d' fis, d' g, d' | %10 a d a d a d | g, d' g, d' a d | %12 a d a d b d | c4 r r | %14 4 r r | r fis g | %16 d4 d8[ c b a] | g4 b d | g2. | %19 c,4 c8 d e fis | %20 g[ fis g fis] g4 | %21 fis4 d' d | g, d' d | %23 2. | g4 g, \bar ":|" } BottomVoiceVarOne = \relative a { \clef bass \partial 4*1 r4 %1 g,4 b d | g2 r4 | %3 e8[ d c d e fis] | %4 g[ fis g fis] g4 | %5 fis d' d | g, d' d | %7 d, << {c' c} \\ {a a} >> | %8 g g, \bar ":|:" r | % fis' d g | % a'8 b a4 | g4 d a' | % ais8[ d, ais' d, b' d,] | % c'4 r r | r r | % g fis g | % d d8[ c b a] | % g4 b d | g2 r4 | %3 e8[ d c d e fis] | %4 g[ fis g fis] g4 | %5 fis d' d | g, d' d | %7 d, << {c' c} \\ {a a} >> | %8 g g, \bar ":|" } BottomVoiceVarTwo = \relative a { \clef bass \partial 4*1 r4 %1 g, b d | g r r | %3 c,8[ e g c b c] | %4 g,[ b d g fis g] | %5 fis4 r r | % e (original) should probably read g (compare bar 22) e r r | %7 2. | %8 g4 g, \bar ":|:" r | %9 4 a' b | %10 c8[ d c d c d] | %11 b4 b c | %12 cis2 d4 | %13 c r r | %14 r r | %15 g fis g | %16 d d8[ c b a] | %17 g4 b d | g r r | %19 c,8[ e g c b c] | %20 g,[ b d g fis g] | %21 fis4 r r | g r r | %23 2. | %24 g4 g, \bar ":|" } BottomVoiceVarThree = \relative a { \clef bass \partial 4*1 r4 %1 \times 2/3 {g8 b d} \times 2/3 {g,[ b d]} \times 2/3 {fis,[ a d]} | %2 \times 2/3 {g, b d} \times 2/3 {g,[ b d]} \times 2/3 {g,[ b d]} | %3 \times 2/3 {g, c e} \times 2/3 {g,[ c e]} \times 2/3 {g,[ c e]} | %4 \times 2/3 {g, c e} \times 2/3 {g,[ c e]} \times 2/3 {g,[ b d]} | %5 \times 2/3 {fis, a d} \times 2/3 {fis,[ a d]} \times 2/3 {fis,[ a d]} | %6 \times 2/3 {g, b d} \times 2/3 {g,[ b d]} \times 2/3 {g,[ b d]} | %7 \times 2/3 {d, c' d} \times 2/3 {d,[ c' d]} \times 2/3 {d,[ c' d]} | %8 \times 2/3 {g, b d} g,4 \bar ":|:" r4 | %9 d2 r4 %10 \times 2/3 {fis8 a d} \times 2/3 {fis,[ a d]} \times 2/3 {fis,[ a d]} | %11 g,2 r4 | %12 \times 2/3 {g8 b d} \times 2/3 {g,[ b d]} \times 2/3 {g,[ b d]} | %13 c4 r r | %14 r r | %15 g fis g | %16 d \times 2/3 {d'8[ e d]} \times 2/3 {c[ b a]} | %17 \times 2/3 {g b d} \times 2/3 {g,[ b d]} \times 2/3 {fis,[ a d]} | %18 \times 2/3 {g, b d} \times 2/3 {g,[ b d]} \times 2/3 {g,[ b d]} | %19 \times 2/3 {g, c e} \times 2/3 {g,[ c e]} \times 2/3 {g,[ c e]} | %20 \times 2/3 {g, c e} \times 2/3 {g,[ c e]} \times 2/3 {g,[ b d]} | %21 \times 2/3 {fis, a d} \times 2/3 {fis,[ a d]} \times 2/3 {fis,[ a d]} | %22 \times 2/3 {g, b d} \times 2/3 {g,[ b d]} \times 2/3 {g,[ b d]} | %23 \times 2/3 {d, c' d} \times 2/3 {d,[ c' d]} \times 2/3 {d,[ c' d]} | %24 Original terminates with e \times 2/3 {g, b d} g,4\fermata \bar ":|" } #(set-global-staff-size 19) \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalAllegro % The following makes the beaming group on every quarter note, % instead of on each whole measure or eigth note or something: #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceAllegro } \new Staff = "down" { \globalAllegro #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceAllegro } >> \header {piece = \markup {\bold Allegro} } \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceThema } \new Staff = "down" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \clef bass \BottomVoiceThema } >> \header {piece = \markup {\bold {Tempo di Minuetto Con Varia.}} } \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarOne } \new Staff = "down" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarOne } >> \header {piece = \markup{\bold {1 \small \raise #1.0 "re." Var.}}} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarTwo } \new Staff = "down" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarTwo } >> \header {piece = \markup{\bold {2 \small \raise #1.0 "e." Var.}}} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } } \score { \new PianoStaff << % #(set-accidental-style 'default) % \set PianoStaff.instrumentName = "Piano" \new Staff = "up" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \TopVoiceVarThree } \new Staff = "down" { \globalMinuetto #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) \BottomVoiceVarThree } >> \header {piece = \markup{\bold {3 \small \raise #1.0 "e." Var.}}} \layout {} \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } }