\version "2.10.0" #(set-global-staff-size 18) \paper { top-margin = 0.25\in bottom-margin = 0.25\in print-page-number = ##t ragged-last-bottom = ##f head-separation = 0\in system-count = 11 } \header { title = "Als die alte Mutter" composer = "Antonín Dvořák (1841 – 1904)" opus = "Op. 55, No. 4." copyright = "Public Domain" %mutopia-specific headers: mutopiatitle = "Als die alte Mutter" mutopiacomposer = "DvorakA" mutopiapoet = "" mutopiaopus = "O 55" mutopiainstrument = "Voice and Piano" date = "1880" source = "The University Society, 1904" style = "Romantic" maintainer = "Daniel Johnson" maintainerEmail = "il.basso.buffo at gmail dot com" lastupdated = "2006/Dec/06" footer = "Mutopia-2006/12/18-584" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } pedSempre = \markup {\musicglyph #"pedal.Ped" \italic " sempre"} sopNotes = \relative c'' { \oneVoice R2*4 R2*4 \set Staff.timeSignatureFraction = #'(2 . 4) d4 cis8([ b]) | d4 cis8([ b]) | d8( g4 g,8) | g4 r4 | cis4 b8([ a]) | \pageBreak cis4 b8([ a]) | cis8( fis4 fis,8) | fis4 r4 | b4 b | cis8([ d]) e([ fis]) | g4.( cis,8) | cis4. r8 | d4. d8 | cis4 b | a2 | a4 r4 | R2*4 d4 cis8([ b]) | d4 cis8([ b]) | \times 2/3 {d16([ e fis]} g4 g,8) | g4 r4 | cis4 b8([ a]) | cis4 b8([ a]) | \times 2/3 {cis16([ d e]} fis4 fis,8) | fis4 r4 | b4^\< b | cis8([ d]) e([ fis])\! | g2( | fis4) e | dis4. dis8 | fis4( e8[ d!]) | cis4 cis | e8([ cis]) b([ g!]) | \grace {fis16([ g]} a2) | a4 r4 | R2*4 } sopDynamics = { \oneVoice s2*4 s2*4 s4^\p s4^\markup{\hspace #0.3 \italic "mezza voce"} s2*3 s2*4 s2^\< s4. s8\! s16^\f s8.^\> s8 s8\! s2 s2^\> s4. s8\! s2^\p s2 s2*4 s2^\p s2*3 s2*4 s2 s4. s8 s2*2 s16^\f s8^\< s4 s8\! s2 s2^\markup{ \italic "dim."} s2 s2^\pp s2 } text = \lyricmode { Als die __ al -- te __ Mut -- ter mich noch __ lehr -- te __ sin -- gen, Trä -- nen in __ den __ Wim -- pern gar so oft ihr hin -- gen. Jetzt, wo __ ich die __ Klei -- nen sel -- ber __ üb’ im __ San -- ge, rie -- selt’s in __ den Bart __ oft, rie -- selt’s oft __ von der brau -- nen Wan -- ge. } dynamics = { s2.\mf s2. s2. s2.-\markup{"dim."} s2. s2. s2.\pp s2. s2.\pp s2. s2. s2. s2. s2. s8 \once \override Hairpin #'Y-extent = #'(1 . 3.5) s4\> s4. s4. s4 s8\! s2.\< s4. s4 s8\! s2.\f s2.-\markup{"dim."} s2.\> s4. s4 s8\! s2.\p s2. s2. s2. s2.\> s4. s4 s8\! s2.\pp s2. s2. s2. s2. s2. s2. s2. s8\< s4 s4 s8\! s2.-\markup{"cresc."} s2. s2. s8\f s4\< s4 s8\! s2. s2.-\markup{"dim."} s2. s2.\pp s2. s2.\< s4. s4 s8\! s2.-\markup{"morendo"} s2. } rhOne = { \time 6/8 \clef treble \key d \major \set tieWaitForNote = ##t \oneVoice %Page 1 Line 1 \once \override Score.RehearsalMark #'extra-offset = #'(6.0 . 4.0) \mark \markup {\large \bold "Andante con moto." } r8 4^>( \grace{fis''16[ g'']} 4 8-) | r8 4^>( \grace{fis''16[ g'']} 4 8-) | d''4.( \grace{cis''16[ d'']} cis''4 b'8) | d''4.( \grace{cis''16[ d'']} cis''4 b'8) | %Page 1 Line 2 cis''4.( \grace{b'16[ cis'']} b'4 a'8) | cis''4.( \grace{b'16[ cis'']} b'4 a'8) | b'4.( \grace{a'16[ b']} a'4 g'8) | fis'2. | %Page 1 Line 3 \voiceOne fis'2. | fis'2. | b'2. | a'2. | %Page 1 Line 4 g'2. | g'2. | fis'2. | fis'2. | %Page 2 Line 1 \oneVoice r8 4 ~ 8 4 | r8 4 4 8 | r8 4 ~ 8 4 | r8 4 ~ 8 4 | %Page 2 Line 2 r8 4 ~ 8 4 | r8 4 ~ 8 4 | 4.\arpeggio( \grace{e''16[ fis'']} e''4 d''8) | 4.\arpeggio( \grace{e''16[ fis'']} e''4 d''8) | %Page 2 Line 3 \voiceOne s4. d''4. | d''4. d''4. | \oneVoice fis'2.^> ~ | fis'2. | %Page 2 Line 4 \voiceOne fis'2. | fis'2. | b'4. \oneVoice s4. | \voiceOne a'4. \oneVoice s4. | %Page 3 Line 1 g'2. | g'2. | fis'4. s4. | fis'4. s4. | %Page 3 Line 2 \oneVoice r8 4 ~ 8 4 | r8 4 4 8 | r8 4 \grace{\stemDown g''16[ cis''' ~ g''] ~} 4. | r8 4 \grace{\stemDown fis''16[ cis''' ~ fis''] ~ } 4. | r8 4 \grace{\stemDown dis''16[ a'' ~ dis''] ~ } 4. | %Page 3 Line 3 r8 4 \grace{\stemDown d''16[ gis'' ~ d''] ~ } 4. | r8 4 \grace{\stemDown cis''16[ g'' ~ cis''] ~ } 4. ~ | 8 4 4 8 | 4.\arpeggio( \grace{e''16[ fis'']} e''4 d''8) | 4.\arpeggio( \grace{e''16[ fis'']} e''4 d''8) | %Page 3 Line 4 \voiceOne s4. d''4. | d''4. d''4. | \oneVoice 2. | \grace{a'16([ fis']} 2.)^\fermata \bar "|." } rhTwo = { \set tieWaitForNote = ##t %Page 1 Line 1 \oneVoice s2.*4 %Page 1 Line 2 s2.*4 %Page 1 Line 3 \voiceTwo r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 ~ 8 4 | %Page 1 Line 4 r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 4 8 | %Page 2 Line 1 \oneVoice s2.*4 %Page 2 Line 2 s2.*4 %Page 2 Line 3 \voiceTwo d''4.( \grace{ \stemDown cis''16[ d'']} cis''4 b'8) | cis''4.( \grace{ \stemDown b'16[ cis'']} b'4 a'16 g'16) | \oneVoice s2.*2 %Page 2 Line 4 \voiceTwo r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 \oneVoice \grace{d''16[ g'' ~ d''] ~} \stemDown 4. \voiceTwo | r8 4 \oneVoice \grace{cis''16[ g'' ~ cis''] ~ } \stemDown 4. \voiceTwo | %Page 3 Line 1 r8 4 ~ 8 4 | r8 4 ~ 8 4 | r8 4 \oneVoice \grace {\stemDown cis''16[ g'' ~ cis''] ~ } 4. \voiceTwo | r8 4 \oneVoice \grace {\stemDown b'16[ fis'' ~ b'] ~ } 4. | %Page 3 Line 2 s2.*5 %Page 3 Line 3 s2.*5 %Page 3 Line 4 \voiceTwo d''4.( \grace{\stemDown cis''16[ d'']} cis''4 b'8) | cis''4.( \grace{\stemDown b'16[ cis'']} b'4 a'16 g'16) | \oneVoice s2.*2 } lhOne = { \clef bass \time 6/8 \key d \major \oneVoice %Page 1 Line 1 a,,8\sustainDown 4 4 8 | a,,8\sustainDown 4 4 8 | b,,8\sustainDown 4 ~ 8 4 | b,,8\sustainDown 4 ~ 8 4 | %Page 1 Line 2 g,,8\sustainDown 4 ~ 8 4 | g,,8\sustainDown 4 ~ 8 4 | b,,8\sustainDown 4 ~ 8 4 ~ | 8 4 ~ 8 4\sustainUp | %Page 1 Line 3 \voiceOne d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | %Page 1 Line 4 d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 4 8 | %Page 2 Line 1 \oneVoice g,,!8\sustainDown 4 ~ 8 4 | gis,,8_\pedSempre 4 4 8 | 8 4 ~ 8 4 | 8 4 ~ 8 4 | %Page 2 Line 2 8 4 ~ 8 4 | 8 4 ~ 8 4 | 8 4 ~ 8 4 | d,8 4 ~ 8 4 | %Page 2 Line 3 b,,8 4 ~ 8 4 | g,,8 4 ~ 8 4 | b,,8 4 ~ 8 4 ~ | 8 4 ~ 8 4 | %Page 2 Line 4 \voiceOne d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | %Page 3 Line 1 d8\rest 4 ~ 8 4 | d8\rest 4 ~ 8 4 | \oneVoice d,,8 4 ~ 8 4 | \voiceOne d8\rest 4 ~ 8 4 | %Page 3 Line 2 \oneVoice g,,8 4 ~ 8 4 | gis,,8 4 4 8 | 8 4 ~ 8 4 | 8 4 ~ 8 4 | 8 4 ~ 8 4 | %Page 3 Line 3 8 4 ~ 8 4 | a,,8 s4. s4 | s8 \voiceOne cis'4 d'4 e'8 | \oneVoice d,,8 4 ~ 8 4 | d,,8 4 ~ 8 4 | %Page 3 Line 4 b,,8 4 ~ 8 4 | g,,8 4 ~ 8 4 | d,,8 4 ~ 8 4 ~ | 8 4 ~ 8 4\fermata | } lhTwo = { \oneVoice %Page 1 Line 1 s2.*4 %Page 1 Line 2 s2.*4 %Page 1 Line 3 \voiceTwo d,2.\sustainDown | b,,2.\sustainDown | e,2._\pedSempre | e,2. | %Page 1 Line 4 cis,2. | a,,2. | d,,2. | d,2. | \oneVoice %Page 2 Line 1 s2.*4 %Page 2 Line 2 s2.*4 %Page 2 Line 3 s2.*4 %Page 2 Line 4 \voiceTwo d,2. | d,2. | e,2. | e,2. | %Page 3 Line 1 a,,2. | a,,2. | \oneVoice s2. | \voiceTwo d,2. | %Page 3 Line 2 \oneVoice s2.*5 %Page 3 Line 3 s2. | s8 4 ~ 8 4 ~ | 8 \voiceTwo 4 ~ 4. | %Page 3 Line 4 s2.*4 } \score { << \context Staff = melStaff { \time 6/8 \clef treble \key d \major \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible \compressMusic #'(3 . 2) { << \context Voice = mel { \sopNotes } \context Voice = melDyn { \sopDynamics } >> } \override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3) } \lyricsto mel \new Lyrics \text \context PianoStaff << \context Staff = rightHand { \time 6/8 \clef treble \key d \major \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible << \context Voice = rhA { \rhOne } \context Voice = rhB { \rhTwo } >> } \context Dynamics = dynamics \dynamics \context Staff = leftHand { \time 6/8 \clef bass \key d \major \override Staff.TimeSignature #'break-visibility = #end-of-line-invisible << \context Voice = lhA { \lhOne } \context Voice = lhB { \lhTwo } >> } >> >> \layout { \context { \Score \override VerticalAxisGroup #'remove-first = ##t } \context { \RemoveEmptyStaffContext } \context { \type "Engraver_group" \name Dynamics \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-shape = #'italic \override TextScript #'extra-offset = #'(0 . 2.0) \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6.5 } \context { \Staff \override SeparationItem #'padding = #0.5 } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 180 8) } } }