% Entered on Nov 8, 2007 \version "2.11.34" %#(set-global-staff-size 17) \paper { % #(set-paper-size "a4") % #(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##t ragged-bottom = ##f } \header { title = "Nº. 29. Scotch Air. “Donald.”" subtitle = "" subsubtitle = "60 National Airs of Different Nations" composer = \markup{\column \right-align {\line {Felix Horetzky} 1796-1870}} meter = "" % MUTOPIA mutopiatitle = "Nº. 29. Scotch Air. “Donald.”" mutopiacomposer = "HoretzkyF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #268" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/11/17-1119" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% %% Source & comments %% %% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796. %% Little is known about he came to the guitar. He traveled to Vienna %% to study under master guitarrist, Mauro Giuliani. He traveled %% extensively in Europe as a concert performer and teacher. He wrote %% between 100 and 150 pieces for the guitar. He died in Edinburgh %% on October 6, 1870. %% %% This piece is from #268, "60 National Airs of Different Nations", %% in the Boije collection and is in the public domain. %% %% %% Publisher: Chappell (London), no date given. %% %% Carl Boije (1849-1923) was an amateur guitarist whose vast collection %% was donated to the State Library of Sweden after his death. %% %% The dynamic markings for the most part follow the original score; obvious %% notation errors have been corrected. %% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \include "english.ly" %%%% shortcuts dol = \markup { \smaller\italic "dolce."} cres = \markup{\smaller\italic"cresc:"} cress = \markup{\tiny\smaller\italic"cresc:"} espr = \markup{\smaller\italic"espres:"} rit = \markup{\smaller\italic"ritart:"} atem = \markup{\smaller\italic"a tempo:"} smz = \markup{\smaller\italic"smorz:"} % smorzando showTup = { \override TupletNumber #'transparent = ##f \override TupletBracket #'transparent = ##f } hideTup = { \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"} cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } fin = \markup {\smaller \smaller \bold \italic "Fine."} I = \once \override NoteColumn #'ignore-collision = ##t sdu = \once \override Stem #'direction = #UP sdd = \once \override Stem #'direction = #DOWN %% End shortcuts %%%%%%%%%% %% Reminders % % \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5) % \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 ) % \once \override Stem #'length-fraction = #0.8 % \once \override Beam #'positions = #'(-2.2 . -3.0) % %%%%%%%%%% upper = \relative c''{ \set Staff.instrumentName=\markup{ \center-align {\smaller\bold "Nº. 29 " \smaller\smaller\italic "ANDANTE. " \tiny\smaller\italic "con molta esp: "}} \partial 4*1 g'8. a16 | %% segno b4. \times 2/3 {a16 g fs} \grace a16 g4. d8 | fs[ e] d[ c] c16 b8. r8 d | b16[ d8.] g8[ a] b4 a8. g16 | 4 r g8 a | b4. \times 2/3 {a16 g fs}\I g4 r8 16 g | fs8[ e] d[ c] \grace d16 c b8. r8 d | b16 d8. g8 b d16 b8. a8. b16 | g4\fermata \grace{\slurDown a16[( g fs])} \times 2/3{g8 a b} 8 \bar "||" d'4 | 8 16 8. <<{\times 2/3{a8 b c}}\\{fs,4}>> | 8[ ] e[ c'] b8. c32 b 8 b \noBeam | c4 g8 b16 a c b a8 | 2\fermata \grace{fs32[ g a]} 4\fermata g8. a16 | b4. \times 2/3 {a16 g fs} \grace a16 g4. d8 | fs[ e] d[ c] c16 b8. r8 d | b16[ d8.] g8[ a] b4 a8. g16 | 4 r g8 a | b4. \times 2/3 {a16 g fs}\I g4 r8 16 g | fs8[ e] d[ c] \grace d16 c b8. r8 d | b16 d8. g8 b d16 b8. a8. b16 | g4\fermata \grace{\slurDown a16[( g fs])} \times 2/3{g8 a b} 8 } lower = \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \set fingeringOrientations = #'(left) \partial 4*1 r4 | %% segno 4 | g4. g,8 | g'4. 8 4 | r d, 8 | 4 <<{ \once \override Beam #'positions = #'(1.6 . 1.0)b8[ g]} \\{e4}>> 4 | | g | _\fermata r d,8 g r4 | \once \override DynamicText #'extra-offset = #'(-2.2 . 1.0) d2 d4 ds | e 8 4 d,8 r | r e'[ ef d] 4. \once \override DynamicText #'extra-offset = #'(-2.75 . 1.5) cs,8_\sf | d2 4 r | 4 | g4. g,8 | g'4. 8 4 | r d, 8 | 4 <<{ \once \override Beam #'positions = #'(1.6 . 1.0)b8[ g]} \\{e4}>> 4 | | g | _\fermata r d,8 g } staffClassicalGuitar = \new Staff { \time 4/4 \key g \major \set Staff.connectArpeggios = ##t \set Staff.midiInstrument="acoustic guitar (nylon)" << \new Voice = A { \voiceOne \upper } \new Voice = C { \voiceFour \lower } >> \bar "||" %% "|." } \score { << \staffClassicalGuitar >> } \layout {\context { \Staff \consists Span_arpeggio_engraver } } \score { %% \unfoldRepeats \staffClassicalGuitar \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 90 4) } \context { \Voice \remove "Dynamic_performer" } } }