% Entered on Nov 11, 2007 \version "2.11.34" %#(set-global-staff-size 17) \paper { % #(set-paper-size "a4") % #(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##t ragged-bottom = ##f } \header { title = "Nº. 49. March by Rossini." subtitle = "" subsubtitle = "60 National Airs of Different Nations" composer = \markup{\column \right-align {\line {Felix Horetzky} 1796-1870}} meter = "" % MUTOPIA mutopiatitle = "Nº. 49. March by Rossini." mutopiacomposer = "HoretzkyF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #268" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/11/17-1146" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% %% Source & comments %% %% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796. %% Little is known about he came to the guitar. He traveled to Vienna %% to study under master guitarrist, Mauro Giuliani. He traveled %% extensively in Europe as a concert performer and teacher. He wrote %% between 100 and 150 pieces for the guitar. He died in Edinburgh %% on October 6, 1870. %% %% This piece is from #268, "60 National Airs of Different Nations", %% in the Boije collection and is in the public domain. %% %% %% Publisher: Chappell (London), no date given. %% %% Carl Boije (1849-1923) was an amateur guitarist whose vast collection %% was donated to the State Library of Sweden after his death. %% %% The dynamic markings for the most part follow the original score; obvious %% notation errors have been corrected. %% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \include "english.ly" %%%% shortcuts dol = \markup { \smaller\italic "dolce."} cres = \markup{\smaller\italic"cresc:"} cress = \markup{\tiny\smaller\italic"cresc:"} espr = \markup{\smaller\italic"espres:"} rit = \markup{\smaller\italic"ritard:"} atem = \markup{\smaller\italic"a tempo:"} smz = \markup{\smaller\italic"smorz:"} % smorzando showTup = { \override TupletNumber #'transparent = ##f \override TupletBracket #'transparent = ##f } hideTup = { \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"} cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } fin = \markup {\smaller \smaller \bold \italic "Fine."} I = \once \override NoteColumn #'ignore-collision = ##t sdu = \once \override Stem #'direction = #UP sdd = \once \override Stem #'direction = #DOWN %% End shortcuts %%%%%%%%%% %% Reminders % % \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5) % \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 ) % \once \override Stem #'length-fraction = #0.8 % \once \override Beam #'positions = #'(-2.2 . -3.0) % %%%%%%%%%% upper = \relative c''{ \set Staff.instrumentName=\markup{ \center-align {\smaller\bold "Nº. 49. " \smaller\smaller\italic "MAESTOSO. " }} \partial 16*5 16[ 8. 16] | cs4 cs8. cs16 cs4 b | 8. 16 a8. a16 a8.[ e16 a8. cs16] | 4 a, 4.\trill 16 16 | 2 ~ 8[ ] | b4 b8.^\dol b16 b4 | f2-> e8. d16 | 8.[ 16 8. 16] 4 | e r8. \bar "||" e,16[ e8. e16] | e8.[ fs16 gs8. a16] <<{b4. cs8}\\ {\override Voice.NoteColumn #'force-hshift = #0.4 d,2}>> | a'4 ~ \times 4/5 {\slurDown a16[ gs_. b( a)_. fs]}\slurUp 4 cs'8. b16 ( | a8.[) gs16 fs8. es16(] fs8.)[ gs16 a8. b16] | cs4 cs, r8. e16[ ds8. d16] | cs4 cs8. cs16 4 cs | d ~ 8.[ 16 8. 16] | 8.[ 16 8. 16] 4 | cs4 a8 r8. r16 8 8. 16 | cs4 cs8. cs16 4 cs | d ~ 8.[ 16 8. 16] | 8.[ 16 8. 16] b4 e | a, r r8. } lower = \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \set fingeringOrientations = #'(left) \partial 16*5 e16[ fs8. gs16] | a4 r | a, r | a' \once \override DynamicText #'extra-offset = #'(-3.0 . 2.5) d4. r8 | a8.[ gs16 a8. gs16] a4 r | gs' cs, | b | a,2 b4 b | \once \override DynamicText #'extra-offset = #'(-3.0 . 2.5) e,_\f r8. r16 r4 | \once \override DynamicText #'extra-offset = #'(-2.5 . 0.0) 4_\p gs, e, | a, a' \once \override DynamicText #'extra-offset = #'(-2.5 . 0.5) cs8._\f b16( | a8.)[ gs16 fs8. es16]( fs8.)[ gs16 a8. b16] | cs4 cs, r8. 16[ 8. 16] | a4 _\< \! | \once \override DynamicText #'extra-offset = #'(-3.0 . 2.5) _\f d,8. cs16 b4 cs8. d16 | e8.[ a,16 b8. cs16] d4 e | a 8 r8. r16 e,8 fs8. gs16 | 4 | d8. cs16 b4 cs8. d16 | e8.[ a,16 b8. cs16] 4 8 e, | 4 \once \override DynamicText #'extra-offset = #'(-3.0 . 2.5) a_\ff r4 r8 } staffClassicalGuitar = \new Staff { \time 4/4 \key a \major \set Staff.connectArpeggios = ##t \set Staff.midiInstrument="acoustic guitar (nylon)" << \new Voice = A { \voiceOne \upper } \new Voice = C { \voiceFour \lower } >> \bar "||" %% "|." } \score { << \staffClassicalGuitar >> } \layout {\context { \Staff \consists Span_arpeggio_engraver } } \score { \unfoldRepeats \staffClassicalGuitar \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } \context { \Voice \remove "Dynamic_performer" } } }