% Entered on Nov 12-13, 2007 \version "2.11.34" %#(set-global-staff-size 17) \paper { % #(set-paper-size "a4") % #(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in % between-system-padding = #4.0 between-system-space = #22.0 ragged-last-bottom = ##t ragged-bottom = ##f } \header { title = "Nº. 60. Care Pupille By Blangini." subtitle = "" subsubtitle = "60 National Airs of Different Nations" composer = \markup{\column \right-align {\line {Felix Horetzky} 1796-1870}} meter = "" % MUTOPIA mutopiatitle = "Nº. 60. Care Pupille By Blangini." mutopiacomposer = "HoretzkyF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #268" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/11/17-1157" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% %% Source & comments %% %% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796. %% Little is known about he came to the guitar. He traveled to Vienna %% to study under master guitarrist, Mauro Giuliani. He traveled %% extensively in Europe as a concert performer and teacher. He wrote %% between 100 and 150 pieces for the guitar. He died in Edinburgh %% on October 6, 1870. %% %% This piece is from #268, "60 National Airs of Different Nations", %% in the Boije collection and is in the public domain. %% %% %% Publisher: Chappell (London), no date given. %% %% Carl Boije (1849-1923) was an amateur guitarist whose vast collection %% was donated to the State Library of Sweden after his death. %% %% The dynamic markings for the most part follow the original score; obvious %% notation errors have been corrected. %% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \include "english.ly" %%%% shortcuts dol = \markup { \smaller\italic "dolce."} cres = \markup{\smaller\italic"cresc:"} cress = \markup{\tiny\smaller\italic"cresc:"} espr = \markup{\smaller\italic"espres:"} rit = \markup{\smaller\italic"ritard:"} atem = \markup{\smaller\italic"a tempo:"} smz = \markup{\smaller\italic"smorz:"} % smorzando showTup = { \override TupletNumber #'transparent = ##f \override TupletBracket #'transparent = ##f } hideTup = { \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"} cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } fin = \markup {\smaller \bold \italic "Fine."} I = \once \override NoteColumn #'ignore-collision = ##t sdu = \once \override Stem #'direction = #UP sdd = \once \override Stem #'direction = #DOWN sd = \slurDown su = \slurUp sstm = \override Stem #'length-fraction = #0.6 %% End shortcuts %%%%%%%%%% %% Reminders % % \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5) % \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 ) % \once \override Stem #'length-fraction = #0.8 % \once \override Beam #'positions = #'(-2.2 . -3.0) % %%%%%%%%%% upper = \relative c''{ \set Staff.instrumentName=\markup{ \center-align {\smaller\bold "Nº. 60. " \smaller\smaller\italic "ANDANTINO " \tiny\smaller\italic "CON MOTO. "}} 4. \grace{\sd fs16[( g])} 8 | 4. 4 r8 | d4. e4 e8 | 4 r8 | 4. \once \override Beam #'positions = #'( 5.3 . 5.3) 8[ \grace {\override Stem #'length-fraction = #0.7 a16[( g]) \su} 8 ] | 4-> 8 | \set doubleSlurs = ##t ( ) ( ) | \set doubleSlurs = ##f 4 r8 r4 r8 | 4. \once \override Beam #'positions = #'( 4.3 . 4.3) 8[ \grace{\override Stem #'length-fraction = #0.7 \sd f16[( e])} 8 ] | 4 8 4 r8 | 4.-> \once \override Beam #'positions = #'( 6.0 . 5.6) 8[ \grace{\override Stem #'length-fraction = #0.7 bf16[( a])} 8 ] | 4 8 4 r8 | 4. \once \override Beam #'positions = #'( 4.3 . 4.3) 8[ \grace{\override Stem #'length-fraction = #0.7 f16[( e]) \su } 8 ] | 4 8 4 r8 | \I 4. \I 4 \I 8 | 4.( 8) \once \override TextScript #'extra-offset = #'( -1.0 . -0.0 ) _\rit | 4. \grace{\sd fs16[( g])\su} 8 | 4. | d4. e4 e8 | \set doubleSlurs = ##t ( ) 4 r8 | \set doubleSlurs = ##f 4. \grace{\sd g16[( a])\su} 8 | 4. 8[ -> 16 ] | 8[ -> 16 ] 8[ -> 16 ] | d4 \once \override TextScript #'extra-offset = #'( -1.6 . -0.0 ) r8_\fin \bar "||" \break a8 a a | a8. b16 a8 \I g'4.-> | 4. a,8 a a | a8. b16 a8 \I g'4.-> | fs4. fs8 fs fs | fs8. g16 fs8 fs fs fs | fs8. g16 fs8 fs fs fs | fs8. g16 fs8 fs fs fs | fs4. d8 d d | d e d \I c'4.-> | 4. d,8 d d | d8. e16 d8 \I c'4.-> | b4. 8 | | 4 r8 8 | \grace g16 8 | 4. 8 | \grace g16 8 | 4.\fermata 16[ _\rit \once \override TextScript #'extra-offset = #'( -1.2 . -0.3 )] _\markup{\smaller\bold\italic "D.C."}| } lower = \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \set fingeringOrientations = #'(left) d4. d | d r4 r8 | fs4. a4 a8 | d,4 g8 a4 r8 | d,4. d | d d | a d | a'8 e cs a4 r8 | a4. a | a a4 r8 | a4. a | a a4 r8 | a4. a | a a4 r8 | <<{ \override Stem #'length-fraction = #0.6 \override Staff.NoteCollision #'merge-differently-headed = ##t \override Staff.NoteCollision #'merge-differently-dotted = ##t bf8_\< d e f d bf\!} \\{bf2.}>> | a4. ~ a4 r8 | d4. d | d d | fs a4 a8 | d,4 g8 a4 r8 | d,4. d | d g | a, a | 4 r8 \once \override DynamicText #'extra-offset = #'(-2.5 . 2.5) 4._\f | <<{\sstm a8. a16 a8}\\{cs,4.}>> | d | <<{\sstm a8 a a}\\{cs,4.}>> | 4. \once \override DynamicText #'extra-offset = #'(-1.5 . 0.5) 4._\p 4. | | | | <<{\sstm d8 d d}\\{fs,4.}>> | g4. | <<{\sstm d8 d d}\\{fs,4.}>> | 4. g, | g gs, | a4 r8 a4. | a a | a a | a a | a_\fermata r4 r8 } staffClassicalGuitar = \new Staff { \time 6/8 \key d \major \set Staff.connectArpeggios = ##t \set Staff.midiInstrument="acoustic guitar (nylon)" \override Staff.NoteCollision #'merge-differently-dotted = ##t \override Staff.NoteCollision #'merge-differently-headed = ##t << \new Voice = A { \voiceOne \upper } \new Voice = C { \voiceFour \lower } >> \bar "||" %% "|." } \score { << \staffClassicalGuitar >> } \layout {\context { \Staff \consists Span_arpeggio_engraver } } \score { \unfoldRepeats \staffClassicalGuitar \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 80 4) } \context { \Voice \remove "Dynamic_performer" } } }