% Created on Thu Sep 27 2007 \version "2.11.33" #(set-global-staff-size 17) \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##f ragged-bottom = ##t } \header { title = "Six Progressive Studies" subsubtitle = "No. I" composer = \markup { \column {"Frantisek Max Knjze" "(1784-1840)"} } % MUTOPIA mutopiatitle = "Six Progressive Studies: No. I" mutopiacomposer = "KnjzeF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #276" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/10/14-1058" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %% Source %% Boije collection # 276 %% http://www.muslib.se/ebibliotek/boije/ %% %% Praga presso Marco Berra. %% Fra. Max Knjze (also spelled Kniže) was born %% 7 Sep 1784 in Dralielcice, near Beroun, Bohmen. %% He died 23 Jul 1840 in Prague, Czechoslovakia. %% He was a guitarist, composer and conductor. %% \include "english.ly" %%%% shortcuts % fingering orientations sfol = \set fingeringOrientations = #'(left) sfor = \set fingeringOrientations = #'(right) sfod = \set fingeringOrientations = #'(down) sfou = \set fingeringOrientations = #'(up) % string number orientations ssnol = \set stringNumberOrientations = #'(left) %(down right up) ssnou = \set stringNumberOrientations = #'(up) ssnod = \set stringNumberOrientations = #'(down) ssnor = \set stringNumberOrientations = #'(right) % position indicators II = \markup {\smaller "II"} IIa = \markup {\smaller \hspace #2.0 \bold "CII"} III = \markup {\smaller "III"} IV = \markup {\smaller "IV"} V = \markup {\smaller "V"} VII = \markup {\smaller "VII"} VIII = \markup {\smaller "VIII"} %% (alternates A) loc = \markup{\smaller"loco."} bpos = \markup{\smaller"2 pos:"} cpos = \markup{\smaller"3 pos:"} dpos = \markup{\smaller"4 pos:"} epos = \markup{\smaller"5 pos:"} gpos = \markup{\smaller"7 pos:"} ipos = \markup{\smaller"9 pos:"} eposd = \markup{\smaller\column{"5 pos:" "dol:"}} %% dynamics per original pP = \markup { \smaller \bold "pp"} P = \markup { \smaller \bold "p"} mF = \markup { \smaller \bold "mf"} F = \markup { \smaller \bold "f"} fF = \markup { \smaller \bold "ff"} sF = \markup { \smaller \bold "sf"} % miscellaneous and reminders harm = \once \override NoteHead #'style = #'harmonic octavado = \markup { \smaller \italic "arm. 12" } octavados= \markup {\smaller\italic\column {"arm." "12" }} %\mark \markup {\smaller \smaller \musicglyph #"scripts.segno"} %\markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} % \arpeggioUp \arpeggio %segn = \markup { \smaller \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } %% End shortcuts upper = { \set Staff.instrumentName=\markup{ \column {\larger\bold "Nº. I " \italic "Andante. "}} \relative c''{ %% Note: vertically align volta brackets- #5 is default %% \override Staff.VoltaBracket #'minimum-space = #5.5 \repeat volta 2 { \slurDown \partial 4*1 g4 | | d2^> | 4 | g,,8 g' b g' f[ d, g b] | 4 | d2^> | 4 | c } \repeat volta 2 { \partial 4*1 g | b | 2^> | r8 a, d a r a d a | 2 f!8[ d, g b] | c4 c | 2 | 4 | c e c } \repeat volta 2 { \partial 4*1 g4 | r8 g c g r r | r g c g r g d' g, | r g c e r a, c fs | r g, b g' r g, b f' | r g, c g r r | r g c g r g d' g, | r g c e r d, g b | r e, g c c,4 } \repeat volta 2 { \partial 4*1 g'4 | r8 g b g r g c g | r g d' g, r g c e | r a, d a r a d a | r gs b e r g, b f' | r g, c g r bf c e | r a, c f r a, cs g' | r a, d f r d, g b | r e, g c c,4 } \repeat volta 2 { \partial 4*1 g'4 | \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { c,8 g' c e, g c \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t d, g b f g b | e, g c c, g' c r g d' f g, d' | r g, c e g, c r a c fs a, c | r g b g' g, b r g b f'! g, b | c, g' c e, g c d, g b f g b | e, g c c, g' c r g d' f g, d' | r g, c e g, c r d, g b d, g | r e g c e, g } c,4 } \repeat volta 2 { \partial 4*1 g'4 | \override TupletNumber #'transparent = ##f \times 2/3 { g,8 g' b \override TupletNumber #'transparent = ##t % \override TupletBracket #'transparent = ##t f, g' b e,, g' c c, g' c | b, g' d' g,, g' b c, g' c e g, c | f, a d f, a d f, a ds f, a ds | r gs, b e gs, b r g b f' g, b | r g c e g, c r bf c e bf c | r a c f a, c r a cs g' a, cs | r a d f a, d r d, g b d, g | r e g c e, g } c,4 } } } middle = { \relative c'' { \override Staff.NoteCollision #'merge-differently-headed = ##t %% middle voice can interfere... use the following % \override Stem #'length-fraction = #0.4 \repeat volta 2 { \partial 8*4 s8 \grace s16 \stemDown s8*3 | s2.*5 | \grace s8 s2. \grace s8 s2. s4. } \repeat volta 2 { \partial 8*3 s4. s2.*3 } } } lower = { \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \repeat volta 2 { \partial 4*1 s4 c e d f | 2 | 4 | s1 | c,4 e f d | 2 | 4 | c g' } \repeat volta 2 { \partial 4*1 s4 g f e c | b g c2 | f f | e s | 4 | 2 | 4 | g } \repeat volta 2 { \partial 4*1 s4 e2 f4 d | e2 b | c d | g, d' | e f4 d | e2 b | c g | c c4 } \repeat volta 2 { \partial 4*1 s4 f2 e | b c | f f | e d | e c | f a, | d g, | c c4 } \repeat volta 2 { \partial 4*1 s4 c e d f | e c b2 | c d | g, g | c4 e d f | e c b2 | c g | c c4 } \repeat volta 2 { \partial 4*1 s4 g f e c' | b g c s | f f f f | e2 d | e c | f a, | d g, | c c4 } } } staffClassicalGuitarA = \new Staff %%% this moves the fingering closer to the note than default \with { \override Fingering #'padding = #0.2 } { \time 4/4 \key c \major % \tempo 4 = 72 % \set Staff.instrumentName=\markup{\smaller\column{"Classical" "Guitar."}} \set Staff.midiInstrument="acoustic guitar (nylon)" % \transposition c, << \override Staff.NoteCollision #'merge-differently-headed = ##t \new Voice = A { \voiceOne \upper } % \new Voice = B { \voiceTwo \middle } \new Voice = C { \voiceFour \lower } >> % \bar "|." %% End the piece if no repeat at end } \score { \staffClassicalGuitarA } \layout { \context { \Voice %%% provides thicker glissando and moves closer to notes \override Glissando #'thickness = #3 \override Glissando #'gap = #0.05 %%% adjust fingering size, distance from note \override Fingering #'font-size = #-6 \override Fingering #'padding = #0.3 } \context { \Score \override MetronomeMark #'extra-offset = #'(-9 . 0) \override MetronomeMark #'padding = #'3 } } \score { \unfoldRepeats \staffClassicalGuitarA \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } \context { \Voice \remove "Dynamic_performer" } } }