% Created on Fri Sep 28 2007 \version "2.11.33" #(set-global-staff-size 17) \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##f ragged-bottom = ##t } \header { title = "Six Progressive Studies" subsubtitle = "No. III" composer = \markup { \column {"Frantisek Max Knjze" "(1784-1840)"} } % MUTOPIA mutopiatitle = "Six Progressive Studies: No. III" mutopiacomposer = "KnjzeF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #276" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/10/14-1060" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %% Source %% Boije collection # 276 %% http://www.muslib.se/ebibliotek/boije/ %% %% Praga presso Marco Berra. %% Fra. Max Knjze (also spelled Kniže) was born %% 7 Sep 1784 in Dralielcice, near Beroun, Bohmen. %% He died 23 Jul 1840 in Prague, Czechoslovakia. %% He was a guitarist, composer and conductor. %% \include "english.ly" %%%% shortcuts % fingering orientations sfol = \set fingeringOrientations = #'(left) sfor = \set fingeringOrientations = #'(right) sfod = \set fingeringOrientations = #'(down) sfou = \set fingeringOrientations = #'(up) % string number orientations ssnol = \set stringNumberOrientations = #'(left) %(down right up) ssnou = \set stringNumberOrientations = #'(up) ssnod = \set stringNumberOrientations = #'(down) ssnor = \set stringNumberOrientations = #'(right) % position indicators II = \markup {\smaller "II"} IIa = \markup {\smaller \hspace #2.0 \bold "CII"} III = \markup {\smaller "III"} IV = \markup {\smaller "IV"} V = \markup {\smaller "V"} VII = \markup {\smaller "VII"} VIII = \markup {\smaller "VIII"} %% (alternates A) loc = \markup{\smaller"loco."} bpos = \markup{\smaller"2 pos:"} cpos = \markup{\smaller"3 pos:"} dpos = \markup{\smaller"4 pos:"} epos = \markup{\smaller"5 pos:"} gpos = \markup{\smaller"7 pos:"} ipos = \markup{\smaller"9 pos:"} eposd = \markup{\smaller\column{"5 pos:" "dol:"}} %% dynamics per original pP = \markup { \smaller \bold "pp"} P = \markup { \smaller \bold "p"} mF = \markup { \smaller \bold "mf"} F = \markup { \smaller \bold "f"} fF = \markup { \smaller \bold "ff"} sF = \markup { \smaller \bold "sf"} % miscellaneous and reminders harm = \once \override NoteHead #'style = #'harmonic octavado = \markup { \smaller \italic "arm. 12" } octavados= \markup {\smaller\italic\column {"arm." "12" }} %\mark \markup {\smaller \smaller \musicglyph #"scripts.segno"} %\markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} % \arpeggioUp \arpeggio %segn = \markup { \smaller \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } dc = \markup{\smaller\bold "D.C."} dotI = \markup{\small"."} dotII = \markup{\small":"} dotIII = \markup{\bold\small"⋮"} %% End shortcuts upper = { \set Staff.instrumentName=\markup{ \column {\larger\bold "Nº. III " \italic "Andante. "}} \relative c''{ %% Note: vertically align volta brackets- #5 is default %% \override Staff.VoltaBracket #'minimum-space = #5.5 \key c \major \slurDown \repeat volta 2 { \partial 8*1 g8_\P | c c b c | d d b4 | c8 c r16 a[ e' d] | c4 b16 g( a) g_. | c8 c b c | d d b4 | e,16 c' g e' f, d' d, b' | e, c' g e' c,8 } \repeat volta 2 { \partial 8*1 g'8_\P b b c cs | d d b16 d, g b | c e, g c d, a' c fs | g,, g' b g'_\> f d, g b\! | c8 c b c | d d b4 | c8 c r16 a e' d | c4 b16 g( a) g_. | c8 c e e | f f r16 a, e' d | e, c' g e' f, d' d, b' | e, c' g e' c,8\fermata } \repeat volta 2 { \partial 8*1 e'8^\markup{\hspace #-4 \bold "Minore"} r16 a, c e b d a c | r gs b e f! e b_. gs_. | r gs b d a c gs b | r a c e a, c a, a' | r a c a e' a, c e | r bf d bf f' bf, d f | r a, c e f( e) gs, b | a a, a' c a,8 } \repeat volta 2 { \partial 8*1 g'8 | g,16 g' b f' b, d, g b | e, g c g' c, e, g c | f, a d a f a ds a | r gs b e r fs, a ds | r gs, b e r fs, a ds | r gs, b e gs, b e,, gs' | r a c e b d a c | r gs b e f( e) b gs | r gs b d a c gs b | r a c a e' a, c e | r a, cs a g' a, cs g' | r a, d a f' a, d f | r a, b a fs' a, b fs' | r gs, b e r gs, b e | r a, c a e' a, c e | r a, b a f' a, b f' | r a, c e r gs, b e | r a, c e a,,8 } } } middle = { \relative c'' { \override Staff.NoteCollision #'merge-differently-headed = ##t %% middle voice can interfere... use the following % \override Stem #'length-fraction = #0.4 \repeat volta 2 { \partial 8*1 s8 | e16 g e g d g e g | f g f g d g f g | e g e g f4 | e16 g e g d4 | e16_\F g e g d g e g | f g f g d g f g | e8 g f d | e g c, } \repeat volta 2 { \partial 8*1 s4. s2.*3 } } } lower = { \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \key c \major \repeat volta 2 { \partial 8*1 s8 | e16 g e g d g e g | f g f g d g f g | e g e g f4 | e16 g e g d4 | e16_\F g e g d g e g | f g f g d g f g | e8 g f d | e g c, } \repeat volta 2 { \partial 8*1 s8 | \setTextCresc d16 g d g e_\< g e g | f g f g s4 | s4 d\!_\F | \setHairpinCresc g, s4 | e'16_\P g e g d g e g | f g f g d g d g | e g e g f4 | e16 g e g d4 | e16_\F g e g bf c bf c | a c a c f,4 | e8 g f d | e g c,_\markup{\smaller\bold "Fine"} } \repeat volta 2 { \partial 8*1 s8 | a2 | e | e | a4 s | c2 | d | e4 e, | s a8 } \repeat volta 2 { \partial 8*1 s8 | g4 s | e' s | f f | e, e | e e | e s8 e | a4 r | e r | e r | a2 | a | d | ds | e4 d | c2 | d | e4 e, | a a8_\dc } } } staffClassicalGuitarC = \new Staff %%% this moves the fingering closer to the note than default \with { \override Fingering #'padding = #0.2 } { \time 2/4 % \key c \major % \tempo 4 = 72 % \set Staff.instrumentName=\markup{\smaller\column{"Classical" "Guitar."}} \set Staff.midiInstrument="acoustic guitar (nylon)" % \transposition c, << \override Staff.NoteCollision #'merge-differently-headed = ##t \new Voice = A { \voiceOne \upper } % \new Voice = B { \voiceTwo \middle } \new Voice = C { \voiceFour \lower } >> % \bar "|." %% End the piece if no repeat at end } \score { \staffClassicalGuitarC } \layout { \context { \Voice %%% provides thicker glissando and moves closer to notes \override Glissando #'thickness = #3 \override Glissando #'gap = #0.05 %%% adjust fingering size, distance from note \override Fingering #'font-size = #-6 \override Fingering #'padding = #0.3 } \context { \Score \override MetronomeMark #'extra-offset = #'(-9 . 0) \override MetronomeMark #'padding = #'3 } } \score { \unfoldRepeats \staffClassicalGuitarC \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } \context { \Voice \remove "Dynamic_performer" } } }