% Created on Mon Sep 24 2007 \version "2.11.33" %#(set-global-staff-size 17) \include "english.ly" \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") left-margin = 0.75 \in line-width = 7.0 \in between-system-padding = #2.0 between-system-space = #2.0 ragged-last-bottom = ##f ragged-bottom = ##t } \header { title = "Twelve Monferrine" subsubtitle = "No. 3." composer = \markup { \column {"Frantisek Max Knjze" "(1784-1840)"} } % MUTOPIA mutopiatitle = "Twelve Monferrine: No. 3" mutopiacomposer = "KnjzeF" mutopiapoet = "" mutopiaopus = "" mutopiainstrument = "Classical Guitar" date = "unk" source = "Boije collection #279" style = "Classical" copyright = "Public Domain" maintainer = "Stan Sanderson" moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/" footer = "Mutopia-2007/10/14-1066" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %% Source %% Boije collection # 279 %% http://www.muslib.se/ebibliotek/boije/ %% %% Praga presso Marco Berra. %% Fra. Max Knjze (also spelled Kniže) was born %% 7 Sep 1784 in Dralielcice, near Beroun, Bohmen. %% He died 23 Jul 1840 in Prague, Czechoslovakia. %% He was a guitarist, composer and conductor. %% %%%% shortcuts % fingering orientations sfol = \set fingeringOrientations = #'(left) sfor = \set fingeringOrientations = #'(right) sfod = \set fingeringOrientations = #'(down) sfou = \set fingeringOrientations = #'(up) % string number orientations ssnol = \set stringNumberOrientations = #'(left) %(down right up) ssnou = \set stringNumberOrientations = #'(up) ssnod = \set stringNumberOrientations = #'(down) ssnor = \set stringNumberOrientations = #'(right) % position indicators II = \markup {\smaller "II"} IIa = \markup {\smaller \hspace #2.0 \bold "CII"} III = \markup {\smaller "III"} IV = \markup {\smaller "IV"} V = \markup {\smaller "V"} VII = \markup {\smaller "VII"} VIII = \markup {\smaller "VIII"} %% (alternates A) loc = \markup{\smaller"loco."} bpos = \markup{\smaller"2 pos:"} cpos = \markup{\smaller"3 pos:"} dpos = \markup{\smaller"4 pos:"} epos = \markup{\smaller"5 pos:"} gpos = \markup{\smaller"7 pos:"} ipos = \markup{\smaller"9 pos:"} eposd = \markup{\smaller\column{"5 pos:" "dol:"}} %% dynamics per original mF = \markup { \smaller \bold "mf"} F = \markup { \smaller \bold "f"} sF = \markup { \smaller \bold "sf"} % miscellaneous and reminders harm = \once \override NoteHead #'style = #'harmonic octavado = \markup { \smaller \italic "arm. 12" } octavados= \markup {\smaller\italic\column {"arm." "12" }} %\mark \markup {\smaller \smaller \musicglyph #"scripts.segno"} %\markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"} % \arpeggioUp \arpeggio %segn = \markup { \smaller \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" } %% End shortcuts upper = { \set Staff.instrumentName=\markup{\larger\bold "Nº. 3 "} \relative c''{ %% Note: vertically align volta brackets- #5 is default %% \override Staff.VoltaBracket #'minimum-space = #5.5 \repeat volta 2 { \partial 8*4 s8 \grace {d16_\mF} 8.[ 16 8 ]| 4 8 \grace {\stemUp d16} 8 | 4 8 \grace {g'16} 8. 16 8 | g4^\< g8 4 8\! | 4. \grace {d16} 8. 16 8 | 4 8 \grace {d16} 8. 16 8 | 4 8 8 | g4 g8 4 8 | f4. } \repeat volta 2 { \partial 8*3 a,8._\F gs16 a8 | bf4 a8 cs4 a8 | d4 a8 e'4 a,8 | 4 8 g4 d8 | cs4. \grace {d16} 8. 16 8 | 4 8 \grace {d16} 8. 16 8 | 4 8 | g4 g8 4 8 | f4. } } } middle = { \relative c'' { \override Staff.NoteCollision #'merge-differently-headed = ##t %% middle voice can interfere... use the following % \override Stem #'length-fraction = #0.4 \repeat volta 2 { \partial 8*4 s8 \grace s16 \stemDown s8*3 | s2.*5 | \grace s8 s2. \grace s8 s2. s4. } \repeat volta 2 { \partial 8*3 s4. s2.*3 } } } lower = { \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t \repeat volta 2 { \partial 8*4 s8 \grace {s16} r4 r8 | \stemDown f,4._\sF \grace {s16} r4 r8 | f4._\sF \grace {s16} r4 r8 | bf4 bf8 4 8 | c,4._\F \grace {s16} r4_\mF r8 | f,4._\sF \grace {s16} r4 r8 | f4._\sF r4 r8 | 4 8 4 8 | 4. } \repeat volta 2 { \partial 8*3 s4. | bf,4_\sF a8 cs4_\sF a8 | d4_\sF a8 cs4_\sF a8 | d4 d8 4 8 | 4. \grace {s16} r4_\mF r8 | f,4._\sF \grace {s16} r4 r8 | f4._\sF r4 r8 | 4 8 4 8 | 4. } } } staffClassicalGuitarC = \new Staff %%% this moves the fingering closer to the note than default \with { \override Fingering #'padding = #0.2 } { \time 6/8 \key f \major % \tempo 4 = 72 % \set Staff.instrumentName=\markup{\smaller\column{"Classical" "Guitar."}} \set Staff.midiInstrument="acoustic guitar (nylon)" % \transposition c, << \override Staff.NoteCollision #'merge-differently-headed = ##t \new Voice = A { \voiceOne \upper } % \new Voice = B { \voiceTwo \middle } \new Voice = C { \voiceFour \lower } >> % \bar "|." %% End the piece if no repeat at end } \score { \staffClassicalGuitarC } \layout { \context { \Voice %%% provides thicker glissando and moves closer to notes \override Glissando #'thickness = #3 \override Glissando #'gap = #0.05 %%% adjust fingering size, distance from note \override Fingering #'font-size = #-6 \override Fingering #'padding = #0.3 } \context { \Score \override MetronomeMark #'extra-offset = #'(-9 . 0) \override MetronomeMark #'padding = #'3 } } \score { \unfoldRepeats \staffClassicalGuitarC \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 120 4) } } }