\version "2.10.25" %#(set-default-paper-size "a4") %#(set-default-paper-size "letter") \header { title = "Lieder ohne Worte" subtitle = "5. Inquiétude" composer = "Felix Mendelssohn-Bartholdy" opus = "Op. 19, No. 5" % Mutopia headers mutopiatitle = "Inquiétude" mutopiacomposer = "Mendelssohn-BartholdyF" mutopiainstrument = "Piano" source = "Novello, Ewer & Co., ca 1880" style = "Romantic" copyright = "Public Domain" maintainer = "Neil Puttock" maintainerEmail = "n.puttock@gmail.com" footer = "Mutopia-2007/06/19-989" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %Macros manualBeam = #(define-music-function (parser location beg end)(number? number?) #{ \once \override Beam #'positions = #(cons $beg $end) #}) dynaShift = #(define-music-function (parser location x y) (number? number?) #{ \once \override DynamicText #'extra-offset = #(cons $x $y) #}) dynShiftY = #(define-music-function (parser location padding) (number?) #{ \once \override DynamicLineSpanner #'padding = #$padding) #}) textShift = #(define-music-function (parser location x y) (number? number?) #{ \once \override TextScript #'extra-offset = #(cons $x $y) #}) tieShift = #(define-music-function (parser location position) (number?) #{ \once \override Tie #'staff-position = #$position #}) dotShift = #(define-music-function (parser location x y) (number? number?) #{ \once \override Dots #'extra-offset = #(cons $x $y) #}) noteShift = \once \override NoteColumn #'force-hshift = #1 staffUp = \change Staff = upper staffDown = \change Staff = lower stemExtend = \once \override Stem #'length = #22 noStem = \once \override Stem #'length = #0 noFlag = \once \override Stem #'flag-style = #'no-flag wipeNote = { \once \override NoteHead #'transparent = ##t \once \override Stem #'transparent = ##t } crescTxt = \markup { \halign #-0.9 cresc. } dimTxt = \markup { \halign #-0.8 dim. } %Callback used for rotating second half of phrasing slur after line break #(define (my-callback grob) (let* ( ; have we been split? (orig (ly:grob-original grob)) ; if yes, get the split pieces (our siblings) (siblings (if (ly:grob? orig) (ly:spanner-broken-into orig) '() ))) (if (and (>= (length siblings) 2) (eq? (car (last-pair siblings)) grob)) (ly:grob-set-property! grob 'rotation '(-15 0.5 0))))) upper = \relative c' { \override Staff.NoteCollision #'merge-differently-headed = ##t %Set to ##f if you prefer the melodic line & accompaniment to be split #(override-auto-beam-setting '(end * * * *) 6 8 'Score) \clef treble \key fis \minor \time 6/4 \partial 4 \repeat volta 1 { << { \textShift #-4 #1 cis4^\markup { \bold "Piano agitato" } } \\ { cis8 a } >> %Bars 1-5 << \context Voice="1" { \voiceOne cis2 fis4 fis2 a4 | d2( cis4 bis2) bis4 | cis2( b!4) \acciaccatura { b8 }a4-. gis-. a-. | ->( b) a-. a( gis) cis, | cis2 fis4 fis2 a4 | %6-10 d2( cis4 bis2) bis4 | cis2 ais4( b) r ais( | b) a!-. gis-. fis( eis) ais( | b) r ais( b) r ais\( | b\) a!-. gis-. fis( eis) ais( | %11-15 b) r cis( d dis e | fis g gis a cis b) | b( ais) g g( fis) e | e( dis d) d( cis! c) | b d( c b) \once \override PhrasingSlur #'rotation = #'(-19 0 0) \override PhrasingSlur #'after-line-breaking = #my-callback %Performs rotation on second half of slur e\( c \break | %16-20 b\) d( c b) e( c | 8) e8( dis e gis e b' gis fisis gis b gis | \stemDown \manualBeam #-2.5 #-1.5 d' b f' d gis f \manualBeam #-0.5 #-0.5 b gis d' b a gis) | \oneVoice } \context Voice="2" { \voiceTwo cis,,8 gis a fis fis' cis fis bis, cis a a' fis | d' gis, a fis cis' a bis gis a fis bis a | cis gis cis, dis eis cis fis cis eis cis fis cis | fis d! gis d fis d fis cis eis b cis a | cis gis a fis fis' cis fis bis, cis a a' fis | d' gis, a fis cis' a bis gis a fis bis a | cis gis cis, d e! cis d fis e d cis e | d fis cis e b d a cis gis b cis e | d fis e d cis e d fis e d cis e | d fis cis e b d a cis gis b cis e! | d fis e d ais' fis b fis c' fis, b gis | dis' a e' b e b e cis e cis e cis | e cis e cis d b cis ais cis ais cis g | cis fis, c' ais b f b e, a gis a fis | \repeat unfold 4 { gis e b' e, a e } s1. | \oneVoice } >> %Second Subject e''8( d cis b a gis a fis dis b a fis) | ^( b gis e d b \stemUp \manualBeam #2.5 #0 g' e \staffDown cis a gis g) | %21-25 \stemNeutral \noBreak \staffUp \clef bass fis( ais b fis cis' fis, d' gis, e gis d gis) | cis,( e a! b cis e cis b a e_ ~ 4) | \clef treble 2. ~ 4 ^( | 2. ) | 4( ) | %26-30 2 4( 2 4) | ( ) | ( ) | \stemUp 8 r -.( r -. r -.) r r4 \stemNeutral 8 r | 4^( ) | %31-35 r8 %The following tweak is for A4 size only. If using Letter size, comment out. \once \override Slur #'control-points = #'((0.5 . 1.3) (3 . 3) (64 . 19.5) (84.3 . -2.8)) %Tames wayward slur %If using Letter size, uncomment the next line. %\once \override Slur #'control-points = #'((0.5 . 1.3) (3 . 3) (64 . 20) (87.2 . -2.8)) cis!( d e fis d e fis gis e fis gis | a cis d e fis d e fis gis e fis gis | \manualBeam #0 #-2.5 a e cis a e cis a[ e cis a) } %Development \staffDown e c] | \change Staff =upper \clef bass << \context Voice="1" { \voiceOne e2 a4 a2 c4 | f2( e4 dis2) dis4 | \oneVoice } \context Voice="2" { \voiceTwo e,8 b c a a' e a dis, e c c' a | f' b, c a e' c dis b c a dis c | \oneVoice } >> %36-40 e4 r8 e,8( b' dis e4) \clef treble \stemDown r8 e\( b' dis | \stemNeutral e4\) r8 e'( cis ais g e cis ais fis d) | << \context Voice="1" { \voiceOne fis2 b4 b2 d4 | g2( fis4 eis2) eis4 | \oneVoice } \context Voice="2" { \voiceTwo fis,8 cis d b b' fis b eis, fis d d' b | g' cis, d b fis' d eis cis d b eis d | \oneVoice } >> %41-45 4 r8 fis,( cis' eis fis4) r8 fis( cis' eis | fis4) r8 dis( bis a! \stemDown fis dis bis a fis dis) | \stemNeutral cis4 r8 cis8( gis' b! ais4) r8 cis\( fis ais | \override Script #'extra-offset = #'(0.2 . -1.3) cis_\espressivo b\) r b,,( fis' a! gis4) r8 b( e gis | b_\espressivo a) r8 a,,( e' gis fisis4) r8 ais( dis fisis | a!_\espressivo gis) r8 gis,,( dis' fis eis4) r8 gis\( cis eis | \revert Script #'extra-offset %46-50 \once \override TextScript #'font-size = #1 \textShift #-2.8 #0 gis^\markup { \bold "Agitato" } fis\) r fis,( b e! d4->) r8 \stemDown a( gis cis | \stemNeutral gis' fis) r fis,( b e! d4->) r8 a( gis cis | \stemUp b4) r8 b,( e ais b4) \stemNeutral r8 b,\( \override Script #'extra-offset = #'(0.2 . 1.8) e-> ais | b\) b,( e_> ais b) b,( e_> ais b) b,( e_> ais) | \revert Script #'extra-offset %51-55 << \context Voice="1" { \voiceOne \dynShiftY #-0.5 bis2.^\sf( cis4) fis\rest fis\rest | bis,2.( cis4) fis\rest fis\rest | \dynShiftY #-0.5 c2.^\sf ~ c | b( d | \dotShift #-2.2 #0 cis! e) | d( \dotShift #-2.2 #0 cis) | %56-60 bis( b | \dotShift #-2.2 #0 ais \dotShift #-2.2 #0 a) | \oneVoice } \context Voice="2" { \voiceTwo fis8 eis fis gis! a! gis \repeat unfold 4 { fis eis fis gis a gis } fis eis fis g a fis | a g fis g a g gis fis gis a b gis | \noteShift b a gis a b a ais gis ais b cis ais | cis b ais b cis b \noteShift b a gis a b a | a gis fisis gis a gis a gis fisis gis a gis | \noteShift gis fis! eis fis gis fis \noteShift gis fis eis fis gis fis | \oneVoice } >> eis( cis gis cis eis gis eis cis gis cis eis gis) | fis( cis a cis fis a fis dis bis dis fis a) | gis( eis cis eis gis cis gis eis cis eis gis cis) | %61-65 a( fis cis fis a cis a fis dis fis a bis) | cis( gis eis gis cis eis gis eis b'! gis fis eis | %Recapitulation \bar "||" \key fis \major cis' b ais gis fis eis \stemDown fis dis bis gis fis dis) | \stemNeutral ( gis eis cis bis b ais cis e e' cis ais) | fisis( dis gis dis ais' dis, b' eis, cis eis b eis) | %66-70 ais,( cis fis ais fis cis ais gis) r4 << \context Voice = "1" { \voiceOne cis | fis2. ~ fis4 eis( fis | 2. ) | 4( gis ais gis) | \oneVoice } \context Voice="2" { \voiceTwo cis, ~ | cis( dis cis bis2.) | s1. | dis2. eis | \oneVoice } >> fis4 r ( 2 4) | %71-75 << { \stemDown ( \stemUp gis ais gis) | } \\ { s2. eis! } >> fis4 r ( 2 4) | ( ) ( ) | ( ) | << { ^( ) cis'^( b gis) | } \\ { s2. dis } >> | %76-80 fis2. eis | 4( ) | 8-. r -.( r -. r -.) r r4 eis8 r | 4( ) | ais!8( eis fis gis ais b cis bis cis dis e eis) | %81-86 fis( eis fis gis ais b cis bis cis dis e eis) | fis( cis ais gis ais fis cis' ais fis eis fis cis) | ais'\( fis cis bis cis ais fis' cis ais gis ais fis | cis' ais fis cis\) r4 r8 ais'( cis fis ais cis | fis) r r4 r r r | r r r2.\fermata \bar "|." } lower = \relative c { #(override-auto-beam-setting '(end * * * *) 6 8 'Score) \clef bass \key fis \minor \time 6/4 \partial 4 r4 | %Bars 1-5 2 b'4\rest 2 r4 | << \context Voice="1" { \voiceOne d''2( cis4 bis2) \oneVoice } \context Voice="2" { \voiceTwo 2. ~ 2 \oneVoice } >> 4( | ) r r r | r r r r | 2 b'4\rest 2 r4 | %6-10 << \context Voice="1" { \voiceOne d''2( cis4 bis2) \oneVoice } \context Voice="2" { \voiceTwo 2. ~ 2 \oneVoice } >> 4\( | \) r ^~ \stemUp \stemNeutral r | b2. cis2 4^~ | \stemUp r ^~ r | b2. cis2 4^~ | %11-15 \stemNeutral r cis'( b a gis | fis e d! cis a g) | fis2. ~ fis2 ais4( | b2) gis4( a!2) dis,4 | e ^>( a e) ^>\( a | %16-20 e\) ^>( a e) ^>( a | e) r r r2. | r r4 r4 e | << \context Voice="1" { \voiceOne a2.^~ a4 gis^( a | b2. cis) | %21-25 e4^( d cis b cis b) | \tieShift #-2 a2.^~ a2 \oneVoice } \context Voice="2" { \voiceTwo cis,2 b4\rest fis'2 b,4\rest | e2 b4\rest a'2 b,4\rest | d2 b4\rest e2 b4\rest | a'2. s2 \oneVoice } >> cis8 a | fis( a b cis b a dis fis, gis a gis fis) | \stemUp e( d'! e fis e d \stemNeutral e cis a g e) | d( fis gis! a b cis cis d b e d) | %26-30 ( e d cis b a gis a g a fis ais) | \manualBeam #1 #2.5 d,( fis gis! a! b cis d e, e' e, d' e,) | << \context Voice="1" { \voiceOne a8([ cis d e fis d] [ fis' gis e fis gis]) | \oneVoice a r fis' r e r dis r r4 d8 r \clef treble | \voiceOne a8([ cis d e fis d] [ fis' gis e fis gis]) | %31-35 a2. ~ a8 s8*5 | \oneVoice } \context Voice="2" { \voiceTwo \once \override Tie #'staff-position = #-4.5 a,,2. ~ \noFlag \once \override Stem #'length = #0 a8 s8*5 | s1. | a'2. ~ \noFlag \once \override Stem #'length = #0 a8 s8*5 | a'4( | ) \oneVoice } >> \clef bass ( | 2.) r4 r %Development cis,\rest | a2 r4 2 r4 | << \context Voice="1" { \voiceOne f''2( e4 dis2) \oneVoice } \context Voice="2" { \voiceTwo 2. ~ 2 \oneVoice } >> 4 | %36-40 r8 gis,( b') r r4 r8 g( b') r r4 | r8 fis( g') r r4 r2. | 2 r4 2 r4 | \clef treble << \context Voice="1" { \voiceOne g''2( fis4 eis) \oneVoice } \context Voice="2" { \voiceTwo 2. ~ 4 \oneVoice } >> r \clef bass | r8 ais,( cis') r r4 \clef treble r8 a!( cis') r8 r4 | %41-45 r8 gis( a') r r4 r2. | \clef bass r8 eis,,,( gis') r r4 r8 e!( fis') r r4 | r8 dis,,( fis') r r4 r8 d!( e') r r4 | r8 cis,,( e') r r4 r8 cis( dis') r r4 | r8 bis,,( dis') r r4 r8 b!( cis') r r4 | %Agitato %46-50 r8 a( cis) r gis4 r8 fis( cis') r eis,4 | r8 a( cis) r gis4 r8 fis( cis') r eis,4 | r8 d( fis) r 4 r8 d( fis) r 4\( | 8\) r 4( 8) r 4( 8) r 4( | 2.)( 4) r r | %51-55 2.^~ 4 r r | d'2. ~ d | g,( e | a, fis) | b,( cis) | %56-60 dis( eis | fis bis,) | << \context Voice="1" { \voiceOne cis eis4( gis b!) | \acciaccatura { \slurDown b8 } a4^( gis fis) a_( gis fis) | cis'2. d4_( cis b) | %61-65 \acciaccatura { \slurDown b8 } a4_( gis fis) a_( gis fis) | \oneVoice 2. ~ 4 r cis' | \voiceOne %Second subject recap \key fis \major fis2. ~ fis4 eis\( fis | gis2. ais\) | cis4^( b ais gis ais gis) | \oneVoice } \context Voice="2" { \voiceTwo s1. | cis,,2 gis4\rest s2. | cis2 b4\rest s2. | s1.*2 | ais'2 gis4\rest dis'2 gis,4\rest | cis2 gis4\rest fis'2 gis,4\rest | b2 gis4\rest cis2 gis4\rest | \oneVoice } >> %66-70 fis'2. ~ fis8 r fis( cis ais fis) | \stemDown dis dis' fis ais fis dis dis, dis' fis gis fis dis | \stemNeutral cis, dis' cis b ais gis fis cis' e fis e cis | b dis gis dis ais' dis, b' cis, cis' cis, b' cis, | \stemDown fis, fis' ais fis ais fis \stemNeutral b fis b fis cis' fis, | %71-75 << { fisis dis gis dis ais' dis, } \\ { b2. } >> b'8 cis, cis' cis, b' cis, | r fis eis fis ais fis eis fis eis fis e fis | dis fis b fis cis fis bis, fis' gis fis bis, fis' | cis gis' b! gis gis gis gis gis | ais fis b fis cis' fis, b, dis gis b gis dis | %76-80 << \context Voice="1" { \voiceOne ais' \staffUp \stemDown cis bis cis dis cis \staffDown \stemUp b! gis eis cis b gis | fis( eis fis gis ais b cis bis cis dis e eis) | fis r dis' r cis r bis r r4 b8 r | \oneVoice } \context Voice="2" { \voiceTwo cis,2. gis\rest | s1. | fis'2. cis | \oneVoice } >> 8( eis fis gis ais b cis bis cis dis e eis) | fis4\( | %81-86 \) \stemUp ( ) | \stemNeutral 1._~ | ~ | 4 r ais'8( fis cis) r r4 r | r2. 4 r r | r r r2.\fermata \bar "|." } dynamics = { \partial 4 s4 | %1-5 s2. \dynShiftY #1.5 s\< | s1.\sf | \dynShiftY #2 s\p | s1. | s2. \dynShiftY #1.5 s\< | %6-10 s1.\sf | s2 \dynShiftY #2 s4\p s2. | s1. | s | s2. s2 \dynShiftY #3.5 s4\p | %11-15 s2 s4^\crescTxt s2. | s2. s4. s\f | s2. s^\dimTxt | s s2 s4\p | s s2\sf s2. | %16-20 s1. | \dynaShift #1 #2.5 s2.\mf s^\crescTxt | s s^\markup { cantabile } | s1. | s4 s8*5\< s8\! s2 | %21-25 s8*5\> s8\! s2. | s1.\pp | s^\crescTxt | s8*5\< s8\! s2. | s8\< s\! s\> s\! s4 s2. | %26-30 s2. s8*5\< s8\! | s1.\sf | s4 s2^\dimTxt s2. | s4 s2\p s2. | s1. | %31-35 s | s4. s^\dimTxt s2. | s16 s\pp s8*5 s2 s4 | s2.\p s8*5\< s8\! | s1.\sf | %36-40 s16 s\pp s8*5 s2. | s4. s16 s\pp s4 s2. | s2. s8*5\< s8\! | s1.\sf | s\p | %41-45 s | s2.^\crescTxt s | s1. | s4. s^\crescTxt s2. | s1. | %46-50 s2. s^\markup { \halign #-0.9 sempre cresc. } | s1. | s2.\f s^\crescTxt | s1. | \dynaShift #0.5 #2.5 s\ff | %51-55 s\sf | s8\ff s\> s2 s4. s\p | s2.^\markup { tranquillo } s | s1. | s\pp | %56-60 s | s | \textShift #-0.7 #-2.5 s2.^\markup { \dynamic "p " cantabile } s2. | s1. | s | %61-65 s1. | s2. s4 s2^\markup { \halign #-0.9 dolce } | s1. | s2. s8*5\< s8\! | s16 \once \override Hairpin #'extra-offset = #'(-1.5 . 2) s\> s8 s2\! s2. | %66-70 s1. | \textShift #-0.3 #-1.6 s^\markup { cresc. } | s1.*2 | s2. s8*5\< s8\! | %71-75 s1.\sf | s2.\f s8*5\< s8\! | s2.\sf \once \override Hairpin #'extra-offset = #'(1.6 . 2) s8*4\> s8\! s | s1. | s2 s4^\markup { dim. } s2. | %76-80 s1. | \dynaShift #0.3 #2 s\p | s | \dynaShift #0.3 #2 s\p | s1. | %81-86 s^\markup { dim. } | s16 s\pp s8*5 s2. | s1.*4 | } pedal = {} \score { \context PianoStaff << \context Staff = upper \upper \context Dynamics = dynamics \dynamics \context Staff = lower << \lower >> \context Dynamics = pedal \pedal >> \layout { \context { \Score \remove Bar_number_engraver } \context { \type "Engraver_group" \name Dynamics \alias Voice %So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #1 \override TextScript #'font-shape = #'italic \override TextScript #'extra-offset = #'(0 . -1.2) \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #7 } } } \score { \context PianoStaff << \context Staff = upper << \upper \dynamics >> \context Staff = lower << \lower \dynamics >> \context Dynamics = pedal \pedal >> \midi { \context { \type "Performer_group" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } } \paper { between-system-padding = #1 ragged-last-bottom = ##f }