\version "2.10.0" \include "catalan.ly" #(set-global-staff-size 16) \header { mutopiatitle = "La Bayadère - Acte II" mutopiacomposer = "MinkusLA" mutopiainstrument = "Piano" source = "New arrangement" style = "Classical" copyright = "Public Domain" maintainer = "Laurence Sardain" lastupdated = "2006/Dec/21" title = "La Bayadère" subtitle = "Acte II" composer = "Ludwig MINKUS" arranger = "arr. Laurence Sardain" footer = "Mutopia-2006/12/22-892" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } upper = \relative do' { \clef treble \key re \major \time 6/8 \acciaccatura { re'16\p [fad] } \once \override TextScript #'padding =#2.0 si4.(^\markup {\italic Andante } la) | \acciaccatura { la,16 [re] } sol4.( fad) | \acciaccatura {fad,16 [la] } mi'4.( re4~re32 dod re mi | re4.~re) | \acciaccatura { si16 [re ] }sol4.( fad) | \acciaccatura {fad,16 [si] } mi4.( re) | \acciaccatura {re,16 [sol] } dod4.( si4~si32 lad si dod | si4.~si) | \acciaccatura {la16\mp [dod] } fad4.( mi4~mi32 red mi fad | mi2.) | \acciaccatura {re16\mf [fad] } si4.( la4~la32 sold la si | la2.) | \acciaccatura {mi16\f [la] } re4.( dod) | \acciaccatura {re,16 [mi] } dod'4.( si) | \acciaccatura {dod,16 [mi] } << {la2.(\> \startTrillSpan } {s2 s8. \grace {sold16[\stopTrillSpan la]}} >> la'2.)\! | \acciaccatura { re,,16\p [fad] } si4.( la) | \acciaccatura { la,16 [re] } sol4.( fad) | \acciaccatura {fad,16 [la] } mi'4.( re4~re32 dod re mi | re4.~re) | \acciaccatura { si16 [re ] }sol4.( fad) | \acciaccatura {fad,16 [si] } mi4.( re) | \acciaccatura {re,16 [sol] } dod4.( si4~si32 lad si dod | si4.~si) | \acciaccatura {si16\mp [re] }fad4.( mi4~mi32 red mi fad | mi2.) | \acciaccatura {re16\mf [fad] } si4.( la4~la32 sold la si | la2.) | \acciaccatura {re,16[fad] } sib4.( la) | \acciaccatura {dod,16[mi]} si'4.( la) | << {re,2.( \startTrillSpan } {s2 s8.\grace {dod16[\stopTrillSpan re]}} >> | re'2.) | %2ème partie re,4.(\mp fad,4~fad16 re'16 | dod4. si | si4. lad4~lad16 si16 | dod2.) | re4.( fad,4~fad16 re'16 | dod4. si | si4. lad4~lad16 sold16 | la2.) | fad'4.(\mf la,4~la16 fad'16 | mi4. re) | re4.( dod4~dod16 re16 | mi2.) | fad4.(\< mi4 fad8 | la4.~la8 sol re\! | fad4. fad4\>~fad16 mi16\! | re2.) | << { \oneVoice re4.(\mf fad,4~fad16 re'16 | dod4. si | si4. lad4~lad16 si16 | \voiceOne dod2.)}\\{s2.*3 | r8 mid, fad sol mid fad}>> | << { \oneVoice re'4.( fad,4~fad16 re'16 | dod4. si | si4. lad4~lad16 sold16 | \voiceOne la2.)}\\{s2.*3 | r8 red, mi fad red mi}>> | fad'4.(\f la,4~la16 fad'16 | mi4. re | re4. dod4~dod16 re16 | mi4.\<~mi8 dod la | fad'4. mi4 fad8 | la4.\!~la8 sol re | fad4. fad4\>~fad16 mi16\! | re2.) | \acciaccatura { re16\mf [fad] } si4.( la) | \acciaccatura { la,16 [do] } sol'4.( fad) | \acciaccatura { sol,16 [si] } mi4.( re4~re32 dod re mi | re2.) | \acciaccatura { la16 [si] } sol'4.( fad) | \acciaccatura {fad,16 [la] } mi'4.( red) | \acciaccatura {mi,16 [sol] } do4. si4~si32 lad si do | si2. | \acciaccatura {do16 [mi] } si'4.( la4~la32 sold la si | la2.) | mi4.(\mp re4~re32 dod re mi | re2.) | mib4.(\< re) | \acciaccatura {fad,16 [la] } mi'4.( re)\! | << { sol,2.\p \startTrillSpan } {s2 s8. \grace {fad16 [\stopTrillSpan sol]}} >> | << { si2. \startTrillSpan } {s2 s8. \grace {lad16 [\stopTrillSpan si]}} >> | << { re2. \startTrillSpan } {s2 s8. \grace {dod16 [\stopTrillSpan re]}} >> | << {sol2.~ 2. \fermata \bar"|."}\\{r4. si,8 re sol }>> | } lower = \relative do { \clef bass \key re \major \time 6/8 \dynamicUp \grace s8 << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 si' re fad re si } \\ {si,2.} >> | << {r8 si' re fad re si } \\ {si,2.} >> | << {r8 si' re mi re si } \\ {sol,2.} >> | << {r8 si' re mi re si } \\ {sol,2.} >> | << {r8 la' dod mi dod la } \\ {la,2.} >> | << {r8 la' dod mi dod la } \\ {sol,2.} >> | << {r8 la' re fad re la } \\ {fad,2.} >> | << {r8 la' re fa re la } \\ {fa,2.} >> | << {r8 mi' la dod la mi } \\ {mi,2.} >> | << {r8 si'' re mi re si } \\ {mi,,2.} >> | << {r8 mi' la dod la mi } \\ {la,2.} >> | << {r8 la' dod mi dod la } \\ {la,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 si' re fad re si } \\ {si,2.} >> | << {r8 si' re fad re si } \\ {si,2.} >> | << {r8 si' re mi re si } \\ {sol,2.} >> | << {r8 si' re mi re si } \\ {sol,2.} >> | << {r8 si' re mi re si } \\ {mi,,2.} >> | << {r8 si'' re mi re si } \\ {mi,,2.} >> | << {r8 la' re fad re la } \\ {la,2.} >> | << {r8 la' re fad re la } \\ {la,2.} >> | << {r8 re' mi sol mi re} \\ {la,2.} >> | << {r8 dod' mi sol mi dod } \\ {la,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> | << {r8 la' re fad re la } \\ {re,2.} >> \bar"||" %2ème partie << {r8 4. } \\ {si,2. } >> | << {r8 4.} \\ {re2.}>> | << { r8 4.} \\ {dod2.}>> | <<{ r8 4.} \\ {lad,2.}>>| << {r8 4. } \\ {si,2. } >> | << {r8 4.} \\ {re2.}>> | << { r8 4.} \\ {dod2.}>> | << {r8 4. } \\ {la2. }>> | << {r8 4. } \\ {re,2.}>> | << {r8 4. } \\ {fad2.}>> | << {r8 4. }\\{mi2.}>> | << {r8 4.}\\{dod,2.}>> | << {r8 4. }\\{re,2.}>> | << { r8 4. | r8 r8 | r8 4. | %reprise r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 4. r8 r8 r8 4. | \grace s8 r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 4. | r8 | r8 | r8 | r8 re, sol r4. | } \\ { sol,2. | la4. la | re2. %reprise si | re | dod | lad | si | re | dod | la | re | fad | mi | dod | re | sol, | la4. la | re2. | re | re | sol, | sol | si | si | mi, | mi | do' | do | re | re | do | la | sol | sol | sol | sol\>~ | sol\! | }>> } \score {<< \context PianoStaff = prima << \set PianoStaff.instrumentName = "Piano " \context Staff = uppera \upper \context Staff = lowera \lower >> >> \layout { } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 130 8) } } } \paper { top-margin = 1.5\cm bottom-margin = 1.5\cm left-margin = 2.5\cm line-width = 16.0\cm }