\version "2.10.0" #(set-global-staff-size 18) \paper { top-margin = 0.25\in bottom-margin = 0.25\in print-page-number = ##t ragged-last-bottom = ##f head-separation = 0\in system-count = 19 } \header { title = "Afterwards" composer = "John W. Mullen" poet = "Mary Mark Lemon" %mutopia-specific headers: mutopiatitle = "Afterwards" mutopiacomposer = "MullenJW" mutopiapoet = "Mary Mark Lemon" mutopiaopus = "" mutopiainstrument = "Voice and Piano" date = "1885" source = "The University Society, 1909" style = "Romantic" copyright = "Public Domain" maintainer = "Daniel Johnson" maintainerEmail = "il.basso.buffo at gmail dot com" lastupdated = "2007/Jan/01" footer = "Mutopia-2007/01/02-903" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } voxNotes = \relative c'' { \time 4/4 \key c \major \clef treble \autoBeamOff \dynamicUp % Page 1 R1*4 \bar "||" \break c4\p b8. a16 g4. gis8 | a g! d g f4\> e\! | c'\> b8.\! a16 b4. b8 | d\< c\! b8. a16 d2 | c4\p b8. a16 g4. gis8 | a\< g!\! d g\> f4\! e | \pageBreak % Page 2 r8 e e e b'4.^\markup{\italic "poco rit."} e,8 | g fis e dis e2 | r8 g^\markup{\italic "dolce."} g g c4. c8 | c b a gis a4 e | r8 e e e e'4.\sf a,8 | c b a gis a2 | r8 a g! fis b4. b8 | d\( a b8. c16\) c4\> b\! | r8 g g g d4. d8 | e e fis8. g16 g4 r4 | e'4^\markup{\italic "dolce."} d8 c b4. a8 | g gis b8. a16 a4 g | % Page 3 c4 b8. a16 d4. c8 | b a e fis g2\< | e'4\! d8.\> c16\! b4. a8 | g gis b8. a16 a4 g | c4 cis8. cis16 d4. a8 | c!^\markup {\italic "rit."} b a b^\fermata c2 | R1*4 \bar "||" \break c4^\markup {\dynamic "p" \italic "espress." } b8. a16 g4. gis8 | a g d g f4 e | c' b8 a b4. b8 | % Page 4 d c b a d2 | c4\p b8 a g4. gis8 | a g! d g f4 e | r8 e\< e e b'4. e,8\! | g\> fis e dis e2\! | r8 g g\< g\! c4. c8 | c8\> b a gis a4\! e | r8 e e e e'4. a,8 | c b a gis a2 | r8 a g! fis b4. b8 | d a b8. c16 c4. b8 | r8 g g g d4. d8 | % Page 5 e e fis8. fis16 g4 r | e'\p d8. c16 b4. a8 | g gis b8. a16 a4 g | c b8. a16 d4. c8 | b a e fis g2\< | e'4\!\ff d8 c b4. a8 | g gis b8. a16 a4 g | c cis8. cis16 d4. a8 | c! b c8. d16 e2 | e4\< f8\! fis g4.\> g,8\! | a b d8.^\fermata c16 c2^\fermata | R1 | R1 \bar "|." } rhNotes = { \time 4/4 \key c \major \clef treble % Page 1, line 1 4 8. 16 4. 8 | 8( 8. 16) 4( 4) | 4( 8. 16) 4.( 8) | ( ) [ ] | % Page 1, line 2 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 1, line 3 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 2, line 1 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 2, line 2 r8 ([ ]) r8 [ ] | r8 [ ] r8 [ ] | r8 ([ ]) r8 ([ ]) | % Page 2, line 3 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ r ] r8 [ ] | % Page 2, line 4 r8 8[ r ] r g''[ ] | 4 8. 16 4. 8 | [ 8. 16] \set doubleSlurs = ##t 4( ) \set doubleSlurs = ##f % Page 3, line 1 4 8. 16 2 | r8 [ r ] ([ ]) | 4 8. 16 4. 8 | % Page 3, line 2 [ 8. 16] 4( ) | r8 [ r ] r [ r ] | r8 ^\fermata 2 | % Page 3, line 3 4 8. 16 4. 8 | ([ 8. 16]) 4( ) | 4( 8. 16) \set doubleSlurs = ##t 4.( 8) \set doubleSlurs = ##f | 8( ) [ ] | % Page 3, line 4 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 4, line 1 r8 [ ] r8 [( )] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 4, line 2 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | % Page 4, line 3 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 ([ ]) r8 ([ ]) | % Page 4, line 4 r8 [ ] r8 [ ] | r8 [ ] r8 [ ] | r8 8[ r ] r8 [ ] | % Page 5, line 1 r8 [ r ] r8 g''([ ]) | 4 8. 16 4. 8 | [ 8. 16] \set doubleSlurs = ##t 4( ) \set doubleSlurs = ##f | % Page 5, line 2 4 8. 16 2 | r8 [ r ] [( )] | 4 8 4. 8 | % Page 5, line 3 [ 8. 16] 4( ) | r8 [ r ] r8 [ ] | r8 [ ] r8 [ ] | % Page 5, line 4 r8 [ r ] r8 [ ] | 4 ^\fermata 2^\fermata | 2^\markup{ \hspace #-1 \bold "Lento."} | 1 | } lhNotes = { \time 4/4 \key c \major \clef bass % Page 1, line 1 8_\markup { \musicglyph #"pedal.Ped" } [ ] 8 [ ] | 8 [ ] 8 [ ] | 8 g [ ] | \clef treble [ ] r8 r4 \clef bass | % Page 1, line 2 c4 r d r | g, r c r | e r d r | % Page 1, line 3 d4 r g, a,8( b,) | c4 r d r | g, r c r | % Page 2, line 1 c r b, r | b,2( e4) r | d2( c4) r | % Page 2, line 2 e r a, r | b,2 c | d4 e a r | % Page 2, line 3 fis4 d g d | a d g f! | e( ees d2) | % Page 2, line 4 d,4( d) g,8 << { b8([ c' d']) } \\ { g4. } >> | c8( g c' g) g,( g b g) | g,( g b g) c( g c' g) | % Page 3, line 1 a,( a c' a) d( g b d') | d4 d 8 [ ] | _\markup { \musicglyph #"pedal.Ped" } [ ] [ ] | % Page 3, line 2 [ ] g([ c' e']) | e4 e d d | g,2^\fermata c,8( c e g) | % Page 3, line 3 8 [ ] [ ] | [ ] [ ] | [ ] | [ ] r8 r4 | % Page 3, line 4 c4 r d r | g, r c r | e r d r | % Page 4, line 1 d r g, a,8( b,) | c4 r d r | g, r c r | % Page 4, line 2 c r b, r | b,2( e4) r | d2( c4) r | % Page 4, line 3 e r a, r | b,2 c | d4 e a r | % Page 4, line 4 fis d g d | a d g f! | e( ees d2) | % Page 5, line 1 d,4( d) g,8 << { b8([ c' d']) } \\ { g4. } >> | c8( g c' g) g,( g b g) | g,( g b g) c( g c' g) | % Page 5, line 2 a,( a c' a) d( g b d') | d4 d 8 [ ] | [ ] [ ] | % Page 5, line 3 8 [ ] g([ c' e']) | e4 e d8 r c4 | g,( f, e,2) | % Page 5, line 4 a,4( aes, g,2) | g,4 4^\fermata 2^\fermata | _\markup { \musicglyph #"pedal.Ped" } | 1 | } pianoDyn = { % Page 1, line 1 s4\mf\> s2 s8 s8\! | s4. s8\> s4. s8\! | s4.\< s8\! s4.\> s8\! | s4.\> s8\! s2 | % Page 1, line 2 s1\p | s1 | s8 s4\> s8\! s2 | % Page 1, line 3 s8 s4\< s8\! s8 s4\> s8\! | s1\p | s1 | % Page 2, line 1 s2 s8 s4.-"colla voce." | s1 | s1 | % Page 2, line 2 s1 | s8 s4.\< s8 s8\! s4 | s8 s8\> s8\! s8 s2 | % Page 2, line 3 s1 | s1 | s8 s8\< s2 s8 s8\! | % Page 2, line 4 s4\> s8 s8\! s2-"rit." | s1-"a tempo." | s1 | % Page 3, line 1 s2\> s4. s8\! | s2 s8 s4\< s8\! | \once\override DynamicText #'extra-offset = #'(0.75 . 2.5) s1\ff | % Page 3, line 2 s1 | s2.\p\< s4\! | s1-"rit." | % Page 3, line 3 s1-\markup { \dynamic "mf" \italic "a tempo." } | s4 s8. s16\> s4 s4\! | s4\< s8. s16\! s4.\> s8\! s4.\> s8\! s8 \once\override DynamicText #'extra-offset = #'(0 . 1) s4.\p | % Page 3, line 4 s1 | s1 | s8 s4\> s8\! s2 | % Page 4, line 1 \once\override TextScript #'extra-offset = #'(-1.25 . 2) s8-"rall." s2\> s8\! s4 | s1\p s1 | % Page 4, line 2 s1*3 % Page 4, line 3 s1 | s8 s2.\< s8\! | s8 s4\> s8\! s2 | % Page 4, line 4 s1 | s1 | s8 s2.\< s8\! | % Page 5, line 1 s4.\> s8\! s2-\markup{ \hspace #1 \italic "rit."} | s8\p s8\> s2 s4\! | s1 | % Page 5, line 2 s8 s4\> s8\! s2 | s2 s8 s4\< s8\! | s1\ff | % Page 5, line 3 s4 s8. s16\> s8 s8\! s4 | s1\p | s8 s4\< s8\! s4.\> s8\! | % Page 5, line 4 s4\< s4\! s4.\> s8\! | s1-"rit." | s2\< s2\! | s2\> s2\! | } text = \lyricmode { Af -- ter the day has sung its song of sor -- row, And one by one the gold -- en stars ap -- pear, I lin -- ger yet, where once we met, be -- lov -- ed, And seem to feel thy spir -- it still is near. The flow’rs have fled that blos -- som’d in that Spring -- tide. The birds are mute, that sang their songs a -- bove, And tho’ the years have drift -- ed us a -- sun -- der, Time can -- not break the gold -- en chain of love; Still we can love, al -- tho’ the sha -- dows gath -- er, Still we can hope, un -- til the clouds be past, Come to my heart and whis -- per thro’ the si -- lence, “Hope on, dear heart, our lives shall meet at last.” Some -- times my heart grows wea -- ry of its sad -- ness, Some -- times my life grows wea -- ry of its pain, Then, love, I wait, and list -- en for your whis -- per, Till fears de -- part, and sun -- shine comes a -- gain; It can -- not be that we should part for -- ev -- er, That love’s sweet song is hush’d for us al -- way; I hear it yet, al -- tho’ its theme be al -- tered, ’Twill reach thy heart, and bring thee back some day, Love, we can love, al -- tho’ the sha -- dows gath -- er, Still we can hope, un -- til the clouds be past, Come to my heart! and whis -- per thro’ the si -- lence, “Hope on, dear heart, our lives shall meet at last;” “Hope on, dear heart, our lives shall meet at last.” } \score { << \context Staff = melStaff { \set Staff.midiInstrument = "oboe" \set Staff.midiMinimumVolume = #0.5 \set Staff.midiMaximumVolume = #0.9 \context Voice = vox { \voxNotes } } \lyricsto vox \new Lyrics \text \context PianoStaff << \context Staff = rightHand { \rhNotes } \context Dynamics \pianoDyn \context Staff = leftHand { \lhNotes } >> >> \layout { %\context { \RemoveEmptyStaffContext } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #0 \override TextScript #'font-shape = #'italic \override TextScript #'extra-offset = #'(0 . 2) \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6.5 } \context { \Staff \override SeparationItem #'padding = #0.3 } } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 60 4) } \context { \type "Performer_group" \name Dynamics \consists "Span_dynamic_performer" \consists "Dynamic_performer" } \context { \PianoStaff \accepts Dynamics } } }