\version "2.11.22" #(set-global-staff-size 18) %#(ly:set-option 'point-and-click #f) \paper { %#(set-paper-size "letter") %#(define fonts (make-pango-font-tree "Utopia" "Luxi Sans" "Luxi Mono" 0.9)) left-margin = 0.5\in line-width = 7.5\in head-separation = 0\in bottom-margin = 0.25\in bookTitleMarkup = \markup { \column { \fill-line { \override #'(font-size . 4) \bold \fromproperty #'header:title } \fill-line { "" \override #'(baseline-skip . 2) \column { \right-align { \line { \fromproperty #'header:composer \fromproperty #'header:composerdates }} \right-align { \fromproperty #'header:opus } } } "" } } scoreTitleMarkup = ##f } \header { title = "Vexilla Regis Prodeunt" composer = "Juozas Naujalis" composerdates = "(1869-1934)" opus = "Op. 7, No. 3" mutopiatitle = "Vexilla Regis Prodeunt" mutopiacomposer = "NaujalisJ" mutopiapoet = "" mutopiaopus = "Op. 7, No. 3" mutopiainstrument = "Voice (SATB)" date = "19th century" source = "C. Witanowski, 1901" style = "Romantic" copyright = "Public Domain" maintainer = "Daniel Johnson" maintainerEmail = "il.basso.buffo at gmail dot com" lastupdated = "2007/Apr/29" footer = "Mutopia-2007/04/30-971" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } sopNotes = { b'2 b'2 b'2 | b'1 a'2 | g'1 g'2 | fis'1. | a'2 a'2 b'2 | c''1 b'2 | \break a'1 fis'2 | g'1. | g'2 b'2 c''2 | d''1 g'2 | c''2( b'2) a'2 | a'1. | \break b'2 e''2 d''2 | b'1 a'2 | g'1 fis'2 | g'1. \bar "||" g'1. | g'1.^\fermata \bar "|." } textI = { \set stanza = "1." \lyricmode { Vex -- il -- la re -- gis pro -- de -- unt, ful -- get cru -- cis my -- } \set stanza = "1." \lyricmode { ste -- ri -- um, qua vi -- ta mor -- tem per -- tu -- lit, } \set stanza = "1." \lyricmode { et mor -- te vi -- tam pro -- tu -- lit. } } textII = { \set stanza = "2." \lyricmode { Quo vul -- ne -- ra -- tus in -- su -- per quæ vul -- ne -- ra -- ta } \set stanza = "2." \lyricmode { lan -- ce -- æ mu -- cro -- ne di -- ro cri -- mi -- num, } \set stanza = "2." \lyricmode { ut nos la -- va -- ret cri -- mi -- ne. } } textIII = { \set stanza = "3." \lyricmode { Im -- ple -- ta sunt, quæ con -- ci -- nit Da -- vid fi -- de -- li } \set stanza = "3." \lyricmode { car -- mi -- ne, di -- cen -- do na -- ti -- o -- ni -- bus: } \set stanza = "3." \lyricmode { re -- gna -- vit a li -- gno De -- us. } } textIV = { \set stanza = "4." \lyricmode { Ar -- bor de -- co -- ra~et ful -- gi -- da, or -- na -- ta Re -- gis } \set stanza = "4." \lyricmode { pur -- pu -- ra, e -- lec -- ta di -- gno sti -- pi -- te } \set stanza = "4." \lyricmode { tam san -- cta mem -- bra tan -- ge -- re. } } textV = { \set stanza = "5." \lyricmode { Be -- a -- ta, cu -- jus bra -- chi -- is pre -- tium pe -- pen -- dit } \set stanza = "5." \lyricmode { sæ -- cu -- li, sta -- te -- ra fa -- cta cor -- po -- ris, } \set stanza = "5." \lyricmode { tu -- lit -- que præ -- dam tar -- ta -- ri. } } textVI = { \set stanza = "6." \lyricmode { O crux a -- ve, spes u -- ni -- ca, hoc Pas -- si -- o -- nis } \set stanza = "6." \lyricmode { tem -- po -- re: pi -- is a -- dau -- ge gra -- ti -- am, } \set stanza = "6." \lyricmode { re -- is -- que de -- le cri -- mi -- na. } } textVII = { \set stanza = "7." \lyricmode { Te fons sa -- lu -- tis Tri -- ni -- tas, col -- lau -- det o -- mnis } \set stanza = "7." \lyricmode { spi -- ri -- tus: qui -- bus cru -- cis vi -- cto -- ri -- am } \set stanza = "7." \lyricmode { lar -- gi -- ris, ad -- de præ -- mi -- um. A -- men. } } altNotes = { g'2 g'2 g'2 | g'2( fis'2) e'2 | e'2( d'2) cis'2 | d'1. | d'2 e'2 g'2 | a'2( fis'2) g'2 | fis'2.( e'4) dis'2 | e'1. | e'2 e'2 e'2 | d'1 b2 | e'1 e'2 | d'1. | d'2 g'2 a'2 | g'2( fis'2) e'2 | e'1 d'2 | d'1. | e'1. | d'1. | } tenNotes = { d'2 e'2 b2 | d'1 c'2 | b1 a4( g) | a1. | fis2 a2 d'2 | e'2( c'2) d'2 | c'1 b2 | b1. | b2 g2 g2 | g2( fis2) g2 | g1 g2 | fis1. | g2 b2 d'2 | d'1 c'2 | b2( a2) a2 | b1. | c'1. | b1. | } basNotes = { g2 e2 e2 | b,1 c2 | e1 e2 | d1. | d2 c2 b,2 | a,1 g,2 | a,1 b,2 | e1. | e2 e2 e2 | b,1 e2 | c1 cis2 | d1. | g2 e2 fis2 | g2( b,2) c2 | e2( c2) d2 | g,1. | c1. | g,1._\fermata | } \score { \new ChoirStaff << \new Staff = trebStaff { \set Staff.midiInstrument = "oboe" \key g \major \time 3/2 \clef treble << \new Voice = sopVoice { \voiceOne \sopNotes } \new Voice { \voiceTwo \altNotes } >> } \new Lyrics \lyricsto sopVoice { \textI } \new Lyrics \lyricsto sopVoice { \textII } \new Lyrics \lyricsto sopVoice { \textIII } \new Lyrics \lyricsto sopVoice { \textIV } \new Lyrics \lyricsto sopVoice { \textV } \new Lyrics \lyricsto sopVoice { \textVI } \new Lyrics \lyricsto sopVoice { \textVII } \new Staff = bassStaff { \set Staff.midiInstrument = "oboe" \key g \major \time 3/2 \clef bass << \new Voice { \voiceOne \tenNotes } \new Voice { \voiceTwo \basNotes } >> } >> \layout { \context { \Score \remove Bar_number_engraver \override NonMusicalPaperColumn #'line-break-system-details = #'((alignment-offsets . ( 0 -8 -10.5 -13 -15.5 -18 -20.5 -23 -29.5 ))) } } \midi { \context { \Voice \remove Dynamic_performer } \context { \Score tempoWholesPerMinute = #(ly:make-moment 90 2) } } }