\version "2.10.33" \header { title = "Scherzino" composer = "N. Rimsky-Korsakov (1844-1908)" opus = "Op. 11 N° 3" instrument = "" copyright = "Creative Commons Attribution-ShareAlike 3.0" source = "M. P. Belaïeff, Leipzig, 1890" style = "Romantic" maintainer = "Thomas Amthor" maintainerEmail = "thomas.amthor@gmail.com" mutopiatitle = "Scherzino" mutopiaopus = "Op. 11, Nr. 3" mutopiacomposer = "Rimsky-KorsakovN" mutopiainstrument = "Piano" date = "1878" footer = "Mutopia-2008/08/23-1530" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } % % NOTES: % % a) Bars 2,10,34,42: I added the augmented eighth's rest of the upper voice which % was left out in the source edition (Belaieff, 1890), see bars 4,12,... for comparison. % The corresponding rest in bar 44 lacked the augmentation dot in the source. % % b) The weird cross-system note stems in bars 7,8,... have been typeset exactly in the % same way as in the source. This causes lilypond warning messages which can be ignored. % lilypond 2.11 offsers a way to suppress the warnings % (\override NoteColumn #'ignore-collision = ##t), but lacks the % "VerticalAlignment #'forced-distance" option which is needed here for optimum staff placement. % % c) The first rest in bar 53 had been omitted by mistake in the source edition. % % definitions: u = \change Staff = upper l = \change Staff = lower nr = { \once\override Rest #'extra-offset = #'( 0.0 . 0.0 ) r8. } shiftbeam = \once \override Beam #'positions = #'(-6 . -6) %% %% Right Hand %% upper = { % \override NoteColumn #'ignore-collision = ##t \clef treble \key a \major \time 2/4 \partial 16 % Part A: Vivo e leggieramente \relative { \override Rest #'extra-offset = #'( 0.3 . 3.0 ) % #1-8 \stemUp \once \override TextScript #'extra-offset = #'(-3.0 . 2.0) 16^\markup { \bold "Vivo e leggieramente." } | cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | e'^( d) r a'^( gis) r | e'^( d) r a'^( gis) r | e'^( d) r a'^( fis) \l d \u b | a^( fis) \l d \u cis ais^( b) r | % #9-16 cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | e'^( d) r a'^( gis) r | e'^( d) r a'^( gis) r | e'^( d) r a'^( fis) \l d \u b | a^( fis) \l d \u bis^( cis) r \clef bass cis, | \break } % Part B: Appassionato << \relative { % #17-24 \once \override TextScript #'extra-offset = #'(-2.0 . 1.0) cis8.^\markup { \bold "Appassionato." } d16 d8. cis16 | cis8. fis16 fis8. gis16 \clef treble | a8. b16 b8. d16 | cis8. gis16 a8. cis16 | cis8. d16 d8. cis16 | cis8. fis16 fis8. gis16 | a8. b16 b8. fis'16 | e8. b16 cis8.\noBeam \clef bass cis,,16 | % #25-32 cis8. d16 d8. cis16 | cis8. fis16 fis8. gis16 \clef treble | a8. b16 b8. d16 | cis8. gis16 a8. cis16 | cis8. d16 d8. cis16 | cis8. fis16 fis8. gis16 | a8. b16 << {b8. fis'16} \\ {s8. a,16} >> | e'8. gis,16 a8 << r16 \\ s16 >> \once \override TextScript #'extra-offset = #'(-2.2 . -2.0) 16^\markup {\dynamic "pp"} | } \\ \relative { s2*6 s4 s8. a''16 | s8. fis16 s4 | } >> \bar "||" \break % Part C \relative { % #33-40 \stemUp cis''16^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | e'^( d) r a'^( gis) r | e'^( d) r a'^( gis) r | e'^( d) r a'^( fis) \l d \u b | a^( fis) \l d \u cis ais^( b) r | % #41- cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | cis'^( b) r a'^( gis) r e | b'^( a) r8 \nr 16 | e'^( d) r a'^( gis) r | e'^( d) r a'^( gis) r | e'^( d) r a'^( fis) \l d \u b | a^( fis) \l e \u b'^( a) r e | b'^( a) r e'^( d) r | a'^( gis) r e b'^( a) r e | b'^( a) r e'^( d) r | a'^( gis) r e b'^( a) r e | d'^( cis) r a fis'^( e) r e | #(set-octavation 1) \set Staff.ottavation = #"8" \once\override Staff.OttavaBracket #'extra-offset = #'(-.6 . 0.5) s2 #(set-octavation 0) \stemNeutral 16^([ )] \l a,[ \u cis] e^( a cis e) | \override Rest #'extra-offset = #'( 0 . 0 ) a8-. r8 r4 } \bar "|." } %% %% Left Hand %% lower = { % \override NoteColumn #'ignore-collision = ##t \clef bass \key a \major \time 2/4 \partial 16 % Part A: Vivo e leggieramente \relative { % #1-8 r16 | \u fis'16 d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u fis'' d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u a'' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d'' a \l ( b,) | \u d a \l ( b,) \u \once \override Beam #'positions = #'(-4.5 . -5.1) \stemDown d8 \l \clef bass \stemUp 16( e!) | \stemNeutral % #9-16 \u fis''16 d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u fis'' d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u a'' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d'' a \l ( b,) | \u d a \l ( b,) \u \once \override Beam #'positions = #'(7.5 . 6.5) \stemDown eis8 \l \clef bass \stemUp 16( cis,) | \stemNeutral } % Part B: Appassionato r16 << { \relative { % #17-24 \stemNeutral fis,,16 \u fis eis \l gis, \u eis | fis \l a, \u fis b \l d, \u b | \stemDown cis \l \stemUp cis, \u \stemDown fis' fis \l \stemUp d, b, | \u \stemDown cis' \l \stemUp cis, \u \stemDown cis cis \l \stemUp fis, \u \stemDown fis' | \stemNeutral \shiftbeam fis \l \clef treble fis, \u fis \shiftbeam eis \l gis, \clef treble \u eis | \shiftbeam fis \l a, \u fis b \l d, \u b | cis \l cis, \u fis' {\times 2/3 fis16.} \l d,16 b, | \u {\times 2/3 gis''16.} \l e,16 d \u eis' \l cis, 8 \clef bass | } } \\ { \relative { % #17-24 fis,,8 s16 s gis8 s16 | s16 a8 s16 s d8 s16 | s16 cis8 s16 s d8 b16 | s16 cis8 s16 s fis8 s16 | s16 fis8 s16 s gis8 s16 | s16 a8 s16 s d8 s16 | s16 cis8 s16 s d8 b16 | s16 e8[ d] cis s16 | } } >> r16 << { \relative { % #25-32 \stemNeutral fis,,16 \u fis eis \l gis, \u eis | fis \l a, \u fis b \l d, \u b | \stemDown cis \l \stemUp cis, \u \stemDown fis' fis \l \stemUp d, b, | \u \stemDown cis' \l \stemUp cis, \u \stemDown cis cis \l \stemUp fis, \u \stemDown fis' | \stemNeutral \shiftbeam fis \l \clef treble fis, \u fis \shiftbeam eis \l gis, \clef treble \u eis | \shiftbeam fis \l a, \u fis b \l d, \u b | cis \l cis, \u fis' {\times 2/3 fis16.} \l d,16 b, | \u gis'' \l e, \u d cis \l a, 8 | } } \\ { \relative { % #25-32 fis,,8 s16 s gis8 s16 | s16 a8 s16 s d8 s16 | s16 cis8 s16 s d8 b16 | s16 cis8 s16 s fis8 s16 | s16 fis8 s16 s gis8 s16 | s16 a8 s16 s d8 s16 | s16 cis8 s16 s d8 b16 | s16 e8 s16 s a,8 s16 | } } >> % Part C \relative { % #33-40 \u fis'16 d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u fis'' d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u a'' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d'' a \l ( b,) | \u d a \l ( b,) \u \once \override Beam #'positions = #'(-4.5 . -5.1) \stemDown d8 \l \clef bass \stemUp 16( e!) | \stemNeutral % #41-48 \u fis''16 d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u fis'' d \l \clef treble ( d,) \u d' b \l ( e) | \u e' cis \l ( cis,) \u ( ) \l ( a,) | \u a'' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d' b \l ( e) | \u a' fis \l ( b,) \u d'' a \l ( b,) | \u d a \l ( e) \u \stemNeutral e' cis \l 16( a,) | % #49- \u e'' cis \l ( a,) \u a'' fis \l ( a,) | \u d' b \l ( a,) \u e'' cis \l ( a,) | \u e'' cis \l ( a,) \u a'' fis \l ( a,) | \u d' b \l ( a,) \u e'' cis \l ( a,) | \u a'' e \l ( e,) \u cis'' a \l ( a,) | \stemDown \u ( ) \l \stemUp ( ) \stemDown \u ( ) \l \stemUp ( ) | s4 a16( cis e a) | cis8-. r8 r4 | } } dynamics = { \override DynamicText #'extra-offset = #'(0 . 4.0) \time 2/4 s16 \pp a2*16 s2 \f s2*7 s2 \f s2*7 % #33 \once \override DynamicText #'extra-offset = #'(0 . 1.5) s2 \pp s2*15 \once \override TextScript #'extra-offset = #'(0 . -1.0) s2_\markup{\italic cresc.} \once \override TextScript #'extra-offset = #'(0 . -0.5) s2_\markup{\italic dim.} \once \override TextScript #'extra-offset = #'(0 . -1.0) s2_\markup{\italic cresc.} \once \override TextScript #'extra-offset = #'(0 . -0.5) s2_\markup{\italic dim.} s2 s2| \once \override DynamicText #'extra-offset = #'(3.0 . 2.0) s2\pp s2| } %% %% PDF, PS %% \score { \new PianoStaff << \set PianoStaff.instrumentName = \markup{"Piano"\hspace #1 } \set PianoStaff.connectArpeggios = ##t \new Staff = "upper" \upper \new Dynamics = "dynamics" \dynamics \new Staff = "lower" \lower >> \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override DynamicText #'extra-offset = #'(0 . 2.0) \override Hairpin #'extra-offset = #'(0 . 2.0) \override DynamicTextSpanner #'extra-offset = #'(0 . 2.0) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #5.5 \override SeparationItem #'padding = #0.7 } } } %% %% MIDI %% \score { \new PianoStaff << \new Staff = "upper" << \upper \dynamics >> \new Staff = "lower" << \lower \dynamics >> >> \midi { \context { \type "Performer_group" \name Dynamics } \context { \PianoStaff \accepts Dynamics } } }