%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D210-DieLiebe.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Die Liebe", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" #(set-global-staff-size 19) \paper { after-title-space = 20\mm line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) indent = 28\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Die Liebe (D.210) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Die Liebe (D.210) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \fontsize #1.5 "Die Liebe" } subsubtitle = " " poet = \markup { \hspace #19 \column { \center-column { \line { \fontsize #2 \bold "Johann Wolfgang von Goethe" } \line { \small "(1787-1862)" } \line { \fontsize #1 \bold "„Egmont“" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.210 (8. Juni 1815)" } % MUTOPIA mutopiatitle = "Die Liebe" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Wolfgang von Goethe" mutopiaopus = "D.210" mutopiainstrument = "Voice and Piano" date = "1815" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1579" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes B2: dynamiques % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 8=60 TEMPOFIN = \tempo 8=30 %----- TONALITÉS ET MESURES KEY = { \key sib \major } TIME = { \time 2/4 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Sehr langsam. " } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "pan flute" \set Staff.midiMinimumVolume = #0.3 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } IPIANOBAS = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } %----- NOLET: SUPPRIMER OU ECRIRE LE NOMBRE OU LE CROCHET TUPNNO = \override TupletNumber #'stencil = ##f TUPBNO = \override TupletBracket #'stencil = ##f TUPNO = { \TUPNNO \TUPBNO } TUPNOK = { \revert TupletNumber #'stencil \override TupletNumber #'transparent = ##f } TUPBOK = \override TupletBracket #'transparent = ##f TUPOK = { \TUPNOK \TUPBOK } %----- DIRECTION DE LA HAMPE 3e LIGNE STEMDIRUP = \override Stem #'neutral-direction = #'1 %----- CACHER UNE HAMPE STEMNO = \once \override Stem #'transparent = ##t %----- REPOSITIONNEMENT D'UNE BARRE DE LIAISON BEAMPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Beam #'positions = #$beg-end #}) %----- REPOSITIONNEMENT D'UNE NOTE NOTEHS = #(define-music-function (parser location beg-end) (number?) #{ \once \override NoteColumn #'force-hshift = #$beg-end #}) %----- IGNORER UNE COLLISION IGNCOLL = \once \override NoteColumn #'ignore-collision = ##t %----- CRESCENDO CRESC = \markup { \bold \italic "cresc." } %----- REPOSITIONNEMENT DES MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-.5 Freud -- voll und leid -- voll, ge -- dan -- ken -- voll sein; lan -- gen und ban -- gen in schwe -- ben -- der Pein; him -- mel -- hoch jauch -- zend, zum To -- de be -- trübt; __ glück -- lic al -- lein __ ist die See -- le die liebt, glück -- lic al -- lein __ ist die See -- le die liebt, } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% chantA = \relative do'' { %--- 1 re4 sib8 r16 re fa4 si,8 r16 si %--- 3 do4~ do16[ mib] do la sib!4 r fa'4 re8 r16 fa %--- 6 lab4 si,8 r16 si do8( sol'4) dod,16 dod re4. r8 %--- 9 mib4 fa8. fa16 sol8 mib r mib mib4. re16 mib %--- 12 fa4( re8) r \tupletUp \TUPBNO sol8~[ \times 2/3 { sol16]\( fa mib\) } re8~[ \times 2/3 { re16]\( mib mi\) } } %%%%%%%%%%%%%%%%%%%% ORNEMENT PARTITION chantAP = \relative do'' { %--- 14 fa8~[ \times 2/3 { fa16]\( do mib!\) } \appoggiatura mib8 re4 } %%%%%%%%%%%%%%%%%%%% ORNEMENT MIDI chantAM = \relative do'' { %--- 14 fa8~[ \times 2/3 { fa16]\( do mib!\) } \times 2/3 { mib16 re8~ } re8 } %%%%%%%%%%%%%%%%%%%% suite chantB = \relative do''' { %--- 15 sib4 mi,8 mi fa2~ fa8 do16. re32 mib8~ \times 2/3 { mib16 sol, la } %--- 18-21 sib4 r R2*2 R2^\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef treble \KEY \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Singstimme." \chantA \chantAP \chantB } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEY \TIME \ICHANT \chantA \chantAM \chantB } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. CHANT : DYNAMIQUES PARTITION/MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartChant = { s2^\p } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX pianoHautA = \relative do' { %--- 1 \STEMDIRUP \tupletDown \TUPBNO \times 2/3 { re16([ fa sib] } \times 2/3 { re,[ fa sib] } \times 2/3 { re,[ fa sib] } \times 2/3 { re,[ fa sib]) } \TUPNNO \times 2/3 { \BEAMPOS #'(2.5 . 3.5) fa([ lab si] } \times 2/3 { fa[ lab si] } \times 2/3 { fa[ lab si] } \times 2/3 { fa[ lab si]) } %--- 3 \times 2/3 { mib,([ sol do] } \times 2/3 { mib,[ sol do] } \times 2/3 { \BEAMPOS #'(2.3 . 3.3) mib,[ solb la!] } \times 2/3 { mib[ solb la]) } \times 2/3 { re,([ fa sib!] } \times 2/3 { re,[ fa sib] } \times 2/3 { re,[ fa sib] } \times 2/3 { re,[ fa sib]) } \times 2/3 { fa([ sib re] } \times 2/3 { fa,[ sib re] } \times 2/3 { fa,[ sib re] } \times 2/3 { fa,[ sib re]) } %--- 6 \times 2/3 { lab([ si re] } \times 2/3 { lab[ si re] } \times 2/3 { lab[ si re] } \times 2/3 { lab[ si re]) } \times 2/3 { sol,([ si do] } \times 2/3 { sol[ si do] } \times 2/3 { sol[ sib dod] } \times 2/3 { sol[ la dod]) } \times 2/3 { fad,([ la re] } \times 2/3 { fad,[ la re] } \times 2/3 { sol,[ sib re] } \times 2/3 { fa,[ sib re]) } %--- 9 \TUPNOK \times 2/3 { [ ] } r \tupletUp \times 2/3 { [ ] } r \TUPNNO \times 2/3 { [ ] } r r4 \times 2/3 { r16 -.([ -.] } 8-.) \times 2/3 { r16 -.([ -.] } 8-.) %--- 12 \times 2/3 { r16 [ ] } 8 \times 2/3 { r16 [ ] } 8 \times 2/3 { 16[ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r %--- 15 r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ]} %--- 18-19 \times 2/3 { re,([ fa sib] } \times 2/3 { re[ fa sib] } \times 2/3 { si[ lab fa] } \times 2/3 { re[ si lab]) } \times 2/3 { sol([ do mib] } \times 2/3 { sol[ si do] } \times 2/3 { mib[ do la] } \times 2/3 { solb[ mib do]) } } pianoHautAPart = \relative do'' { %--- 20-21 \times 2/3 { fa16([ mib do] } \times 2/3 { la[ fa mi]) } \set doubleSlurs = ##t 4( 2\arpeggio\fermata) \set doubleSlurs = ##f } pianoHautAMidi = \relative do'' { %--- 20-21 \times 2/3 { fa16([ mib do] } \times 2/3 { la[ fa mi]) } 4 s2 } pianoHautPart = { \pianoHautA \pianoHautAPart } pianoHautMidi = { \pianoHautA \pianoHautAMidi } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef treble \KEY \TIME \set autoBeaming = ##f \pianoHautPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEY \TIME \IPIANOHAUT \pianoHautMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I PARTITION pianoBasIAPart = \relative do { \oneVoice %--- 1 2\arpeggio 2\arpeggio %--- 3 4\arpeggio 4\arpeggio 8\arpeggio sib-.[ re-. fa-.] 2\arpeggio %--- 6 2\arpeggio 4\arpeggio 4 sib'8([ lab]) %--- 9 \tupletUp \TUPNOK \times 2/3 { 16[ ] } r \times 2/3 { [ ] } r \TUPNNO \times 2/3 { [ ] } r \times 2/3 { [ ] } r 4( ) %--- 12 4 lab' \times 2/3 { 16[ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r %--- 15 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 %--- 18-19 << { \voiceOne \STEMNO 4\arpeggio \STEMNO \arpeggio \STEMNO \arpeggio( \arpeggio) } \\ { \voiceThree \NOTEHS #'-1 \IGNCOLL ( \NOTEHS #'-1 \IGNCOLL ) \NOTEHS #'-1 \IGNCOLL s4 } >> } %%%%%%%%%%%%%%%%%%%% VOIX I ARPEGE FINAL PARTITION pianoBasIBPart = \relative do { \voiceOne %--- 20-21 4\arpeggio \oneVoice \set doubleSlurs = ##t ( 2\arpeggio\fermata) \set doubleSlurs = ##f } pianoBasIPart = \context Staff \new Voice { \voiceOne \pianoBasIAPart \pianoBasIBPart } %%%%%%%%%%%%%%%%%%%% VOIX II PARTITION pianoBasIIPart = \relative do { \voiceTwo %--- 1 s2*17 %--- 18-21 \TUPNO \times 2/3 { \IGNCOLL sib16-.([ sib-. sib-. } sib8-.]) \times 2/3 { \IGNCOLL sib!16-.([ sib-. sib-. } sib8-.]) \times 2/3 { \IGNCOLL sib16-.([ sib-. sib-. } sib8-.]) \times 2/3 { sib16-.([ sib-. sib-. } sib8-.]) \times 4/6 { sib16-.([ sib-. sib-. sib-. sib-. sib-.]) } s4 s2 } %%%%%%%%%%%%%%%%%%%% VOIX I MIDI ET ARPEGE FINAL pianoBasIMidi = \context Staff \relative do \new Voice { \oneVoice %--- 1 << { sib2 } \\ { s64 re4.... } \\ { s32 fa8..~ fa4 } \\ { s32. sib64~ sib4.. } >> << { sib,2 } \\ { s64 re4.... } \\ { s32 fa8..~ fa4 } \\ { s32. lab64~ lab4.. } \\ { s16 si4.. } >> %--- 3 << { sib,4 } \\ { s64 mib8... } \\ { s32 sol16.~ sol8 } \\ { s32. do64~ do8. } >> << { sib,4 } \\ { s64 do8... } \\ { s32 mib16.~ mib8 } \\ { s32. sol64~ sol8. } \\ { s16 la8. } >> << { sib,8 } \\ { s64 re16.. } \\ { s32 fa16. } \\ { s32. sib64~ sib16 } >> sib,8-.[ re-. fa-.] << { lab2 } \\ { s64 sib4.... } \\ { s32 re8..~ re4 } >> %--- 6 << { fa,2 } \\ { s64 lab4.... } \\ { s32 si8..~ si4 } \\ { s32. re64~ re4.. } >> << { mib,4 } \\ { s64 sol8... } \\ { s32 do16.~ do8 } >> 4 4 sib'8([ lab]) %--- 9 \times 2/3 { 16[ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r 4( ) %--- 12 4 lab' \times 2/3 { 16[ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r \times 2/3 { [ ] } r %--- 15 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 \times 2/3 { 16[ ] } r8 %--- 18-19 << { s64 re8... } \\ { s32 fa16.~ fa8 } \\ { s32. sib64~ sib8. } >> << { s64 re,8... } \\ { s32 fa16.~ fa8 } \\ { s32. lab64~ lab8. } \\ { s16 sib8. } >> << { s64 mib,8... } \\ { s32 sol16.~ sol8 } \\ { s32. do64~ do8. } >> << { do,8... } \\ { s64 mib8... } \\ { s32 solb16.~ solb8 } \\ { s32. la64~ la8. } >> %--- 20-21 << { do,4 } \\ { s64 mib8... } \\ { s32 fa16.~ fa8 } \\ { s32. la64~ la8. } >> 4 << { sib2 } \\ { s64 re4.... } \\ { s32 fa8..~ fa4 } \\ { s32. sib64~ sib4.. } \\ { s16 re4.. } \\ { s16 s64 fa32.~ fa4. } \\ { s16. sib32~ sib4. } >> } %%%%%%%%%%%%%%%%%%%% VOIX II MIDI pianoBasIIMidi = \context Staff \relative do \new Voice { \voiceTwo %--- 1-17 s2*17 %--- 18-21 \times 2/3 { sib16\mf sib sib} sib8 \times 2/3 { sib16 sib sib} sib8 \times 2/3 { sib16 sib sib} sib8 \times 2/3 { sib16 sib sib} sib8 \times 4/6 { sib16-.([ sib-. sib-. sib-. sib-. sib-.]) } s4 s2 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEY \TIME \set autoBeaming = ##f << \pianoBasIPart \pianoBasIIPart >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBasI = { \KEY \TIME \IPIANOBAS \pianoBasIMidi } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBasII = { \KEY \TIME \IPIANOBAS \pianoBasIIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { %--- 1 s2\fp s2*3 %--- 5 s2\fp s2\fp s2 %--- 8 s2\pp s4\f \TSCREXO #'(0 . 1.5) s4-\CRESC \DYNEXO #'(1.5 . 0) s4\ff s4\p s2\pp %--- 12 s4\fz s4\p s2\ff \DYNEXO #'(1 . 0) s2\p s2\ff s2*2 %--- 18-21 s2\pp s4 \times 2/3 { s8\fp\decr s16\! } s8 s4\pp s8\decr s8\! s2\ppp } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPianoHaut = { \TEMPOBASE %--- 1-7 s2*7\p %--- 8 s2\pp s4\f s4\cr s4\!\ff s4\p s2\pp %--- 12 s4 s4\p s2\ff s2\p s2\ff s2*2 %--- 18-21 s2\pp s4 \times 2/3 { s8\mf\decr s16\!\p } s8 s4\pp s4\decr \TEMPOFIN s2\!\ppp } dynMidiPianoBas = { %--- 1 s4\f\decr s8\!\p s8 s2*3 %--- 5 s4\f\decr s8\!\p s8 s4\f\decr s8\!\p s8 s2 %--- 8 s2\pp s4\f s4\cr s4\!\ff s4\p s2\pp %--- 12 s4\mf s4\p s2\ff s2\p s2\ff s2*2 %--- 18-21 s2\p s4 \times 2/3 { s8\mf\decr s16\!\mp } s8 s4\pp s4\decr s2\!\ppp } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new Voice = "chant" << \notePartChant \dynPartChant >> \new Lyrics \lyricsto "chant" \poeme \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte." \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #2 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 1.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME s2 } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPianoHaut >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPianoHaut >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBasI \dynMidiPianoBas >> } \new Staff = "pianoDown2" { \SILENCE << \noteMidiPianoBasII >> } >> \midi { } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D210-DieLiebe.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%