%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D703-Quartettsatz.ly % % FRANZ SCHUBERT: Streichquartett No. 12 “Quartettsatz” % AVEC SORTIES PARTITION ET MIDI SEPAREES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.34" \include "italiano.ly" #(set-global-staff-size 18) \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 190\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Streichquartett No. 12 “Quartettsatz” in c-moll (D 703) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Streichquartett No. 12 “Quartettsatz” in c-moll (D 703) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup \center-align { \fontsize #1.5 "Streichquartett No. 12 “Quartettsatz”" "in c-moll (D 703)" } subtitle = " " composer = \markup \center-align { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D 703 (1820)" } % MUTOPIA mutopiatitle = "Streichquartett No. 12 “Quartettsatz” in c-moll" mutopiacomposer = "SchubertF" mutopiapoet = "" mutopiaopus = "D.703" mutopiainstrument = "String Quartet" date = "1820" source = "Breitkopf & Härtel, 1894" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2007/12/29-1196" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GÉNÉRALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % - INSTRUMENTS % A. VIOLON 1 - A1: NOTES - A2: DYNAMIQUES PARTITION - A3: DYNAMIQUES MIDI % B. VIOLON 2 - B1: NOTES - B2: DYNAMIQUES PARTITION - B3: DYNAMIQUES MIDI % C. ALTO - C1: NOTES - C2: DYNAMIQUES PARTITION - C3: DYNAMIQUES MIDI % D. VIOLONCELLE - D1: NOTES - D2: DYNAMIQUES PARTITION - D3: DYNAMIQUES MIDI % E. SORTIE PARTITION % F. SORTIE MIDI % % BIENVENUE A TOUTE SUGGESTION POUR AMELIORER LA PARTITION, LA SORTIE MIDI OU LE CODAGE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TONALITÉ ET MESURE KEYTIME = { \key mib \major \time 6/8 } %----- MOUVEMENT MOVEMENT = \markup { \bold \large { \hspace #-3.0 \italic "Allegro assai." } } %----- VARIER LA HAUTEUR D'UNE LIAISON SLURHLIM = #(define-music-function (parser location beg-end) (number?) #{ \once \override Slur #'height-limit = #$beg-end #}) SLURPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Slur #'positions = #$beg-end #}) SLURIN = \once \override Script #'avoid-slur = #'inside %----- CACHER UNE DYNAMIQUE (POUR SÉPARER LES PORTÉES) DYNNO = \once \override DynamicText #'transparent = ##t %----- DÉPLACER UNE DYNAMIQUE DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- CACHER UNE ALTÉRATION SUR LA PORTÉE DU HAUT QUAND L'ALTÉRATION DU BAS EST CACHÉE PAR LA BARRE ACCINO = \once \override Accidental #'transparent = ##t %----- MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) DECRESC = { \set decrescendoText = \markup { \italic "decresc." } \set decrescendoSpanner = #'dashed-line } DOLCE = \markup { \bold \italic "dolce" } PIZZICATO = \markup { \bold \italic "pizz." } ARCO = \markup { \bold \italic "arco" } FFZ = #(make-dynamic-script "ffz") %----- VIOLONCELLE & PIZZICATO CELLO = \set Staff.midiInstrument = "cello" PIZZICELLO = \set Staff.midiInstrument = "pizzicato strings" %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. VIOLON I % A1. VIOLON I: NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonINoteA = \relative do' { \repeat volta 2 { % LIGNE 1 À 140 %1 do16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib' mib fa! fa] %5 \repeat tremolo 6 sol16 \repeat tremolo 6 do16 \repeat tremolo 6 do16 \repeat tremolo 6 sol'16 \repeat tremolo 6 sol16 \repeat tremolo 6 sol16 fad16[ fad sol sol fad fad] \repeat tremolo 6 sol16 lab8-.[ fa-. reb-.] lab8-.[ fa-. reb-.] lab'8-.[ fa-. reb-.] lab8-.[ fa-. reb-.] %11 si4.( si' mib4.~mib4 re8) do8[( si) do-.] sib8[( la) sib-.] lab8[( sol) lab-.] sol8[( sol' mib)] %15 do8[( si) do-.] sib8[( la) sib-.] lab8[( sol) lab-.] sol8[( sol' mib)] re8([lab' fa] re8[ mib do]) si8([ fa' re] lab8[ sol si]) do8[( si) do-.] sib8[( la) sib-.] %20 lab8[( sol) lab-.] sol8[( sol' mib)] do8[( si) do-.] sib8[( la) sib-.] lab8[( sol) lab-.] sol8[( sol' mib)] reb8([lab' fa] reb8[ do reb] %24 fa8[ mib reb] do8[ sib lab]) sol8([ reb'' sib] mib,8[ re! mib] sol8[ fa mib] reb8[ sib mib]) lab,2.^( do4. mib) %29 mib4.~( mib4 reb16[ do] sib4. do) reb2.( fa4. lab) %33 lab4.~( lab4 sol16[ fa]) mib4.( fa reb4. fa4 mib8 do4 lab8 mib'4 reb8) do2.( %38 sib8-.)[ mib( fa] mib[ fa sol]) lab2.( do4. mib) mib4.~( mib4 reb16[ do] %42 sib4. do) reb2.( fa4. lab) lab4.~(lab4 sol16[ fa]) mib4.( fa %47 reb4. fa4 mib8) do4( lab8 mib'4 reb8) do2.( dob4. sib %51 la4. sib4 do8 mib4 reb8 do4 sib8) lab2.( sol4. mib') mib4.( do %56 dob4. sib la4. sib4 do8 fa4 reb8 do4 sib8) %59 lab2.( mib2.) lab,4 r8 r4 r8 R2. %63 lab,16([ sib dob reb mib fa] sol16[ lab sib dob reb mib] fa16[ sol lab sib dob reb] mib16[ fa sol lab sib lab]) solb4 r8 r4 r8 R2. solb,,16([ lab sib dob reb dob] sib16[ dob reb mib fab mib]) %68 reb16([ mib fab solb lab sib] dob16[ reb mib fab solb fab]) mib4 r8 r4 r8 reb,16([ mib fab solb lab sol] lab16([ sib do reb mib fab]) mib4 r8 r4 r8 reb,16([ mib fab solb lab sol] lab16([ sib do reb mib fab]) %73 mib4 r8 r4 r8 mib,16([ fa solb lab sib la] sib16[ do re! mib fa solb]) fa4 r8 r4 r8 fa,16([ sol lab sib do si] do16[ re mi fa sol lab]) sol8[ fad,( sol] lab[ sol]) r8 r8 fad([ sol] lab[ sol]) r8 %79 r8 fad,([ sol] lab^>[ sol]) r8 r8 fad([ sol] lab^>[ sol]) r8 r8 fad([ sol] lab->[ sol do] sib8[ lab' sol] fa![ mib re]) dod2.( %84 re2.) r8 fad,^([ sol] lab->[ sol do] sib8[ lab' sol] fa![ mib re]) dod2.~ dod2.( re2. mi2.) %91 re4.( si do4. la) sol4 r8 r4 sol8^( re'4_>( do!8 si4.) %95 do4.~( do4 si8 fad'4_> mi8 re4) red8( mi4 do8 la4 si8) do4( la8 mi4 fad8) 4 r8 r4 sol'8( %100 re'4_> do!8 si4.) do4.~( do4 si8 fad'4_> mi8 re4 red8) mi4( do8 la4 si8) %104 do4( la8 mi4 fad8) sol8([ la sol] fad[ re mi ] fa!8[ sol fa] mi4.) fa8([ sol fa] mi[ do re] mib!8[ fa mib] re4.) %109 mib2.~ mib2. re4.~( re8[ sol do,] si4. la4.) %113 sol''8([ la sol] fad[ re mi ] fa!8[ sol fa] mi4.) fa8([ sol fa] mi[ do re] mib!8[ fa mib] re4.) mib2.~ %118 mib2. re4.~( re8[ sol do,] si4. la4.) mib2.~( mib8[ lab mib] do[ lab do]) %123 re2.~ re2. sol,4.( si do4. la) sol4.( si %128 do4. la) sol4.( si re4. fad) sol4.( si %132 do4. la) sol4.( si do4. la) sol4.( si %136 re4. fad) sol2.~ sol2.~ sol8([ fa! re] si[ lab! fa] %140 re8[ si lab] fa[ re si]) } % FIN DU REPEAT LIGNE 1 À 140 } %%%%%%%%%%%%%%%%%%%% SUITE Ba violonINoteBa = \relative do' { %141 \repeat tremolo 12 lab!16 lab8 r8 r8 r4 mib''8( sib4.) ( do4 reb8 %144 fa8[ mib do] lab[ do mib]) sib4. ( do4 reb8 fa8[ mib do] lab'[ mib do]) solb'8([ mib do] mib[ do la] %148 solb8[ fa mi] mib[ reb do]) \repeat tremolo 12 reb16 reb8 r8 r8 r4 fa'8( do4.) ( reb4 mib8 %152 solb8[ fa reb] sib[ reb fa]) mib4.( fa4 solb8 sib8[ lab fa] reb'[ lab fa]) mib8([ solb fa] mib[ reb' do]) %156 sib([ lab solb] solb[ fa mib]) reb4.~( reb4 lab'8) lab4.~( lab4 do,8) reb4( lab'8) reb4( lab'8) %160 lab4.~( lab8[ fa reb]) lab,,4.^>~( lab4 sibb8) sibb4.^>~( sibb4 lab8) lab4^>( sibb8) lab4^>( sibb8) %164 lab4^>( sibb8) sibb4^>( lab8) reb'4.~( reb4 lab'8) lab4.~( lab4 do,8) reb4( lab'8) reb4( lab'8) lab4.~( lab8[ fa reb]) %169 la,,4.^>~( la4 sib8) sib4.^>~( sib4 la8) la4^>( sib8) la4^>( sib8) la4^>( sib8) sib4^>( la8) %173 sib'4.~( sib4 fa'8) fa4.~( fa8[ reb sib]) la2.( lab!2.) do4.~( do4 sol'8) %178-180 sol4.~( sol8[ mib do]) si2.( sib2.) } %%%%%%%%%%%%%%%%%%%% 181-182 TRILLE Ba trillePartBa = \relative do'' { re2.( dod2. \trill) } trilleMidiBa = \relative do'' { re2. \repeat unfold 10 { dod32 re } \times 2/3 { dod16 si dod } } %%%%%%%%%%%%%%%%%%%% SUITE Bb violonINoteBb = \relative do'' { %183 re4.~( re4 la'8) la4.~( la8[ fad re]) dod2.( dod'2.) %187 re4.~( re4 la'8) la4.~( la8[ fad re]) dod2.( dod,2.) %191 re4.( dod re4. dod re4. dod re4. la) sib2.( re4. fa) %197 fa4.~( fa4 mib16[ re] do4.) ( re) mib2.( sol4. sib) %201-204 sib4.~( sib4 la16[ sol] fa4. sol4.) ( mib4. sol4 fa8 re4 sib8 fa'4 mib8) } %%%%%%%%%%%%%%%%%%%% 205-206 TRILLE Ba trillePartBb = \relative do'' { re2.( do4.) re4. \trill } trilleMidiBb = \relative do'' { re2.( do4.) \repeat unfold 4 { re32 mib } \times 2/3 { re16 do re } } %%%%%%%%%%%%%%%%%%%% SUITE Bc violonINoteBc = \relative do'' { %207 mib2.( sol4. sib) sib4.~( sib4 lab!16[ sol] %210 fa4.) ( sol4.) lab2.( do4. mib) mib4.~( mib4 re16[ do] sib4.) do( %215 lab4.) do4( sib8 sol4) mib8( sib'4 lab8) sol2.( solb4. fa) %219 mi4.( fa4 sol!8 sib4 lab8 sol4 fa8) mib2.( re4.) sib'~( %223 sib4. sol solb4. fa) mi4.( fa4 sol8 do4 lab8 sol4 fa8) mib2.( sib2.) R2. %230 R2. mib,16([ fa solb lab solb fa] mib[ fa solb lab sib dob] sib16[ re mib fa solb fa] solb[ lab sib dob reb mib]) 8 r8 r8 r4 r8 R2. %235 reb,16([ mib fa solb fa mib] reb[ mib fa solb lab sib] dob16[ reb mib fa solb lab] fa[ solb lab sib dob reb]) 4 r8 r4 r8 sib16([ do reb mib fa mi] fa[ sol la sib do reb]) 4 r8 r4 r8 %240 fa16[ sol lab! sib do reb] do[ reb mib fa sol fa] mi8 si,,16[ si do do] si[ si do do si si] do16[ do si si do do] si[ si do do si si] do8 r8 r8 r4 r8 R2. r8 si([ do] reb[ do fa] %246 mib8[ reb' do] sib[ lab sol]) fad2.( sol2.) %249 r8 si([ do] reb[ do fa] mib8[ reb' do] sib[ lab sol]) fad2.~ fad2. %253 sol2.( la2.) sol4.( mi fa4. re) do4.~ do4 do8( %258 sol'4 fa8 mi4.) fa4.~ fa4 mi8( si'4_> la8 sol4) sold8( la4 fa8 re4 mi8) %262 fa4( re8 la4 si8) do4.~ do4 do8( sol'4_> fa8 mi4.) do4.~ do4 do8( %266 si'4_> la8 sol4) sold8( la4) ( fa8 re4 mi8 fa4 re8 la4 si8) do8([ re do] si[ sol la]) %270 sib!8([ do sib] la4.) sib8([ do sib] la[ fa sol]) lab!8([ sib lab] sol4.) lab2.~ lab2. %275 sol4.^>~( sol8[ do fa,] mi4. re) do''8([ re do] si[ sol la]) %278 sib!8([ do sib] la4.) sib8([ do sib] la[ fa sol]) lab!8([ sib lab] sol4.) lab2.~ lab2. sol4.^>~( sol8[ do fa,] %284 mi4. re) lab!2.~ lab8[ reb( lab] fa reb fa]) sol2.~ sol2. %289 do,4.( mi fa4. re) do4.( mi fa4. re) do4.( mi %294 sol4. si) do4.( mi fa4. re) do4.( mi fa4. re) %299 do4.( mi sol4. si) do2.~ do2.~ %303 do4 r8 r4 r8 R2. %305 do,,16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib' mib fa! fa] %309-315 \repeat tremolo 6 sol16 \repeat tremolo 6 do16 \repeat tremolo 6 do16 \repeat tremolo 6 sol'16 \repeat tremolo 12 sol16 fad16[ fad sol sol fad fad] \repeat tremolo 6 sol16 lab4 r8 r4 r8 4 r8 r4 r8 4 r8 r4 r8 \bar "|." } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A2. VIOLON I : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonIDynPartA = { \override DynamicTextSpanner #'dash-period = #-1.0 %1-4 s2. \pp s2.*3 %5-8 \setTextCresc s2. \cr s2.*3 %9-12 s2. \! \FFZ \DYNEXO #'(1 . 0) s2. \fp s2. \pp \cr s4. \! \decr s4 s8 \! %13-26 s2.*14 %27-29 s2. -\DOLCE s2. \cr s4. \! \decr s4 \! s8 %30-38 s2.*9 %39 \DYNEXO #'(1 . 0) s2. \pp %40-50 s2.*11 %51-52 s2. \cr s4. \! \decr s8 s8 \! s8 %53-56 s2.*4 %57-60 s2. \cr s4. \! \decr s4 s8 \! s2.*2 %61-62 s2. \fz s2. %63 s2. \p \setTextCresc s2. \cr s2. \! \fz s2. s2. \p %68 \setTextCresc s2. \cr s2. \! \fz s4. \cr s4 s16 s16 \! s2. \fz s4. \cr s4 s16 s16 \! %73 s2. \fz s4. \cr s4 s16 s16 \! s2. \fz s4. \cr s4 s16 s16 \! s4. \fz s4. \fz s4. s4. \fz %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87 s2. \pp s2.*2 \setTextDim s2. \decr %91-96 s2. \! s2.*5 %97-99 s2. \fp s2. s4. s4 s8 \mf %100-102 s2.*3 %103-105 s4. \fp \decr s4 s8 \! s2. \DYNEXO #'(2 . 0) s2. \ppp %106-108 s2.*3 %109-112 \DYNEXO #'(0.5 . 0) s2. \fp \decr s16 s16 \! s4 s4. s2. \p s2. %113-116 \DYNEXO #'(2 . 0) s2. \ppp s2.*3 %117-120 \DYNEXO #'(0.5 . 0) s4. \fp \decr s4 s8 \! s2. s2. \p s2. %121-124 s2. \decr s4. s8 s8 \! s8 s2.*2 %125 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s4. \cr s4 s8 \! s4. \decr s8 \! s4 s2.*2 %131-140 \DYNEXO #'(2 . 0) s2. \ppp s2.*9 } violonIDynPartB = { \override DynamicTextSpanner #'dash-period = #-1.0 %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 \setTextCresc s2. \cr s4. s4 s8 \! s2. \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s2. \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2. \pp s2.*21 %195-203 \DYNEXO #'(0.5 . 0) \TSCREXO #'(2.5 . 2.5) s2. \p -\DOLCE s2.*8 %204-230 s4. s4 \decr s8 \! s2.*26 %231-234 s2. \p s4. \cr s4 s16 s16 \! s2. \fz s2. %235-241 s2. \p \setTextCresc s4. \cr s4. \! s2. \fz s4. \p \cr s4 s16 s16 \! s2. \fz s4. \p \cr s4 s16 s16 \! s2. \fz %242-244 s4. \decr s4 s16 s16 \! s2.*2 %245-250 s8 s4 \pp s4 \cr s8 \! s4 \decr s8 \! s4. s2. \pp s2. s4. s4 \cr s8 \! s4 \decr s8 \! s4. %251-260 s2. \ppp s2.*9 %261-266 s4. \fp \decr s4 \! s8 s2. \DYNEXO #'(1 . 0) s2. \mf s2.*3 %267-268 s2. \fp \decr s8 s8 \! s8 s4. %269-272 \DYNEXO #'(1 . 0) s2. \ppp s2.*3 %273-280 \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s4. \fp \cr s4 s8 \! s4 \decr s8 \! s4. s2.*6 %281-284 s2. \fp s2.*3 %285-288 s4. \fp \decr s4 s16 s16 \! s2.*3 %289-294 \DYNEXO #'(1 . 0) s2. \pp s2.*5 %295-304 \setTextDim s4. \decr s4. \! s2.*9 %305-308 \DYNEXO #'(1 . 0) s2. \pp s2. s4. s4. \cr s4. s4 s16 s16 \! %309-315 s4. \setTextCresc s4 \cr s8 \! s2. s4. \f \setTextCresc s4 \cr s8 \! s4. \cr s4 s16 s16 \! s2. \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A3. VIOLON I : DYNAMIQUES MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonIDynMidiA = { \repeat unfold 2 { % LIGNE 1 À 140 %1-4 s2. \pp s2.*3 %5-8 s2. \cr s2.*3 %9-12 s8 \! \ff s8 \f s8 s4. s8 \ff s8 \f s8 s4. s2. \pp \cr s2. \! \mp \decr %13-26 s2. \! \pp s2.*13 %27-29 s2. s2. \cr s4. \! \mf \decr s4 \! \pp s8 %30-38 s2.*9 %39 s2. \pp %40-50 s2.*11 %51-52 s2. \cr s2. \! \mf \decr %53-56 s2. \! \pp s2.*3 %57-60 s2. \cr s2. \! \mf \decr s2. \! \pp s2. %61-62 s2. \f s2. %63 s2. \p s2. \cr s2. \! \f s2. s2. \p %68 s2. \cr s2. \! \f s2. \p \cr s2. \! \f s2. \p \cr %73 s2. \! \f s2. \p \cr s2. \! \f s2. \p \cr s8 \! \f s4 \mp s8 \f s4 \mp s4. s8 \f s4 \mp %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87-90 s2. \pp s2.*2 s2. \decr %91-96 s2. s2. \! \ppp s2.*4 %97 s4. \p \decr s4 s8 \! \ppp s2. s4. s4 s8 \mf %100-102 s2.*3 %103-105 s4. \f \decr s4 s8 \! \p s2. s2. \ppp %106-108 s2.*3 %109-112 s2. \mp \decr s2. s2. \! \p s2. %113-116 s2. \ppp s2.*3 %117-120 s2. \mp \decr s2. s2. \! \p s2. %121-124 s2. \decr s4. s8 s8 \! \pp s8 s2.*2 %125 s4. \cr s4. s4. \! \p \decr s4. s4. \pp \cr s4. s4. \! \p \decr s4. s2. \! \pp s2. %131-140 s2. \ppp s2.*9 } % FIN DU REPEAT LIGNE 1 À 140 } violonIDynMidiB = { %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 s2. \cr s2. s2. \! \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4. s4. \! \mf \decr s4. s2. \! \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-181 s2. \pp s2.*8 %182 TRILLE s2. \mp %183-194 s2. \pp s2.*11 %195-203 s2. \p s2.*8 %204-228 s4. s4 \mf \decr s8 \! \p s2. %206 TRILLE s4. s4. \mf %207-229 s2. \p s2.*23 %231-234 s2. \p s4. \cr s4 s16 s16 s2. \! \f s2. %235-241 s2. \p s2. \cr s2. \! \f s2. \p \cr s2. \! \f s2. \p \cr s2. \! \f %242-244 s2. \decr s2. \! \p s2. %245-250 s4. \pp s4. \cr s4 \! \mf \decr s8 \! \pp s4. s2. \pp s2. s4. s4. \cr s4 \! \mf \decr s8 \! \pp s4. %251-260 s2. \ppp s2.*9 %261-266 s4. \mf \decr s4 \! \p s8 s2. s2. \mf s2.*3 %267-268 s2. \f \decr s4 \! \mf s8 s4. %269-272 s2. \ppp s2.*3 %273-280 s2. \p \cr s4 \! \f \decr s8 \! \p s4. s2.*6 %281-284 s4 \f \decr s8 \! \p s4. s2.*3 %285-288 s2. \f \decr s2. \! \p s2.*2 %289-294 s2. \pp s2.*5 %295-304 s2. \decr s2. s2. \! \ppp s2.*7 %305-308 s2. \pp s2. s4. s4. \cr s2. %309-315 s2.*2 s4. \! \f s4. \cr s2. \tempo 4=120 s2. \! \ff s2. \tempo 4=45 s2. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN A. VIOLON I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. VIOLON II % B1. VIOLON II: NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonIINoteA = \relative do' { \repeat volta 2 { % LIGNE 1 À 140 %1 R2. R2. do16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] %5 mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib' mib fa! fa] \repeat tremolo 6 sol16 \repeat tremolo 6 do16 \repeat tremolo 6 do16 \repeat tremolo 6 mib16 4 r8 r4 r8 R2. %11 lab2.( sol4.~sol4 fa8) mib4.( mi4. fa4. mib4) do16([ reb] %15 mib4.) (mi4. fa4. mib4.) re2.( fa2.) mib4.( mi4. %20 fa4. mib4) do16([ reb] mib4.) (mi4. fa4. mib4.) reb2. ~ %24 reb2. ~ reb2. ~ reb2. do8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] %29 mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] reb8[( fa) reb-.] reb8[( fa) reb-.] reb8[( fa) reb-.] reb8[( fa) reb-.] %33 do8[( mib) do-.] do8[( mib) do-.] do8[( mib) do-.] mib8[( fa) mib-.] reb8[( fa) reb-.] reb8[( mib) reb-.] do8[( mib) do-.] reb8[( fa) reb-.] do8[( mib) do-.] do8[( mib) do-.] %38 sib8[( mib) sib-.] reb8[( mib) reb-.] do8[( mib') mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] mib8[( fa) mib-.] %42 mib8[( fa) mib-.] mib8[( fa) mib-.] reb8[( fa) reb-.] reb8[( fa) reb-.] reb8[( fa) reb-.] reb8[( fa) reb-.] do8[( mib) do-.] do8[( mib) do-.] do8[( mib) do-.] mib8[( fa) mib-.] %47 reb8[( fa) reb-.] reb8[( mib) reb-.] do8[( mib) do-.] reb8[( fa) reb-.] do8[( mib) do-.] do8[( mib) do-.] dob8[( mib) dob-.] sib8[( mib) sib-.] %51 la8[( do) la-.] la8[( do) la-.] fa8[( sib) fa-.] fa8[( sib) fa-.] mib8[( lab) mib-.] mib8[( lab) mib-.] mib8[( sol) mib-.] reb'8[( mib) reb-.] do8[( mib) do-.] do8[( mib) do-.] %56 dob8[( mib) dob-.] sib8[( mib) sib-.] la8[( do) la-.] la8[( do) la-.] fa8[( sib) fa-.] fa8[( sib) fa-.] %59 mib8[( lab) mib-.] mib8[( lab) mib-.] mib8[( sol) mib-.] mib8[( sol) mib-.] \repeat tremolo 12 mib16 \repeat tremolo 12 mib16 %63 \repeat tremolo 12 mib16 \repeat tremolo 12 mib16 \repeat tremolo 12 solb16 \repeat tremolo 12 solb16 \repeat tremolo 12 solb16 %68 \repeat tremolo 12 solb16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 %73 \repeat tremolo 12 16 \repeat tremolo 12 solb16 \repeat tremolo 12 fa16 \repeat tremolo 12 lab16 sol8 dod([ re] mib[ re]) r8 r8 dod([ re] mib[ re]) r8 %79 r8 dod,([ re] mib[ re]) r8 r8 dod([ re] mib[ re]) r8 r8 mib4~ mib4( lab8) sol8([ re' mib] re[ sib la]) sol2.~ %84 sol4.( fad) r8 mib4~ mib4( lab!8) sol8([ re' mib] re[ sib la]) sol2.( sib2.~) sib2.~ sib2. %91 si4.( sol la4. fad) sol2.~ sol2.~ %95 sol2.~ sol2. fad2.~( fad4. do) sol''2.~ %100 sol4. sol8([ fad sol]) sol2.~ sol4. sol8([ fad sol]) fad2.~( %104 fad4. do) re2.( do4.) do8([ re do]) do2.( sib4.) sib8([ do sib]) %109 do4.~( do8[ sib do]) reb8([ mib reb] do4 sib8) la4.( si4 la8) sol4.( fad) %113 si'4.( la4.~ la4. sol) la4.( sol~ sol4. fa) lab!4.~( lab8[ sol lab]) %118 sib8([ do sib] lab4 sol8) fad4.( sol4 mi8 re2.) sib2.( lab2. %123 sol2. fad2.) re4.( sol la4. fad) re4.( sol %128 la4. fad) re4.( sol si4. re) re4.( sol %132 la4. fad) re4.( sol la4. fad) re4.( sol %136 si4. do) si2.~ si2.~ si8 r8 r8 r4 r8 %140 R2. } % FIN DU REPEAT LIGNE 1 À 140 } violonIINoteB = \relative do' { %141 \repeat tremolo 12 do16 do8 r8 r8 r4 lab'8( sol2.) ( %144 lab2.) \set doubleSlurs = ##t 2.( 2.) \set doubleSlurs = ##f solb'8([ mib do] mib[ do la] %148 solb8[ fa mi] mib[ reb do]) \repeat tremolo 12 sib16 sib8 r8 r8 r4 \set doubleSlurs = ##t 8( 2.) ( %152 2.) 2.( \ACCINO 2.) \set doubleSlurs = ##f 2.~ %156 4. lab8([ sol! lab] fa[ solb mib] reb8[ fa mib] reb[ fa solb]) lab8([ sol! lab] fa[ solb mib] %160 reb8[ fa mib] reb[ fa lab]) solb8([ fa solb]) solb([ fa solb]) solb8([ fa solb]) solb([ fa solb]) solb8([ lab solb]) solb([ lab solb]) %164 solb8([ lab solb]) solb([ fa solb]) fa8([ lab solb] fa[ solb mib]) reb8([ fa mib] reb[ fa solb]) fa8([ lab solb] fa[ solb mib] reb8([ fa mib] reb[ mib fa]) %169 mib8([ re! mib]) mib([ re mib]) mib8([ re mib]) mib([ re mib]) mib8([ fa mib]) mib([ fa mib]) mib8([ fa mib]) mib([ re mib]) %173 reb8([ fa mib] reb[ mib do] sib8[ reb do] sib[ reb fa]) fa8([ mi fa]) fa([ mi fa]) fa2. mib!8([ sol fa] mib[ fa re] %178 do8[ mib re] do[ mib sol]) sol8([ fad sol]) sol([ fad sol]) sol2. sib8([ la sib] do[ sib la] %182 sol8[ fad sol] la[ sib sol]) fad8([ re fad]) fad([ re fad]) fad8([ re fad]) fad([ re fad]) sol8([ dod, sol']) sol([ dod, sol']) sol8([ dod, sol']) sol([ dod, sol']) %187 fad8([ re fad]) fad([ re fad]) fad8([ re fad]) fad([ re fad]) sol8([ dod, sol']) sol([ dod, sol']) sol8([ dod, sol']) sol([ dod, sol']) %191 fad4 r8 r4 r8 R2.*3 fa8[( sol) fa-.] fa[( sol) fa-.] fa8[( sol) fa-.] fa[( sol) fa-.] %197 fa8[( sol) fa-.] fa[( sol) fa-.] fa8[( sol) fa-.] fa[( sib) fa-.] sol8[( sib) sol-.] sol[( sib) sol-.] sol8[( sib) sol-.] sol[( sib) sol-.] %201 fa8[( sib) fa-.] fa[( sib) fa-.] fa8[( sib) fa-.] sol[( re') sol,-.] sol8[( do) sol-.] fa[( do') fa,-.] fa8[( sib) fa-.] mib[( sol) mib-.] re8[( fa) re-.] re8[( fa) re-.] %206 do8[( fa) do-.] fa[( lab!) fa-.] mib8[( do') sib-.] sib[( do) sib-.] sib8[( do) sib-.] sib[( do) sib-.] sib8[( do) sib-.] sib[( do) sib-.] %210 sib8[( do) sib-.] sib[( mib) sib-.] do8[( mib) do-.] do[( mib) do-.] do8[( mib) do-.] do[( mib) do-.] sib8[( mib) sib-.] sib[( mib) sib-.] sib8[( mib) sib-.] do[( sol') do,-.] %215 do8[( fa) do-.] sib[( fa') sib,-.] sib8[( mib) sib-.] lab[( do) lab-.] sol8[( sib) sol-.] sol[( sib) sol-.] solb8[( sib) solb-.] fa[( sib) fa-.] %219 mi8[( sol) mi-.] mi[( sol) mi-.] fa8[( lab) fa-.] do[( fa) do-.] sib8[( mib) sib-.] sib[( mib) sib-.] sib8[( re) sib-.] lab'[( sib) lab-.] %223 sol8[( sib) sol-.] sol[( sib) sol-.] solb8[( sib) solb-.] fa[( sib) fa-.] mi8[( sol) mi-.] mi[( sol) mi-.] %226 fa8[( lab) fa-.] do[( fa) do-.] sib8[( mib) sib-.] sib[( mib) sib-.] sib8[( re) sib-.] sib[( re) sib-.] \repeat tremolo 12 sib16 %230 \repeat tremolo 12 sib16 \repeat tremolo 12 sib16 \repeat tremolo 12 sib16 \repeat tremolo 12 reb16 \repeat tremolo 12 reb16 %235 \repeat tremolo 12 reb16 \repeat tremolo 12 reb16 \repeat tremolo 12 sib16 \repeat tremolo 12 reb16 \repeat tremolo 12 do16 %240 \repeat tremolo 12 16 16[ si si do do] si[ si do do si si] do16[ do si si do do] si[ si do do si si] do8 r8 r8 r4 r8 R2. r8 lab4~( lab reb8) %246 do8([ sol' lab] sol[ mib re!]) do2.~( do4. si) r8 lab'4~ ^( lab reb8) do8([ sol' lab] sol[ mib re!]) do2.( mib2.~) %253 mib2.~ mib2.~ mi4.( do re4. si) do2.~ %258 do2. do2.~ do2. si2.~( si4. fa) do'2.~ do4. do8([ si do]) do2.~ %266 do4. do8([ si do]) si2.~( si4. fa) sol2.( %270 fa4.) fa8([ sol fa]) fa2.( mib!4.) mib8([ fa mib]) fa4.~( fa8[ mib fa] solb8[ lab solb] fa4 mib8) %275 re4.^>( mi4 do8) do4.( si) mi'4.( re reb4. do) re!4.( do4.~ do4. sib) %281 reb4.~( reb8[ do reb] mib8[ fa mib] reb4 do8) si4.( do4 la8) %284 sol2. mib!2.( reb2. do2. si2.) %289 sol4.( do re4. si) sol4.( do re4. si) sol4.( do %294 mi4. sol) sol4.( do re4. si) sol4.( do re4. si) %299 sol4.( do mi4. sol) \ACCINO sol!2.~ sol2.~ %303 sol4 r8 r4 r8 R2. %305 R2. R2. do,,16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] %309-315 mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib' mib fa! fa] \repeat tremolo 6 sol16 \repeat tremolo 6 do16 \repeat tremolo 6 do16 \repeat tremolo 6 mib16 4 r8 r4 r8 4 r8 r4 r8 4 r8 r4 r8 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. VIOLON II : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonIIDynPartA = { \override DynamicTextSpanner #'dash-period = #-1.0 %1-4 s2.*2 \DYNEXO #'(1 . 0) s2. \pp s2. %5-8 \setTextCresc s2. \cr s2.*3 %9-11 s2. \! \FFZ s2. s2. \pp %12-38 s2.*27 %39 \DYNEXO #'(1 . 0) s2. \pp %40-60 s2.*21 %61-62 s2. \fz \decr s4. s4 s16 s16 \! %63 s2. \p s4. \cr s4 s16 s16 \! s2. \fz \decr s4. s4 s16 s16 \! s2. \p %68 s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! %73 s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz s4. \fz s4. s4. \fz %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87 s2. \pp s2.*2 \setTextDim s2. \decr %91-96 s2. \! s2.*5 %97-99 s2. \fp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \fp \decr s4 s8 \! s2. \DYNEXO #'(2 . 0) s2. \ppp %106-108 s2.*3 %109-112 \DYNEXO #'(0.5 . 0) s2. \fp \decr s16 s16 \! s4 s4. s2. s2. %113-116 \DYNEXO #'(2 . 0) s2. \ppp s2.*3 %117-120 \DYNEXO #'(0.5 . 0) s4. \fp \decr s4 s8 \! s2. s2. \p s2. %121-124 s2. \decr s4. s8 s8 \! s8 s2.*2 %125 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s4. \cr s4 s8 \! s4. \decr s8 \! s4 s2.*2 %131-140 \DYNEXO #'(2 . 0) s2. \ppp s2.*9 } violonIIDynPartB = { \override DynamicTextSpanner #'dash-period = #-1.0 %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 \setTextCresc s2. \cr s4. s4 s8 \! s2. \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s2. \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2. \pp s2.*21 %195-228 \DYNEXO #'(1.5 . 0) s2. \pp s2.*33 %229-234 s4. \fz \decr s4 s16 s16 \! s2. s2. \p s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s2. %235-239 s2. \p s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \p \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! %240-244 s4. \p \cr s4 s16 s16 \! s2. \fz s4. \decr s4 s16 s16 \! s2.*2 %245-250 s8 s4 \pp s4 \cr s8 \! s4 \decr s8 \! s4. s2. \pp s2. s4. s4 \cr s8 \! s4 \decr s8 \! s4. %251-260 s2. \ppp s2.*9 %261-266 s2. \fp s2. \DYNEXO #'(1 . 0) s2. \mf s2.*3 %267-268 s2. \fp \decr s8 s8 \! s8 s4. %269-272 \DYNEXO #'(1 . 0) s2. \ppp s2.*3 %273-280 \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s4. \fp \cr s4 s8 \! s4 \decr s8 \! s4. s2.*6 %281-284 s2. \fp s2.*3 %285-288 s4. \fp \decr s4 s16 s16 \! \setTextDim s4. \decr s4. \! s2.*2 %289-294 \DYNEXO #'(1 . 0) s2. \pp s2.*5 %295-304 \setTextDim s4. \decr s4. \! s2.*9 %305-308 s2.*2 s4. \pp s4. \cr s4. s4 s16 s16 \! %309-315 s4. \setTextCresc s4 \cr s8 \! s2. s4. \f \setTextCresc s4 \cr s8 \! s4. \cr s4 s16 s16 \! s2. \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3. VIOLON II : DYNAMIQUES MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% violonIIDynMidiA = { \repeat unfold 2 { % LIGNE 1 À 140 %1-4 s2.*2 s2. \pp s2. %5-8 s2. \cr s2.*3 %9-11 s2. \! \ff s2. s2. \pp %12-38 s2.*27 %39 s2. \pp %40-60 s2.*21 %61-62 s2. \f \decr s2. %63 s2. \! \p s2. \cr s2. \! \f \decr s2. s2. \! \p %68 s2. \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr %73 s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr s8 \! \f s4 \mp s8 \f s4 \mp s4. s8 \f s4 \mp %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87-90 s2. \pp s2.*2 s2. \decr %91-96 s2. s2. \! \ppp s2.*4 %97 s4. \p \decr s4 s8 \! \ppp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \f \decr s4 s8 \! \p s2. s2. \ppp %106-108 s2.*3 %109-112 s2. \mp \decr s2. s2. \! \p s2. %113-116 s2. \ppp s2.*3 %117-120 s2. \mp \decr s2. s2. \! \p s2. %121-124 s2. \decr s4. s8 s8 \! \pp s8 s2.*2 %125 s4. \cr s4. s4. \! \p \decr s4. s4. \pp \cr s4. s4. \! \p \decr s4. s2. \! \pp s2. %131-140 s2. \ppp s2.*9 } % FIN DU REPEAT LIGNE 1 À 140 } violonIIDynMidiB = { %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 s2. \cr s2. s2. \! \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4. s4. \! \mf \decr s4. s2. \! \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2. \pp s2.*21 %195-228 s2. \pp s2.*33 %229-234 s4. \ff \decr s4 s16 s16 \! \pp s2. s2. \p s2. \cr s4. \! \ff \decr s4 s16 s16 \! \pp s2. %235-241 s2. \p s2. \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f %242-244 s2. \decr s2. \! \p s2. %245-250 s4. \pp s4. \cr s4 \! \mf \decr s8 \! \pp s4. s2. \pp s2. s4. s4. \cr s4 \! \mf \decr s8 \! \pp s4. %251-260 s2. \ppp s2.*9 %261-266 s4. \mf \decr s4 \! \p s8 s2. s2. \mf s2.*3 %267-268 s2. \f \decr s4 \! \mf s8 s4. %269-272 s2. \ppp s2.*3 %273-280 s2. \p \cr s4 \! \f \decr s8 \! \p s4. s2.*6 %281-284 s4 \f \decr s8 \! \p s4. s2.*3 %285-288 s2. \f \decr s2. \! \p \decr s2.*2 %289-294 s2. \! \pp s2.*5 %295-304 s2. \decr s2. s2. \! \ppp s2.*7 %305-308 s2.*2 s4. \pp s4. \cr s2. %309-315 s2.*2 s4. \! \f s4. \cr s2. s2. \! \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN B. VIOLON II %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. ALTO (VIOLA) % C1. ALTO: NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% altoNoteA = \relative do' { \repeat volta 2 { % LIGNE 1 À 140 %1 R2. R2. R2. R2. %5 do16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib' mib do do] 4 r8 r4 r8 R2. %11 re'2.( si2.) \repeat tremolo 12 do16 \repeat tremolo 12 do16 %15 \repeat tremolo 12 do16 \repeat tremolo 12 do16 lab2.( re2.) \repeat tremolo 12 do16 %20 \repeat tremolo 12 do16 \repeat tremolo 12 do16 \repeat tremolo 12 do16 lab2.~ %24 lab2. sib2.~ sib4.( sol4.) lab8[( do) do-.] do8[( lab) do-.] do8[( lab) do-.] do8[( lab) do-.] %29 reb8[( sib) reb-.] reb8[( sib) reb-.] reb8[( sib) reb-.] do8[( lab) do-.] lab8[( reb) lab-.] lab8[( reb) lab-.] lab8[( reb) lab-.] lab8[( reb) lab-.] %33 lab8[( do) lab-.] lab8[( do) lab-.] lab8[( do) lab-.] do8[( fa,) do'-.] sib8[( fa) sib-.] sib8[( mib,) sib'-.] lab8[( mib) lab-.] lab8[( fa) lab-.] lab8[( mib) lab-.] lab8[( mib) lab-.] %38 sol8[( mib) sol-.] sib8[( mib,) sib'-.] lab8[( do') do-.] do8[( lab) do-.] do8[( lab) do-.] do8[( lab) do-.] reb8[( sib) reb-.] reb8[( sib) reb-.] %42 reb8[( sib) reb-.] do8[( lab) do-.] lab8[( reb) lab-.] lab8[( reb) lab-.] lab8[( reb) lab-.] lab8[( reb) lab-.] lab8[( do) lab-.] lab8[( do) lab-.] lab8[( do) lab-.] do8[( fa,) do'-.] %47 sib8[( fa) sib-.] sib8[( mib,) sib'-.] lab8[( mib) lab-.] lab8[( fa) lab-.] lab8[( mib) lab-.] lab8[( mib) lab-.] lab8[( mib) lab-.] sol8[( mib) sol-.] %51 solb8[( mib) solb-.] solb8[( mib) solb-.] fa8[( reb) reb-.] reb8[( fa) reb-.] do8[( mib) do-.] do8[( mib) do-.] sib8[( mib) sib-.] sol'8[( mib) sol-.] lab8[( mib) lab-.] lab8[( mib) lab-.] %56 lab8[( mib) lab-.] sol8[( mib) sol-.] solb8[( mib) solb-.] solb8[( mib) solb-.] fa8[( reb) fa-.] reb8[( fa) reb-.] %59 do8[( mib) do-.] do8[( mib) do-.] sib8[( mib) sib-.] sib8[( mib) sib-.] \repeat tremolo 12 dob16 \repeat tremolo 12 dob16 %63 \repeat tremolo 12 dob16 \repeat tremolo 12 dob16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 %68 \repeat tremolo 12 16 \repeat tremolo 12 sib16 \repeat tremolo 12 lab16 \repeat tremolo 12 sib16 \repeat tremolo 12 lab16 %73 \repeat tremolo 12 sib16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 8 lad'([si] do[ si]) r8 r8 lad([si] do[ si]) r8 %79 r8 lad,([si] do[ si]) r8 r8 lad([si] do[ si]) r8 r8 la([ sib!] do[ sib re] mib8[ fa sol] lab![ sol la]) sib2.~ %84 sib4.( la) r8 la,([ sib] do[ sib re] mib8[ fa sol] lab![ sol la]) sib2.( sol2.~) sol2.~ %90 sol2.~ sol4. re( fad4. do) si8([ fad' sol] fa[ mi fa] mi8[ red mi] re4) red8( %95 mi8[ red mi] re[ dod re] do!8[ si do] si4) si8( do4.~) do4( si8 la2.) 2. %100 sol'4. sol8([ fad sol]) sol2.~ sol4. sol8([ fad sol]) do4.~( do4 si8 %104 la2.) si4.( la~ la4. sol) la4.( sol~ sol4. fa) %109 lab4.~( lab8[ sol lab]) sib8([ do sib] lab4 sol8) fad4.( sol4 mi8) re4.~( re8[ mi re]) %113 re'2.( \ACCINO do!4.) do8([ re do]) do2.( \ACCINO sib!4.) sib8([ do sib]) do4.~( do8[ sib do]) %118 reb8([ mib reb] do4 sib8) la4.( si4 sol8) sol4.( fad) reb2.( do2. %123 sib2. la2.) si4.( re fad4. do) si4.( re %128 fad4. do) si4.( re sol4. do) si4.( re %132 fad4. do) si4.( re fad4. do) si4.( re %136 sol4. re) re2.~ re2.~ re8 r8 r8 r4 r8 %140 R2. } % FIN DU REPEAT LIGNE 1 À 140 } altoNoteB = \relative do { %141 \repeat tremolo 12 mib16 mib8 r8 r8 r4 \set doubleSlurs = ##t 8( 2.) ( %144 2.) 2.( 2.) \set doubleSlurs = ##f solb'8([ mib do] mib[ do la] %148 solb8[ fa mi] mib[ reb do]) \repeat tremolo 12 fa16 fa8 r8 r8 r4 reb'8( mib2.) ( %152 reb2.) \set doubleSlurs = ##t 2.( 2.) 2.( %156 4.) \set doubleSlurs = ##f 4. fa8([ mi fa] reb[ mib lab,] fa8[ reb' lab] fa[ reb' mib]) fa8([ mi fa] reb[ mib lab,] %160 fa8[ reb' lab] fa[ reb' fa]) mib8([ re! mib]) mib([ re mib]) mib8([ re mib]) mib([ re mib]) mib8([ fa mib]) mib([ fa mib]) %164 mib8([ fa mib]) mib([ re mib]) reb8([ fa mib] reb[ mib lab,]) fa8([ reb' lab] fa[ reb' mib]) reb8([ fa mib] reb[ mib lab,] fa8[ reb' lab] fa[ lab reb]) %169 do8([ si do]) do([ si do]) do8([ si do]) do([ si do]) do8([ reb do]) do([ reb do]) do8([ reb do]) do([ si do]) %173 sib!8([ reb do] sib[ do fa,] reb8[ sib'fa] reb[ sib' reb]) do2. do8([ si do]) do([ si do]) do8([ mib! re] do[ re sol,] %178 mib8[ sol fa] mib[ do' mib]) re2. re8([ dod re]) re([ dod re]) sol,8([ la sol] fad[ sol la] %182 sib8[ do sib] la[ sol sib]) la8([ re la]) la([ re la]) la8([ re la]) la([ re la]) sol8([ mib' sol,]) sol([ mib' sol,]) sol8([ mib' sol,]) sol([ mib' sol,]) %187 la8([ re la]) la([ re la]) la8([ re la]) la([ re la]) sol8([ mib' sol,]) sol([ mib' sol,]) sol8([ mib' sol,]) sol([ mib' sol,]) %191 la4 r8 r4 r8 R2.*3 re8[( sib) re-.] re[( sib) re-.] re8[( sib) re-.] re[( sib) re-.] %197 mib8[( do) mib-.] mib[( do) mib-.] mib8[( do) mib-.] re[( sib) re-.] mib8[( sib) mib-.] mib[( sib) mib-.] mib8[( sib) mib-.] mib[( sib) mib-.] %201 re8[( sib) re-.] re[( sib) re-.] re8[( sib) re-.] fa[( re) fa-.] mib8[( do) mib-.] mib[( do) mib-.] re8[( sib) re-.] sib[( sol) sib-.] sib8[( fa) sib-.] sib[( fa) sib-.] %206 la8[( fa) la-.] lab[( fa) lab-.] sol8[( lab') sol-.] sol[( mib) sol-.] sol8[( mib) sol-.] sol[( mib) sol-.] lab8[( fa) lab-.] lab[( fa) lab-.] %210 lab8[( fa) lab-.] sol[( mib) sol-.] lab8[( mib) lab-.] lab[( mib) lab-.] lab8[( mib) lab-.] lab[( mib) lab-.] sol8[( mib) sol-.] sol[( mib) sol-.] sol8[( mib) sol-.] sib[( sol) sib-.] %215 lab8[( fa) lab-.] lab[( fa) lab-.] \ACCINO sol!8[( mib) sol-.] mib[( do) mib-.] mib8[( sib) mib-.] mib[( sib) mib-.] mib8[( sib) mib-.] re[( sib) re-.] %219 reb8[( sib) reb-.] reb[( sib) reb-.] do8[( lab) do-.] lab[( do) lab-.] sol8[( sib) sol-.] sol[( sib) sol-.] fa8[( sib) fa-.] fa'[( sib,) fa'-.] %223 mib8[( sib) mib-.] mib[( sib) mib-.] mib8[( sib) mib-.] re[( sib) re-.] reb8[( sib) reb-.] reb[( sib) reb-.] %226 do8[( lab) do-.] lab[( do) lab-.] sol8[( sib) sol-.] sol[( sib) sol-.] lab8[( sib) lab-.] lab[( sib) lab-.] \repeat tremolo 12 solb16 %230 \repeat tremolo 12 solb16 \repeat tremolo 12 solb16 \repeat tremolo 12 solb16 \repeat tremolo 12 16 \repeat tremolo 12 16 %235 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 \repeat tremolo 12 16 %240 \repeat tremolo 12 16 do'16[ do si si do do] si[ si do do si si] do16[ do si si do do] si[ si do do si si] do8 r8 r8 r4 r8 R2. r8 re,!([ mib] fa[ mib sol] %246 lab8[ sib do] reb[ do re]) mib2.~( mib4. re) r8 re([ mib] fa[ mib sol] lab8[ sib do] reb[ do re]) mib!2.( do2.~) %253 do2.~ do2. do4.( sol si4. fa) mi8[( si') do-.] sib[( la) sib-.] %258 la8[(sold) la-.] sol4( sold8) la8[(sold) la-.] sol[(fad) sol-.] fa!8[(mi) fa-.] mi4.^> fa4.~( fa4 mi8 %262 re2.) do2.~ do4. do8([ si do]) do2.~ %266 do4. do8([ si do]) fa4.~( fa4 mi8 re2.) mi4.( re reb4. do) %271 re!4.( do~ do4. sib) reb4.~( reb8[ do reb] mib8[ fa mib] reb4 do8) %275 si4.^>( do4 la8) sol2. sol'2.( fa4.) fa8([ sol fa]) fa2.( mib!4.) mib8([ fa mib]) %281 fa4.~( fa8[ mib fa] solb8[ lab solb] fa4 mib8) re4.( mi4 do8) %284 do4.( si) solb2.( fa2. mib!2. re2.) %289 mi4.( sol si4. fa) mi4.( sol si4. fa) mi4.( sol %294 do4. fa) mi4.( sol si4. fa) mi4.( sol si4. fa) %299 mi4.( sol do4. fa) mi2.~ mi2.~ %303 mi4 r8 r4 r8 R2. %305 R2.*4 %309-315 do,16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol do do re re] mib16[ mib re re mib mib] mi16[ mi fa fa mi mi] fa16[ fa sol sol fad fad] sol16[ sol mib mib do do] 4 r8 r4 r8 4 r8 r4 r8 4 r8 r4 r8 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. ALTO : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% altoDynPartA = { \override DynamicTextSpanner #'dash-period = #-1.0 %1-4 s2.*4 %5-8 \setTextCresc s4. \p \cr s4. s2.*3 %9-11 s2. \! \FFZ s2. s2. \pp %12-38 s2.*27 %39 \DYNEXO #'(1 . 0) s2. \pp %40-60 s2.*21 %61-62 s2. \fz \decr s4. s4 s16 s16 \! %63 s2. \p s4. \cr s4 s16 s16 \! s2. \fz \decr s4. s4 s16 s16 \! s2. \p %68 s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! %73 s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \cr s4 s16 s16 \! s4. \fz s4. \fz s4. s4. \fz %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87 s2. \pp s2.*2 \setTextDim s2. \decr %91-96 s2. \! s2.*5 %97-99 s2. \fp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \fp \decr s4 s8 \! s2. \DYNEXO #'(2 . 0) s2. \ppp %106-108 s2.*3 %109-112 \DYNEXO #'(0.5 . 0) s2. \fp \decr s16 s16 \! s4 s4. s2. s2. %113-116 \DYNEXO #'(2 . 0) s2. \ppp s2.*3 %117-120 \DYNEXO #'(0.5 . 0) s4. \fp \decr s4 s8 \! s2. s2. \p s2. %121-124 s2. \decr s4. s8 s8 \! s8 s2.*2 %125 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s4. \cr s4 s8 \! s4. \decr s8 \! s4 s2.*2 %131-140 \DYNEXO #'(2 . 0) s2. \ppp s2.*9 } altoDynPartB = { \override DynamicTextSpanner #'dash-period = #-1.0 %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 \setTextCresc s2. \cr s4. s4 s8 \! s2. \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4 s8 \! s4. \decr s4 s8 \! s2. \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2. \pp s2.*21 %195-228 \DYNEXO #'(1.5 . 0) s2. \pp s2.*33 %229-234 s4. \fz \decr s4 s16 s16 \! s2. s2. \p s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s2. %235-239 s2. \p s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s4. \p \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! %240-244 s4. \p \cr s4 s16 s16 \! s2. \fz s4. \decr s4 s16 s16 \! s2.*2 %245-250 s8 s4 \pp s4 \cr s8 \! s4 \decr s8 \! s4. s2. \pp s2. s4. s4 \cr s8 \! s4 \decr s8 \! s4. %251-260 s2. \ppp s2.*9 %261-266 s2. \fp s2. \DYNEXO #'(1 . 0) s2. \mf s2.*3 %267-268 s2. \fp \decr s8 s8 \! s8 s4. %269-272 \DYNEXO #'(1 . 0) s2. \ppp s2.*3 %273-280 \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s4. \fp \cr s4 s8 \! s4 \decr s8 \! s4. s2.*6 %281-284 s2. \fp s2.*3 %285-288 s4. \fp \decr s4 s16 s16 \! s2.*3 %289-294 \DYNEXO #'(1 . 0) s2. \pp s2.*5 %295-304 \setTextDim s4. \decr s4. \! s2.*3 \DYNNO s2. \ppp s2.*4 \DYNNO s2. \ppp %305-308 s2.*4 %309-315 s4. \setTextCresc s4 \cr s8 \! s2. s4. \f \setTextCresc s4 \cr s8 \! s4. \cr s4 s16 s16 \! s2. \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. ALTO : DYNAMIQUES MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% altoDynMidiA = { \repeat unfold 2 { % LIGNE 1 À 140 %1-4 s2.*4 %5-8 s2. \p \cr s2.*3 %9-11 s2. \! \ff s2. s2. \pp %12-38 s2.*27 %39 s2. \pp %40-60 s2.*21 %61-62 s2. \f \decr s2. %63 s2. \! \p s2. \cr s2. \! \f \decr s2. s2. \! \p %68 s2. \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr %73 s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr s8 \! \f s4 \mp s8 \f s4 \mp s4. s8 \f s4 \mp %79 s8 s4 \p s4. s2. s8 s4 \pp s4. %82-86 s2.*5 %87-90 s2. \pp s2.*2 s2. \decr %91-96 s2. s2. \! \ppp s2.*4 %97 s4. \p \decr s4 s8 \! \ppp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \f \decr s4 s8 \! \p s2. s2. \ppp %106-108 s2.*3 %109-112 s2. \mp \decr s2. s2. \! \p s2. %113-116 s2. \ppp s2.*3 %117-120 s2. \mp \decr s2. s2. \! \p s2. %121-124 s2. \decr s4. s8 s8 \! \pp s8 s2.*2 %125 s4. \cr s4. s4. \! \p \decr s4. s4. \pp \cr s4. s4. \! \p \decr s4. s2. \! \pp s2. %131-140 s2. \ppp s2.*9 } % FIN DU REPEAT LIGNE 1 À 140 } altoDynMidiB = { %141-146 s2. \ff s4. s4 s8 \pp s2.*4 %147-154 s2. \cr s2. s2. \! \ff s4. s4 s8 \p s2.*4 %155-160 s4. \cr s4. s4. \! \mf \decr s4. s2. \! \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2. \pp s2.*21 %195-228 s2. \pp s2.*33 %229-234 s4. \ff \decr s4 s16 s16 \! \pp s2. s2. \p s2. \cr s4. \! \ff \decr s4 s16 s16 \! \pp s2. %235-241 s2. \p s2. \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f %242-244 s2. \decr s2. \! \p s2. %245-250 s4. \pp s4. \cr s4 \! \mf \decr s8 \! \pp s4. s2. \pp s2. s4. s4. \cr s4 \! \mf \decr s8 \! \pp s4. %251-260 s2. \ppp s2.*9 %261-266 s4. \mf \decr s4 \! \p s8 s2. s2. \mf s2.*3 %267-268 s2. \f \decr s4 \! \mf s8 s4. %269-272 s2. \ppp s2.*3 %273-280 s2. \p \cr s4 \! \f \decr s8 \! \p s4. s2.*6 %281-284 s4 \f \decr s8 \! \p s4. s2.*3 %285-288 s2. \f \decr s2. \! \p s2.*2 %289-294 s2. \pp s2.*5 %295-308 s2. \decr s2. s2. \! \ppp s2.*11 %309-315 s4. \p s4 \cr s2. s4. \! \f s4. \cr s2. s2. \! \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN C. ALTO (VIOLA) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. VIOLONCELLE (CELLO) % D1. VIOLONCELLE: NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% celloNoteA = \relative do { \repeat volta 2 { % LIGNE 1 À 140 %1 R2.*4 %5 R2.*2 do16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol mib mib do do] fa4 r8 r4 r8 R2. %11 sol2.( sol2.) do4 r8 r4 r8 R2. %15 do4 r8 r4 r8 R2. fa2.( sol2.) do,,8[( reb) do-.] do8[( reb) do-.] %20 do8[( reb) do-.] do8[( reb) do-.] do'8[( reb) do-.] do8[( reb) do-.] do8[( reb) do-.] do8[( reb) do-.] fa2.~ %24 fa2. mib2.~ mib2. lab4 r8 r4 r8 R2. %29 sol4 r8 r4 r8 r4 r8 solb4 r8 fa4 r8 r4 r8 reb4 r8 r4 r8 %33 lab4 r8 r4 r8 r4 r8 la'4.( sib4) r8 sol4.( lab!4) r8 fa4.( mib2.~) %38 mib4 r8 r4 r8 \clef tenor lab'2.~( lab2. sol2.~ %42 sol4. solb) fa2.( reb2. lab2. lab'4.) la4.( %47 sib4. sol lab!4. fa) mib2.~ mib2.~ %51 mib2.( reb4. reb,) mib2.~ mib4 r8 r4 r8 r8 r4 mib'4.~ %56 mib2. mib2.( reb4. reb,) %59 mib2.~ mib2. \clef bass lab16[ lab sol sol lab lab] sol16[ sol lab lab sol sol] lab16[ lab sol sol lab lab] sol16[ sol lab lab sol sol] %63 lab8-.[ mib-.] r8 mib-.[ dob-.] r8 dob8-.[ lab-.] r8 lab-.[ lab'-.] r8 sib16[ sib la la sib sib] la16[ la sib sib la la] sib16[ sib la la sib sib] la16[ la sib sib la la] sib8-.[ solb-.] r8 solb-.[ reb-.] r8 %68 reb8-.[ sib-.] r8 sib-.[ sib'-.] r8 sol,!16[ sol sol' sol fad fad] sol16[ sol fad fad sol sol] lab8-.[ fab-.] r8 reb-.[ lab-.] r8 sol16[ sol sol' sol fad fad] sol16[ sol fad fad sol sol] lab8-.[ fab-.] r8 reb-.[ lab-.] r8 %73 sol16[ sol sol' sol fad fad] sol16[ sol fad fad sol sol] sib8-.[ solb-.] r8 mib-.[ sib-.] r8 la16[ la la' la sold sold] la16[ la sold sold la la] do8-.[ lab!-.] r8 fa-.[ do-.] r8 sol8 r8 r8 r8 \clef tenor fad''([ sol] lab[ sol]) r8 r8 fad([ sol] %79 lab[ sol]) r8 r8 \clef bass fad,,([ sol] lab^>[ sol]) r8 r8 fad([ sol]) mib2.~ mib2.~ mib2.( %84 re2.) mib2.^>~ mib2.~ mib2.~ mib2.( re2.) dod2. %91 re2.~ re2. sol4 r8 r4 r8 r4 r8 sol8^>([ fad sol]) %95 sol4 r8 r4 r8 r4 r8 sol8^>([ fad sol]) sol2.^>~ sol2. sol'8([ fad sol] fa[ mi fa] %100 mi8[ red mi] re4) red8( mi8[ red mi] re[ dod re] do!8[ si do] si4) sol''8~ sol2.~ %104 sol2. sol4.( re fa!4. do) fa4.( do mib!4. sib) %109 lab!2.( sol4. lab4 sib8) do4.( si4 do8 re2.) %113 sol4 r8 re4 r8 fa!4 r8 do4 r8 fa4 r8 do4 r8 mib!4 r8 sib4 r8 lab!4 r8 r4 r8 %118 \ACCINO sol!4 r8 lab4 sib8 do4 r8 si4 do8 re4 r8 re4 r8 sol,,2.( lab!4.( do4 mib8) %123 re2.~ re2. %125-138 \repeat unfold 14 { sol,8([ fad sol] re'[ dod re]) } %139-140 sol,8 r8 r8 r4 r8 R2. } % FIN DU REPEAT LIGNE 1 À 140 } celloNoteB = \relative do { %141 lab!8([ sol lab] mib'[ re mib]) lab,8([ sol lab] mib'[ re mib]) lab,8([ sol lab] mib'[ re mib]) %144 lab,8([ sol lab] mib'[ re mib]) lab,8([ sol lab] mib'[ re mib]) lab,8([ sol lab] mib'[ re mib]) la,8([ sold la] fa'[ mi fa]) %148 la,8([ sold la] fa'[ mi fa]) sib,8([ la sib] fa'[ mi fa]) sib,8([ la sib] fa'[ mi fa]) sib,8([ la sib] fa'[ mi fa]) %152 sib,8([ la sib] fa'[ mi fa]) lab,!8([ sol lab] lab'![ sol lab]) lab,8([ sol lab] lab'[ sol lab]) lab,8([ sol lab] lab'[ sol lab]) %156 lab,8([ sol lab] lab'[ sol lab]) \repeat tremolo 6 reb,16 reb8 r8 r8 R2. \repeat tremolo 6 reb16 reb8 r8 r8 %160 R2. do'4.~( do4 reb8) reb4._>~( reb4 do8) do4_>( reb8) do4_>( reb8) %164 do4_>( reb8) reb4_>( do8) \repeat tremolo 6 reb,16 reb8 r8 r8 R2. \repeat tremolo 6 reb16 reb8 r8 r8 R2. \clef tenor %169 fa'4._>~( fa4 solb8) solb4._>~( solb4 fa8) fa4_>( solb8) fa4_>( solb8) fa4_>( solb8) solb4_>( fa8) %173 sib,4 r8 r4 r8 R2. \clef bass fa,4.~( fa4 do'8) do4.~( do8[ lab! fa]) do4 r8 r4 r8 %178 R2. sol'4.~( sol4 re'8) re4.~( re8[ sib! sol]) mib!2.~ %182 mib2. re4 r8 r4 r8 R2. mib4.~( mib4 sib'8) sib4.~( sib8[ sol mib]) %187 re4.( re') R2. mib,4.~( mib4 sib'8) sib4.~( sib8[ sol mib]) %191 re4 r8 r4 r8 R2.*3 sib''4 r8 r4 r8 R2. %197 la4 r8 r4 r8 r4 r8 lab4.( sol4) r8 r4 r8 mib4 r8 r4 r8 %201 sib2.( sib'4) r8 si4.( do4) r8 la4.( sib4) r8 sol4 r8 fa2.~ %206 fa4 r8 sib4 r8 mib,2.( mib'2.) re2.~( %210 re4. reb) do2.( lab2.) mib2.( mib'4.) mi( %215 fa4.) re4.( mib!4. do) sib2.~ sib2. %219 sib2.( lab4.) lab,4.( sib2.)~ sib4 r8 r4 r8 %223 r4 r8 sib'4. ~sib2. sib2.( %226 lab4.) lab,4.( sib2.~) sib2. mib16[ mib re re mib mib] re[ re mib mib re re] %230 mib16[ mib re re mib mib] re[ re mib mib re re] mib8-.[ sib-.] r8 sib-.[ solb-.] r8 solb8-.[ mib-.] r8 mib-.[ mib'-.] r8 fa16[ fa mi mi fa fa] mi[ mi fa fa mi mi] fa16[ fa mi mi fa fa] mi[ mi fa fa mi mi] %235 fa8-.[ reb-.] r8 reb-.[ lab-.] r8 lab8-.[ fa-.] r8 fa-.[ fa'-.] r8 re!16[ re dod dod re re] dod[ dod re re re, re] fa8-.[ fa'-.] r8 r4 r8 mi16[ mi red red mi mi] red[ red mi mi do! do] %240 reb8-.[ reb,-.] r8 reb-.[ reb'-.] r8 do16[ do si si do do] si[ si do do si si] do16[ do si si do do] si[ si do do si si] do8([ si do] si[ do si] do8([ si do] si[ do sol]) lab2.~ %246 lab2.~ lab2.( sol2.) lab'2._>~ lab2.~ lab2.~ lab2. %253 sol,2.( fad2.) sol2.~ sol2. do,4 r8 r4 r8 %258 r4 r8 do'8->([ si do]) do4 r8 r4 r8 r4 r8 do8->([ si do]) do2.~ do2. do8[( si) do-.] sib[( la) sib-.] la8[( sold) la-.] sol4( sold8) la8[( sold) la-.] sol[( fad) sol-.] %266 fa!8[( mi) fa-.] mi4( do'8) do2.~ do2. do'4.( sol sib!4. fa) %271 sib4.( fa lab4. mib) reb2.( do4. reb4 mib8) %275 fa4.^>( mi4 fa8 sol2.) do4 r8 sol4 r8 sib4 r8 fa4 r8 sib4 r8 fa4 r8 %280 lab4 r8 mib4 r8 reb4 r8 r4 r8 do4^> r8 reb4 mib8 fa4^> r8 mi4 fa8 %284 sol4 r8 sol4 r8 do,,2.( reb4.) ( fa4 lab8) sol2.~ sol2. %289-304 \repeat unfold 14 { do,8([ re do] sol'[ fad sol]) } do,8([ re do] sol'[ fad sol] do,8[ re do] sol'[ fad sol]) %305-308 R2.*4 %309-315 R2.*2 do16[ do si si do do] sib16[ sib la la sib sib] lab16[ lab sol sol lab lab] sol16[ sol mib mib do do] fa4 r8 r4 r8 sol4 r8 r4 r8 do,4 r8 r4 r8 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D2. VIOLONCELLE : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% celloDynPartA = { \override DynamicTextSpanner #'dash-period = #-1.0 %1-6 s2.*6 %7-8 s4 \f \setTextCresc s8 \cr s4. s2. %9-11 s2. \! \FFZ s2. s2. \pp %12-38 s2.*27 %39 \DYNEXO #'(1 . 0) s2. \pp %40-60 s2.*21 %61-62 s2. \fz \decr s4. s4 s16 s16 \! %63 s2. \p s4. \cr s8 s8 \! s8 s2. \fz \decr s4. s4 s16 s16 \! s2. \p %68 s4. \cr s8 s8 \! s8 s4. \fz \decr s4 s16 s16 \! s4. \cr s8 s8 \! s8 s4. \fz \decr s4 s16 s16 \! s4. \cr s8 s8 \! s8 %73 s4. \fz \decr s4 s16 s16 \! s4. \cr s8 s8 \! s8 s4. \fz \decr s4 s16 s16 \! s4. \cr s8 s8 \! s8 s2. \fz s2. \fz %79 s4. \fz s8 s4 \p s4. s8 s4 \pp s2. %82-89 s2.*8 %90 \setTextDim s2. \decr %91-96 s2. \! s2.*5 %97-99 s2. \fp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \fp \decr s4 s8 \! s2. \DYNEXO #'(2 . 0) s2. \ppp %106-108 s2.*3 %109-112 \DYNEXO #'(0.5 . 0) s2. \fp \decr s16 s16 \! s4 s4. s2. s2. %113-116 s2. ^\PIZZICATO s2.*3 %117-120 \DYNEXO #'(0.5 . 0) s4. \fp \decr s4 s8 \! s2. s2. \p s2. %121-124 s2. ^\ARCO \decr s4. s8 s8 \! s8 s2.*2 %125-130 s2.*6 %131-140 \DYNEXO #'(2 . 0) s2. \ppp s2.*9 } celloDynPartB = { \override DynamicTextSpanner #'dash-period = #-1.0 %141-146 s2. \ff s2. \p s2.*4 %147-154 \setTextCresc s2. \cr s4. s4 s8 \! s2. \ff s2. \p s2.*4 %155-160 s2.*2 s2. \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2.*22 %195-228 \DYNEXO #'(0.5 . 0) s2. \p s2.*33 %229-234 s4. \fz \decr s4 s16 s16 \! s2. s2. \p s4. \cr s8 s8 \! s8 s4. \fz \decr s4 s16 s16 \! s2. %235-239 s2. \p s4. \cr s4 s16 s16 \! s4. \fz \decr s4 s16 s16 \! s2. \p s4. \fz \decr s4 s16 s16 \! %240-244 s2. \p s2. \fz s4. \decr s4 s16 s16 \! s2. \p \DECRESC s4. \decr s4. \! %245-250 \DYNEXO #'(1 . 0) s2. \pp s2.*5 %251-260 s2. \ppp s2.*9 %261-266 s2. \fp s2. \DYNEXO #'(1 . 0) s2. \mf s2.*3 %267-268 s2. \fp \decr s8 s8 \! s8 s4. %269-272 \DYNEXO #'(1 . 0) s2. \ppp s2.*3 %273-280 \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s4. \fp \cr s4 s8 \! s4 \decr s8 \! s4. s2.*2 s2. ^\PIZZICATO s2.*3 %281-284 s2. \fp s2.*3 %285-288 s4. ^\ARCO \fp \decr s4 s16 s16 \! s2.*3 %289-304 \DYNEXO #'(1 . 0) s2. \pp s2.*15 %305-308 s2.*4 %309-315 s2.*2 s4. \f \setTextCresc s4 \cr s8 \! s4. \cr s4 s16 s16 \! s2. \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D3. VIOLONCELLE : DYNAMIQUES MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% celloDynMidiA = { \repeat unfold 2 { % LIGNE 1 À 140 %1-6 s2.*6 %7-8 s4 \f s8 \cr s4. s2. %9-11 s2. \! \ff s2. s2. \pp %12-38 s2.*27 %39 s2. \pp %40-60 s2.*21 %61-62 s2. \f \decr s2. %63 s2. \! \p s2. \cr s2. \! \f \decr s2. s2. \! \p %68 s2. \cr s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr %73 s2. \! \f \decr s2. \! \p \cr s2. \! \f \decr s2. \! \p \cr s4. \f s4. \mp s4. \f s4. \mp %79 s8 \f s4 s8 s4 \p s2. s4. s8 s4 \pp %82-86 s2.*5 %87-90 s2. \pp s2.*2 s2. \decr %91-96 s2. s2. \! \ppp s2.*4 %97 s4. \p \decr s4 s8 \! \ppp s2. s2. \mf %100-102 s2.*3 %103-105 s4. \f \decr s4 s8 \! \p s2. s2. \ppp %106-108 s2.*3 %109-112 s2. \mp \decr s2. s2. \! \p s2. %113-116 \PIZZICELLO s2. s2.*3 %117-120 s2. \mp \decr s2. s2. \! \p s2. %121-124 \CELLO s2. \decr s4. s8 s8 \! \pp s8 s2.*2 %125-130 s2.*6 %131-140 s2. \ppp s2.*9 } % FIN DU REPEAT LIGNE 1 À 140 } celloDynMidiB = { %141-146 s2. \ff s2. \p s2.*4 %147-154 s2. \cr s2. s2. \! \ff s2. \p s2.*4 %155-160 s2.*2 s2. \p s2.*3 %161-164 s2. \mf s2.*3 %165-168 s2. \pp s2.*3 %169-172 s2. \mf s2.*3 %173-194 s2.*22 %195-228 s2. \p s2.*33 %229-234 s4. \ff \decr s4 s16 s16 \! \pp s2. s2. \p s2. \cr s4. \! \ff \decr s4 s16 s16 \! \pp s2. %235-241 s2. \p s2. \cr s2. \! \f \decr s2. \! \p s2. \f \decr s2. \! \p s2. \f %242-244 s2. \decr s2. \! \p s2. \decr %245-250 s2. \! \pp s2.*5 %251-260 s2. \ppp s2.*9 %261-266 s4. \mf \decr s4 \! \p s8 s2. s2. \mf s2.*3 %267-268 s2. \f \decr s4 \! \mf s8 s4. %269-272 s2. \ppp s2.*3 %273-280 s2. \p \cr s4 \! \f \decr s8 \! \p s4. s2.*2 \PIZZICELLO s2. s2.*3 %281-284 s4 \f \decr s8 \! \p s4. s2.*3 %285-288 \CELLO s2. \f \decr s2. \! \p s2.*2 %289-294 s2. \pp s2.*5 %295-308 s2. \decr s2. s2. \! \ppp s2.*11 %309-315 s2.*2 s4. \f s4. \cr s2. s2. \! \ff s2.*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN D. VIOLONCELLE (CELLO) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% RÉSUMÉ DES NOTES POUR LA PARTITION violonINotePart = { \clef treble \KEYTIME s1*0 ^\MOVEMENT \set autoBeaming = ##f \set Staff.instrumentName = "Violin I " \violonINoteA \violonINoteBa \trillePartBa \violonINoteBb \trillePartBb \violonINoteBc } violonIINotePart = { \clef treble \KEYTIME \set autoBeaming = ##f \set Staff.instrumentName = "Violin II " \violonIINoteA \violonIINoteB } altoNotePart = { \clef alto \KEYTIME \set autoBeaming = ##f \override Stem #'neutral-direction = #up \set Staff.instrumentName = "Viola " \altoNoteA \altoNoteB } celloNotePart = { \clef bass \KEYTIME \set autoBeaming = ##f \override Stem #'neutral-direction = #up \set Staff.instrumentName = "Cello " \celloNoteA \celloNoteB } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ DES DYNAMIQUES POUR LA PARTITION violonIDynPart = { \violonIDynPartA \violonIDynPartB } violonIIDynPart = { \violonIIDynPartA \violonIIDynPartB } altoDynPart = { \altoDynPartA \altoDynPartB } celloDynPart = { \celloDynPartA \celloDynPartB } \score { \new StaffGroup << \new Staff = "violonI" << \violonINotePart \violonIDynPart >> \new Staff = "violonII" << \violonIINotePart \violonIIDynPart >> \new Staff = "alto" << \altoNotePart \altoDynPart >> \new Staff = "cello" << \celloNotePart \celloDynPart >> >> \layout { } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% RÉSUMÉ DES NOTES POUR LE MIDI violonINoteMidi = { \KEYTIME \set Staff.midiInstrument = "violin" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 \unfoldRepeats { \violonINoteA \violonINoteBa \trilleMidiBa \violonINoteBb \trilleMidiBb \violonINoteBc } } violonIINoteMidi = { \KEYTIME \set Staff.midiInstrument = "violin" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 \unfoldRepeats { \violonIINoteA \violonIINoteB } } altoNoteMidi = { \KEYTIME \set Staff.midiInstrument = "viola" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 \unfoldRepeats { \altoNoteA \altoNoteB } } celloNoteMidi = { \KEYTIME \set Staff.midiInstrument = "cello" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 \unfoldRepeats { \celloNoteA \celloNoteB } } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ DES DYNAMIQUES POUR LE MIDI violonIDynMidi = { \violonIDynMidiA \violonIDynMidiB } violonIIDynMidi = { \violonIIDynMidiA \violonIIDynMidiB } altoDynMidi = { \altoDynMidiA \altoDynMidiB } celloDynMidi = { \celloDynMidiA \celloDynMidiB } %%%%%%%%%%%%%%%%%%%% REDÉFINITION DES VOLUMES RESPECTIFS ATTRIBUÉS AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 0.90) ("ff" . 0.80) ("f" . 0.68) ("mf" . 0.52) ("mp" . 0.48) ("p" . 0.40) ("pp" . 0.32) ("ppp" . 0.24) ("pppp" . 0.16) ("ppppp" . 0.12) ) my-absolute-volume-alist)) % DANS LE BLOC MIDI, CHAQUE DYNAMIQUE RENCONTRÉE PRENDRA LE NOUVEAU VOLUME SPÉCIFIÉ #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \KEYTIME s2. } \score { << \new Staff = "violonI" { \SILENCE << \violonINoteMidi \violonIDynMidi >> } \new Staff = "violonII" { \SILENCE << \violonIINoteMidi \violonIIDynMidi >> } \new Staff = "alto" { \SILENCE << \altoNoteMidi \altoDynMidi >> } \new Staff = "cello" { \SILENCE << \celloNoteMidi \celloDynMidi >> } >> \midi { \context { \Score % CHANGEMENT DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume tempoWholesPerMinute = #(ly:make-moment 140 4) } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D703-Quartettsatz.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%