%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D706-Psalm23.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: "Psalm 23", für Chor SSAA mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.34" \include "italiano.ly" \paper { #(set-paper-size "a4" 'landscape) %#(set-paper-size "letter" 'landscape) line-width = 250\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Psalm 23 (D 706) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Psalm 23 (D 706) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \fontsize #1.5 "Psalm 23" } subtitle = "(Nach einer Reinschrift von Franz Schubert)" subsubtitle = "(Wienbibliothek im Rathaus)" composer = \markup \center-align { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D 706 (Op. pos., 1820)" } poet = \markup { \column { \line { "Deutsche Übersetzung des" \bold " 23. Psalms Davids" } \line { "von" \bold " Moses Mendelssohn " "(1729-1786)" } } } % MUTOPIA mutopiatitle = "Psalm 23" mutopiacomposer = "SchubertF" mutopiapoet = "" mutopiaopus = "D.706" mutopiainstrument = "Choir SSAA, Piano" date = "1820" source = "Handschrift von Franz Schubert" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "A source is freely available at http://www.schubert-online.at/" footer = "Mutopia-2007/12/29-1135" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME: A1. SOPRANOS A2. ALTOS % B. NOTES: B11. SOPRANO I B12. SOPRANO II B21. ALTO I B22. ALTO II % B3. PIANO HAUT: VOIX I, II et IV B4. PIANO BAS: VOIX I ET II % C. DYNAMIQUES PARTITION: C1. MÉLODIE C2. PIANO % D. DYNAMIQUES MIDI: D1. MÉLODIE D2. PIANO % E. SORTIE PARTITION % F. SORTIE MIDI % % BIENVENUE A TOUTE SUGGESTION POUR AMELIORER LA PARTITION, LA SORTIE MIDI OU LE CODAGE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % TONALITÉ ET MESURE KEYTIME = { \key lab \major \time 2/2 } % MOUVEMENT MOVEMENT = \markup { \bold \large { \hspace #-3 \italic Adagio. } } %----- SILENCE MANUEL POUR ÉVITER UNE COLLISION MUREST = \markup { \musicglyph #"rests.3" } TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) RESTEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Rest #'extra-offset = #$beg-end #}) % CACHER UNE NOTE, CACHER UNE BARRE DE LIAISON NOTEHIDE = { \once \override NoteHead #'transparent = ##t \once \override Stem #'transparent = ##t \once \override Tie #'transparent = ##t \once \override Stem #'beaming = #(cons (list 0) (list 0)) } FLAGHIDE = \once \override Stem #'beaming = #(cons (list 0) (list )) % AUGMENTER LA HAUTEUR D'UNE LIAISON SLURHLIM = #(define-music-function (parser location beg-end) (number?) #{ \once \override Slur #'height-limit = #$beg-end #}) % DÉPLACER UNE DYNAMIQUE OU MODIFIER SON LIBELLÉ DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) CRESC = { \set crescendoText = \markup { \bold \italic "cresc." } \set crescendoSpanner = #'dashed-line } DIMIN = { \set decrescendoText = \markup { \bold \italic "dimin." } \set decrescendoSpanner = #'dashed-line } %------ DÉPLACER UN POINT DOTEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Dots #'extra-offset = #$beg-end #}) % DÉPLACER UNE NOTE NOTEHS = #(define-music-function (parser location beg-end) (number?) #{ \override NoteColumn #'force-hshift = #$beg-end #}) IGNCOLL = \override NoteColumn #'ignore-collision = ##t NOTEHSNO = { \revert NoteColumn #'force-hshift \override NoteColumn #'ignore-collision = ##f } % CACHER OU AFFICHER LE NOMBRE OU LE CROCHET D'UN NOLET TUPNNO = \override TupletNumber #'transparent = ##t TUPBNO = \override TupletBracket #'transparent = ##t TUPNO = { \TUPNNO \TUPBNO } TUPNOK = \override TupletNumber #'transparent = ##f TUPBOK = \override TupletBracket #'transparent = ##f TUPOK = { \TUPNOK \TUPBOK } %----- CHANGER DE PORTÉE STAFFDO = { \change Staff = down } STAFFUP = { \change Staff = up } % HAMPE SUR DEUX PORTÉES STEMCR = { \once \override Stem #'length = #24 \once \override Stem #'cross-staff = ##t \once \override Stem #'flag-style = #'no-flag } % HAMPE LONGUE STEML = #(define-music-function (parser location beg-end) (number?) #{ \once \override Stem #'length = #$beg-end #}) % MARKUP TSCRPAD = #(define-music-function (parser location beg-end) (number?) #{ \once \override TextScript #'padding = #$beg-end #}) LIGATO = \markup { \hspace #-4 \large \bold \italic "ligato" } EMORIENDO = \markup { \large \bold \italic "emoriendo" } CRESCENDO = \markup { \large \bold \italic "cresc." } DECRESCENDO = \markup { \hspace #-3 \large \bold \italic "decresc." } DIMINUENDO = \markup { \large \bold \italic "dimin." } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POÈME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A1. POÈME POUR LES SOPRANOS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poemeSopranoH = \lyricmode { \set fontSize = #-1 %5-8 Gott ist mein Hirt, mir wird nichts man -- geln, %9-12 Gott ist mein Hirt, mir wird nichts man -- geln, er %13-16 la -- gert mich auf grü -- ne Wei -- de, er lei -- tet mich an stil -- len Bä -- chen, er %17-20 lei -- tet mich, er lei -- tet mich an stil -- len Bä -- %21-24 chen. Er labt mein schmach -- ten -- des Ge -- müt, er %25-29 führt mich auf ge -- rech -- tem Stei -- ge zu sei -- nes Na -- mens Ruhm. %30-34 Und wall' ich auch im To -- des -- schat -- ten --ta -- le, so wall' ich oh -- ne %35-39 Furcht, denn Du be -- schüt -- zest mich, und wall' ich auch im To -- des -- schat -- ten -- %40-44 ta -- le, so wall' ich oh -- ne Furcht, denn Du be -- schüt -- zest mich, dein %45-49 Stab und dei -- ne Stüt -- ze sind mir im -- mer -- dar mein %50-54 Trost, sind mir im -- mer -- dar mein Trost, mein Trost. %55-58 Du rich -- test mir ein Freu -- den -- mahl im An -- ge -- sicht der %59-62 Fein -- de zu, du salbst mein Haupt mit Ö -- le und schenkst mir vol -- le %63-66 vol -- le Be -- cher ein, mir fol -- get Heil und Se -- lig -- keit in die -- sem %66-70 Le -- ben nach, einst Ruh' ich ew' -- ge Zeit dort in des %71-74 Ew' -- gen Haus, mir fol -- get Heil und Se -- lig -- keit in %75-78 die -- sem Le -- ben nach, einst Ruh' ich %79-82 ew' -- ge Zeit dort in des Ew' -- gen %83-86 Haus. } poemeSopranoB = \lyricmode { \set fontSize = #-1 %5-8 Gott ist mein Hirt, mir wird nichts man -- geln, %9-12 Gott ist mein Hirt, mir wird nichts man -- geln, er %13-16 la -- gert mich auf grü -- ne Wei -- de, er lei -- tet mich an stil -- len Bä -- chen, er %17-20 la -- gert mich auf grü -- ne Wei -- de, er lei -- tet mich an stil -- len Bä -- %21-24 chen. Er labt mein schmach -- ten -- des Ge -- müt, er %25-29 führt mich auf ge -- rech -- tem Stei -- ge zu sei -- nes Na -- mens Ruhm. %30-34 Und wall' ich auch im To -- des -- schat -- ten --ta -- le, so wall' ich oh -- ne %35-39 Furcht, denn Du be -- schüt -- zest mich, und wall' ich auch im To -- des -- schat -- ten -- %40-44 ta -- le, so wall' ich oh -- ne Furcht, denn Du be -- schüt -- zest mich, dein %45-49 Stab und dei -- ne Stüt -- ze sind mir im -- mer -- dar mein %50-54 Trost, sind mir im -- mer -- dar mein Trost, mein Trost. %55-58 Du rich -- test mir ein Freu -- den -- mahl im An -- ge -- sicht der %59-62 Fein -- de zu, du salbst mein Haupt mit Ö -- le und schenkst mir vol -- le %63-66 vol -- le Be -- cher ein, mir fol -- get Heil und Se -- lig -- keit in die -- sem %66-70 Le -- ben nach, einst Ruh' ich ew' -- ge Zeit dort in des %71-74 Ew' -- gen Haus, mir fol -- get Heil und Se -- lig -- keit in %75-78 die -- sem Le -- ben nach, einst Ruh' ich %79-82 ew' -- ge Zeit dort in des Ew' -- gen %83-86 Haus. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A2. POÈME POUR LES ALTOS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poemeAltoH = \lyricmode { \set fontSize = #-1 %5-8 Gott ist mein Hirt, mir wird nichts man -- geln, %9-12 Gott ist mein Hirt, mir wird nichts man -- geln, %13-16 er lei -- tet mich an stil -- len Bä -- chen, er %17-20 la -- gert mich auf grü -- ne Wei -- de, er lei -- tet mich an stil -- len Bä -- %21-24 chen. Er labt mein schmach -- ten -- des Ge -- müt, er %25-29 führt mich auf ge -- rech -- tem Stei -- ge zu sei -- nes Na -- mens Ruhm. %30-34 Und wall' ich auch im To -- des -- schat -- ten --ta -- le, so wall' ich oh -- ne %35-39 Furcht, denn Du be -- schüt -- zest mich, und wall' ich auch im To -- des -- schat -- ten -- %40-44 ta -- le, so wall' ich oh -- ne Furcht, denn Du be -- schüt -- zest mich, %45-49 dein Stab und dei -- ne Stüt -- ze sind mir im -- mer -- dar mein %50-54 Trost, sind mir im -- mer -- dar mein Trost, mein Trost. %55-58 Du rich -- test mir ein %59-62 Freu -- den -- mahl, du salbst mein Haupt mit Ö -- le und schenkst mir vol -- le %63-66 vol -- le Be -- cher ein, mir fol -- get Heil und Se -- lig -- keit in die -- sem %66-70 Le -- ben nach, einst Ruh' ich ew' -- ge Zeit dort in des %71-74 Ew' -- gen Haus, mir fol -- get Heil und Se -- lig -- keit %76-80 in Le -- ben nach, einst Ruh' ich %79-82 ew' -- ge Zeit in des Ew' -- gen %83-86 Haus. } poemeAltoB = \lyricmode { \set fontSize = #-1 %5-8 Gott ist mein Hirt, mir wird nichts man -- geln, %9-12 Gott ist mein Hirt, mir wird nichts man -- geln, %13-16 er lei -- tet mich an stil -- len Bä -- chen, er %17-20 la -- gert mich auf grü -- ne Wei -- de, er lei -- tet mich an stil -- len Bä -- %21-24 chen. Er labt mein schmach -- ten -- des Ge -- müt, er %25-29 führt mich auf ge -- rech -- tem Stei -- ge zu sei -- nes Na -- mens Ruhm. %30-34 Und wall' ich auch im To -- des -- schat -- ten --ta -- le, so wall' ich oh -- ne %35-39 Furcht, denn Du be -- schüt -- zest mich, und wall' ich auch im To -- des -- schat -- ten -- %40-44 ta -- le, so wall' ich oh -- ne Furcht, denn Du be -- schüt -- zest mich, %45-49 dein Stab und dei -- ne Stüt -- ze sind mir im -- mer -- dar mein %50-54 Trost, sind mir im -- mer -- dar mein Trost, mein Trost. %55-58 Du rich -- test mir ein %59-62 Freu -- den -- mahl, du salbst mein Haupt mit Ö -- le und schenkst mir vol -- le %63-66 vol -- le Be -- cher ein, mir fol -- get Heil und Se -- lig -- keit in die -- sem %66-70 Le -- ben nach, einst Ruh' ich ew' -- ge Zeit dort in des %71-74 Ew' -- gen Haus, mir fol -- get Heil und Se -- lig -- keit in %75-78 die -- sem Le -- ben nach, einst Ruh' ich %79-82 ew' -- ge Zeit dort in des Ew' -- gen %83-86 Haus. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B11. NOTES SOPRANO I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% sopranoH = \relative do'' { %1-4 R1 R1 R1 R1 %5-8 \stemDown mib2 mib4. mib8 fa4( mib) r8 reb8 do sib lab2( mib'4. reb8) do2 r2 %9-12 mib2 mib4. mib8 lab4( do,) r8 reb8 mib fa \stemUp lab,2_( do4. sib8) lab2 r4 r8 mib8 %13-16 \stemDown reb'8.[ do16] do8.[ sib16] sib4. sib8 lab8.[ sib16] sib8.[ mib16] mib4 do8 \stemNeutral mib, \stemDown reb'8.[ do16] do8.[ sib16] sib4. sib8 lab8.[ sib16] sib8.[ mib16] mib4 do8 do %17-20 fa2. fa4 mib2. mib4 mib8[ reb] reb[ do] mib[ reb] reb[ do] fa8[ mib] fa[ mib] reb([ do \TUPBNO \tupletUp \times 2/3 { mib8 reb do]) } %21-24 sib2 r2 r2 r4 r8 sib8 sib4. sib8 sib8. sib16 sib8. sib16 do4( sib) r4 do %25-29 reb4. reb8 mib8. mib16 mib8. mib16 fab8.[ mib16] mib4 r4 mib solb2 fab mib2 reb dob1~ %30-34 dob4 r4 r4 si si4. si8 si4. si8 si4 si si lad si4 si r si \stemUp si4. la8 la4. \stemDown mi'8 %35-39 mi4( re) r mi8([ do]) si4. si8 si4 do8[ la] \stemUp sol2 r4 \stemDown re'4 re4. re8 re4. re8 re4 re re dod %40-44 re4 re r re re4. do!8 do4. sol'8 sol4( fa) r4 sol8[ mib] re4. re8 re4 mib8[ do] sib2 r4 sib %45-49 reb1 ~ reb2. reb4 do2. do4 do4. do8 reb4 mib fa4. mib8 reb4 do %50-54 sib2 do4 reb mib4. reb8 do4 sib \stemUp la2 la8([ sib reb sib]) lab!2( sol4) r4 R1 %55-58 r2 r4 r8 mib8 \stemDown reb'8.[ do16] do8.[ sib16] sib4. sib8 \stemNeutral lab8.[ sib16] sib8.[ mib16] mib4. mib,8 \stemDown reb'8.[ do16] do8.[ sib16] sib4. sib8 %59-62 lab8.[ sib16] sib8.[ mib16] mib4. do8 fa4. fa8 fa4 fa mib2 mib4. mib8 mib8[ reb] reb[ do] mib[ reb] reb[ do] %63-66 fa8[ mib] fa[ mib] reb[ do \TUPBNO \tupletUp \times 2/3 { mib8 reb] do } sib2 r4 \stemNeutral mib4 mib4. mib8 mib4. mib8 fa4. mib8 mib8 reb do sib %67-70 lab2( mib'4.) reb8 do2 r2 mib2 mib4. mib8 lab4. do,8 do8 reb mib fa %71-74 lab,2( do4.) \stemUp sib8 \stemNeutral lab2 r4 mib'4 mib4. reb8 reb4 fa8[ mib] reb4. do8 do4 do %75-78 sib4( do mib8[ reb]) do8[ sib] lab2\( reb\) do2. mib4 mib4( reb ~ reb8[ fa]) mib8[ reb] %79-82 reb4. do8 do2 sib4( do) mib8[ reb] do[ sib] mib1 ~ mib2 mib %83-86 mib1 ~ mib2 r2 R1 R1-\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartSopranoH = { \clef treble \KEYTIME s1*0 ^\MOVEMENT \set autoBeaming = ##f \set Staff.instrumentName = "Soprano I " \set Staff.shortInstrumentName = "S.I " \sopranoH } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B12. NOTES SOPRANO II %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% sopranoB = \relative do'' { %1-4 R1 R1 R1 R1 %5-8 do2 reb4. reb8 do2 r8 \stemUp lab8 la sib lab!2( sol) lab2 r2 %9-12 \stemNeutral do2 reb4. reb8 do4( mib) r8 lab,8 lab lab mib2( lab4. sol8) lab2 r4 r8 mib8 %13-16 sib'8.[ lab16] lab8.[ sol16] sol4. sol8 lab8.[ sol16] sol8.[ lab16] lab4 lab8 mib sib'8.[ lab16] lab8.[ sol16] sol4. sol8 lab8.[ sol16] sol8.[ lab16] lab4 lab8 do %17-20 do4 reb8[ mib] mib4 reb8[ do] sib4 do8[ reb] reb4 do8 sib \stemUp lab4 sibb lab sibb lab4 lab sol8([ lab sol lab]) %21-24 sol2 r2 r2 r4 r8 sol8 sol4. sol8 lab8. lab16 lab8. lab16 sol2 r4 sib %25-29 \stemNeutral lab4. reb8 reb8. reb16 reb8. reb16 dob4 dob4 r4 dob mib2 reb dob2 sib solb1~ %30-34 solb4 r4 r4 fad fad4. la8 la4( sol8) sol8 fad4 fa mi mi red4 red r red mi4. la8 la4 la %35-39 \stemUp si2 \stemNeutral r4 sol sol4. sol8 sol4 fad \stemUp sol2 r4 re4 la'4. do8 do4( sib!8) sib la4 lab sol sol %40-44 fad4 fad r fad sol4. do8 do4 do \stemDown re2 r4 sib sib4. sib8 sib4 la sib2 r4 sib %45-49 sib1 ~ sib2. sib4 sib2. sib4 lab4. lab8 lab4 lab lab4. lab8 lab4 lab %50-54 lab2 \stemUp lab4 lab lab4. lab8 lab4 solb fa2 fa mib2. r4 R1 %55-58 \stemNeutral r2 r4 r8 mib8 sib'8.[ lab16] lab8.[ sol16] sol4. sol8 mib8.[ sol16] sol8.[ lab16] lab4. mib8 sib'8.[ lab16] lab8.[ sol16] sol4. sol8 %59-62 mib8.[ sol16] sol8.[ lab16] lab4. do8 do4 reb8[ mib] mib4 reb8[ do] sib4( do8[ reb]) reb4 do8[ sib] lab4 lab lab lab %63-66 lab4 lab sol8[ lab] sol8[ lab] sol2 r4 reb'4 do4. do8 reb4. reb8 do4. do8 do8 \stemUp lab la sib %67-70 lab!2( sol4.)sol8 lab2 r2 \stemNeutral do2 reb4. reb8 do4. mib8 mib8 lab, lab lab %71-74 lab2( lab4.) sol8 lab2 r4 do4 do4. sib8 sib4 reb8[ do] \stemUp sib4. \stemNeutral lab8 lab4 lab %75-78 lab2. lab4 lab2\( \stemUp sib\) \stemNeutral lab2. do4 do4( sib ~ sib8[ reb]) do8[ sib] %79-82 \stemUp sib4. \stemNeutral lab8 lab2 lab2 lab4 lab lab2( la \stemUp sib2) si \stemNeutral %83-86 do1 ~ do2 r2 R1 R1 -\fermataMarkup } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartSopranoB = { \clef treble \KEYTIME \set autoBeaming = ##f \set Staff.instrumentName = "Soprano II " \set Staff.shortInstrumentName = "S.II " \sopranoB } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B21. NOTES ALTO I %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% altoH = \relative do'' { %1-4 R1 R1 R1 R1 %5-8 lab2 sib4. sib8 lab2 r8 fa8 fa fa mib1 lab2 r2 %9-12 lab2 sib4. sib8 lab2 r8 lab8 solb fa do2( mib) mib2 r2 %13-16 r2 r4 r8 mib8 \stemUp do'8.[ sib16] sib8.[ lab16] lab4. r8 \stemNeutral r2 r4 r8 mib8 \stemUp do'8.[ sib16] sib8.[ lab16] lab4 lab8 lab \stemNeutral %17-20 la4 \stemUp sib8[ do] \stemNeutral do4 sib8[ lab] sol4 lab8[ sib] \stemUp sib4 \stemNeutral lab8 sol fa4 solb fa solb fa8[ mib] fa[ lab] mib2 %21-24 mib2 r2 r2 r4 r8 mib8 mib4. mib8 fa8. fa16 fa8. fa16 mib2 r4 sol %25-29 fa4. lab8 \stemUp sib8. sib16 sib8. sib16 \stemNeutral lab4 lab r4 lab solb2 lab solb2 fab mib1 ~ %30-34 mib4 r4 r4 red red4. fad8 fad4( mi8) mi8 red4 re dod do si4 si r si do4. mi8 mi4 fad %35-39 sol2 r4 mi re4. re8 re4 re re2 r4 re fad4. la8 la4( sol8) sol fad4 fa mi mib %40-44 re4 re r re mib!4. sol8 sol4 la sib2 r4 sol fa4. fa8 fa4 fa fa2 r2 %45-49 R1 r2 r4 fa4 sol4. sol8 fa4 sol fa4. fa8 fa4 fa fa4. fa8 fa4 fa %50-54 fa2 lab4 fa mib4. mib8 mib4 mib mib2 reb mib2. r4 R1 %55-58 R1 r2 r4 r8 mib8 do'8.[ sib16] sib8.[ lab16] lab4. r8 r2 r4 r8 mib8 %59-62 \stemUp do'8.[ sib16] \stemNeutral sib8.[ lab16] lab4. lab8 la4 sib8[ do] do4 sib8[ lab] sol4( lab8[ sib]) sib4 lab8[ sol] fa4 solb fa solb %63-66 fa8[ mib] fa[ lab] mib4. mib8 mib2 r4 sol4 lab4. lab8 sib4. sib8 lab4. lab8 lab8 fa fa fa %67-70 mib2 ~ mib4. mib8 mib2 r2 lab2 \stemUp sib4. sib8 \stemNeutral lab4. lab8 lab8 lab solb fa %71-74 do2( mib4.) mib8 mib2 r4 mib4 fa4. fa8 sol4 sol sol4. lab8 lab4 r4 %75-78 r2 r4 lab4 mib2\( sol\) lab2. mib4 fa2 sol %79-82 sol4. lab8 lab2 r2 r4 lab8 lab mib1( sol2) sol %83-86 lab1 ~ lab2 r2 R1 R1 -\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartAltoH = { \clef treble \KEYTIME \set autoBeaming = ##f \set Staff.instrumentName = "Alto I " \set Staff.shortInstrumentName = "A.I " \altoH } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B22. NOTES ALTO II %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% altoB = \relative do'' { %1-4 R1 R1 R1 R1 %5-8 lab2 sol4. sol8 lab2 r8 fa8 mib reb do2( sib4. mib8) mib2 r2 %9-12 lab2 sol4. sol8 solb2 r8 fa8 do reb mib2 ~ mib4.( reb8) do2 r2 %13-16 r2 r4 r8 mib8 lab8.[ mib16] mib8.[ do16] do4. r8 r2 r4 r8 mib8 lab8.[ mib16] mib8.[ do16] do4 mib8 lab %17-20 fa4. fa8 sib,4. do16[ reb] mib4. mib8 lab4 lab,8 sib16[ do] reb4 reb reb reb reb8[ do] reb[ do] sib([ do sib do]) %21-24 mib2 r2 r2 r4 r8 mib8 mib4. mib8 re8. re16 re8. re16 mib2 r4 mi %25-29 fa4. fa8 sol8. sol16 sol8. sol16 lab4 lab r4 lab mib2 fab solb2 solb dob,1~ %30-34 dob4 r4 r4 si si4. si8 si4. si8 si4 si si si si4 si r si do4. do8 do4 do %35-39 si2 r4 do re4. re8 re4 re8[ do] si2 r4 re re4. re8 re4. re8 re4 re re re %40-44 re4 re r re mib!4. mib8 mib4 mib re2 r4 mib fa4. fa8 fa4 fa8[ mib] re2 r2 %45-49 r2 r4 fa4 solb2. fa4 mi2( re4) mi fa4. fa8 fa4 fa fa4. fa8 fa4 mib %50-54 re2 mib4 fa do4. do8 do4 do do2 reb mib2. r4 R1 %55-58 R1 r2 r4 r8 mib8 lab8.[ mib16] mib8.[ do16] do4. r8 r2 r4 r8 mib8 %59-62 lab8.[ mib16] mib8.[ do16] do4. lab'8 fa4. fa8 \stemUp sib4 \stemNeutral sib,8[ do16 reb] mib2 lab4 lab,8[ sib16 do] reb4 reb reb reb %63-66 reb8[ do] reb[ do] sib[ do] sib[ do] mib2 r4 sol4 lab4. lab8 sol4. sol8 lab4. lab8 lab8 fa mib reb %67-70 do2( sib4.) mib8 mib2 r2 lab2 sol4. sol8 solb4. solb8 solb8 fa do reb %71-74 mib2 ~ mib4. reb8 do2 r4 do4 reb4. reb8 mib4 mib fa4. fa8 fa4 do %75-78 reb4( mib fa) mib8[ reb] do2\( mib\) lab2. do,4 reb2 mib %79-82 fa4. fa8 fa2 reb4( mib) solb8[ fa] mib8[ reb] do1( mib2) mib %83-86 lab1 ~ lab2 r2 R1 R1-\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartAltoB = { \clef treble \KEYTIME \set autoBeaming = ##f \set Staff.instrumentName = "Alto II " \set Staff.shortInstrumentName = "A.II " \altoB } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3. NOTES PIANO HAUT %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B31. NOTES PIANO HAUT VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHIa = \relative do'' { \voiceOne %1-4: 3 VOIX \TUPNO \NOTEHS #-0.5 \times 2/3 { \SLURHLIM #'5 mib8([ do' mib] } \times 2/3 { mib,[ do' mib] } \times 2/3 { fa,[ do' mib] } \times 2/3 { sol,[ do mib] } \times 2/3 { lab,8[ do mib] } \times 2/3 { sol,[ do mib] } \times 2/3 { sib[ do mib] } \times 2/3 { lab,[ do mib] } \times 2/3 { sol,8[ reb' mib] } \times 2/3 { fa,[ reb' mib] } \times 2/3 { mib,[ reb' mib] } \times 2/3 { reb,[ sib' mib] } \times 2/3 { do,8[ lab' mib'] } \times 2/3 { do,[ lab' mib'] } \stemDown \times 2/3 { mib,[ lab do] } \times 2/3 { do,[ mib lab]) } \NOTEHSNO %5-6: 2 VOIX \stemUp \times 2/3 { lab,8[ do mib] } \times 2/3 { lab,[ do mib] } \times 2/3 { sol,[ reb' mib] } \times 2/3 { sol,[ reb' mib] } \times 2/3 { lab,8[ do fa] } \times 2/3 { lab,[ do mib] } \times 2/3 { fa,[ lab reb] } \times 2/3 { [ do' ] } %7-18: 1 VOIX \oneVoice \stemUp \times 2/3 { do8[ mib lab] } \times 2/3 { mib[ lab do] } \times 2/3 { sol[ sib mib] } \times 2/3 { sol,[ sib reb] } \times 2/3 { mib,8[ lab do] } \times 2/3 { mib,[ lab do] } \times 2/3 { mib,[ sib' reb] } \times 2/3 { mib,[ si' re] } \times 2/3 { mib,8[ do' mib] } \times 2/3 { lab,[ do mib] } \times 2/3 { sol,[ reb' mib] } \times 2/3 { sol,[ reb' mib] } %10 \times 2/3 { solb,8[ do lab'] } \times 2/3 { solb,[ lab do] } \times 2/3 { fa,[ lab reb] } \times 2/3 { [ lab ^~ ] } \stemNeutral \repeat "percent" 2 { \times 2/3 { do,8[ mib lab] } } \times 2/3 { mib[ lab do] } \times 2/3 { reb,[ sol sib] } \times 2/3 { do,8[ mib lab] } \times 2/3 { mib[ lab do] } \times 2/3 { mib[ do lab'] } \times 2/3 { mib[ reb do] } \times 2/3 { reb8[ mib fa] } \times 2/3 { do[ reb mib] } \stemUp \times 2/3 { sib[ do sib] } \stemNeutral \times 2/3 { sol[ fa mib] } \times 2/3 { do'[ reb mib] } \times 2/3 { sib[ do sib] } \stemUp \times 2/3 { lab[ do sib] } \times 2/3 { lab[ sib do] } \stemNeutral %15 \times 2/3 { reb8[ mib fa] } \times 2/3 { do[ reb mib] } \stemUp \times 2/3 { sib[ do sib] } \stemNeutral \times 2/3 { sol[ fa mib] } \times 2/3 { do'8[ reb mib] } \times 2/3 { sib[ do sib] } \times 2/3 { lab[ do mib] } \times 2/3 { lab[ do mib] } \times 2/3 { fa,8[ fa' fa,] } \times 2/3 { fa'[ fa, fa'] } 2 \times 2/3 { mib8[ mib' mib,] } \times 2/3 { mib'[ mib, mib'] } 2 %19-22: 2 OU 3 VOIX \voiceOne \times 2/3 { lab8[ do reb] } \times 2/3 { sibb[ fa' mib] } \times 2/3 { lab,[ do reb] } \times 2/3 { sibb[ fa' mib] } %20 \times 2/3 { la,8\rest lab4 } \times 2/3 { la8\rest lab4 } \repeat "percent" 2 { \times 2/3 { \TSCREXO #'(0 . -2) s8-\MUREST mib4 } } sib8[ mib] sib[ mib] reb[ do] \times 2/3 { mib8[ reb do] } sib8[ la] \times 2/3 { do8[ sib lab] } \times 2/3 { lab[ sol fa] } \times 2/3 { mib[ sol sib] } %23-45: 1 VOIX \oneVoice \repeat "percent" 2 { \times 2/3 { mib,8[ sol sib] } } \repeat "percent" 2 { \times 2/3 { re,[ lab' sib] } } \times 2/3 { mib,8[ sol do] } \repeat "percent" 2 { \times 2/3 { mib,[ sol sib] } } \times 2/3 { sol[ sib do] } %25 \repeat "percent" 2 { \times 2/3 { fa,8[ lab reb] } } \repeat "percent" 2 { \times 2/3 { sib[ reb mib] } } \times 2/3 { lab,8[ dob fab] } \repeat "percent" 3 { \times 2/3 { lab,[ dob mib] } } \times 2/3 { \TUPNO r8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { r8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { r8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { r8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { r8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } %30 \times 2/3 { 8[ si si] } \times 2/3 { \repeat tremolo 3 si8 } \times 4/6 { \repeat tremolo 6 si!8 } 4.( 8) 4( ) 4( ) 2. \times 2/3 { si8[ red si'] } \times 2/3 { do,8[ mi si'] } \times 2/3 { do,[ mi la] } \times 2/3 { do,[ mi si'] } \times 2/3 { fad[ la mi'] } %35 \stemUp \times 2/3 { sol,8[ si mi] } \repeat "percent" 2 { \times 2/3 { sol,[ si re] } } \times 2/3 { mi,[ sol do] } \stemNeutral \repeat "percent" 3 { \times 2/3 { re,8[ sol si] } } \times 2/3 { do,[ fad la] } \times 2/3 { 8[ re re] } \times 2/3 { \repeat tremolo 3 re8 } \times 4/6 { \repeat tremolo 6 re8 } \stemUp \set doubleSlurs = ##t 4.( 8) \set doubleSlurs = ##f 4( ) \stemNeutral 4( ) %40 2. \times 2/3 { re8[ fad re'] } \times 2/3 { mib,!8[ sol re'] } \repeat "percent" 2 { \times 2/3 { mib,[ sol do] } } \times 2/3 { la[ do sol'] } \times 2/3 { sib,8[ re sol] } \repeat "percent" 2 { \times 2/3 { sib,[ re fa] } } \stemUp \times 2/3 { sol,[ sib mib] } \repeat "percent" 3 { \times 2/3 { fa,8[ sib re] } } \times 2/3 { mib,[ la do] } \times 2/3 { re,8([ fa sib]) } \times 2/3 { \repeat tremolo 3 sib8 } \times 4/6 { \repeat tremolo 6 sib8 } %45 \times 2/3 { reb,!8([ sib' reb]) } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } %46-54: 2 VOIX \voiceOne \times 2/3 { reb,8_([ sib' reb]) } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 } \times 2/3 { \repeat tremolo 3 fa'8 } \times 2/3 { fa8[ fa mib] } \times 2/3 { \repeat tremolo 3 reb8 } \times 2/3 { \repeat tremolo 3 8 } %50 \stemUp \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 mib'8 } \times 2/3 { mib8[ mib reb] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { la8[ la sib] } \times 2/3 { reb8[ reb sib] } \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \repeat tremolo 3 8 } %55-59: 1 VOIX %55 \oneVoice \times 2/3 { 8^([ fa' re] } \times 2/3 { mib[ sol lab] } \times 2/3 { la[ sib fad] } \times 2/3 { sol[ sib do]) } \times 2/3 { reb!8[ mib fa] } \times 2/3 { do[ reb mib] } \stemUp \times 2/3 { sib[ do sib] } \times 2/3 { sol[ fa mib] } \times 2/3 { do'[ reb mib] } \times 2/3 { sib[ do sib] } \times 2/3 { lab[ do sib] } \times 2/3 { lab[ sib do] } \times 2/3 { reb8[ mib fa] } \times 2/3 { do[ reb mib] } \times 2/3 { sib[ do sib] } \times 2/3 { sol[ fa mib] } \times 2/3 { do'8[ reb mib] } \times 2/3 { sib[ do sib] } \times 2/3 { lab[ do mib] } \stemNeutral \times 2/3 { lab[ do mib] } \times 2/3 { fa,8[ fa' fa,] } \times 2/3 { fa'[ fa, fa'] } \IGNCOLL \NOTEHS #-0.5 2 \NOTEHSNO \times 2/3 { mib8[ mib' mib,] } \times 2/3 { mib'[ mib, mib'] } \IGNCOLL \NOTEHS #-0.5 2 \NOTEHSNO %62-64: 2 OU 3 VOIX \voiceOne \times 2/3 { lab8[ do reb] } \times 2/3 { sibb[ fa' mib] } \times 2/3 { lab,[ do reb] } \times 2/3 { sibb[ fa' mib] } \times 2/3 { la,8\rest lab4 } \times 2/3 { la8\rest lab4 } \repeat "percent" 2 { \times 2/3 { mi8\rest mib4 } } sib8[ mib] sib[ mib] reb[ do] \times 2/3 { mib8[ reb sib] } %65: 1 VOIX \oneVoice \stemUp \repeat "percent" 2 { \times 2/3 { lab8[ do mib] } } \repeat "percent" 2 { \times 2/3 { sol,[ reb' mib] } } \stemNeutral %66: 2 VOIX \voiceOne \times 2/3 { lab,8[ do fa] } \times 2/3 { lab,[ do mib] } \times 2/3 { lab,[ mib' reb] } \times 2/3 { fa,[ do' sib] } %67-69: 1 VOIX \oneVoice \stemUp \times 2/3 { do,8[ mib lab] } \times 2/3 { mib[ lab do] } \times 2/3 { sol[ sib mib] } \times 2/3 { sol,[ sib reb] } \repeat "percent" 2 { \times 2/3 { mib,[ lab do] } } \times 2/3 { mib,[ sib' reb] } \times 2/3 { mib,[ si' re] } \times 2/3 { mib,[ do' mib] } \times 2/3 { lab,[ do mib] } \repeat "percent" 2 { \times 2/3 { sol,[ reb' mib] } } \stemNeutral %70: 2 VOIX \voiceOne \times 2/3 { solb,8[ do lab'] } \times 2/3 { solb,[ lab do] } \times 2/3 { lab[ do reb] } \times 2/3 { lab[ mib' fa] } %71-72: 1 VOIX \oneVoice \repeat "percent" 2 { \times 2/3 { do,8[ mib lab] } } \times 2/3 { mib[ lab do] } \times 2/3 { reb,[ sol sib] } \times 2/3 { do,8[ lab' mib] } \times 2/3 { do[ mib lab] } \times 2/3 { mib[ do' lab] } \times 2/3 { mib[ do' mib] } %73: 2 VOIX \voiceOne \times 2/3 { fa,8[ do' mib] } \times 2/3 { fa,[ ] } \times 2/3 { sol[ sib reb] } \times 2/3 { sol,[ ] } %74: 1 VOIX \oneVoice \stemUp \times 2/3 { sol8[ sib reb] } \times 2/3 { sol,[ ] } \times 2/3 { fa[ lab do] } \times 2/3 { mib,[ lab do] } \stemNeutral %75: 2 VOIX \voiceOne \times 2/3 { fa,8[ lab sib] } \times 2/3 { r lab[ do] } \times 2/3 { r lab[ reb] } \times 2/3 {r do[ sib] } %76-77: 1 VOIX \oneVoice \stemUp \repeat "percent" 2 { \times 2/3 { mib,8[ lab mib'] } } \repeat "percent" 2 { \times 2/3 { sol,[ reb' mib] } } \times 2/3 { lab,8[ do mib] } \times 2/3 { fa[ mib do] } \times 2/3 { lab[ do mib] } \stemNeutral \times 2/3 { lab[ do mib] } %78-80: 2 VOIX \voiceOne \times 2/3 { fa,8[ do' mib] } \times 2/3 { fa,[ sib reb] } \times 2/3 { sol,[ reb' fa] } \times 2/3 { sol,[ mib' reb] } \times 2/3 { sol,8[ sib reb] } \times 2/3 { sol,[ reb' ] } \times 2/3 { [ do, fa] } \times 2/3 { lab[ do lab] } \times 2/3 { sib,8[ sib' sib,] } \times 2/3 { do[ do' do,] } \times 2/3 { mib[ mib' reb] } \times 2/3 { do,[ do' sib] } %81-83: 1 VOIX \oneVoice \stemUp \times 2/3 { mib,8[ mib' do] } \times 2/3 { lab[ mib do] } \times 2/3 { r8 mib'[ do] } \times 2/3 { la[ fad mib] } \times 2/3 { r8 mib'[ reb] } \times 2/3 { sib[ sol mib] } \times 2/3 { r8 mib'[ mib,] } \times 2/3 { fa'[ mib sol] } \times 2/3 { lab8[ mib do] } \times 2/3 { mib[ do lab] } \times 2/3 { do[ lab mib] } \times 2/3 { lab[ mib do] } %84-85: 3 VOIX \voiceOne \NOTEHS #-0.5 \times 2/3 { mib8[ do' mib] } \times 2/3 { mib,[ do' mib] } \times 2/3 { fa,[ do' mib] } \times 2/3 { sol,[ do mib] } \times 2/3 { lab,8[ do mib] } \times 2/3 { sol,[ do mib] } \times 2/3 { sib[ do mib] } \times 2/3 { lab,[ do mib] } \NOTEHSNO } %%%%%%%%%%%%%%%%%%%%% 86: ARPÈGE POUR LA PARTITION: 1 VOIX arpegePartPianoHI = \relative do'' { \voiceOne \oneVoice 1 \arpeggio ^\fermata \bar "|." } %%%%%%%%%%%%%%%%%%%%% 86: ARPÈGE POUR LE MIDI: REGROUPÉ AVEC CELUI DE LA PORTÉE DU BAS arpegeMidiPianoHI = \relative do'' { s1 } pianoPartHI = \context Staff \new Voice { \voiceOne \pianoHIa \arpegePartPianoHI } pianoMidiHI = \context Staff \new Voice { \voiceOne \pianoHIa \arpegeMidiPianoHI } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B32. NOTES PIANO HAUT VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHII = \context Staff \relative do'' \new Voice { \voiceTwo %1-4: 2 VOIX \IGNCOLL \NOTEHS #-0.5 mib4 mib fa sol lab4 sol sib lab sol4 fa mib reb do4 do \stemUp mib do \stemDown \NOTEHSNO %5-6: 2 VOIX \STEMCR 2 \STEMCR fa4( mib) s2 %7-18: 1 VOIX s1*12 %19-22: 2 OU 3 VOIX lab'4 sibb lab sibb %20 \TUPNO \times 2/3 { s8 fa[ mib] } \times 2/3 { s8 fa[ mib] } \repeat "percent" 2 { \times 2/3 { \RESTEXO #'(1 . 0) do8\rest reb[ do] } } sol4 sol sol8[ lab] sol[lab] mib4 mib8[ re] mib[ re] mib4 %23-45: 1 VOIX s1*23 %46-54: 2 VOIX s2 \times 2/3 { \NOTEHS #-2 \DOTEXO #'(-3 . 0) \repeat tremolo 3 solb8 \NOTEHSNO } \times 2/3 { \repeat tremolo 3 fa8 } s2 \times 2/3 { \NOTEHS #-2 \DOTEXO #'(-3 . 0) \repeat tremolo 3 re8 \NOTEHSNO } \times 2/3 { \repeat tremolo 3 mi8 } s1 \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } %50 s1 \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 mib8 } \times 2/3 { \repeat tremolo 3 mib8 } s2 \times 4/6 { \repeat tremolo 6 8 } s1 \times 2/3 { \repeat tremolo 3 do8 } \times 2/3 { \repeat tremolo 3 dob8 } s2 %55-61: 1 VOIX s1*7 %62-64: 2 VOIX lab''4 sibb lab sibb \TUPNO \times 2/3 { s8 fa[ mib] } \times 2/3 { s8 fa[ mib] } \repeat "percent" 2 { \times 2/3 { s8 reb[ do] } } sol4 sol sol8[ lab] sol4 %65: 1 VOIX s1 %66: 2 VOIX s2 lab4 \TUPNO \times 2/3 { mib4 8 } %67-69: 1 VOIX s1*3 %70: 2 VOIX s2 \times 2/3 { lab'4 lab8 } \times 2/3 { solb4 8 } %71-72: 1 VOIX s1*2 %73: 2 VOIX fa4 fa sol sol %74: 1 VOIX s1 %75: 2 VOIX s2. \times 2/3 { s8 lab4 } %76-77: 1 VOIX s1*2 %78-80: 2 VOIX fa'4 fa sol sol sol4 sol s2 s2 \times 2/3 { mib4 reb8 } \times 2/3 { do4 sib8 } %81-83: 1 VOIX s1*3 %84-85: 2 VOIX \IGNCOLL \NOTEHS #-0.5 mib4 s4 fa4 sol lab4 sol sib lab \NOTEHSNO %86: 1 VOIX s1 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B33. NOTES PIANO HAUT VOIX 3 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHIII = \context Staff \relative do'' \new Voice { \voiceThree %1-83 s1*83 %84 mib1 %85-86 s1*2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B34. NOTES PIANO HAUT VOIX 4 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoHIV =\context Staff \relative do'' \new Voice { \voiceFour %1-4: VOIX 4 \NOTEHS #0.5 mib,2 fa4 sol lab4 sol sib lab sol4 fa mib sol lab1 \NOTEHSNO %5-18 ---- s1*14 %19-20: VOIX 4 \NOTEHS #0.5 4 \NOTEHSNO %20 lab'4 lab \repeat "percent" 2 { sol8[ \NOTEHIDE lab16 ~ \FLAGHIDE lab] } %21-61 ---- s1*41 %62-63: VOIX 4 \NOTEHS #0.5 4 \NOTEHSNO lab'4 lab \repeat "percent" 2 { sol8[ \NOTEHIDE lab16 ~ \FLAGHIDE lab] } %64-83 ---- s1*20 %84-85: VOIX 4 \NOTEHS #1 mib2 \NOTEHS #0.5 fa4 sol lab4 sol sib lab \NOTEHSNO %86 --- s1 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartPianoH = { \clef treble \KEYTIME \set autoBeaming = ##f << \pianoPartHI \pianoHII\pianoHIII \pianoHIV >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B4. NOTES PIANO BAS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B41. NOTES PIANO BAS VOIX 1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBIa = \relative do' { \voiceOne %1-6: 1 VOIX \oneVoice 1 ~ 1 1( 1) %5 lab2 % 2 2 2_( 4 8[ ]) %7-9: 2 VOIX \voiceOne s2 sib'4.(mib8) 2_( 4 ) mib2 mib %10-12: 1 VOIX \oneVoice 2_( \STAFFUP \stemDown \STEML #10 fa'4 do8[ ]) \STAFFDO mib,1 2 r8 do' ~ \times 2/3 { \TUPNO do8[ reb mib] } %13-16: 2 VOIX \voiceOne 4 4. reb'8 4 s4 4 4. reb'8 4 2 %17-19: 1 VOIX \oneVoice %17 2 \stemDown \times 2/3 { sib8[ \STEMCR \STAFFUP sib' \STAFFDO sib,] } \times 2/3 { \STEMCR \STAFFUP sib'[ \STAFFDO sib, do16 reb] } %18 2 \times 2/3 { lab8[ \STEMCR \STAFFUP lab' \STAFFDO lab,] } \times 2/3 { \STEMCR \STAFFUP lab'[ \STAFFDO lab, sib16 do] } \stemNeutral %19 s1 %20-22: 2 VOIX \voiceOne s2 \NOTEHS #1.5 \repeat "percent" 2 { mib4} \NOTEHSNO \times 2/3 { r8 mib4 } \times 2/3 { r8 mib4 } \times 2/3 { r8 mib4 } \times 2/3 { r8 mib4 } \times 2/3 { r8 sib4 } \times 2/3 { r8 sib4 } \times 2/3 { r8 sib[ lab] } sol4 %23: 1 VOIX \oneVoice 2 %24: 2 VOIX \voiceOne do'4 sib2 do4 %25: 1 VOIX \oneVoice 2 %26: 2 VOIX \voiceOne fab'4 mib2 s4 %27-46: 1 VOIX \oneVoice \times 2/3 { 8 8[ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { 8 8[ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { \stemDown 8 \stemNeutral [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { 8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 2/3 { 8 [ ] } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } %30 \times 2/3 { 8[ ] } \times 2/3 { \repeat tremolo 3 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { [ ] } r4 r2 r4 do''4 %35 si2. do,4 re2. 4 2 r4 \times 2/3 { 8[ ] } \times 4/6 { \TUPNOK \repeat tremolo 6 8 \TUPNO } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } \times 4/6 { \repeat tremolo 6 8 } %40 \times 4/6 { \repeat tremolo 6 8 } \times 2/3 { \repeat tremolo 3 } r4 r2 r4 mib''4( re2.) mib,4 fa1 sib1_> %45 sib1_> solb1_> %47: 2 VOIX \voiceOne sol!2_>( fa4 sol) %48-49: 1 VOIX \oneVoice 1 1 %50-51: 2 VOIX %50 \voiceOne \NOTEHS #2 lab1 \NOTEHSNO lab2.( solb4) %52-55: 1 VOIX \oneVoice \stemUp 2( reb) \stemNeutral mib1 1 ~ %55 4 r4 \times 2/3 { r8( sol'[ re] } \times 2/3 { mib[ sol la]) } %56-59: 2 VOIX \voiceOne 4 4. reb'8 4 \times 2/3 { do8[ reb mib] } 4 4. reb'8 4 2 %60-62: 1 VOIX %60 \oneVoice 2 \voiceTwo \STAFFUP \NOTEHS #0.5 \times 2/3 { sib8[ \STEMCR sib' \STEMCR sib,] } \times 2/3 { \STEMCR sib'[ \STEMCR sib, \STEMCR do16 \STEMCR reb] } \NOTEHSNO \STAFFDO %61 \oneVoice 2 \voiceTwo \STAFFUP \NOTEHS #0.5 \times 2/3 { \STEMCR lab8[ \STEMCR lab' \STEMCR lab,] } \times 2/3 { \STEMCR lab'[ \STEMCR lab, \STEMCR sib16 \STEMCR do] } \NOTEHSNO \STAFFDO %62 \oneVoice s1 %63-64: 2 VOIX \voiceOne s2 \NOTEHS #2 \repeat "percent" 2 { mib4} \NOTEHSNO \times 2/3 { r8 mib[ sib] } \times 2/3 { r8 mib[ sib] } \times 2/3 { r8 sib[ do] } \times 2/3 { r8 sib[ reb] } %65: 1 VOIX %65 \oneVoice 2 %66-68: 2 VOIX \voiceOne fa'4. mib8 s2 s2 sib4. mib8 do2 4 %69-75: 1 VOIX \oneVoice 2 %70 2 solb'8[ fa do reb] mib,1 2. do'4 reb2 mib fa2. do4 %75 reb4( mib fa mib8[ reb]) %76-82: 2 VOIX \voiceOne do2( mib) 2. \clef treble do'4 do4\( sib ~ sib8[ reb do sib]\) sib4.( lab8) lab2 %80 lab2. lab4 lab2 la sib2 si %83-86: 1 VOIX \oneVoice 1 \clef bass 1 1 } %%%%%%%%%%%%%%%%%%%%% 86: ARPÈGE POUR LA PARTITION: 1 VOIX arpegePartPianoBI = \relative do' { \voiceOne \oneVoice 1 \arpeggio _\fermata \bar "|." } %%%%%%%%%%%%%%%%%%%%% 86: ARPÈGE POUR LE MIDI: ICI, REGROUPÉ AVEC CELUI DE LA PORTÉE DU HAUT arpegeMidiPianoBI = \relative do' {\voiceOne \oneVoice << { lab1 \fermata } \\ { s16 do16~ do2.. } \\ { s8 lab'8~ lab2. } \\ { s8. mib'16~ mib2. } \\ { s4 lab2. } \\ { s4 s16 do8.~ do2 } \\ { s4. mib8~ mib2 } >> } pianoPartBI = \context Staff \new Voice { \voiceOne \pianoBIa \arpegePartPianoBI } pianoMidiBI = \context Staff \new Voice { \voiceOne \pianoBIa \arpegeMidiPianoBI } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B42. NOTES PIANO BAS VOIX 2 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBII = \context Staff \relative do' \new Voice { \voiceTwo %1-6: 1 VOIX s1*6 %7-9: 2 VOIX 2 mib \NOTEHS #0.5 lab1 \NOTEHSNO 2 %10-12: 1 VOIX s1*3 %13-16: 2 VOIX mib1 mib2 lab4 \TUPNO \times 2/3 { do8[ reb mib] } mib,1 mib2 lab %17-19: 1 VOIX s1*3 %20-22: 2 VOIX 8[ ] 8[ ] \repeat "percent" 2 { sib8[ \NOTEHIDE lab16 ~ \FLAGHIDE lab] } mib4 mib sib'8[ lab] sib[ lab] sol8[ fad] sol8[ fa] mib[ sib] mib4 %23: 1 VOIX s1 %24: 2 VOIX 2. 4 %25: 1 VOIX s1 %26: 2 VOIX 2. 4 %27-46: 1 VOIX s1*20 %47: 2 VOIX \NOTEHS #2 do,1 \NOTEHSNO %48-49: 1 VOIX s1*2 %50-51: 2 VOIX fa2( mib4 reb!) do1 %52-55: 1 VOIX s1*4 %56-59: 2 VOIX mib1_> mib2 lab4 s4 mib1 mib2 lab %60-62: 1 VOIX s1*3 %63-64: 2 VOIX \voiceTwo \repeat "percent" 2 { 8[ ] } \repeat "percent" 2 { sib8[ \NOTEHIDE lab16 ~ \FLAGHIDE lab] } mib4 mib mib mib %65: 1 VOIX s1 %66-68: 2 VOIX 2 8[ ] 2 mib lab2 lab %69-75: 1 VOIX s1*7 %76-82: 2 VOIX mib1 s2. \clef treble do'4 reb2 mib fa2 fa %80 reb4 mib solb8[ fa mib reb] 2 2 %83-86: 1 VOIX s1*4 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LA PARTITION notePartPianoB = { \clef bass \KEYTIME \set autoBeaming = ##f << \pianoPartBI \pianoBII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ POUR LE MIDI: Voir SORTIE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. DYNAMIQUES PARTITION MÉLODIE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% SOPRANOS dynPartSoprano = { \override DynamicTextSpanner #'dash-period = #-1 \dynamicUp %1-4 s1*4 %5-8 s2 \p \PINEXO #'(0 . 1.7) s4. \cr s8 \! s4 \decr s4 \! s2 s1*2 %9-12 s2 \PINEXO #'(0 . 2.1) s4. \cr s8 \! s8 \decr s8 \! s4 s2 s8 s4. \cr s4 \! \decr s8 \! s8 s2.. \DYNEXO #'(0 . 1) s8 \pp %13-16 s8 \decr s8 \! s4 s2 s8 \decr s8 \! s4 s2 s8 \decr s8 \! s4 s2 s8 \decr s8 \! s4 s2 %17-20 s4. \cr s8 \! s4. \decr s8 \! \PINEXO #'(0 . 0.5) s4. \cr s8 \! \PINEXO #'(0 . 0.5) s4. \decr s8 \! \DYNEXO #'(0 . 0.5) s1 \ppp s1 %21-24 s1 s2.. s8 \p s2 s4.. \cr s16 \! s8 \decr s8 \! s2 s4 ^\CRESCENDO %25-29 s4 s4 \PINEXO #'(0 . 2.7) s4.. \cr s16 \! \PINEXO #'(0 . 2) s8. \decr s16 \! s2 s4 \cr s4. \! \ff \decr s8 \! s2 \fz \DYNEXO #'(0 . 2) s2 \fz \DYNEXO #'(0 . 2) s2 \fz \DYNEXO #'(0 . 2) \PINEXO #'(0 . 2) s4. \fz \cr s8 \! \PINEXO #'(0 . 2.7) s4. \decr s8 \! %30-34 s2. \DYNEXO #'(-3 . 0) s4 \pp s1 s1 ^\DIMINUENDO s1 s2 s4. \cr s8 \! %35-39 s8 \decr s8 \! s4 s4 \mf s8 \decr s8 \! s4. s8 \p s4 s8 \decr s8 \! s2. s4 \pp s1 s1 ^\DIMINUENDO %40-44 s1 \PINEXO #'(0 . 1) s2.. \cr s8 \! s8 \decr s8 \! s2 s4 \f \PINEXO #'(0 . 2) s8 \decr s8 \! s2 \DYNEXO #'(0 . 2) s4 \p s2. \DYNEXO #'(0 . 2) s4 \p %45-49 \PINEXO #'(0 . 2) s2.. \cr s8 \! \PINEXO #'(0 . 2) s2 \decr s4 \! s4 s1 s4. \PINEXO #'(0 . 2) s8 \cr s4. s8 \! \PINEXO #'(0 . 1.5) s4. \decr s8 \! s2 %50-54 s2 \PINEXO #'(0 . 2) s4 \cr s4 \! \PINEXO #'(0 . 2) s4. \decr s8 \! s2 s1*3 %55-58 s2.. \DYNEXO #'(0 . 1) s8 \p \PINEXO #'(0 . 1) s4. \decr s8 \! s2 s8 \decr s8 \! s4 s2 \PINEXO #'(0 . 1.5) s8 \decr s8 \! s4 s2 %59-62 \PINEXO #'(0 . 2) s8 \decr s8 \! s4 s2 \PINEXO #'(0 . 1) s2 \cr \PINEXO #'(0 . 1) s4. \! \decr s8 \! \PINEXO #'(0 . 1.5) s4. \cr s8 \! \PINEXO #'(0 . 1.5) s4. \decr \DYNEXO #'(0 . 1.5) s8 \! \pp s1 %63-66 \DYNEXO #'(0 . 0.5) \PINEXO #'(0 . 0.5) s8 \f \decr s8 \! s4 \DYNEXO #'(0 . 1) s2 \pp s2. \DYNEXO #'(0 . 1) s4 \p s2 \PINEXO #'(0 . 1.5) s4. \cr s8 \! %66-70 \PINEXO #'(0 . 1) s8 \decr s8 \! s4 s2 \PINEXO #'(0 . 1) s2 \cr \PINEXO #'(0 . 1) s4. \! \decr s8 \! s1 s2 \PINEXO #'(0 . 1.5) s4. \cr s8 \! s8 \decr s8 \! s4 s2 %71-74 s4. \PINEXO #'(0 . 1.5) s8 \cr s8 \! \PINEXO #'(0 . 1.5) s8 \decr s8 \! s8 s2. \DYNEXO #'(0 . 1.5) s4 \ppp s1*2 %75-78 s4 s4 \cr s8 \! \decr s8 \! s4 s1 s2 s2 ^\EMORIENDO s1 %79-82 s1 s8 \PINEXO #'(0 . 1.5) s4. \cr \PINEXO #'(0 . 1.5) s8 \! \decr s8 \! s4 \PINEXO #'(0 . 1) s1 \cr s2.. \DYNEXO #'(0 . 1) \PINEXO #'(0 . 1) s8 \! \f \decr %83-86 s1 \DYNEXO #'(0 . 1) s2 \! \pp s2 s1*2 } %%%%%%%%%%%%%%%%%%%% ALTOS dynPartAlto = { \override DynamicTextSpanner #'dash-period = #-1 \dynamicUp %1-4 s1*4 %5-8 s2 \p \PINEXO #'(0 . 0.5) s4. \cr s8 \! s4 \decr s4 \! s2 s1*2 %9-12 s1 s8 \decr s8 \! s4 s2 s8 s4. \cr s4 \! \decr s8 \! s8 s1 %13-16 s2.. s8 \pp s8 \decr s8 \! s4 s2 s1 s8 \decr s8 \! s4 s2 %17-20 \PINEXO #'(0 . 0.5) s4. \cr s8 \! \PINEXO #'(0 . 0.5) s4. \decr s8 \! \PINEXO #'(0 . 1) s4. \cr s8 \! s4. \decr s8 \! \DYNEXO #'(0 . 0.5) s1 \ppp s1 %21-24 s1 s2.. s8 \p s2 s4.. \cr s16 \! s4 \decr s4 \! s4 s4 ^\CRESCENDO %25-29 s2 \PINEXO #'(0 . 0.5) s4.. \cr s16 \! s8. \decr s16 \! s2. s2 \ff s2 \fz s2 \fz s2 \fz s4. \fz \cr s8 \! \PINEXO #'(0 . 0.7) s4. \decr s8 \! %30-34 s2. \DYNEXO #'(-3 . 0) s4 \pp s1 s1 ^\DIMINUENDO s1 s2 s4. \cr s8 \! %35-39 s8 \decr s8 \! s4 s4 \mf s8 \decr s8 \! s4. s8 \p s4 s8 \decr s8 \! s2. s4 \pp s1 s4 s2. ^\DIMINUENDO %40-44 s1 s2.. \cr s8 \! s8 \decr s8 \! s2 s4 \f s8 \decr s8 \! s2 s4 \p s1 %45-49 s2 s8 s4 \p \cr s8 \! s2 \decr s4 \! s4 s1 s4. s8 \cr s4. s8 \! s4. \decr s8 \! s2 %50-54 s2 s4 \cr s4 \! s4. \decr s8 \! s2 s1*3 %55-58 s1*2 s8 \decr s8 \! s4 s2 s1 %59-62 s8 \decr s8 \! s4 s2 \PINEXO #'(0 . 1) s2 \cr \PINEXO #'(0 . 1) s4. \! \decr s8 \! \PINEXO #'(0 . 1) s4. \cr s8 \! s4. \decr s8 \! \pp s1 %63-66 s8 \f \decr s8 \! s4 s2 \pp s2. s4 \p s2 \PINEXO #'(0 . 0.3) s4. \cr s8 \! s8 \decr s8 \! s4 s2 %67-70 s2 \cr s4. \! \decr s8 \! s1 s2 s4. \cr s8 \! s8 \decr s8 \! s4 s2 %71-74 s4. s8 \cr s8 \! s8 \decr s8 \! s8 s2. s4 \ppp s1*2 %75-78 s4 s4 \cr s8 \! \decr s8 \! s4 s1 s2 s2 ^\EMORIENDO s1 %79-82 s1 s8 s4. \cr s8 \! \decr s8 \! s4 s1*2 %83-86 s4. \cr s8 \! s4. \decr s8 \! s1*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. DYNAMIQUES PARTITION PIANO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% COMMUNES AUX DEUX PORTÉES dynPartPianoCom = { \override DynamicTextSpanner #'dash-period = #-1 %1-4 \DYNEXO #'(-3 . 0) s1 \pp s1*2 s4 \DIMIN s4 \decr s2 %5-9 \DYNEXO #'(-2 . 0) s1 \pp s1*2 s2. \times 2/3 { s4 s8 \p } s1 %10-14 s1*5 %15-18 s1*4 %19-23 \DYNEXO #'(1.5 . 0) s1 \ppp s1*2 s2. \times 2/3 { s4 s8 \p } s1 %24-27 s1*4 %28-32 s2 \fz s2 \fz s1 \fz s1 \p s1*2 %33-36 s1*4 %37-41 s4 s2. \pp s1*4 %42-46 \times 2/3 { \PINEXO #'(2 . 0) s4 \decr s8 \! } s2 s4 \f \times 2/3 { s4 \decr s8 \! } s4 s2 \p s1*3 %47-51 s1*5 %52-56 s1*5 %57-60 s1*4 %61-65 s1 \DYNEXO #'(1.5 . 0) s1 \pp s1*3 %66-70 s1*3 \DYNEXO #'(1.5 . 0) s1 \pp s1 %71-75 s1 s2 s2 \ppp s1*3 %76-80 s1*4 s4 s4 \cr \times 2/3 { s8 \! \decr s4 } \times 2/3 { s8 s8 \! s8 } %81-86 s2 s2 \cr s2. \times 2/3 { s4 s8 \! } \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s2 \f \decr \times 2/3 { s4 s8 \! } s4 \DYNEXO #'(1.5 . 0) s2 \pp s4 \cr \times 2/3 { s4 s8 \! } \times 2/3 { s4 \decr s8 \! } s2. s1 } %%%%%%%%%%%%%%%%%%%% PARTICULIÈRES À LA PORTÉE DU HAUT dynPartPianoH = { %1-4 s1 \PINEXO #'(0 . -3) s2 \cr \times 2/3 { s4 s8 \! } \times 2/3 { s4 \PINEXO #'(0 . -3) s8 \decr } s4 \times 2/3 { s4 s8 \! } s2 s1 %5-9 \TSCRPAD #8 s2 -\LIGATO \PINEXO #'(0 . -9) s4 \cr \times 2/3 { s4 s8 \! } \PINEXO #'(0 . -9) s4 \decr \times 2/3 { s4 s8 \! } s2 s1 s2 \PINEXO #'(0 . -9) s4 \cr \times 2/3 { s4 s8 \! } s1 %10-14 \times 2/3 { \PINEXO #'(0 . -3) s8 \decr s8 s8 \! } s4 s2 s1*4 %15-18 s1*4 %19-23 s1*4 s4 \PINEXO #'(0 . -2) s4 \cr s4 \times 2/3 { s4 s8 \! } %24-27 \times 2/3 { \PINEXO #'(0 . -2) s4 \decr s8 \! } s2. \TSCRPAD #2.5 s4 -\CRESCENDO s4 s4 \times 2/3 { \PINEXO #'(0 . -3) s4 \cr s8 \! } \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } s4 \PINEXO #'(0 . -3) s4 \cr \times 2/3 { s4 s8 \! } \times 2/3 { \DYNEXO #'(0 . -3) \PINEXO #'(0 . -3) s4 \ff \decr s8 \! } s4 \DYNEXO #'(0 . -3) s2 \fz %28-32 s1*2 s4 \TSCRPAD #3.5 s4 -\DECRESCENDO s4 \times 2/3 { s4 \DYNEXO #'(0 . -5) s8 \pp } s1 \TSCRPAD #3.5 s1 -\DIMINUENDO %33-36 s1 s2 \PINEXO #'(0 . -4.5) s4 \cr \times 2/3 { s4 s8 \! } \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } \times 2/3 { s4 \DYNEXO #'(0 . -3) s8 \mf } s4 \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } s2 \DYNEXO #'(0 . -3) s4 \p \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } %37-41 s1*2 s4 \TSCRPAD #2.5 s2. -\DIMINUENDO s1 s4 \PINEXO #'(0 . -3) s2 \cr \times 2/3 { s4 s8 \! } %42-46 s1*3 s2 \PINEXO #'(0 . -3) s4 \cr \times 2/3 { s4 s8 \! } \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } s2. %47-51 s1 s2 \PINEXO #'(0 . -3) s4 \cr \times 2/3 { s4 s8 \! } \PINEXO #'(0 . -3) s4 \decr \times 2/3 { s4 s8 \! } s2 s2 \PINEXO #'(0 . -3) s4 \cr \times 2/3 { s4 s8 \! } \PINEXO #'(0 . -3) s4 \decr \times 2/3 { s4 s8 \! } s2 %52-56 s1 s2. \times 2/3 { \PINEXO #'(0 . -3) s4 \cr s8 \! } \times 2/3 { \PINEXO #'(0 . -3) s4 \decr s8 \! } s2. \DYNEXO #'(0 . -3) s1 \pp \PINEXO #'(0 . -3) s4 \decr \times 2/3 { s4 s8 \! } s2 %57-60 s1*4 %61-65 s1*5 %66-70 s1*2 s4 \PINEXO #'(0 . -3) s2 \cr \times 2/3 { s4 s8 \! } s1*2 %71-75 s1*4 \PINEXO #'(0 . -3) s4 \cr \times 2/3 { s4 s8 \! } \PINEXO #'(0 . -3) s4 \decr \times 2/3 { s4 s8 \! } %76-80 s1*5 %81-86 s1*6 } %%%%%%%%%%%%%%%%%%%% PARTICULIÈRES À LA PORTÉE DU BAS dynPartPianoB = { %1-4 s2. s4 \cr s2 \times 2/3 { s4 s8 \! } \times 2/3 {s4 s8 \decr } s2 s4 \times 2/3 { s8 \! s4 } s1 %5-9 s1*5 %10-14 s1*3 \times 2/3 { \PINEXO #'(0 . 3) s8 \decr s8 s8 \! } s4 s2 \times 2/3 { \PINEXO #'(0 . 3) s8 \decr s8 s8 \! } s4 s2 %15-18 \times 2/3 { \PINEXO #'(0 . 3) s8 \decr s8 s8 \! } s4 s2 \times 2/3 { \PINEXO #'(0 . 3) s8 \decr s8 s8 \! } s4 s2 s1*2 %19-23 s1*5 %24-27 s1*3 s2 \fz s2 \fz %28-32 s1*5 %33-36 s1*4 %37-41 s1*5 %42-46 s1*5 %47-51 s1*5 %52-56 s1*5 %57-60 s1*4 %61-65 s1*2 \PINEXO #'(0 . 2) s8 \decr s8 \! s4 \DYNEXO #'(0 . 2) s2 \p s1 \DYNEXO #'(0 . 2) s2 \pp \PINEXO #'(0 . 2) s4 \cr \times 2/3 { s4 s8 \! } %66-70 \times 2/3 { \PINEXO #'(0 . 2) s4 \decr s8 \! } s2. s1 s1 s2 \PINEXO #'(0 . 2) s4 \cr \times 2/3 { s4 s8 \! } \times 2/3 { \PINEXO #'(0 . 2) s4 \decr s8 \! } s2. %71-75 s1*4 \PINEXO #'(0 . 2) s4 \cr \times 2/3 { s4 s8 \! } \PINEXO #'(0 . 2) s4 \decr \times 2/3 { s4 s8 \! } %76-80 s1*5 %81-86 s1*6 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. DYNAMIQUES POUR MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D1. DYNAMIQUES MIDI MÉLODIE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% SOPRANOS dynMidiSoprano = { %1-4 s1*4 %5-8 s2 \p s2 \cr s4 \! \mf \decr s4 \! \p s2 s1*2 %9-12 s2 s2 \cr s4 \! \mf \decr s4 \! \p s2 s2 \cr s4. \! \mf \decr s8 \! \p s2.. s8 \pp %13-16 s8 \mp \decr s8 \! \pp s4 s2 s8 \mp \decr s8 \! \pp s4 s2 s8 \mp \decr s8 \! \pp s4 s2 s8 \mp \decr s8 \! \pp s4 s2 %17-20 s2 \cr s2 \! \mp \decr s2 \! \pp \cr s2 \! \mp \decr s1 \! \ppp s1 %21-24 s1 s2.. s8 \p s2 s2 \cr s4 \! \mf \decr s4 \! \p s4 s4 \cr %25-29 s1 s4 \! \mf \decr s4 \! \p s4 s4 \cr s4. \! \ff \decr s8 \! s2 \mf s1 s2 \cr s4. \! \f \decr s8 \! \mf %30-34 s2. s4 \pp s1 s1 \decr s1 \! \ppp s2 s2 \cr %35-39 s4 \! \p \decr s4 \! \ppp s4 s8 \mf \decr s8 \! \mp s4. s8 \p s4 s8 \mf \decr s8 \! \p s2. s4 \pp s1 s1 \decr %40-44 s1 s1 \! \pppp \cr s4 \! \p \decr s4 \! \ppp s4 s4 \f s8 \decr s8 \! \mp s2 s4 \p s2. s4 \p %45-49 s1 \cr s2 \! \mf \decr s4 \! \p s4 s1 s4. s8 \cr s2 s4. \! \mf \decr s8 \! \p s2 %50-54 s2 s2 \cr s4. \! \mf \decr s8 \! \p s2 s1*3 %55-58 s2.. s8 \p s4. \decr s8 \! \pp s2 s8 \mp \decr s8 \! \pp s4 s2 s8 \mp \decr s8 \! \pp s4 s2 %59-62 s8 \mp \decr s8 \! \pp s4 s2 s2 \cr s4. \! \mp \decr s8 \! \pp s2 \cr s4. \! \mp \decr s8 \! \pp s1 %63-65 s2 \f \decr s2 \! \pp s2. s4 \p s2 s2 \cr %66-70 s4 \! \mf \decr s4 \! \p s2 s2 \cr s4. \! \mf \decr s8 \! \p s1 s2 s2 \cr s4 \! \mf \decr s4 \! \p s2 %71-74 s4. s8 \cr s8 s8 \! \mf \decr s8 \! \p s8 s2. s4 \ppp s1*2 %75-78 s4 s4 \cr s4 \! \p \decr s4 \! \pp s1 s2 s2 \decr s1 %79-82 s1 s4 \! \ppp s4 \cr s4 \! \p \decr s4 \! \ppp s1 \cr s2.. s8 \! \f \decr %83-86 s1 s2 \! \pp s2 s1*2 } %%%%%%%%%%%%%%%%%%%% ALTOS dynMidiAlto = { %1-4 s1*4 %5-8 s2 \p s2 \cr s4 \! \mf \decr s4 \! \p s2 s1*2 %9-12 s2 s2 \cr s4 \! \mf \decr s4 \! \p s2 s2 \cr s4. \! \mf \decr s8 \! \p s1 %13-16 s2.. s8 \pp s8 \mp \decr s8 \! \pp s4 s2 s1 s8 \mp \decr s8 \! \pp s4 s2 %17-20 s2 \cr s2 \! \mp \decr s2 \! \pp \cr s2 \! \mp \decr s1 \! \ppp s1 %21-24 s1 s2.. s8 \p s2 s2 \cr s4 \! \mf \decr s4 \! \p s4 s4 \cr %25-29 s1 s4 \! \mf \decr s4 \! \p s4 s4 \cr s4. \! \ff \decr s8 \! s2 \mf s1 s2 \cr s4. \! \f \decr s8 \! \mf %30-34 s2. s4 \pp s1 s1 \decr s1 \! \ppp s2 s2 \cr %35-39 s4 \! \p \decr s4 \! \ppp s4 s8 \mf \decr s8 \! \mp s4. s8 \p s4 s8 \mf \decr s8 \! \p s2. s4 \pp s1 s1 \decr %40-44 s1 s1 \! \pppp \cr s4 \! \p \decr s4 \! \ppp s4 s4 \f s8 \decr s8 \! \mp s2 s4 \p s1 %45-49 s2 s2 \p \cr s2 \! \mf \decr s2 \! \p s1 s4. s8 \cr s2 s4. \! \mf \decr s8 \! \p s2 %50-54 s2 s2 \cr s4. \! \mf \decr s8 \! \p s2 s1*3 %55-58 s1 s1 \pp s8 \mp \decr s8 \! \pp s4 s2 s8 \mp \decr s8 \! \pp s4 s2 %59-62 s8 \mp \decr s8 \! \pp s4 s2 s2 \cr s4. \! \mp \decr s8 \! \pp s2 \cr s4. \! \mp \decr s8 \! \pp s1 %63-65 s2 \f \decr s2 \! \pp s2. s4 \p s2 s2 \cr %66-70 s4 \! \mf \decr s4 \! \p s2 s2 \cr s4. \! \mf \decr s8 \! \p s1 s2 s2 \cr s4 \! \mf \decr s4 \! \p s2 %71-74 s4. s8 \cr s8 s8 \! \mf \decr s8 \! \p s8 s2. s4 \ppp s1*2 %75-78 s4 s4 \cr s4 \! \p \decr s4 \! \pp s1 s2 s2 \decr s1 %79-82 s1 s4 \! \ppp s4 \cr s4 \! \p \decr s4 \! \ppp s1*2 %83-86 s2 \cr s4. \! \mp \decr s8 \! \pp s1*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D2. DYNAMIQUES MIDI PIANO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPiano = { %1-4 s2 \pp s2 \cr s2. s4 \! \mf s2. \decr s4 s2. s4 \! \ppp %5-9 s2 \pp s4 \cr s4 \! \mf \decr s4 s4 \! \pp s2 s1 s2 s4 \cr s4 \! \p s1 %10-14 s4 \mp \decr s4 \! \p s2 s1*2 s4 \mp \decr s4 \! \p s2 s4 \mp \decr s4 \! \p s2 %15-18 s4 \mp \decr s4 \! \p s2 s4 \mp \decr s4 \! \p s2 s1 \mp s1 %19-24 s1 \pp s1*3 s4 \p s4 \cr s4 \times 2/3 { s4 s8 \! \mf } %24-27 \times 2/3 { s4 \decr s8 \! \p } s2. s4 \cr s2 \times 2/3 { s4 s8 \! \mf } \times 2/3 { s4 \decr s8 \! \p } s4 s2 \cr \times 2/3 { s8 \! \ff \decr s4 \! \mp } s4 \times 2/3 { s8 \f s4 \mp } s4 %28-32 \times 2/3 { s8 \f s4 \mp } s4 \times 2/3 { s8 \f s4 \mp } s4 \times 2/3 { s8 \f s4 \mp } s2. s2 s2 \decr s1 \! \pp s1 \decr %33-36 s1 s2 \! \ppp s2 \cr \times 2/3 { s4 \! \p \decr s8 \! \pp } s2 \times 2/3 { s4 \mf \decr s8 \! \mp } s2 s4 \p \times 2/3 { s4 \mp \decr s8 \! \p } %37-41 s4 s4 \pp s2 s1 s1 \decr s2. s4 \ppp s4 s2. \cr %42-46 \times 2/3 { s4 \! \mf \decr s8 \! \p } s2 s4 \f \times 2/3 { s4 \decr s8 \! \mp } s2 s4 \p s1 s2 s2 \cr \times 2/3 { s4 \! \mf \decr s8 \! \p } s2. %47-51 s1 s2 s2 \cr s2 \! \mf \decr s2 \! \p s2 s2 \cr s2 \! \mf \decr s2 \! \p %52-56 s1 s2. s4 \cr \times 2/3 { s4 \! \mf \decr s8 \! \mp } s2. s1 \p s4 \decr \times 2/3 { s4 s8 \! \pp } s2 %57-60 s1*4 %61-65 s1 s1 \pp s8 \mp \decr s8 \! \pp s4 s2 \p s1 s2 \pp s4 \cr \times 2/3 { s4 s8 \! \mp } %66-70 \times 2/3 { s4 \decr s8 \! \pp } s2. s1 s4 s2 \cr \times 2/3 { s4 s8 \! \mp } s2 \pp s4 \cr \times 2/3 { s4 s8 \! \mp } \times 2/3 { s4 \decr s8 \! \pp } s2. %71-75 s1 s2 s2 \ppp s1*2 s4 \cr \times 2/3 { s4 s8 \! \p } s4 \decr \times 2/3 { s4 s8 \! \ppp } %76-80 s1*4 s4 \cr \times 2/3 { s4 s8 \! \p } s4 \decr \times 2/3 { s4 s8 \! \ppp } %81-86 s2 s2 \cr s1 s2 \! \f \decr s2 s2 \! \pp s2 \cr s4 \! \mp \decr s4 \! \pp \tempo 4=60 s4 \tempo 4=50 s4 \tempo 8=68 s4 \tempo 8=56 s16 \tempo 8=44 s8. s2 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new ChoirStaff \relative << \new Voice = "sopranohaut" << \notePartSopranoH \dynPartSoprano >> \new Lyrics \lyricsto "sopranohaut" \poemeSopranoH \new Voice = "sopranobas" << \notePartSopranoB >> \new Lyrics \lyricsto "sopranobas" \poemeSopranoB \new Voice = "altohaut" << \notePartAltoH >> \new Lyrics \lyricsto "altohaut" \poemeAltoH \new Voice = "altobas" << \notePartAltoB \dynPartAlto >> \new Lyrics \lyricsto "altobas" \poemeAltoB >> \new PianoStaff << \set PianoStaff.instrumentName = "Pianoforte " \set PianoStaff.shortInstrumentName = "Pf. " \set PianoStaff.connectArpeggios = ##t \new Dynamics = "updyn" \dynPartPianoH \new Staff = "up" << \notePartPianoH >> \new Dynamics = "dynamics" \dynPartPianoCom \new Staff = "down" << \notePartPianoB >> \new Dynamics = "downdyn" \dynPartPianoB >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% RÉSUMÉ DES NOTES POUR LE MIDI noteMidiSopranoH = { \KEYTIME \set Staff.midiInstrument = "clarinet" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 \sopranoH } noteMidiSopranoB = { \KEYTIME \set Staff.midiInstrument = "clarinet" \set Staff.midiMaximumVolume = #1 \sopranoB } noteMidiAltoH = { \KEYTIME \set Staff.midiInstrument = "flute" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #0.8 \altoH } noteMidiAltoB = { \KEYTIME \set Staff.midiInstrument = "flute" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #0.8 \altoB } noteMidiPianoH = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 \unfoldRepeats { << \pianoMidiHI \pianoHII \pianoHIII \pianoHIV >> } } noteMidiPianoB = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 \unfoldRepeats { << \pianoMidiBI \pianoBII >> } } %%%%%%%%%%%%%%%%%%%% REDÉFINITION DES VOLUMES RESPECTIFS ATTRIBUÉS AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 0.70) ("f" . 0.60) ("mf" . 0.50) ("mp" . 0.40) ("p" . 0.32) ("pp" . 0.26) ("ppp" . 0.22) ("pppp" . 0.16) ("ppppp" . 0.16) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTRÉE PRENDRA LE NOUVEAU VOLUME SPÉCIFIÉ #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \KEYTIME s1 } \score { << \new Voice = "sopranohaut" { \SILENCE << \noteMidiSopranoH \dynMidiSoprano >> } \new Voice = "sopranobas" { \SILENCE << \noteMidiSopranoB \dynMidiSoprano >> } \new Voice = "altohaut" { \SILENCE << \noteMidiAltoH \dynMidiAlto >> } \new Voice = "altobas" { \SILENCE << \noteMidiAltoB \dynMidiAlto >> } \new Staff = "up" { \SILENCE << \noteMidiPianoH \dynMidiPiano >> } \new Staff = "down" { \SILENCE << \noteMidiPianoB \dynMidiPiano >> } >> \midi { \context { \Score % ÉCHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume tempoWholesPerMinute = #(ly:make-moment 68 4) } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D706-Psalm23.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%