%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D717-Suleika-2.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Suleika 2", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" #(set-global-staff-size 19) \paper { after-title-space = 60\mm between-system-padding = 10\mm line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) indent = 28\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Suleika 2 (D.717) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Suleika 2 (D.717) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { dedication = \markup \center-column { \fontsize #0.5 \bold "Frau Anna Milder gewidmet." " " } title = \markup { \fontsize #1.5 "Suleika 2" } subsubtitle = " " poet = \markup { \hspace #19 \column { \center-column { \line { \fontsize #2 \bold "Johann Wolfgang von Goethe" } \line { \small "(1787-1862)" } \line { \fontsize #1 \bold "„West-östlicher Diwan“" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.720 (Op. 31, 1821)" } % MUTOPIA mutopiatitle = "Suleika 2" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Wolfgang von Goethe" mutopiaopus = "D.717 (Op. 31)" mutopiainstrument = "Voice and Piano" date = "1821" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1583" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % Des "\break" ont été introduits pour unifier les deux formats de sortie PDF % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes B2: dynamiques % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=110 TEMPODIMA = \tempo 4=105 TEMPODIMB = \tempo 4=100 TEMPODIMC = \tempo 4=95 TEMPODIMD = \tempo 4=90 TEMPORAP = \tempo 4=115 TEMPODIME = \tempo 4=110 TEMPOFIN = \tempo 4=30 %----- TONALITÉS ET MESURES KEY = { \key sib \major } TIMEA = { \time 2/4 } TIMEB = { \time 3/4 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Mässige Bewegung. " } } MOVEMENTB = \markup { \bold \large { \hspace #-4.0 "Etwas geschwinder. " } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "trombone" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } IPIANOBAS = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } %----- NOLET: CACHER OU AFFICHER LE NOMBRE OU LE CROCHET TUPBNO = \override TupletBracket #'transparent = ##t %----- SUBDIVISION DES BARRES DE LIAISON SUBDBEAM = { \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 4) } SUBDBEAMNO = \set subdivideBeams = ##f %----- OCTAVES: DEBUT ET FIN OCTAVEBEG = { #(set-octavation 1) \set Staff.ottavation = #"8" } OCTAVEEND = #(set-octavation 0) %----- CRESCENDOS CRESC = \markup { \bold \italic "cresc." } DECRESC = \markup { \bold \italic "decresc." } RITARDDECR = \markup { \bold \italic "ritard. decresc." } DIMIN = \markup { \bold \italic "dimin." } POCOA = \markup { \bold \italic "poco a" } POCODIMIN = \markup { \bold \italic "poco dimin." } %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) TSCREXOB = #(define-music-function (parser location beg-end) (pair?) #{ \override TextScript #'extra-offset = #$beg-end #}) %----- LONG STACCATO LONGSFOR = \markup { \hspace #1 \fontsize #4.5 \musicglyph #"scripts.sforzato" } %----- MARKUP MITHALBER = \markup { \bold \italic "mit halber Stimme" } STACCATO = \markup { \bold \italic "staccato" } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-.5 %--- 9 Ach, um dei -- ne feuch -- ten __ Schwin -- gen, West, wie sehr ich dich __ be -- nei -- de: denn __ du __ kannst ihm Kun -- de __ brin -- gen, was ich in der Tren -- nung __ lei -- de, denn __ du __ kannst ihm Kun -- de __ brin -- gen, was ich in der Tren -- nung __ lei -- de! %--- 39 Die Be -- we -- gung dei -- ner __ Flü -- gel weckt im __ Bu -- sen stil -- les __ Seh -- nen; Blu -- men, Au -- en, Wald __ und __ Hü -- gel stehn bei __ dei -- nem Hauch __ in __ Trä -- nen. Blu -- men, Au -- en, __ Wald __ und __ Hü -- gel stehn bei __ dei -- nem __ Hauch __ in __ Trä -- nen, stehn bei dei -- nem __ Hauch __ in Trä -- nen. %--- 84 Doch dein mil -- des sanf -- tes __ We -- hen kühlt die wun -- den Au -- gen -- li -- der; ach, __ für __ Leid müßt’ ich __ ver -- ge -- hen, hofft’ ich nicht zu sehn __ ihn __ wie -- der. ach, __ für __ Leid müßt’ ich __ ver -- ge -- hen, hofft’ __ ich nicht zu sehn ihn wie -- der, ach, __ für __ Leid müßt’ ich __ ver -- ge -- hen, hofft’ __ ich nicht zu sehn ihn __ wie -- der. %--- 131 Ei -- le denn zu mei -- nem Lie -- ben, spre -- che sanft zu sei -- nem Her -- zen; doch ver -- meid’ ihn zu be -- trü -- ben und ver -- birg ihm mei -- ne Schmer -- zen; ei -- le denn zu mei -- nem Lie -- ben, spre -- che sanft zu sei -- nem Her -- zen; doch ver -- meid’ ihn zu be -- trü -- ben und ver -- birg __ ihm mei -- ne Schmer -- zen. %--- 147 Sag’ ihm, a -- ber sag’s be -- schei -- den: sei -- ne Lie -- be sei __ mein Le -- ben; freu -- di -- ges Ge -- fühl von bei -- den, freu -- di -- ges Ge -- fühl von bei -- den wird mir sei -- ne __ Nä -- he __ ge -- ben; sag’ ihm, a -- ber sag’s be -- schei -- den: sei -- ne Lie -- be sei __ mein Le -- ben; freu -- di -- ges Ge -- fühl von bei -- den, freu -- di -- ges Ge -- fühl von bei -- den wird mir sei -- ne __ Nä -- he __ ge -- ben; sag’ ihm, a -- ber be -- schei -- den: sei -- ne __ Lie -- be sei __ mein Le -- ben; sei -- ne Lie -- be sei mein Le -- ben. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% chant = \relative do'' { %--- 1 R2*8 %--- 9 \repeat unfold 2 { re4. fa,8 fa4 fa fa8[ do'] sib[ la] sib4 re8 r } %--- 17 \repeat unfold 2 { la8[ do] mib[ do] sib4. sib8 la8[ do] mib[ do] sib8.[ do16] re8 r mib4. mib8 mi4. mi8 fa2~ fa4 mib8[ do] \grace do8 sib4 sib R2 } %--- 36 R2*3 %--- 40 la4. la8 do4 sib la8[ do] fa[ la,] do4 sol8 r la4 fa8[ la] do4 do sib( fa')~ fa mib8[ reb] do2 la4 r %--- 50 la4. la8 do4 sib8 r la8[ do] fa[ la,] do4 sol8 r la4 fa8[ la] do4 do sib( fa')~ fa mib8[ reb] %--- 58 reb2( fa4. mib8) reb4 r R2 %--- 62 \repeat unfold 2 { mib4. do8 reb[ do] sib[ lab] solb[ lab] \grace do16 sib8[ lab] lab4 fa8 r } %--- 70 reb'4. lab8 fa8.[ lab16] lab8.[ reb16] reb2~ reb4 fab mib2( solb4. do,8) reb4 r %--- 77 R2*7 %--- 84 \repeat unfold 2 { re4. fa,8 fa4 fa fa8[ do'] sib[ la] sib4 re8 r } %--- 92 la8[ do] mib[ do] sib4. sib8 la8[ do] mib[ do] sib8.[ do16] re8 r mib4. mib8 mi4. mi8 fa2~ fa4 mib8[ do] \grace mib8 re4 re R2 %--- 102 re8[ mib!] re[ la] si4. re8 re8[ mib!] re[ la] si4 re8 r fa2~ fa8 mi re do si4 do re2 si4 r R2 %--- 112 re8[ mib!] re[ la] si4. re8 re8[ mib!] re[ do] si4 re8 r fa2~ fa8 mi re do si4 do8[ mi] re4.( fad,8) sol4 r %--- 121 R2*7 R2^\fermataMarkup %--- 129 \bar "||" \TIMEB R2.*2 %--- 131 \tupletUp \TUPBNO \repeat unfold 2 { re'8. do16 sib8 la sol la sib4 fa8 r re' sib la4. fa'8 \times 2/3 { mib8[ re] do } \grace do8 sib4 sib r } %--- 139 mib8. reb16 do8 mib reb sib la4 do8 r la do fa4. mib8 \times 2/3 { reb8[ do] sib } la4 do r %--- 143 re!8. do16 sib8 la sol la sib4 fa8 r re' sib la4^~ \times 2/3 { la8[ sol'] fa } \times 2/3 { mib[ re] do } \grace do8 sib4 sib r %--- 147 re8. re16 do8 sib do mib re4 sib8 r sib8. do16 re4. sib8 \times 2/3 { do8[ re] mib } re4 sib r %--- 151 si8. si16 si8 si do re re4 do r do8. do16 do8 do reb mib mib4 reb r %--- 155 fa2 fa4 sol4.( fa8) re[ sib] fa'4.( mib8) do[ la] \grace do8 sib4 sib r R2. %--- 160 re8. re16 re8 re re re re8.[ sib16] sol8 r sol sib re4~ \times 2/3 { re8[ mib] re } \times 2/3 { re[ mib] re } re8.[ sib16] sol4 r %--- 164 re'8. re16 re8 re dod re fa4 re r re8. re16 re8 re mib fa fa4 mib fa8 sol sib4.( fa8) re[ sib] fa'4.( mib8) do[ la] do4 sib r R2. %--- 172 r4 re sib r4 fa fa8 fa re'4 sib r \repeat unfold 2 { la4.( mib'8) re[ do] \grace do8 sib4 sib r } %--- 179-186 r4 fa'4. fa8 fa2 re4 r4 re4. re8 re2.~ re sib2 r4 R2. R2.^\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef treble \KEY \TIMEA \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Singstimme " \chant } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEY \TIMEA \ICHANT \chant } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. CHANT : DYNAMIQUES PARTITION/MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTITION dynPartChant = { %--- 1 (time 2/4) s2*128 %--- 129 (time 3/4) s2.^\MOVEMENTB s2.*42 %--- 172 s2.^\MITHALBER s2.*8 %--- 181 s4 s2^\pp s2.*5 } %%%%%%%%%%%%%%%%%%%% MIDI dynMidiChant = { } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX II pianoHautII = \context Staff \relative do' \new Voice { \voiceTwo %--- 1 \oneVoice \stemDown \SUBDBEAM \repeat unfold 3 { r16 fa( fa' fa, fa' fa, fa' fa, ) } mi'( fa, fa' fa, sol' fa, fa' fa, ) r fa( fa' fa, fa' fa, fa' fa, ) fad'( fad, fad' fad, sol' sol, sol' sol, ) la'( la, la' la, sib' sib, do' do, ) do'( do, sib' sib, fa' fa, re' re, ) %--- 9 \repeat unfold 2 { r fa( fa' fa, fa' fa, fa' fa, ) } \repeat unfold 6 { r fa fa' fa, fa' fa, fa' fa, } %--- 17 \repeat unfold 2 { r fad fad' fad, fad' fad, fad' fad, r sol sol' sol, sol' sol, sol' sol, r fad fad' fad, fad' fad, fad' fad, r sol sol' sol, sol' sol, sol' sol, r sib sib' sib, sib' sib, sib' sib, r do do' do, do' do, do' do, re' re, re' re, do' do, do' do, sib' sib, sib' sib, la' la, la' la, r sib sib' sib, sib' sib, re' re, do' do, sib' sib, la' la, sol' sol, } %--- 37 fad' fad, fad' fad, fad' fad, sib' sib, la' la, sol' sol, fad' fad, sol, fa fa \stemUp mi mi %--- 40 ( do' do' do' re do) ( do do do re do) ( do' do' do' re do) do' do' do' re do do' do' do' re do do' do' do' re do %--- 46 sib sib sib do sib reb' reb' mib' fa' do' do' do' do' do' re do do' do' %--- 50 do' do' do' re do do do do re do do' do' do' re do do' do' do' re do do' do' do' re do do' do' do' re do %--- 56 sib sib sib do sib reb' reb' mib' fa' reb' reb' reb' mib reb do do do mib do lab fa lab fa lab sib lab sol( lab sib lab solb lab fa lab) %--- 62 do do do mib solb, fa reb' lab reb solb, reb' fa, reb' mib, do' fa, do' solb do lab do reb' reb' reb' fa reb do do do mib solb, fa reb' lab reb solb, reb' fa, reb' mib, do' fa, do' solb do lab do %--- 69 \repeat unfold 3 { reb' reb' reb' fa reb } \repeat unfold 2 { reb' reb' reb' fab reb } reb' reb' reb' mib reb do do do mib do %--- 76 \stemDown fa,_( lab fa lab fa lab sib lab) fa lab fa lab fa lab fa lab la! fa la fa re! re do do do do %--- 80 reb_( mi reb mi reb mi sib' mi,) reb mi reb mi reb mi reb mi re! fa re fa mib! sol! mib sol re fa re fa mib fa mib fa %--- 84 \SUBDBEAMNO \stemUp \stemDown fa[ fa' fa,] \SUBDBEAM fa' fa, fa' fa, r fa fa' fa, fa' fa, fa' fa, \repeat unfold 6 { r fa fa' fa, fa' fa, fa' fa, } %--- 92 \repeat unfold 2 { r fad fad' fad, fad' fad, fad' fad, r sol sol' sol, sol' sol, sol' sol, } r sib sib' sib, sib' sib, sib' sib, r do do' do, do' do, do' do, re' re, re' re, do' do, do' do, sib' sib, sib' sib, la' la, la' la, r la la' la, la' la, la' la, la' la, la' la, si' si, do' do, %--- 102 \repeat unfold 2 { r la la' la, la' la, la' la, r si si' si, re' re, si' si, } r si si' si, si' si, si' si, si' si, do' do, re' re, mi' mi, sol' sol, sol' sol, mi' mi, mi' mi, si' si, si' si, do' do, do' do, r si si' si, si' si, re' re, mi' mi, re' re, do' do, si' si, %--- 112 \repeat unfold 2 { r la la' la, la' la, la' la, r si si' si, re' re, si' si, } r si si' si, si' si, si' si, si' si, do' do, re' re, mi' mi, sol' sol, sol' sol, mi' mi, do' do, si' si, si' si, do' do, la' la, %--- 120 r sol sol' sol, sol' sol, sol' sol, si' si, re' re, si' si, sol' sol, r sol sol' sol, sol' sol, sol' sol, sib'! sib,! re' re, sib' sib, sol' sol, r fa fa' fa, fa' fa, fa' fa, do'' do, mib' mib, do' do, fa fa, %--- 126 \repeat unfold 4 { sol' sol, fa' fa, } R2^\fermataMarkup %--- 129 \bar "||" \TIMEB \repeat unfold 6 { fa16-. fa( fa') r } %--- 131 \repeat unfold 2 { fa,-. fa( fa') r fa,-. fa( fa') r sol,-. sol( sol') r fa,16-. fa( fa') r fa,-. fa( fa') r 8 \OCTAVEBEG fa16-. fa( fa') r fa,-. fa( fa') r 8 sib16-. sib( sib') r \OCTAVEEND fa,,-. fa( fa') r fa,-. fa( fa') r } %--- 139 fa,-. fa( fa') r fa,-. fa( fa') r 8 fa16-. fa( fa') r fa,-. fa( fa') r 8-. fa16-. fa( fa') r fa,-. fa( fa') r 8 fa16-. fa( fa') r fa,-. fa( fa') r 8-. -. sib16-. sib( sib') r fa,-. fa( fa') r sol,-. sol( sol') r fa,-. fa( fa') r fa,-. fa( fa') r 8-. -. %--- 145 \OCTAVEBEG fa16-. fa( fa') r fa,-. fa( fa') r 8-. -. sib16-. sib( sib') r sib,-. sib( sib') r \OCTAVEEND re,,-. re( re') r re,-. re( re') r re,-. re( re') r 8-. -. re16-. re( re') r re,-. re( re') r 8-. -. %--- 149 sib16-. sib( sib') r \SUBDBEAMNO 8-.[ -. -. -.] \SUBDBEAM re16-. re( re') r re,-. re( re') r 8-. -. re16-. re( re') r re,-. re( re') r 8-. -. fa16-. fa( fa') r mib,-. mib( mib') r mib,-. mib( mib') r mib,-. mib( mib') r mib,-. mib( mib') r 8-. -. solb16-. solb( solb') r fa,-. fa( fa') r fa,-. fa( fa') r %--- 155 fa,,-. fa( ) r fa-. fa( ) r fa-. fa( ) r \stemNeutral re,-. re( 8) \SUBDBEAMNO r8 -.[ -. -.] \OCTAVEBEG fa16-.[ fa( fa')] r r8 -.[ -. -.] sib16-.[ sib( sib')] r \OCTAVEEND sib,,-.[ sib( sib')] r sib,-.[ sib( sib')] r 8-.([ -. -. -. -. -.]) %--- 160 \repeat unfold 2 { fad16-.[ fad( fad')] r fad,-.[ fad( fad')] r fad,-.[ fad( fad')] r 8-.([ -. -. -. -. -.]) } \SUBDBEAM \repeat unfold 3 { sold16-. sold( sold') r } \repeat unfold 3 { la,-. la( la') r } si,16-. si( si') r si,-. si( si') r 8-. -. %--- 167 re16-. re( re') r do,-. do( do') r 8-. -. \SUBDBEAMNO fa16-.[ fa( fa')] r r8 -.[ -. -.] \OCTAVEBEG fa16-.[ fa( fa')] r r8 -.[ -. -.] sib16-.[ sib( sib')] r \OCTAVEEND fa,,-.[ fa( )] r fa-.[ fa( )] r fa-._\LONGSFOR [ fa( )] r r8 -.[ -. -.] %--- 172 \repeat unfold 3 { fa16-.[ fa( )] r fa-.[ fa( )] r fa-.[ fa( )] r fa-._\LONGSFOR [ fa( )] r r8 -.[ -. -.] } fa16-.[ fa( )] r fa-.[ fa( )] r fa-.[ fa( )] r fa-.[ fa( )] r r8 -.[ -. -.] %--- 180 \SUBDBEAM \repeat unfold 3 { fa16-. fa( ) r } \repeat unfold 3 { re,-. re( ) r } \repeat unfold 3 { sib,-. sib( ) r } \clef bass \repeat unfold 9 { fa,-. fa( ) r } 2.\fermata } %%%%%%%%%%%%%%%%%%%% VOIX I pianoHautI = \context Staff \relative do'' \new Voice { \voiceOne %--- 1 s2*75 %--- 76 reb2( 4 ) do2~ do reb( do4 sib) sib2~ sib4( la) %--- 84-128 s2*45 %--- 129-186 s2.*58 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef treble \KEY \TIMEA \set autoBeaming = ##f << \pianoHautI \pianoHautII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEY \TIMEA \IPIANOHAUT \unfoldRepeats { << \pianoHautI \pianoHautII >> } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoBasI = \context Staff \relative do \new Voice { \voiceOne %--- 1 \oneVoice \repeat unfold 2 { sib8 [ ] } la, [ ] fa, [ ] sib, [ ] la,[ ] sol,[ ] %--- 7 fa, [ ] sib, [ fa] \repeat unfold 2 { sib, [ ] } fa, [ ] \repeat unfold 3 { sib, [ ] } %--- 15 fa, [ ] sib, [ ] %--- 17 et 27 \repeat unfold 2 { re [ ] re, [ ] re [ ] %--- 20 et 30 sol, [ ] sol, [ ] solb, [ ] fa, [ ] [ ] %--- 25 et 35 sib, [ re' ] [ ] } %--- 37 [ re ] [ ] r r %--- 40 do'4^._>( do8^.) mi,8^. do'4^._>( do8^.) fa,8^. do'4^._>( do8^.) do,8 do'4 do8 fa,8 do'4 do8 fa,8 do'4 do8 %--- 46 reb,8 reb'4 reb8 sib,8 sib'([ do reb]) do,8 do'4 do8 fa,,8 fa'-.[ la-. do-.] %--- 50 fa,8^. do'4^._>( do8^.) mi,8^. do'4^._>( do8^.) fa,8^. do'4^._>( do8^.) do,8 do'4 do8 fa,8 do'4 do8 fa,8 do'4 do8 %--- 56 reb,8 reb'4 reb8 sib,8 sib'([ do reb]) lab,8 lab'4 lab8 lab,8 lab'4 lab8 lab'4 8 8-.([ -. -. -.]) %--- 62 \repeat unfold 3 { lab8 lab'4 lab8 } reb,8 lab'4 lab8 \repeat unfold 3 { lab,8 lab'4 lab8 } \repeat unfold 5 { reb,8 lab'4 lab8 } %--- 74 sol,!8 4 8 lab,8 4 8 %--- 76 \voiceOne r8 lab4 lab8 lab4 lab la! sib do sib \oneVoice solb,8 solb'4 solb8 solb4 solb \voiceOne s2 r4 do %--- 84 \oneVoice \repeat unfold 2 { sib,8 [ ] } fa, -.([ -. -.]) \repeat unfold 3 { sib, [ ] } %--- 90 fa, [ ] sib, [ ] re [ ] re, [ ] re [ ] %--- 95 sol, [ ] sol, [ ] solb, [ ] fa, [ ] [ ] %--- 100 \repeat unfold 2 { fad, [ ] } re, [ ] re, [ ] re, [ ] sol, [ ] %--- 106 sold, [ ] la, [ ] re, \clef treble [ ] \clef bass re, \clef treble [ ] \clef bass %--- 110 sol, re'[ ] [ ] %--- 112 re, [ ] re, [ ] re, [ ] sol, [ ] %--- 116 sold, [ ] la, [ ] re, \clef treble [ ] \clef bass re, \clef treble [ ] \clef bass %--- 120 \repeat unfold 2 { sol, [ ] } sol, [ ] sol, [ ] %--- 124 \repeat unfold 2 { la [ ] } \repeat unfold 2 { fa, [ ] } R2^\fermataMarkup %--- 129 \bar "||" \TIMEB \repeat unfold 8 { sib,8[ ] } sib,[ ] %--- 132 \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } sib,[ ] sib,[ ] sib,[ ] %--- 136 \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } la,[ ] la,[ ] sib,[ ] %--- 140 \repeat unfold 3 { fa,[ ] ] } la,[ ] la,[ ] sib,[ ] fa,[ ] fa,[ ] [ ] sib,[ ] sib,[ ] sib,[ ] \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { sib,[ ] } \clef treble %--- 147 sol[ ] sol[ ] sol[ ] \repeat unfold 3 { sol[ ] } sol[ ] sol[ ] sol[ ] \repeat unfold 3 { sol[ ] } \clef bass %--- 151 \repeat unfold 3 { sol,[ ] } \repeat unfold 3 { do,[ ] } \repeat unfold 3 { lab,[ ] } \repeat unfold 3 { reb,[ ] } reb,[ ] do,[ ] sib,[ ] %--- 156 fa,[ ] r [ fa, ] fa,[ ] r [ fa, ] \repeat unfold 4 { sib,[ ] } [ ] \repeat unfold 4 { sib,[ ] } [ ] \repeat unfold 4 { sib,[ ] } [ ] %--- 164 \repeat unfold 3 { sib,[ ] } \repeat unfold 3 { la,[ ] } sol,[ ] sol,[ ] sol,[ ] \repeat unfold 3 { do,[ ] } %--- 168 re[ ] r [ fa ] fa,[ ] r [ fa, ] sib,[ ] sib,-.[ fa'-.] sib,-.[ fa'-.] \repeat unfold 4 { sib,-.[ fa'-. sib,-. fa'-. sib,-. fa'-.] } %--- 175-186 \repeat unfold 2 { fa,-.[ fa'-.] r fa-.[ fa,-. fa'-.] sib,-.[ fa'-. sib,-. fa'-. sib,-. fa'-.] } fa,-.[ fa'-.] r fa-.[ fa,-. fa'-.] \repeat unfold 3 { sib,[ fa' sib, fa' sib, fa'] } \repeat unfold 9 { sib,,[ sib'] } 2.^\fermata } %%%%%%%%%%%%%%%%%%%% VOIX II pianoBasII = \context Staff \relative do \new Voice { \voiceTwo %--- 1 s2*75 %--- 76 reb2~ reb do~ do s2*2 fa2~ fa %--- 84-128 s2*45 %--- 129-186 s2.*58 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEY \TIMEA \set autoBeaming = ##f << \pianoBasI \pianoBasII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBas = { \KEY \TIMEA \IPIANOBAS \unfoldRepeats { << \pianoBasI \pianoBasII >> } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { \TSCREXOB #'(0 . 1.5) %--- 1 s2\pp s2*4 %--- 5 s8.-\CRESC s16\cr s8. s16\! s4\decr s16 s16\! s8 s2 \DYNEXO #'(1.5 . 0) s2\pp s2*7 %--- 17 s16 s8\cr s16\! s8.\decr s16\! s2 s16 s8\cr s16\! s8.\decr s16\! s2*2 %--- 22 s16 s8.\cr s8. s16\! \DYNEXO #'(0.5 . 0) s4\f\cr s8. s16\! s4..\decr s16\! s4\p s8.\cr s16\! s8.\decr s16\! s4 %--- 27 s16 s8\cr s16\! s8.\decr s16\! s2 s16 s8\cr s16\! s8.\decr s16\! s2*2 %--- 32 s8 s8\cr s8. s16\! \DYNEXO #'(0.5 . 0) s4\f s8.\cr s16\! s8.\decr s16\! s4 s4\p\cr s8. s16\! s4..\decr s16\! s2 %--- 38 s2-\DECRESC s2 s2\pp s2*5 %--- 46 s8 s4\cr s16\! s16 s4.\decr s8\! s2*8 %--- 56 s4 s8.\cr s16\! s8.\decr s16\! s4 s2-\CRESC s2*3 %--- 62 s2\pp s2*7 %--- 70 s2-\DECRESC s2 s2-\CRESC s2 s2\f s2 %--- 76 s2\fp s2 s4 s8.\cr s16\! s8.\decr s16\! s4 %--- 80 s2\fp s2 s8 s4\cr s16 s16\! s4\decr s16 s16\! s8 s2\pp s2*7 %--- 92 s16 s8\cr s16\! s8.\decr s16\! s2 s16 s8\cr s16\! s8.\decr s16\! s2*2 %--- 97 s2-\CRESC s4\f\cr s8 s16\! s16 s4..\decr s16\! s2 s2\p \DYNEXO #'(1.5 . 0) s2\pp s2*4 %--- 107 s8 s8\cr s8. s16\! s4\f\decr s8. s16\! s2 s4\p\cr s8 s8\! s4\decr s16 s16\! s8 s2\pp s2*3 %--- 116 s16 s8.\cr s8. s16\! s8 s8\cr s8. s16\! s4\f\decr s8 s8\! s2 s2\p s2 %--- 122 s2-\DECRESC s2 s16 s8.\cr s8. s16\! s8.\decr s16\! s4 s2-\DIMIN s2*2 %--- 129 (time 3/4) s2.\pp s2.*17 %--- 147 \DYNEXO #'(1.5 . 0) s2.\pp s2.*5 %--- 153 s2.-\CRESC s2.*2 \DYNEXO #'(0.5 . 0) s4.\f s4.\p s4.\f s4.\p s4\f s8\p s4.-\DECRESC s2. %--- 160 s2.\pp s2.*3 s2.-\CRESC s2.*3 %--- 168 \DYNEXO #'(1 . 0) s4.\fz s4.\p s4.\fz s4.\p \DYNEXO #'(0.5 . 0) s4\fz s2\p %--- 171 s2.-\STACCATO s8\pp s4-\RITARDDECR s4. s2. s2 s4-\POCOA s2.-\POCODIMIN s2.*3 %--- 179 \DYNEXO #'(1.5 . 0) s2.\fp \DYNEXO #'(1.5 . 0) s2.\pp s2.*2 s2.-\DIMIN s2.*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPiano = { %--- 1 \TEMPOBASE %--- 1 s2\pp s2*4 %--- 5 s2\cr s4\!\mp\decr s8 s8\!\pp s2 s2\pp s2*7 %--- 17 s4\cr s4\!\mp\decr s2\!\pp s4\cr s4\!\mp\decr s2\!\pp s2 %--- 22 s2\cr s2\!\f\cr s2\!\ff\decr s4\!\p s4\cr s4\!\mp\decr s4\!\p %--- 27 s4\cr s4\!\mf\decr s2\!\p s4\cr s4\!\mf\decr s2\!\p s2 %--- 32 s2\cr s4\!\f s4\cr s4\!\ff\decr s4\!\f s2\p\cr s2\!\mf\decr s2\!\p %--- 38 s2\decr s2 s2\!\pp s2*5 %--- 46 s2\cr s2\!\mp\decr s2\!\pp s2*7 %--- 56 s4 s4\cr s4\!\mp\decr s4\!\pp s2\cr s2*2 s2\!\mf %--- 62 s2\pp s2*7 %--- 70 s2\decr s2 s2\!\ppp\cr s2 s2\!\f s2 %--- 76 s4\decr s4\!\mp %fp s2 s2\cr s4\!\f\decr s4\!\mp %--- 80 s4\f\decr s4\!\mp %fp s2 s8 s4.\cr s4.\!\f\decr s8\!\mp s2\pp s2*7 %--- 92 s4\cr s4\!\mp\decr s2\!\pp s4\cr s4\!\mp\decr s2\!\pp s2 %--- 97 s2\cr s2\!\f\cr s2\!\ff\decr s2\!\f s2\p s2\pp s2*4 %--- 107 s8 s4.\cr s2\!\f\decr s2\!\mp s2\p\cr s4\!\mf\decr s8\!\p s8 s2\pp s2*3 %--- 116 s2\cr s2 s2\!\f\decr s2\!\mp s2\p s2 %--- 122 s2\decr s4. s8\!\ppp s2\cr s4\!\p\decr s4\!\pp \TEMPODIMA s4\decr \TEMPODIMB s4 \TEMPODIMC s4 \TEMPODIMD s8 s8\!\ppp s2 %--- 129 (time 3/4) \TEMPORAP s2.\pp s2.*17 %--- 147 s2.\pp s2.*5 %--- 153 s2.\cr s2.*2 s4.\!\f s4.\p s4.\f s4.\p s4\f s8\p s4.\decr s2. %--- 160 s2.\!\pp s2.*3 s2.\cr s2.*3 %--- 168 s4.\!\mf s4.\p s4.\mf s4.\p s4\mf s2\p %--- 171 s2. \TEMPODIME s2\pp\decr s4\!\ppp s2.\pp s2 \TEMPOBASE s4\decr s2. \TEMPODIMA s2.*2 s4 s2\!\ppp %--- 179 s16\mp s16\p s8 s2 s2.\pp s2.*2 \TEMPODIMB s2.\decr s2. \TEMPODIMC s2 s8. \TEMPOFIN s16 s2.\!\ppp } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "chant" << \notePartChant \dynPartChant >> \new Lyrics \with { \override VerticalAxisGroup #'minimum-Y-extent = #'(-1.5 . 0.5) } \lyricsto "chant" \poeme \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte " \set PianoStaff.connectArpeggios = ##t \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #2 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %{ -------------------- -------------------- %} %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 1.00) ("f" . 0.90) ("mf" . 0.82) ("mp" . 0.78) ("p" . 0.70) ("pp" . 0.60) ("ppp" . 0.50) ("pppp" . 0.35) ("ppppp" . 0.30) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIMEA \partial 2 s2 } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPiano >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPiano >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBas \dynMidiPiano >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D717-Suleika-2.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%