%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D720-Suleika-1.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Suleika 1", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" \paper { between-system-padding = 12\mm line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) after-title-space = 55\mm indent = 22\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Suleika 1 (D.720) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Suleika 1 (D.720) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { dedication = \markup \center-column { \fontsize #0.5 \bold "Franz von Schober gewidmet." " " } title = \markup { \fontsize #1.5 "Suleika 1" } subsubtitle = " " poet = \markup { \hspace #19 \column { \center-column { \line { \fontsize #2 \bold "Johann Wolfgang von Goethe" } \line { \small "(1787-1862)" } \line { \fontsize #1 \bold "„West-östlicher Diwan“" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.720 (Op. 14, No 1, 1821)" } % MUTOPIA mutopiatitle = "Suleika 1" mutopiacomposer = "SchubertF" mutopiapoet = "Johann Wolfgang von Goethe" mutopiaopus = "D.720 (Op. 14, No 1)" mutopiainstrument = "Voice and Piano" date = "1821" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1584" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes B2: dynamiques % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=110 TEMPOLENT = \tempo 4=90 TEMPOFA = \tempo 4=100 TEMPOFB = \tempo 4=70 TEMPOFC = \tempo 4=30 %----- TONALITÉS ET MESURES KEYA = { \key re \major } KEYB = { \key si \major } TIME = { \time 3/4 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Etwas lebhaft." } } MOVEMENTB = \markup { \bold \large { "Etwas langsamer." } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "trombone" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IPIANOBAS = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.9 } %----- MARKUP MITVERSCHIEBUNG = \markup { \bold \italic "Mit Verschiebung." } SEMPRELIGATO = \markup { \bold \italic "sempre ligato" } %----- CRESCENDOS CRESCM = \markup { \bold \italic "cresc." } DECRESCM = \markup { \bold \italic "decresc." } DIMINM = \markup { \bold \italic "dimin." } DIMM = \markup { \bold \italic "dim." } CREScendo = { \set crescendoText = \markup { \bold \italic "cres" } \set crescendoSpanner = #'dashed-line } cresCENdo = { \set crescendoText = \markup { \bold \italic "cen" } \set crescendoSpanner = #'dashed-line } crescenDO = { \set crescendoText = \markup { \bold \italic "do" } \set crescendoSpanner = #'dashed-line } %----- "dash": SUPPRESSION ET RETABLISSEMENT DTSDASHNO = \override DynamicTextSpanner #'dash-period = #-1 DTSDASHOK = \override DynamicTextSpanner #'dash-period = #2.0 %----- NOLET: CACHER OU AFFICHER LE NOMBRE OU LE CROCHET TUPNNO = \override TupletNumber #'transparent = ##t TUPBNO = \override TupletBracket #'transparent = ##t TUPNO = { \TUPNNO \TUPBNO } TUPNOK = \override TupletNumber #'transparent = ##f TUPBOK = \override TupletBracket #'transparent = ##f TUPOK = { \TUPNOK \TUPBOK } %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES MARKUP / SCRIPT TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %----- CACHER UNE HAMPE FLAGHIDE = \once \override Stem #'transparent = ##t %----- REPOSITIONNEMENT D'UNE NOTE NOTEHS = #(define-music-function (parser location beg-end) (number?) #{ \once \override NoteColumn #'force-hshift = #$beg-end #}) NOTEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override NoteHead #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT D'UNE ALTERATION ACCEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Accidental #'extra-offset = #$beg-end #}) %----- VARIER LA HAUTEUR D'UNE LIAISON DE PHRASÉ PSLURHLIM = #(define-music-function (parser location beg-end) (number?) #{ \once \override PhrasingSlur #'height-limit = #$beg-end #}) %----- AUGMENTER LA HAUTEUR D'UNE LIAISON DE PHRASÉ PSLURPOS = #(define-music-function (parser location beg-end) (pair?) #{ \once \override PhrasingSlur #'positions = #$beg-end #}) %----- DIRECTION DE LA HAMPE 3e LIGNE STEMDIRUP = \override Stem #'neutral-direction = #'1 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poeme = \lyricmode { \set fontSize = #-.5 %--- 7 - 22 Was be -- deu -- tet die Be -- we -- gung? Bringt der Ost mir fro -- he Kun -- de? __ Sei -- ner Schwin -- gen fri -- sche Re -- gung kühlt des Her -- zens tie -- fe Wun -- de, sei -- ner Schwin -- gen fri -- sche Re -- gung kühlt __ des Her -- zens tie -- fe Wun -- de. %--- 27-40 Ko -- send spielt er mit dem Stau -- be, jagt ihn auf in leich -- ten Wölk -- chen, treibt __ zur si -- chern Re -- ben -- lau -- be der In -- sek -- ten fro -- hes Völk -- chen, treibt __ zur si -- chern Re -- ben -- lau -- be der In -- sek -- ten fro -- hes Völk -- chen. %--- 42-57 Lin -- dert sanft der Son -- ne Glü -- hen, kühlt auch mir die hei -- ßen Wan -- gen, __ küßt die Re -- ben noch im Flie -- hen, die auf Feld und Hü -- gel pran -- gen, küßt die Re -- ben noch __ im Flie -- hen, die __ auf Feld und Hü -- gel pran -- gen. %--- 62-69 Und mir bringt __ sein __ lei -- ses Flüs -- tern __ von __ dem Freun -- de tau -- send Grü -- ße; %--- 72-79 eh’ noch die -- se Hü -- gel düs -- tern, grü -- ßen mich __ wohl tau -- send Küs -- se. %--- 84-99 Und so kannst du wei -- ter zie -- hen! Die -- ne Freun -- den und Be -- trüb -- ten. Und so kannst du wei -- ter zie -- hen! Die -- ne Freun -- den und Be -- trüb -- ten. Dort, dort wo ho -- he Mau -- ern glü -- hen, Dort find’ ich bald den Viel -- ge -- lieb -- ten. %--- 110-120 Ach, die wah -- re Her -- zens Kun -- de, Lie -- bes -- hauch, er -- frisch -- tes Le -- ben, wird mir nur aus sei -- nem Mun -- de, kann mir nur sein A -- them ge -- ben, sein A -- them ge -- ben. %--- 122-132 Ach, die wah -- re Her -- zens Kun -- de, Lie -- bes -- hauch, er -- frisch -- tes Le -- ben, wird mir nur aus sei -- nem Mun -- de, kann mir nur sein A -- them ge -- ben, sein A -- them ge -- ben. %--- 134-141 Ach, die wah -- re __ Her -- zens Kun -- de, Lie -- bes -- hauch, er -- frisch -- tes Le -- ben, kann mir nur sein A -- them ge -- ben. __ } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% chantA = \relative do' { %--- 1 R2.*4 R2.^\fermataMarkup %--- 6 R2. r4 r4 fad8 fad fad4. fad8 fad fad si4 fad r %--- 10 fad8. fad16 si8 lad si dod re8.[ mi16] fad2~ fad2 r4 dod2 dod4 %--- 14 re4. re8 dod re fad4 mi re8 dod si4. la8 si dod dod8.[ re16] re4 r %--- 18 dod2 dod4 red4. red8 \tupletUp \TUPBNO \times 2/3 { red8[ dod] si } \grace si8 lad4 lad \times 2/3 { dod8[ si] lad } sold4. si8 \times 2/3 { si8[ lad] sold } %--- 22 \grace sold8 fad4 fad r R2.*3 %--- 26 R2. dod'8. si16 lad8 sold fad mi red8[ fad] si4 r dod8. red16 mi8 dod lad mi %--- 30 red8[ fad] si4 r %--- 31-40 \repeat unfold 2 { lad4( fad'4.) lad,8 si4. si8 lad si red4 dod si8 lad %--- 34 / 39 sold4. fad8 sold lad lad8.[ si16] si4 r } R2. %--- 42-57 = 7-22 r4 r4 fad8 fad fad4. fad8 fad fad si4 fad r fad8. fad16 si8 lad si dod %--- 46 re8.[ mi16] fad2~ fad2 r4 dod2 dod4 re4. re8 dod re %--- 50 fad4 mi re8 dod si4. la8 si dod dod8.[ re16] re4 r dod2 dod4 %--- 54 red4. red8 \tupletUp \TUPBNO \times 2/3 { red8[ dod] si } \grace si8 lad4 lad \times 2/3 { dod8[ si] lad } sold4. si8 \times 2/3 { si8[ lad] sold } \grace sold8 fad4 fad r %--- 58 R2.*4 %--- 62 dod'2 dod4 red4.( si8) lad[ si] mi2 dod4 red4.( si8) lad[ si] %--- 66-69 \repeat unfold 2 { mi4( dod) red si( red) dod } %--- 70 R2.*2 dod2. re2 re8 re %--- 74 dod2( \grace { re16[ dod] } si8) dod re8.[ la16] la4 r mi'4( dod) re la( re) dod %--- 78 mi4( dod) re la4( re8.[ la16]) la4 R2.*4 %--- 84 mi'8. re16 dod8 si lad mi' re4 si8 r si si %--- 86 lad8( fad'4) mi8 re dod \grace dod8 si4 si r fa'8. mi16 re8 do si fa' mi4 do8 r do do %--- 90 si8( sol'4) fa8 mi8. re16 \grace re8 do4 do r mi2 r4 mi2 r8 mi %--- 94 fa4. fa8 fa fa fa4 re r fad!4 fad fad fad4. dod8 sid dod %--- 98 mid2. fad4 r r %--- 100 R2.*9 %--- 109 \bar "||" \KEYB R2.^\MOVEMENTB r4 r red8. si16 lad4. dod8 \times2/3 { dod8[ si] lad } si8.[ red16] red4 \times2/3 { fad8[ red] si } lad4. dod8 \times2/3 { dod8[ si] lad } %--- 114 si8.[ red16] red4 r sid8. red16 red8 red dod sid dod8.[ mi16] mi4 r dod8. mi16 mi8 mi fad sol fad8.[ re16] si8 si re8. dod16 } %%%%%%%%%%%%%%%%%%%% GRUPPETTO PARTITION chantAP = \relative do'' { %--- 119 si2( lad!4\turn) } %%%%%%%%%%%%%%%%%%%% GRUPPETTO MIDI chantAM = \relative do'' { %--- 119 si2( \times 2/3 { si16[ lad sold] } lad8) } %%%%%%%%%%%%%%%%%%%% suite chantB = \relative do'' { %--- 120 si4 r r R2. r4 r red8. si16 lad4. dod8 \times2/3 { dod8[ si] lad } %--- 124 si8.[ red16] red4 \times2/3 { fad8[ red] si } lad4. dod8 \times2/3 { dod8[ si] lad } si8.[ red16] red4 r sid8. red16 red8 red dod sid %--- 128 dod8.[ mi16] mi4 r dod8. mi16 mi8 mi fad sol fad8.[ re16] si8 si re8. dod16 si2( lad4) si4 r r %--- 133 R2. r4 r red8. si16 lad4. si16[ lad] sold8 fad fad8.[ red'16] si4 red8. si16 lad4. si16[ lad] sold8. fad16 %--- 138 fad8.[ red'16] si4 r fad8. sold16 fad8 lad si dod dod8.[ si16] si2~ si4 r r R2. R2.^\fermataMarkup \bar "|." } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef treble \KEYA \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Singstimme " \chantA \chantAP \chantB } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEYA \TIME \ICHANT \chantA \chantAM \chantB } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. CHANT : DYNAMIQUES PARTITION/MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTITION dynPartChant = { } %%%%%%%%%%%%%%%%%%%% MIDI dynMidiChant = { } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I pianoHautIA = \relative do { \oneVoice \STEMDIRUP %--- 1 R2. \clef bass si16([ dod re dod] re[ mi fa mi] fa[ fad sol fad]) \clef treble si16([ dod re dod] re[ mi fa mi] fa[ fad sol fad]) } %%%%%%%%%%%%%%%%%%%% ARPEGES PARTITION pianoHautIAP = \relative do' { %--- 4-5 2.\arpeggio^( 2.\arpeggio^\fermata) } %%%%%%%%%%%%%%%%%%%% ARPEGES MIDI: VOIR PORTEE DU BAS pianoHautIAM = \relative do' { %--- 4-5 s2.*2 } %%%%%%%%%%%%%%%%%%%% suite B pianoHautIB = \relative do' { \oneVoice %--- 6-9 \repeat unfold 2 { fad16 [ re' fad, re'] fad,[ re' dod'] [ si' lad'] [ si' si'] [ si' lad'] [ si' dod'] } %--- 10 fad, [ re' fad, re'] fad,[ re' dod'] [ si' lad'] [ si' si'] [ si' lad'] [ si' lad'] [ si' si'] [ si' si'] [ si' si'] [ dod' dod'] [ dod' dod'] [ dod' dod'] %--- 14 [ re' re'] [ re' re'] [ re' re'] [ fad' fad'] [ mi' mi'] [ re' dod'] [ si' si'] [ si' la'] [ si' dod'] \repeat unfold 3 { [ re' re'] } %--- 18 \repeat unfold 3 { [ dod' dod'] } \repeat unfold 3 { [ si' si'] } \repeat unfold 3 { [ lad' lad'] } \repeat unfold 3 { [ sold' sold'] } %--- 22 \repeat unfold 3 { [ fad' fad'] } [ sold' sold'] [ sold' si'] [ lad' sold'] \repeat unfold 3 { [ fad' fad'] } mi!\([ fad sold fad] mi[ fad sold fad] mi[ fad sold fad] %--- 26-30 red[ fad sold fad] red[ fad sold fad] red[ fad sold fad] \) \repeat unfold 2 { mi[ fad sold fad] mi[ fad sold fad] mi[ fad sold fad] red[ fad sold fad] red[ fad sold fad] red[ fad sold fad] } %--- 31 [ lad' lad'] [ lad' lad'] [ lad' lad'] [ si' si'] [ si' si'] [ si' si'] [ red' red'] [ dod' dod'] [ si' lad'] %--- 34 [ sold' sold'] [ sold' fad'] [ sold' lad'] [ si' si'] [ si' si'] [ si' si'] [ lad' lad'] [ lad' lad'] [ lad' lad'] [ si' si'] [ si' si'] [ si' si'] %--- 38 [ red' red'] [ dod' dod'] [ si' lad'] [ sold' sold'] [ sold' fad'] [ sold' lad'] \repeat unfold 3 { [ si' si'] } [ si' si'] [ si' si'] [ si' si'] %--- 42 [ si' si'] [ si' lad'] [ si' dod'] %--- 43-46 = 8-11 fad, [ re' fad, re'] fad,[ re' dod'] [ si' lad'] [ si' si'] [ si' lad'] [ si' dod'] fad, [ re' fad, re'] fad,[ re' dod'] [ si' lad'] [ si' si'] [ si' lad'] [ si' lad'] %--- 47-49 = 12-14 [ si' si'] [ si' si'] [ si' si'] [ dod' dod'] [ dod' dod'] [ dod' dod'] [ re' re'] [ re' re'] [ re' re'] %--- 50-53 = 15-18 [ fad' fad'] [ mi' mi'] [ re' dod'] [ si' si'] [ si' la'] [ si' dod'] \repeat unfold 3 { [ re' re'] } \repeat unfold 3 { [ dod' dod'] } %--- 54-57 = 19-22 \repeat unfold 3 { [ si' si'] } \repeat unfold 3 { [ lad' lad'] } \repeat unfold 3 { [ sold' sold'] } \repeat unfold 3 { [ fad' fad'] } %--- 58-61 = 23-26 [ sold' sold'] [ sold' si'] [ lad' sold'] \repeat unfold 3 { [ fad' fad'] } mi![ fad sold fad] mi[ fad sold fad] mi[ fad sold fad] red[ fad sold fad] red[ fad sold fad] red[ fad sold fad] %--- 62-65 \repeat unfold 2 { mi[ fad sold fad] mi[ fad sold fad] dod[ fad sold fad] red[ fad sold fad] red[ fad si, fad'] lad,[ fad' si, fad'] } %--- 66 \voiceOne mi[ fad sold fad] dod[ fad sold fad] red[ fad sold fad] si,[ fad' sold fad] red[ fad sold fad] dod[ fad sold fad] mi[ fad sold fad] dod[ fad sold fad] red[ fad sold fad] si,[ fad' sol fad] red[ fad sol fad] dod[ fad sol fad] %--- 70 si,[ fad' sold fad] red[ fad sold fad] dod[ fad sold fad] si,[ fad' sol! fad] re[ fad sol fad] dod[ fad sol fad] \stemDown %--- 72-81 \repeat unfold 10 { \repeat unfold 3 { la[ si la si] } } %--- 82-87 \oneVoice \stemNeutral \repeat unfold 3 { \repeat unfold 3 { mi,[ lad si lad] } \repeat unfold 3 { re,[ si' dod si] } } %--- 88-91 \repeat unfold 2 { \repeat unfold 3 { fa[ si do si] } \repeat unfold 3 { mi,[ do' re do] } } %--- 92 [ mi' mi'] [ mi' mi'] [ mi' mi'] [ mi' mi'] [ mi' mi'] [ mi' mi'] %--- 94 [ fa' fa'] [ fa' fa'] [ fa' fa'] [ fa' fa'] [ fa' fa'] [ fa' fa'] [ fad'! fad'] [ fad' fad'] [ sold' sold'] [ lad' lad'] [ lad' lad'] [ lad' lad'] %--- 98 << { \voiceTwo 16[ sold' sold'] [ sold' sold'] mid[ sold sold'] } \\ { \voiceFour s4 s8.. \FLAGHIDE \ACCEXO #'(1.5 . 0) \NOTEXO #'(1.5 . 0) sid,32 \FLAGHIDE \ACCEXO #'(1.5 . 0) \NOTEHS #'1 si32 s8.. } >> 16[ lad lad] [ lad lad] [ lad lad] [ sold sold] [ sold sold] [ sold sold] [ fad fad] [ fad fad] [ sold fad] %--- 102 [ mi mi] [ mi mi] [ mi mi] [ red red] [ red red] [ dod si] [ lad lad] [ lad lad] [ lad lad] [ sold sold] [ sold sold] [ sold sold] %--- 106 \clef bass [ fad fad] [ fad fad] [ fad fad] [ mid, mid,] [ mid, mid,] [ mid, mid,] [ fad fad] [ fad fad] [ fad fad] %--- 109-132 \KEYB s2.*24 %--- 133-140 \voiceOne \repeat unfold 8 { fad'4 s2 } %--- 141-143 s2.*3 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉS PIANO HAUT I pianoHautIPart = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIAP \pianoHautIB } pianoHautIMidi = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIAM \pianoHautIB } %%%%%%%%%%%%%%%%%%%% VOIX II pianoHautIIA = \relative do' { %--- 1-65 s2.*65 %--- 66-69 \repeat unfold 2 { mi4 dod red si red dod } %--- 70 si red dod si re! dod %--- 72-75 \stemUp \repeat unfold 2 { sol''2^\( mi4 fad4.\) re8^([ dod re]) } %--- 76-79 \repeat unfold 2 { sol4^\( mi fad re fad mi\) } %--- 80-81 re4^\( \TSCREXO #'(4 . -4) fad^\DIMM mi re fad mi\) \stemDown %--- 82-108 s2.*27 %--- 109-114 \KEYB \repeat unfold 3 { fad,,4 2 4 2 } %--- 115 4 2 4 2 4 2 4 \PSLURHLIM #'8 \PSLURPOS #'(1 . 5) ^\( %--- 119 2 4 2.\) %--- 121-126 \clef treble \repeat unfold 3 { fad'4 s2 4 fad2 } %--- 127 4 fad2 %--- 128 4 sold2 4 sol2 4 fad mi s2 4 s2. %--- 133-140 \clef bass \repeat unfold 3 { fad,4 2^> red,4 2^> } fad4 2^> red,4 2 %--- 141-142 \repeat unfold 2 { 4 2 } } %%%%%%%%%%%%%%%%%%%% ARPEGES PARTITION pianoHautIIAP = \relative do { %--- 143 2.\arpeggio^\fermata } %%%%%%%%%%%%%%%%%%%% ARPEGES MIDI: VOIR PORTEE DU BAS pianoHautIIAM = \relative do' { %--- 143 s2.*2 } %%%%%%%%%%%%%%%%%%%% RÉSUMÉS PIANO HAUT II pianoHautIIPart = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIAP } pianoHautIIMidi = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIAM } %%%%%%%%%%%%%%%%%%%% VOIX III pianoHautIII = \context Staff \relative do \new Voice { \voiceThree %--- 1-108 s2.*108 %--- 109-114 \KEYB \repeat unfold 3 { 8.([ 16]) s2 si'8.([ red16]) s2 } %--- 115 8.([ red16]) s2 dod8.([ mi16]) s2 dod8.([ mi16]) s2 si8.([ re16]) s2 %--- 119 s2 \times 2/3 { fad,8[ lad dod] } s2. \clef treble %--- 121-126 \repeat unfold 3 { 8.([ 16]) 2 si'8.([ red16]) 2 } %--- 127 sid8.([ red16]) 2 %--- 128 dod8.([ mi16]) 2 dod8.([ mi16]) 2 si8.([ re16]) 4( sol) 2 \times 2/3 { fad8[ lad dod] } 2. \clef bass %--- 133-140 \repeat unfold 4 { dod8.([ mi16]) s2 si8.([ red16]) s2 } %--- 141 si8.([ red16]) s2 si8.([ red16]) s2 s2. } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef treble \KEYA \TIME \set autoBeaming = ##f << \pianoHautIPart \pianoHautIIPart \pianoHautIII >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEYA \TIME \IPIANOHAUT << \pianoHautIMidi \pianoHautIIMidi \pianoHautIII >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% pianoBasA = \relative do, { \oneVoice %--- 1 si16_\pp([ dod re dod] re[ mi fa mi] fa[ fad sol fad]) sol2. 2. } %%%%%%%%%%%%%%%%%%%% ARPEGES PARTITION pianoBasAP = \relative do, { %--- 4-5 2.\arpeggio( 2.\arpeggio^\fermata) } %%%%%%%%%%%%%%%%%%%% ARPEGES MIDI: PORTEES DU HAUT ET DU BAS ENSEMBLE pianoBasAM = \relative do, { %--- 4 << { fad2. } \\ { s32 dod'8..~ dod2 } \\ { s16 mi8.~ mi2 } \\ { s16. sol32~ sol8~ sol2 } \\ { s8 dod8~ dod2 } \\ { s8 s32 mi16.~ mi2 } \\ { s8. sol16~ sol2 } \\ { s8.. si32~ si2 } >> %--- 5 << { fad,,2. } \\ { s32 dod'8..~ dod2 } \\ { s16 fad8.~ fad2 } \\ { s16. dod'32~ dod8~ dod2 } \\ { s8 mi8~ mi2 } \\ { s8 s32 fad16.~ fad2 } \\ { s8. lad16~ lad2 } >> } %%%%%%%%%%%%%%%%%%%% suite B pianoBasB = \relative do { \oneVoice %--- 6-12 \repeat unfold 7 { 4. fad'8-.([ fad-. fad-.]) } %--- 13-16 4. la'8-.([ la-. la-.]) \repeat unfold 3 { 4. la'8[ la la] } %--- 17 4. fad8[ fad fad] 4. fad'8[ fad fad] 4. fad'8[ fad fad] 4. dod8[ dod dod] 4. dod'8[ dod dod] %--- 22 4. dod'8[ dod dod] 4. dod'8[ dod dod] 4. fad'8[ fad fad] %--- 25-30 \repeat unfold 3 { 4. fad8([ lad fad]) 4. fad8([ si fad]) } %--- 31 4. fad'8-.([ fad-. fad-.]) %--- 32-35 \repeat unfold 3 { 4. fad'8[ fad fad] } 4. fad'8[ fad fad] %--- 36-47 \repeat unfold 4 { 4. fad'8[ fad fad] } \repeat unfold 8 { 4. fad'8[ fad fad] } %--- 48-53 \repeat unfold 4 { 4. la'8[ la la] } 4. la'8[ la la] 4. fad'8[ fad fad] %--- 54 4. fad'8[ fad fad] 4. dod8[ dod dod] 4. dod'8[ dod dod] 4. dod'8[ dod dod] %--- 58 4. dod'8[ dod dod] 4. fad'8[ fad fad] 4. fad8([ lad fad]) 4. fad8([ si fad]) %--- 62 4. fad8([ lad fad]) 4. red8([ dodd red]) 4. fad8([ lad fad]) 4. red8([ dodd red]) %--- 66-69 \repeat unfold 2 { dod'4\( fad, si red, si' fad\) } %--- 70 red4\( si' fad re! si' fad\) %--- 72-75 \repeat unfold 2 { 2\( 4 4.\) 8([ ]) } %--- 76-79 \repeat unfold 2 { 4\( \) } %--- 80-81 4\( \) %--- 82-87 \repeat unfold 6 { fad,4. fad'8([ sol fad]) } %--- 88-91 \repeat unfold 4 { sol,4. sol'8([ la sol]) } %--- 92 sold,4. sold'8([ la sold]) la,4. la'8([ si la]) %--- 94 la,4. la'8([ sib la]) sib,4. sib'8([ do sib]) 4 %--- 97-98 \repeat unfold 2 { 4. 8([ ]) } %--- 99-103 \repeat unfold 5 { 4. fad'8[ fad fad] } %--- 104 \repeat unfold 5 { 4. fad'8[ fad fad] } %--- 109-119 \KEYB \repeat unfold 11 { 8 fad'8-.([ fad-. fad-. fad-. fad-.]) } %--- 120 8 fad'8-.([ fad-. fad-. fad-. fad-.]) %--- 121-131 \repeat unfold 11 { 8 fad'8-.([ fad-. fad-. fad-. fad-.]) } %--- 132 8 fad'8-.([ fad-. fad-. fad-. fad-.]) %--- 133-136 \repeat unfold 4 { 8 fad'8-.([ fad-. fad-. fad-. fad-.]) } %--- 137-142 \repeat unfold 6 { 8 fad'8-.([ fad-. fad-. fad-. fad-.]) } } %%%%%%%%%%%%%%%%%%%% ARPEGES PARTITION pianoBasBP = \relative do, { %--- 143 2.\arpeggio^\fermata } %%%%%%%%%%%%%%%%%%%% ARPEGES MIDI: PORTEES DU HAUT ET DU BAS ENSEMBLE pianoBasBM = \relative do, { %--- 143 << { si2. } \\ { s32 fad'8..~ fad2 } \\ { s16 si8.~ si2 } \\ { s16. red32~ red8~ red2 } \\ { s8 fad8~ fad2 } \\ { s8 s32 si16.~ si2 } \\ { s8. red16~ red2 } >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉS PIANO BAS pianoBasPart = { \pianoBasA \pianoBasAP \pianoBasB \pianoBasBP } pianoBasMidi = { \pianoBasA \pianoBasAM \pianoBasB \pianoBasBM } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEYA \TIME \set autoBeaming = ##f \pianoBasPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBas = { \KEYA \TIME \IPIANOBAS \pianoBasMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { %--- 1 s2.-\MITVERSCHIEBUNG s2. s4 s16 s8.\cr s8. s16\! s2.\decr s4\! s2 %--- 6-13 \DYNEXO #'(2 . 0) \PINEXO #'(2 . 0) \TSCREXO #'(0 . 1.5) s4\pp^\SEMPRELIGATO\decr s8\! s4. \repeat unfold 7 { s8\decr s16 s16\! s2 } %--- 14-17 \PINEXO #'(3 . 0) s8\decr s16\! s16 s4 s8\cr s16 s16\! \repeat unfold 3 { s8\decr s16 s16\! s2 } %--- 18 s2\pp\cr s8 s16\! s16 s4\decr s16 s16\! s4. \repeat unfold 5 { s8\decr s16 s16\! s2 } %--- 25 \DYNEXO #'(-0.5 . 0) \PINEXO #'(0.5 . 0) s16\ppp s8\decr s16\! s2 s16\decr s16\! s8 s2 %--- 27-32 \repeat unfold 5 { s8\decr s16 s16\! s2 } s8\decr s16 s16\! s4 s8\cr s16 s16\! %--- 33-37 \repeat unfold 4 { s8\decr s16 s16\! s2 } s8\decr s16 s16\! s4 s8\cr s16 s16\! %--- 38-49 \repeat unfold 3 { s8\decr s16 s16\! s2 } s2. \repeat unfold 8 { s8\decr s16 s16\! s2 } %--- 50-57 s4\decr s8\! s4. \repeat unfold 7 { s8\decr s16 s16\! s2 } %--- 58-61 s2. \repeat unfold 3 { s8\decr s16 s16\! s2 } %--- 62 s16\pp s8\decr s16\! s2 \repeat unfold 3 { s8\decr s16 s16\! s2 } %--- 66 \DYNEXO #'(1 . 0) \PINEXO #'(1 . 0) s16\pp s8\decr s16\! s2 \repeat unfold 2 { s8\decr s16 s16\! s2 } s2. %--- 70 s8\decr s16 s16\! \TSCREXO #'(0 . 2) s2-\DIMM s8\decr s16 s16\! s2 %--- 72-81 s2.*10 %--- 82-87 \repeat unfold 6 { s8\decr s16 s16\! s2 } %--- 88 s8\decr s16 s16\! \TSCREXO #'(0 . 1) s2-\CRESCM \repeat unfold 3 { s8\decr s16 s16\! s2 } %--- 92 s8\decr s16 s16\! \TSCREXO #'(0 . 1) s2-\CRESCM s8\decr s16 s16\! s2 s16\f s8\decr s16\! s2 s8\decr s16 s16\! s2 %--- 96 \DTSDASHOK \CREScendo s8.\cr s16\! \cresCENdo s8.\cr s16\! \crescenDO s8.\cr s16\! \DTSDASHNO s2.\ff %--- 98 s8\decr s16 s16\! s2 \DYNEXO #'(1.5 . 0) s2.\fp s8\decr s16 s16\! s4 \TSCREXO #'(-0.5 . 1.5) s4-\DECRESCM \repeat unfold 3 { s8\decr s16 s16\! s2 } %--- 104 \DYNEXO #'(1.5 . 0) s16\pp \DYNEXO #'(0.5 . 0) s8\decr s16\! s2 s8\decr s16 s16\! s2 s8\decr s16 s16\! s4 \TSCREXO #'(0 . 2) s4-\DIMM \repeat unfold 2 { s8\decr s16 s16\! s2 } %--- 109 s2.*6 %--- 115 \DTSDASHOK \CREScendo s4..\cr s16\! \cresCENdo s4\cr s8. s16\! \DTSDASHNO \crescenDO s4.\cr s8\! s16\f s8\decr s16\! s2 s2.\p %--- 119 s2.\pp s2. \DYNEXO #'(1.5 . 0) s2.\pp %--- 122-126 s2.*5 %--- 127 \DTSDASHOK \CREScendo s4..\cr s16\! \cresCENdo s4\cr s4 s16 s16\! \DTSDASHNO \crescenDO s4\cr s8\! s4\f\decr s16\! s8. s4 s2.\p \DYNEXO #'(0.5 . 0) s2.\pp s2. \DYNEXO #'(2.5 . 0) s2.\ppp %--- 134-143 s2.*10 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPiano = { %--- 1 \TEMPOBASE s2.\pp s2. s4. s4.\cr \TEMPOFA s2.\!\mf\decr \TEMPOFB s2.\!\pp \TEMPOBASE %--- 6-13 s2.*8 %--- 14-17 s2 s4\cr s4\!\mp\decr s2\!\pp s2.*2 %--- 18 s2.\pp\cr s2\!\mp\decr s4\!\pp s2.*5 %--- 25 s2.\ppp %--- 26-31 s2.*6 %--- 32-33 s2 s4\cr s4\!\mp\decr s2\!\pp %--- 34-36 s2.*3 %--- 37-38 s2 s4\cr s4\!\mp\decr s2\!\pp %--- 39-61 s2.*23 %--- 62 s2.\pp s2.*3 %--- 66 s2.\pp s2.*3 %--- 70 s4 s2\decr s2 s4\!\ppp s2.\pp %--- 73-79 s2.*7 %--- 80 s4 s2\decr s2.*2 s2 s4\!\ppp %--- 84-87 s2.\pp s2.*3 %--- 88 s4 s2\cr s2.*3 %--- 92 s2.*2 s2.\!\f s2. %--- 96 s2.\cr s2.\!\ff %--- 98 s2. s2.\f s2 s4\decr s2.*3 %--- 104 s2.\!\pp s2. s2 s4\decr s2. s2 s4\ppp %--- 109 \TEMPOFA s2.\pp s2.*5 %--- 115 s2.\cr s2. s2.\!\f s2.\p %--- 119 s2.\pp s2. s2.\pp %--- 122-126 s2.*5 %--- 127 s2.\cr s2. s2.\!\f %--- 130 s2.\p s2.\pp s2. s2.\ppp %--- 134-143 s2.*9 \TEMPOFC s2. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \score { << \new Voice = "chant" << \notePartChant >> \new Lyrics \with { \override VerticalAxisGroup #'minimum-Y-extent = #'(-1.5 . 0.5) } \lyricsto "chant" \poeme \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte " \set PianoStaff.connectArpeggios = ##t \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1.25 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %{ -------------------- -------------------- %} %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 % fffff 0.95 ff 0.80 mp 0.61 ppp 0.42 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("fffff" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 1.00) ("f" . 0.90) ("mf" . 0.80) ("mp" . 0.75) ("p" . 0.70) ("pp" . 0.60) ("ppp" . 0.50) ("pppp" . 0.35) ("ppppp" . 0.30) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME s2. } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPiano >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPiano >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBas \dynMidiPiano >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D720-Suleika-1.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%