%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D733-3-3Marches.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: "Trois Marches militaires", für Klavier zu 4 Händen % AVEC SORTIES PARTITION ET MIDI SEPAREES % 3. Allegro moderato in Es-Dur % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.57" \include "italiano.ly" \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) ragged-last-bottom = #f oddHeaderMarkup = \markup \fontsize #2 \fill-line { " " { \italic "♫ Franz Schubert: Trois Marches militaires (D.733-3) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fontsize #2 \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Trois Marches militaires (D.733-3) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { % MUTOPIA mutopiatitle = "Trois Marches militaires" mutopiacomposer = "SchubertF" mutopiapoet = "" mutopiaopus = "D.733-3 (Op. 51)" mutopiainstrument = "Piano" date = "1818" source = "Breitkopf & Härtel" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/09/28-1547" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % Ordre de la sortie Partition: Secondo en continu, puis Primo en continu % Le titre devant être présenté sur la première page du Secondo et du Primo, il a été totalement remplacé par % 3 \markup identifiés par \ENTETEA, \ENTETEB et \ENTETEC % Sur toutes les pages les portées ont les mêmes mesures en vis-à-vis. % Les sauts de page sont gérés manuellement, de même que les sauts de portée en cas de besoin. % % La partition a été divisée en six parties en raison des reprises, qui sont gérées manuellement (Midi oblige) % - Première partie A: pas de reprise % - Deuxième partie B: BA, 1 DE LA REPRISE DE BB, 2 DE LA REPRISE DE BC % - Troisième partie C: CA, 1 DE LA REPRISE DE CB, 2 DE LA REPRISE DE CC % - Quatrième partie D: pas de reprise % - Cinquième partie E: EA, 1 DE LA REPRISE DE EB, 2 DE LA REPRISE DE EC % - Sixième partie F: FA, 1 DE LA REPRISE DE FB, 2 DE LA REPRISE DE FC % % - IDENTIFICATEURS DE FONCTIONS % A. NOTES SECONDO: A1. PIANO HAUT A2. PIANO BAS % B. NOTES PRIMO : B1. PIANO HAUT B2. PIANO BAS % C. DYNAMIQUES PARTITION: C1. SECONDO C2. PRIMO % D. DYNAMIQUES MIDI : D1. SECONDO D2. PRIMO % E. SORTIE PARTITION % F. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TONALITE ET MESURE KEYTIME = { \key mib \major \time 4/4 } KEYTIMEB = { \key lab \major \time 4/4 } %----- MOUVEMENT %----- INSTRUMENTS MOVEMENT = \markup { \bold \large { \hspace #-5 "Allegro moderato." } } ISECONDO = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IPRIMOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 } IPRIMOBAS = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } %----- MARKUP ENTETEA = \markup { \fill-line { \column { \center-column { \fontsize #6 \bold "Trois Marches militaires" " " \fontsize #3 \bold "D.733 (Op. 51.)" " " \fontsize #2 "für Klavier zu 4 Händen" } } } } ENTETEB = \markup { \fill-line { " " { \column \center-align { \fontsize #4 \bold "Franz Schubert" \fontsize #2 "(1797-1828)" " " \fontsize #1.5 "D.733 (Op. 51 No3, 1818)" " " } } } } ENTETEC = \markup { \fill-line { \column { \center-column { \fontsize #4 \bold "3. Allegro moderato in Es-Dur" " " } } } } PRIMO = \markup { \fill-line { \column { \center-column { \bold \fontsize #2 "Primo" " " " " } } } } PRIMOB = \markup { \fill-line { \column { \center-column { \bold \fontsize #2 "Primo " " " " " } } } } SECONDO = \markup { \fill-line { \column { \center-column { \bold \fontsize #2 "Secondo" " " " " } } } } SECONDOB = \markup { \fill-line { \column { \center-column { \bold \fontsize #2 "Secondo " " " " " } } } } FINE = \markup { \bold \large "Fine" } TRIO = \markup { \hspace #-5 \bold \large "Trio" } DACAPO = \markup { \bold \large "Marcia D.C." } SFORZATO = \markup { \musicglyph #"scripts.sforzato" } CLEFBASS = \markup { \musicglyph #"clefs.F_change" } CLEFTREBLE = \markup { \musicglyph #"clefs.G_change" } %----- OCTAVES: DEBUT ET FIN OCTAVEBEG = { #(set-octavation 1) \set Staff.ottavation = #"8" } OCTAVEEND = #(set-octavation 0) %----- CRESCENDOS CRESC = { \set crescendoText = \markup { \bold \italic "cresc." } \set crescendoSpanner = #'dashed-line } CRESCB = \markup { \bold \italic "cresc." } %----- DEPLACER UNE DYNAMIQUE OU MODIFIER SON LIBELLE DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- SCRIPT / MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) TSCREXOB = #(define-music-function (parser location beg-end) (pair?) #{ \override TextScript #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. SECONDO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A1. SECONDO NOTES PIANO HAUT %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A secHautA = \relative do' { %--- 1 \clef treble sib4.. sib16 sib4.. sib16 8[ 16 ] 8[ ] [ ] 8[ 16 ] 8[ ] [ 8.] } %%%%%%%%%%%%%%%%%%%% PARTIE B secHautBA = \relative do' { %--- 3 suite \bar "|:" r16 \break r8 16[ ] 4 r8 16[ ] 4 r8 16[ ] 8[ ] 2 %--- 6 r8 16[ ] 4 r8 16[ ] 4 \clef bass r8 16[ ] 8[ ] 2 \break r8 16[ ] 4 r8 16[ ] 4 r8 \clef treble 16[ ] 8[ ] 2 r8 16[ ] 4 r8 16[ ] 4 \clef bass \pageBreak %--- 11 8.^\SECONDOB [ 16 8. 16] 8 fa'16[ fa] fa8[ fa] r8 -. 4_> r8 -. 4_> << { 4 } \\ { fa,8([ do']) } >> 8-.[ -.] fa'16[ fa] fa8[ fa] \break r8 4_> r8 4_> } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B secHautBB = \relative do' { %--- 15 \set Score.repeatCommands = #'((volta "1")) \partial 2... << { 4 } \\ { fa,8([ do']) } >> 8-.[ -.] \TSCREXO #'(2.9 . 6) 4.._\CLEFTREBLE } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B secHautBC = \relative do' { %--- 16 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) << { 4 } \\ { fa,8([ do']) } >> 8-.[ -.] 4. \set Score.repeatCommands = #'((volta #f)) } %%%%%%%%%%%%%%%%%%%% PARTIE C secHautCA = \relative do { %--- 16 suite \bar "|:" \partial 8 8 8.[ 16] 2 ~ 8[ -.] \break \set Score.currentBarNumber = #18 8.[ 16] 2. \set Score.currentBarNumber = #19 8.[ 16 8 ] r8 [ ] r8 8[ ] r8 8[ ] \break %--- 21 8.[ 16 8 ] r8 [ ] r8 8[ ] r8 8[ mib] mib8.[ mib16-. mib8-. fa!-.] solb-.[ fa-. solb-. lab-.] \pageBreak sib8^\SECONDOB [ sib16 sib] sib8[ sib] solb8.[ sib16 solb8. mib16] sib8 sib'16[ sib] sib8[ sib] solb8.[ sib16 solb8. mib16] %--- 26 sib8[ 16 ] 8[ ] 4.. r16 r8 \clef treble 16[ ] 4 r8 16[ ] 4 \break r8 16[ ] 8[ ] 2 r8 16[ ] 4 r8 16[ ] 4 r8 16[ ] 8[ ] 2 %--- 31 r8 16[ ] 4 r8 16[ ] 4 \break r8 16[ ] 8[ ] 4. 8 8.[ 16 8. 16] 8 sib'16[ sib] sib8[ sib] r8 4 r8 4 << { 4 8-.[ -.] sib8[ sib16 sib] sib8[ sib] } \\ { sib,8[( fa') re sib] 4 s4 } >> \break %--- 36 r8 4 r8 4 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C secHautCB = \relative do'' { %--- 37 \set Score.repeatCommands = #'((volta "1")) \partial 2.. << { 4 8[ ] } \\ { sib,8[( fa') re-. sib-.] } >> \TSCREXO #'(2.2 . 4.7) 4._\CLEFBASS \set Score.currentBarNumber = #38 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C secHautCC = \relative do'' { %--- 38 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) << { 4 8[ ] } \\ { sib,8[( fa') re-. sib-.] } >> 8 mib16-.[ mib-.] mib8-.[ reb-.] \clef bass \set Score.repeatCommands = #'((volta #f)) dob8[ dob16 dob] dob8[ dob] dob8[ dob16 dob] dob8[ dob] \pageBreak sib8^\SECONDOB [ sib16 sib] sib8[ sib] lab8[ lab16 lab] lab8[ lab] %--- 41 sol!8.[ sol16 lab8. lab16] sib8.[ sib16 sib8. sib16] sol8 16[ ] 8[ ] [ ] \break 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8 [ 16 ] 8[ ] 8[ 16 ] 8[ ] 8.[ 16 8. 16] 8.[ sib16 sib8. sib16] \break %--- 46 sol8[ sib16 sib] sib8[ ] [ sib16 sib] sib8[ ] 8 mib16[ mib] mib8[ mib] mib2 \bar "||" } %%%%%%%%%%%%%%%%%%%% PARTIE D secHautD = \relative do' { \KEYTIMEB %--- 48 \clef treble 8^\TRIO [ ] 8[ ] \break } %%%%%%%%%%%%%%%%%%%% PARTIE E secHautEA = \relative do' { %--- 49 \bar "|:" 8[ ] 8[ ] do8[ ] 8[ ] %--- 51 8[ ] 8[ ] \pageBreak 8^\SECONDOB [ ] [ ] 8[ ] 8[ ] 8[ ] 8[ ] \break 8[ ] 8[ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E secHautEB = \relative do' { %--- 56 \set Score.repeatCommands = #'((volta "1")) 8[ ] 8[ ] \break } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E secHautEC = \relative do' { %--- 57 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) 8[ ] 8[ ] \set Score.repeatCommands = #'((volta #f)start-repeat) } %%%%%%%%%%%%%%%%%%%% PARTIE F secHautFA = \relative do' { %--- 58 8[ ] [ ] 8[ ] [ ] \break 8[ ] [ ] %--- 61 8([ ]) [ do ] 8[ ] [ ] \pageBreak 8^\SECONDOB [ ] [ ] 8 [ ] [ ] 8[ ] [ ] %--- 66 8[ ] 8[ ] do8[ ] 8[ ] 8[ ] 8[ ] 8[ ] 8[ ] 8[ ] 8[ ] %--- 71 8[ ] [ ] 8[ ] [ ] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F secHautFB = \relative do' { %--- 73 \set Score.repeatCommands = #'((volta "1")) 8[ ] [ ( )] } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F secHautFC = \relative do' { %--- 74 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) 8[ ] [ ] r8 \set Score.repeatCommands = #'((volta #f)) \bar "|." } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT notePartSecHaut = { \clef bass \KEYTIME s1*0 ^\MOVEMENT \set autoBeaming = ##f \secHautA \secHautBA \secHautBB \secHautBC \secHautCA \secHautCB \secHautCC \secHautD \secHautEA \secHautEB \secHautEC \secHautFA \secHautFB \secHautFC } %%%%%%%%%%%%%%%%%%%% SYNTHESE MIDI SECONDO HAUT noteMidiSecHaut = { \clef bass \KEYTIME \ISECONDO \secHautA \secHautBA \secHautBB \secHautBA \secHautBC \secHautCA \secHautCB \secHautCA \secHautCC \secHautD \secHautEA \secHautEB \secHautEA \secHautEC \secHautFA \secHautFB \secHautFA \secHautFC \secHautA \secHautBA \secHautBC \secHautCA \secHautCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A2. SECONDO NOTES PIANO BAS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A secBasA = \relative do { %--- 1 R1 sib8[ sib16 sib] sib8[ sib] sib8[ sib sib sib] 8[ 16 ] 8[ ] 8[ 8.] } %%%%%%%%%%%%%%%%%%%% PARTIE B secBasBA = \relative do, { %--- 3 suite r16 4 r r 4 r r8 sib'16[ sib] sib8[ sib] %--- 6 4 r r 2 r8 mib'16[ mib] sib8[ sol] 4 r r 2 r8 sib'16[ sib] sib8[ sib] 4 r8 4 r8 %--- 11 fa8.[ 16 8. 16] 4 r fa'4 r8 fa sib4 r8 sib fa8[( do') la-. fa-.] sib4 r fa4 r8 fa sib4 r8 sib } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B secBasBB = \relative do, { %--- 15 \partial 2... fa8[( do') la-. fa-.] sib4.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B secBasBC = \relative do, { %--- 16 fa8[( do') la-. fa-.] sib4. } %%%%%%%%%%%%%%%%%%%% PARTIE C secBasCA = \relative do, { %--- 16 suite \partial 8 sib8 dob8.[ dob16] dob2 ~ dob8[ sib-.] dob8.[ dob16] dob2. 4 r mib r solb8-.[ reb'-. sib-. solb-.] dob4 mib,8-.[ solb-.] %--- 21 4 r mib r solb8-.[ reb'-. sib-. solb-.] dob4 r8 mib,8 8.[ 16 8 ] 8[ ] 4 r8 sib'8 solb8.[ sib16 solb8. mib16] sib4 r8 sib'8 solb8.[ sib16 solb8. mib16] %--- 26 sol,8[ sol16 sol] sol8[ sol] sol4.. r16 4 r r 2 r8 sib'16[ sib] sib8[ sib] 4 r r 2 r8 mib'16[ mib] sib8[ sol] %--- 31 4 r r 4 r8 4. 8 8.[ 16 8. 16] 4 r sib'4 r8 sib mib4 r8 mib sib8[( fa') re-. sib-.] mib4 r %--- 36 sib4 r8 sib mib4 r8 mib } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C secBasCB = \relative do { %--- 37 \partial 2.. sib8[( fa') re-. sib-.] mib4. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C secBasCC = \relative do { %--- 38 sib8[( fa') re-. sib-.] mib8[ mib16-. mib-.] mib8-.[ reb-.] dob8[ dob16 dob] dob8[ dob] dob8[ dob16 dob] dob8[ dob] sib8[ sib16 sib] sib8[ sib] lab8[ lab16 lab] lab8[ lab] %--- 41 sol!8.[ sol16 lab8. lab16] sib8.[ sib16 sib8. sib16] mib8 mib,16[ mib] mib8[ mib] mib[ mib mib reb] dob8[ dob16 dob] dob8[ dob] dob8[ dob16 dob] dob8[ dob] sib8[ sib16 sib] sib8[ sib] lab8[ lab16 lab] lab8[ lab] sol8.[ 16 8. 16] 8.[ 16 8. 16] %--- 46 4 r8 4 r8 8 mib16[ mib] mib8[ mib] mib2_\FINE } %%%%%%%%%%%%%%%%%%%% PARTIE D secBasD = \relative do { \KEYTIMEB %--- 48 << { r8 mib-.[ do-. lab'-.] r8 mib-.[ do-. lab'-.] } \\ { lab,4 r lab r } >> } %%%%%%%%%%%%%%%%%%%% PARTIE E secBasEA = \relative do { << { %--- 49 r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ do-. lab'-.] r8 mib-.[ do-. lab'-.] %--- 51 r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. fa-.] lab-.[ mib-. do-. lab-.] r8 mib'-.[ reb-. sol-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ do-. lab'-.] r8 mib-.[ do-. lab'-.] r8 fa-.[ sib,-. lab'-.] r8 fa-.[ sib,-. lab'-.] } \\ { %--- 49 mib,4 r mib r lab4 r lab r %--- 51 mib4 r mib r lab4 r r2 mib4 r mib r lab4 r lab r sib,4 r sib r } >> } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E secBasEB = \relative do' { %--- 56 << { r8 sol-.[ sib-. sib,-.] r mib-.[ sib-. sol-.] } \\ { mib4 r mib r } >> } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E secBasEC = \relative do' { %--- 57 << { r8 sol-.[ sib-. sib,-.] mib,[ mib' do lab] } \\ { mib4 r mib8[ mib' do lab] } >> } %%%%%%%%%%%%%%%%%%%% PARTIE F secBasFA = \relative do { << { %--- 58 r8 reb-.[ lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 lab,-.[ do-. lab-.] r8 lab-.[ fa'-. reb-.] %--- 61 lab8[ reb lab fa] lab[ lab'_( sol solb)] fa8-.[ reb-. lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 reb-.[ lab-. fa'-.] r8 do-.[ lab-. fa'-.] r8 do-.[ mi-. do-.] fa-.[ lab,-. do-. do,-.] fa[ lab do fa] %--- 66 r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ do-. lab'-.] r8 mib-.[ do-. lab'-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. sol-.] r8 mib-.[ reb-. fa-.] lab-.[ mib-. do-. lab-.] r8 mi'-.[ do-. sol'-.] r8 mi-.[ do-. sol'-.] %--- 71 r8 fa-.[ do-. lab'-.] r8 fa-.[ si,-. lab'-.] r8 mib-.[ do-. lab'-.] r8 reb,!-.[ sib!-. mib-.] } \\ { %--- 58 reb,4 r reb r reb4 r reb r lab4 r reb r %--- 61 lab4 r r2 reb4 r reb r reb4 r reb r do4 r do4 r fa8-.[ lab-. do-. do,-.] fa4 r %--- 66 mib4 r mib r lab4 r lab r mib4 r mib r lab4 r r2 do,4 r do4 r %--- 71 fa4 r re r mib!4 r mib r } >> } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F secBasFB = \relative do { %--- 73 << { lab8[ do mib mib,] lab4 r } \\ { lab8[ do mib mib,] lab4 s4 } >> } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F secBasFC = \relative do { %--- 74 << { lab8[ do mib mib,] } \\ { lab8[ do mib mib,] } >> lab8_\DACAPO [ mib lab,] r } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT notePartSecBas = { \clef bass \KEYTIME \set autoBeaming = ##f \secBasA \secBasBA \secBasBB \secBasBC \secBasCA \secBasCB \secBasCC \secBasD \secBasEA \secBasEB \secBasEC \secBasFA \secBasFB \secBasFC } %%%%%%%%%%%%%%%%%%%% SYNTHESE MIDI SECONDO HAUT noteMidiSecBas = { \clef bass \KEYTIME \ISECONDO \secBasA \secBasBA \secBasBB \secBasBA \secBasBC \secBasCA \secBasCB \secBasCA \secBasCC \secBasD \secBasEA \secBasEB \secBasEA \secBasEC \secBasFA \secBasFB \secBasFA \secBasFC \secBasA \secBasBA \secBasBC \secBasCA \secBasCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A3. SECONDO DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A dynPartSecA = { %--- 1 \DYNEXO #'(0 . -1.5) s1\f \DYNEXO #'(1 . -1.5) s1\sf s2... } %%%%%%%%%%%%%%%%%%%% PARTIE B dynPartSecBA = { %--- 3 suite s16 s1\f s1 %--- 6 s1*4 s2 s2\sf %--- 11 s2 s8 s4.\p s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynPartSecBB = { %--- 15 \partial 2... s2... } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B dynPartSecBC = { %--- 16 s2.. } %%%%%%%%%%%%%%%%%%%% PARTIE C dynPartSecCA = { %--- 16 suite \DYNEXO #'(0 . -1.5) s8\f \DYNEXO #'(0 . -1.5) s1\sf \DYNEXO #'(0 . -1.5) s1\sf s1\fp s1 %--- 21 s1\fp s1 s1\f s2 s2\sf s2 s2\sf %--- 26 s1 \DYNEXO #'(1 . 0) s1\p s1*3 %--- 31 \DYNEXO #'(1 . -0.5) s1\f s2 s2\sf s2 s8 s4.\p s1*2 %--- 36 s1 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C dynPartSecCB = { %--- 37 \partial 2.. s2.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C dynPartSecCC = { %--- 38 s2 s8 s4\cr s8\! s2\sf s2\sf \DYNEXO #'(1 . 0) s2\sf s2\sf %--- 41 s1 s2 s8 s4\cr s8\! \DYNEXO #'(0 . -1.5) s2\sf \DYNEXO #'(0 . -1.5) s2\sf \DYNEXO #'(0.5 . -1.5) s2\sf \DYNEXO #'(0 . -1.5) s2\sf s1 %--- 46 s4. s8\sf s4.s8\sf s1 } %%%%%%%%%%%%%%%%%%%% PARTIE D dynPartSecD = { %--- 48 s2\p-\SFORZATO s2-\SFORZATO } %%%%%%%%%%%%%%%%%%%% PARTIE E dynPartSecEA = { %--- 49 s2-\SFORZATO s2-\SFORZATO s1 %--- 51 s1 s8 s4\cr s8\! s4\decr s8\! s8 s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E dynPartSecEB = { %--- 56 s1 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E dynPartSecEC = { %--- 57 s1 } %%%%%%%%%%%%%%%%%%%% PARTIE F dynPartSecFA = { %--- 58 \DYNEXO #'(1 . -1) s1\mf s1*2 %--- 61 s8 s4\cr s8\! s4\decr s8\! s8 s1 s2 s8 s4\cr s8\! \DYNEXO #'(0.5 . -1) \PINEXO #'(0.5 . 0) s4\f\decr s8\! s8 s2 s2 \DYNEXO #'(0 . -1.5) s2\p %--- 66 s1*4 \CRESC s2\cr s2\! %--- 71 s1*2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F dynPartSecFB = { %--- 73 \DYNEXO #'(1 . 0) s1\p } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F dynPartSecFC = { %--- 74 \DYNEXO #'(1 . 0) s1\p } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT dynPartSec = { \override DynamicTextSpanner #'dash-period = #-1 \TSCREXOB #'(1 . 1) \dynPartSecA \dynPartSecBA \dynPartSecBB \dynPartSecBC \dynPartSecCA \dynPartSecCB \dynPartSecCC \dynPartSecD \dynPartSecEA \dynPartSecEB \dynPartSecEC \dynPartSecFA \dynPartSecFB \dynPartSecFC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B. PRIMO %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. PRIMO NOTES PIANO HAUT %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A priHautA = \relative do'' { %--- 1 R1 8[ 16 ] 8[ ] [ ] \OCTAVEBEG 8[ 16 ] 8[ ] [ 8.] \OCTAVEEND } %%%%%%%%%%%%%%%%%%%% PARTIE B priHautBA = \relative do'' { %--- 3 suite \bar "|:" sol32^([ lab] \break sib8.)[ sib16 sib8. mib16] sib8.[ sib16 sib8. sol'16] lab8.[ sib16 lab8. sol16] fa4..( mib32[ fa] %--- 6 sol8.)[ sol16] sol4..^> fa16[ mib8. re16] do8.[ sib16 do8. sib16] sib4( sol8) r16 sol'32^([lab] \break 8.)[ 16 8. 16] 8.[ 16 8. \OCTAVEBEG 16] 8.[ 16 8. 16] 4..( 32[ ] 8. )[ 16 8. mib16] 8.[ 16 8. 16] \OCTAVEEND \pageBreak %--- 11 8.^\PRIMOB [ 16 8. 16] 4. fa8 fa4 fa8-.[ fa-.] fa4. fa8 \acciaccatura la8 sol8[( fa) sol-. la-.] sib8.([ la32 sol]) fa8[ fa] \break fa4 fa8-.[ fa-.] fa4. fa8-. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B priHautBB = \relative do''' { %--- 15 \set Score.repeatCommands = #'((volta "1")) \partial 2... \acciaccatura la8 sol8[( fa) sol-. la-.] sib4.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B priHautBC = \relative do''' { %--- 16 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) \acciaccatura la8 sol8[( fa) sol-. la-.] sib4. \set Score.repeatCommands = #'((volta #f)) } %%%%%%%%%%%%%%%%%%%% PARTIE C priHautCA = \relative do'' { %--- 16 suite \bar "|:" \partial 8 r8 r4 r8 8.[ 16] 4 \break \set Score.currentBarNumber = #18 r4 r8 8.[ 16 8 ] 8.[ 16 8-.( -.] 8-.[ -. -. -.]) \acciaccatura sib'8 8-.[ -. -. -.] 4 _~ ( 8)[ -.] \break %--- 21 8.[ 16 8-.( -.] 8-.[ -. -. -.]) \acciaccatura sib'8 8-.[ -. -. -.] 4. mib8 8.[ 16-. 8-. -.] -.[ -. -. -.] \pageBreak 4^\PRIMOB r8 sib 8.[ 16 8. 16] 4 r8 sib 8.[ 16 8. 16] %--- 26 8[ 16 ] 8[ ] 4.. sol,!32([ lab]) sib8.[ sib16 sib8. mib16] sib8.[ sib16 sib8. sol'16] \break lab8.[ sib16 lab8. sol16] fa4..( mib32[ fa]) sol8.[ sol16] sol4.. fa16[ mib8. re16] do8. [ sib16 do8. sib16] sib4( sol8) r16 sol'32^([lab]) %--- 31 8.[ 16 8. 16] 8.[ 16 8. 16] \break \OCTAVEBEG 8.[ 16 8. 16] 4. 8 8.[ 16 8. 16] 4 \OCTAVEEND r8 sib sib4 sib8[ sib] sib4. sib8-. \acciaccatura re8 do8[( sib) do-. re-.] mib8.([ re32 do]) sib8-.[ sib-.] \break %--- 36 sib4 sib8[ sib] sib4. sib8-. } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C priHautCB = \relative do''' { %--- 37 \set Score.repeatCommands = #'((volta "1")) \partial 2.. \acciaccatura re8 do8[( sib) do-. re-.] mib4. \set Score.currentBarNumber = #38 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C priHautCC = \relative do''' { %--- 38 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) \acciaccatura re8 do8[( sib) do-. re-.] mib8 mib,16-.[ mib-.] mib8-.[ -.] \set Score.repeatCommands = #'((volta #f)) 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] \pageBreak 8^\PRIMOB [ 16 ] 8[ ] 8[ 16 ] 8[ ] %--- 41 8.[ 16 8. 16] 8.[ 16 8. 16] 8[ 16 ] 8[ ] [ ] \break \OCTAVEBEG 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8 [ 16 ] 8[ ] 8[ 16 ] 8[ ] 8.[ 16 8. 16] 8.[ 16 8. 16] \break %--- 46 4 r8 mib4 r8 8 mib8[ 16 ] 8[ ] 2 \OCTAVEEND \bar "||" } %%%%%%%%%%%%%%%%%%%% PARTIE D %%%%%%%%%%%%%%%%%%%% PARTITION (trille) priHautDP = \relative do''' { \KEYTIMEB %--- 48 r2^\TRIO r4 do8.\trill ([ sib32 do] \break } %%%%%%%%%%%%%%%%%%%% MIDI (trille) priHautDM = \relative do''' { \KEYTIMEB %--- 48 r2 r4 reb32([ do reb do reb do sib do] } %%%%%%%%%%%%%%%%%%%% PARTIE E PARTITION (trille) priHautEAP = \relative do''' { %--- 49 \bar "|:" reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. do,8([ reb mib]) %--- 51 fa8([ mib16]) r fa8([ mib16]) r fa8([ mib16]) r sib'8([ sol16]) r \pageBreak lab4^\PRIMOB sib16([ lab sol fa] mib8) r8 \OCTAVEBEG do''8.\trill ([ sib32 do]) 8-.[ -.] 4._> 8-.[ -. -.] 8-.[ -.] 4. \OCTAVEEND sol8([ lab sib]) \break 8([ 16]) r 8([ 16]) r 8([ 16]) r 8([ 16]) r } %%%%%%%%%%%%%%%%%%%% PARTIE E MIDI (trille) priHautEAM = \relative do''' { %--- 49 \bar "|:" reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. do,8([ reb mib]) %--- 51 fa8([ mib16]) r fa8([ mib16]) r fa8([ mib16]) r sib'8([ sol16]) r lab4 sib16([ lab sol fa] mib8) r8 \OCTAVEBEG reb''32([ do reb do reb do sib do]) 8-.[ -.] 4._> 8-.[ -. -.] 8-.[ -.] 4. \OCTAVEEND sol8([ lab sib]) 8([ 16]) r 8([ 16]) r 8([ 16]) r 8([ 16]) r } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E PARTITION (trille) priHautEBP = \relative do''' { %--- 56 \set Score.repeatCommands = #'((volta "1")) 4 re'16([mib fa sol]) mib8 r8 sib8.\trill ([la32 sib]) \break } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E MIDI (trille) priHautEBM = \relative do''' { %--- 56 \set Score.repeatCommands = #'((volta "1")) 4 re'16([mib fa sol]) mib8 r8 do32([ sib do sib do sib la sib]) } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E PARTITION (trille) priHautECP = \relative do''' { %--- 57 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) mib4 re16([mib fa sol]) mib8 r8 mib,8.\trill ([reb!32 mib]) \set Score.repeatCommands = #'((volta #f)start-repeat) } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E MIDI (trille) priHautECM = \relative do''' { %--- 57 mib4 re16([mib fa sol]) mib8 r8 fa,32([ mib fa mib fa mib reb mib]) } %%%%%%%%%%%%%%%%%%%% PARTIE F PARTITION (trilles) priHautFAP = \relative do'' { %--- 58 fa8. ([mib16]) reb4. reb8([ mib fa]) lab,8.([ sib16]) lab4. lab8([ reb fa]) \break solb8([ fa mib solb] fa[ mib reb fa]) %--- 61 mib8([ reb mib fa]) mib4 lab8.\trill ([ sol32 lab]) 8.([16]) 4. 8([ ]) \pageBreak 8.^\PRIMOB ([ 16]) 4. 8([ ]) \OCTAVEBEG 8 ([ ]) ([ ]) 4 mi'16([ fa sol lab]) fa8 \OCTAVEEND r8 do8.\trill ([ sib32 do] %--- 66 reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. do,8([ reb mib]) fa8([ mib16]) r fa8([ mib16]) r fa8([ mib16]) r sib'8([ sol16]) r lab4 sib16([ lab sol fa] mib8) r8 \OCTAVEBEG do''8.\trill ([ sib32 do]) 8-.[ -.] 4._> 8-.[ -. -.] %--- 71 8-.[ -.] 4._> fa8-.[ sol-. lab-.] do,8-.[ mib-.] 8-.[ -.] 4. 8 } %%%%%%%%%%%%%%%%%%%% PARTIE F MIDI (trilles) priHautFAM = \relative do'' { %--- 58 fa8.([mib16]) reb4. reb8([ mib fa]) lab,8.([ sib16]) lab4. lab8([ reb fa]) solb8([ fa mib solb] fa[ mib reb fa]) %--- 61 mib8([ reb mib fa]) mib4 sib'32([ lab sib lab sib lab sol lab]) 8.([16]) 4. 8([ ]) 8.([ 16]) 4. 8([ ]) \OCTAVEBEG 8([ ]) ([ ]) 4 mi'16([ fa sol lab]) fa8 \OCTAVEEND r8 reb32([ do reb do reb do sib do]) %--- 66 reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. do,8([ reb mib]) fa8([ mib16]) r fa8([ mib16]) r fa8([ mib16]) r sib'8([ sol16]) r lab4 sib16([ lab sol fa] mib8) r8 \OCTAVEBEG reb''32([ do reb do reb do sib do]) 8-.[ -.] 4._> 8-.[ -. -.] %--- 71 8-.[ -.] 4._> fa8-.[ sol-. lab-.] do,8-.[ mib-.] 8-.[ -.] 4. 8 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F PARTITION (trille) priHautFBP = \relative do''' { %--- 73 \set Score.repeatCommands = #'((volta "1")) 4 sol'16([ lab sib do]) lab8 \OCTAVEEND r8 mib,8.\trill ([reb!32 mib]) } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F MIDI (trille) priHautFBM = \relative do''' { %--- 73 \set Score.repeatCommands = #'((volta "1")) 4 sol'16([ lab sib do]) lab8 \OCTAVEEND r8 fa,32([ mib fa mib fa mib reb mib]) } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F priHautFC = \relative do''' { %--- 74 \set Score.repeatCommands = #'((volta #f)end-repeat(volta "2")) \OCTAVEBEG 4 sol'16([ lab sib do]) lab8 \OCTAVEEND r8 r4 \set Score.repeatCommands = #'((volta #f)) \bar "|." } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT notePartPriHaut = { \clef treble \KEYTIME s1*0 ^\MOVEMENT \set autoBeaming = ##f \priHautA \priHautBA \priHautBB \priHautBC \priHautCA \priHautCB \priHautCC \priHautDP \priHautEAP \priHautEBP \priHautECP \priHautFAP \priHautFBP \priHautFC } %%%%%%%%%%%%%%%%%%%% SYNTHESE MIDI SECONDO HAUT noteMidiPriHaut = { \clef treble \KEYTIME \IPRIMOHAUT \priHautA \priHautBA \priHautBB \priHautBA \priHautBC \priHautCA \priHautCB \priHautCA \priHautCC \priHautDM \priHautEAM \priHautEBM \priHautEAM \priHautECM \priHautFAM \priHautFBM \priHautFAM \priHautFC \priHautA \priHautBA \priHautBC \priHautCA \priHautCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. PRIMO NOTES PIANO BAS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A priBasA = \relative do'' { %--- 1 sib4.. sib16 sib4.. sib16 8[ 16 ] 8[ ] [ ] 8[ 16 ] 8[ ] [ 8.] } %%%%%%%%%%%%%%%%%%%% PARTIE B priBasBA = \relative do'' { %--- 3 suite r16 sol8.[ sol16 sol8. sib16] sol8.[ sol16 sol8. mib'16] fa8.[ sol16 fa8. mib16] re4..( do32[ re] %--- 6 mib8.)[ mib16] mib4..^> re16[ do8. sib16] lab8.[ fa16 lab8. fa16] sol4( mib8) r16 32([ ] 8.)[ 16 8. 16] 8.[ 16 8. 16] 8.[ 16 8. 16] 4..( 32[ ] 8.)[ 16 8. mib16] 8.[ 16 8. 16] \OCTAVEEND %--- 11 8.[ 16 8. 16] sib4. re8 mib8[( la,) do-. mib-.] re[( fa,) sib-. re-.] 4 8[ ] 4. re8 mib8[( la,) do-. mib-.] re[( fa, sib) re-.] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B priBasBB = \relative do'' { %--- 15 \partial 2... 4 8-.[ -.] 4.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B priBasBC = \relative do'' { %--- 16 4 8-.[ -.] 4. } %%%%%%%%%%%%%%%%%%%% PARTIE C priBasCA = \relative do' { %--- 16 suite \partial 8 r8 r4 r8 mib 8.[ 16] 4 r4 r8 8.[ 16 8 solb] mib'8.[ mib16 mib8-.( reb-.] dob-.[ sib-. lab-. solb-.]) 8-.[ -. -. -.] dob4( solb!8)[ solb-.] %--- 21 solb8.[ solb16 solb8 reb'-.]( dob-.[ sib-. lab-. solb-.]) 8-.[ -. -. -.] dob4. mib,8 mib8.[ mib16-. mib8-. -.] -.[ -. -. -.] 8[ sib16 sib] sib8[ sib] 8.[ 16 8. 16] 8[ sib16 sib] sib8[ sib] 8.[ 16 8. 16] %--- 26 8[ sib16 sib] sib8[ sib] sib4.. r16 sol8.[ sol16 sol8. sib16] sol8.[ sol16 sol8. mib'16] fa8.[ sol16 fa8. mib16] re4..( do32[ re]) mib8.[ mib16] mib4.. re16[do8. sib16] lab8.[ fa16 lab8. fa16] sol4( mib8) r16 32([]) %--- 31 8.[ 16 8. 16] 8.[ 16 8. 16] 8.[ 16 8. 16] 4. 8 8.[ 16 8. 16] mib4 r8 sol lab8[( re,) fa-. lab-.] sol[( sib,) mib-. sol-.] 4 8-.[ -.] 4. sol8-. %--- 36 lab8[( re,) fa-. lab-.] sol[( sib,) mib-. sol-.] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C priBasCB = \relative do'' { %--- 37 \partial 2.. 4 8-.[ -.] 4. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C priBasCC = \relative do'' { %--- 38 4 8-.[ -.] 8 r r 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] %--- 41 8.[ 16 8. 16] 8.[ 16 8. 16] 8 r8 r4 r r8 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8[ 16 ] 8[ ] 8.[ 16 8. 16] 8.[ 16 8. 16] %--- 46 8 sib'16[ sib] sib8[ ] [ sib16 sib] sib8[ ] 8 16[ ] 8[ _\FINE] 2 } %%%%%%%%%%%%%%%%%%%% PARTIE D PARTITION (trille) priBasDP = \relative do'' { \KEYTIMEB %--- 48 r2 r4 do8.\trill ([ sib32 do] } %%%%%%%%%%%%%%%%%%%% PARTIE D MIDI (trille) priBasDM = \relative do'' { \KEYTIMEB %--- 48 r2 r4 reb32([ do reb do reb do sib do] } %%%%%%%%%%%%%%%%%%%% PARTIE E PARTITION (trilles) priBasEA = \relative do'' { %--- 49 reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. lab8([ sib do]) %--- 51 sol8([ sib16]) r sol8([ sib16]) r sol8([ sib16]) r reb8([ mib16]) r do4 sol'16([ fa mib reb] do8) r8 r4 r4 8-.[ -.] 4_> r r4 lab8-.[ sib-.] 4_> lab8([ sib]) do8([ sib16]) r do8([ sib16]) r do8([ sib16]) r fa'8([ re16]) r } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E PARTITION (trille) priBasEBP = \relative do'' { %--- 56 mib4 re16([mib fa sol]) mib8 r8 sib8.\trill ([la32 sib]) } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E MIDI (trille) priBasEBM = \relative do'' { %--- 56 mib4 re16([mib fa sol]) mib8 r8 do32([ sib do sib do sib la sib]) } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E priBasEC = \relative do'' { %--- 57 mib4 re16([mib fa sol]) mib8 r8 r4 } %%%%%%%%%%%%%%%%%%%% PARTIE F PARTITION (trilles) priBasFAP = \relative do'' { %--- 58 reb!8.([lab16]) fa4. fa8([ lab reb]) fa,8.([ solb16]) fa4. fa8([ lab reb]) mib8([ reb lab mib'] reb[ lab fa reb']) %--- 61 lab8([ fa lab reb]) lab4 lab8.\trill ([ sol32 lab]) 8.([16]) 4. 8([ ]) 8.([ 16]) 4. 8([ ]) 8([ ]) ([ ]) 4 mi'16([ fa sol lab]) fa8 r8 do8.\trill ([ sib32 do] %--- 66 reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. lab8([ sib do]) sol8([ sib16]) r sol8([ sib16]) r sol8([ sib16]) r reb8([ mib16]) r do4 sol'16([ fa mib reb] do8) r8 do'8.\trill ([sib32 do]) r4 sol8-.[ fa-.] mi2 %--- 71 r4 fa8-.[ sol-.] lab4 sol8-.[ lab-.] do,8-.[ mib-.] r4 r8 sol,8-.[ sib-. reb-.] } %%%%%%%%%%%%%%%%%%%% PARTIE F MIDI (trille) priBasFAM = \relative do'' { %--- 58 reb!8.([lab16]) fa4. fa8([ lab reb]) fa,8.([ solb16]) fa4. fa8([ lab reb]) mib8([ reb lab mib'] reb[ lab fa reb']) %--- 61 lab8([ fa lab reb]) lab4 sib32([ lab sib lab sib lab sol lab]) 8.([16]) 4. 8([ ]) 8.([ 16]) 4. 8([ ]) 8([ ]) ([ ]) 4 mi'16([ fa sol lab]) fa8 r8 reb32([ do reb do reb do sib do]) %--- 66 reb8-.)[ do-.] sib4. lab8-.[ sol-. fa-.] mib8-.[ do'-.] lab4. lab8([ sib do]) sol8([ sib16]) r sol8([ sib16]) r sol8([ sib16]) r reb8([ mib16]) r do4 sol'16([ fa mib reb] do8) r8 reb'32([ do reb do reb do sib do]) r4 sol8-.[ fa-.] mi2 %--- 71 r4 fa8-.[ sol-.] lab4 sol8-.[ lab-.] do,8-.[ mib-.] r4 r8 sol,8-.[ sib-. reb-.] } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F priBasFB = \relative do'' { %--- 73 do8[ lab] sol16([ lab sib do]) lab8 r r4 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F priBasFC = \relative do'' { %--- 74 do8([ lab] sol16[ lab sib_\DACAPO do]) lab8 r r4 } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT notePartPriBas = { \clef treble \KEYTIME \set autoBeaming = ##f \priBasA \priBasBA \priBasBB \priBasBC \priBasCA \priBasCB \priBasCC \priBasDP \priBasEA \priBasEBP \priBasEC \priBasFAP \priBasFB \priBasFC } %%%%%%%%%%%%%%%%%%%% SYNTHESE MIDI SECONDO HAUT noteMidiPriBas = { \clef treble \KEYTIME \IPRIMOBAS \priBasA \priBasBA \priBasBB \priBasBA \priBasBC \priBasCA \priBasCB \priBasCA \priBasCC \priBasDM \priBasEA \priBasEBM \priBasEA \priBasEC \priBasFAM \priBasFB \priBasFAM \priBasFC \priBasA \priBasBA \priBasBC \priBasCA \priBasCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3. PRIMO DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A dynPartPriA = { %--- 1 s1\f \DYNEXO #'(1 . 0) s1\sf s2... } %%%%%%%%%%%%%%%%%%%% PARTIE B dynPartPriBA = { %--- 3 suite s16 s2\sf s2\sf \DYNEXO #'(1 . 0) s1\sf %--- 6 s1*2 \DYNEXO #'(1 . 0) s2\sf s2\sf \DYNEXO #'(1 . 0) s1\sf \DYNEXO #'(0.5 . 0) s2\sf s2\sf %--- 11 s2.. s8\p s2-\SFORZATO s2-\SFORZATO s1 s2-\SFORZATO s2-\SFORZATO } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynPartPriBB = { %--- 15 \partial 2... s2...-\SFORZATO } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B dynPartPriBC = { %--- 16 s2..-\SFORZATO } %%%%%%%%%%%%%%%%%%%% PARTIE C dynPartPriCA = { %--- 16 suite s8 s2 \TSCREXO #'(1 . 0) s2\sf-\SFORZATO s2 s2\sf \TSCREXO #'(1 . 0) s1\fp-\SFORZATO s1 %--- 21 s1\fp s1 \DYNEXO #'(1 . -0.5) s1\f s2 s2\sf s2 s2\sf %--- 26 s2... s16\p \TSCREXO #'(1 . -0.5) s2-\SFORZATO \TSCREXO #'(1 . -0.5) s2-\SFORZATO s1-\SFORZATO s4 s2.-\SFORZATO s2... s16\f %--- 31 \DYNEXO #'(1 . 0) s2\sf s2\sf s2 s2\sf s2.. s8\p s2-\SFORZATO s2-\SFORZATO s1 %--- 36 s2-\SFORZATO s2-\SFORZATO } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C dynPartPriCB = { %--- 37 \partial 2.. s2.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C dynPartPriCC = { %--- 38 s1 s2\sf s2\sf s2\sf s2\sf %--- 41 s1 s2 s8 s4\cr s8\! \DYNEXO #'(0 . -1.5) s2\sf \DYNEXO #'(0 . -1.5) s2\sf s2\sf s2\sf s1 %--- 46 s4. s8\sf s4.s8\sf s1 } %%%%%%%%%%%%%%%%%%%% PARTIE D dynPartPriD = { %--- 48 s2. s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE E dynPartPriEA = { %--- 49 s4 s2.-\SFORZATO s4 s2.-\SFORZATO %--- 51 s4-\SFORZATO s4-\SFORZATO s4-\SFORZATO s4-\SFORZATO s4 s8\cr s16\! s8\decr s16\! s4. s1*2 s4-\SFORZATO s4-\SFORZATO s4-\SFORZATO s4-\SFORZATO } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E dynPartPriEB = { %--- 56 s1 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E dynPartPriEC = { %--- 57 s1 } %%%%%%%%%%%%%%%%%%%% PARTIE F dynPartPriFA = { %--- 58 \TSCREXO #'(1 . 0) s1\mf-\SFORZATO s1-\SFORZATO s2-\SFORZATO s2-\SFORZATO %--- 61 s8 s4\cr s8\! s4 s8.\decr s16\! s2-\SFORZATO s8 s4\cr s8\! s2-\SFORZATO s8 s4\cr s8\! s4.\f-\SFORZATO\decr s8\! s2-\SFORZATO s2. s4\p %--- 66 s4 s2.-\SFORZATO s4 s2.-\SFORZATO s1 s4\cr s16\! s8\decr s16\! s2 \CRESC s2\cr s2\! %--- 71 s1*2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F dynPartPriFB = { %--- 73 \DYNEXO #'(1 . 0) s1\p } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F dynPartPriFC = { %--- 74 \DYNEXO #'(1 . 0) s1\p } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION PRIMO HAUT dynPartPri = { \override DynamicTextSpanner #'dash-period = #-1 \TSCREXOB #'(1 . 1) \dynPartPriA \dynPartPriBA \dynPartPriBB \dynPartPriBC \dynPartPriCA \dynPartPriCB \dynPartPriCC \dynPartPriD \dynPartPriEA \dynPartPriEB \dynPartPriEC \dynPartPriFA \dynPartPriFB \dynPartPriFC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D1. SECONDO DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A dynMidiSecA = { %--- 1 s1\f s8\ff s2..\f s2... } %%%%%%%%%%%%%%%%%%%% PARTIE B dynMidiSecBA = { %--- 3 suite s16 s1\f s1 %--- 6 s1*4 s2 s4\ff s4\f %--- 11 s2 s8 s4.\p s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiSecBB = { %--- 15 \partial 2... s2... } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B dynMidiSecBC = { %--- 16 s2.. } %%%%%%%%%%%%%%%%%%%% PARTIE C dynMidiSecCA = { %--- 16 suite s8\f s8.\ff s16\f s2. s8.\ff s16\f s2. s8.\ff s16\mp s2. s1 %--- 21 s8.\f s16\mp s2. s1 s1\f s2 s8.\ff s16\f s4 s2 s8.\ff s16\f s4 %--- 26 s1 s1\p s1*3 %--- 31 s1\f s2 s4.\ff s8\f s2 s2\p s1*2 %--- 36 s1 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C dynMidiSecCB = { %--- 37 \partial 2.. s2.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C dynMidiSecCC = { %--- 38 s2 s8 s4\cr s8 s8\!\ff s4.\f s8\ff s4.\f s8\ff s4.\f s8\ff s4.\f %--- 41 s1 s2 s8 s4\cr s8 s8\!\ff s4.\f s8\ff s4.\f s8\ff s4.\f s8\ff s4.\f s1 %--- 46 s4. s8\ff s8\f s4 s8\ff s1\f } %%%%%%%%%%%%%%%%%%%% PARTIE D dynMidiSecD = { %--- 48 s1\p } %%%%%%%%%%%%%%%%%%%% PARTIE E dynMidiSecEA = { %--- 49 s1*2 %--- 51 s1 s4.\cr s8\!\f s4.\decr s8\!\p s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E dynMidiSecEB = { %--- 56 s1 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E dynMidiSecEC = { %--- 57 s1 } %%%%%%%%%%%%%%%%%%%% PARTIE F dynMidiSecFA = { %--- 58 s1\mf s1*2 %--- 61 s4.\cr s8\!\f s4.\decr s8\!\mf s1 s2 s2\cr s4.\!\f\decr s8\!\mf s2 s2 s2\p %--- 66 s1*4 \CRESC s2\cr s2\!\f %--- 71 s1*2 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F dynMidiSecFB = { %--- 73 s1\p } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F dynMidiSecFC = { %--- 74 s1\p } %%%%%%%%%%%%%%%%%%%% SYNTHESE PARTITION SECONDO HAUT dynMidiSec = { \override DynamicTextSpanner #'dash-period = #-1 \dynMidiSecA \dynMidiSecBA \dynMidiSecBB \dynMidiSecBA \dynMidiSecBC \dynMidiSecCA \dynMidiSecCB \dynMidiSecCA \dynMidiSecCC \dynMidiSecD \dynMidiSecEA \dynMidiSecEB \dynMidiSecEA \dynMidiSecEC \dynMidiSecFA \dynMidiSecFB \dynMidiSecFA \dynMidiSecFC \dynMidiSecA \dynMidiSecBA \dynMidiSecBC \dynMidiSecCA \dynMidiSecCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D2. PRIMO DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTIE A dynMidiPriA = { %--- 1 s1\f s8\ff s2..\f s2... } %%%%%%%%%%%%%%%%%%%% PARTIE B dynMidiPriBA = { %--- 3 suite s16 s8.\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s2. %--- 6 s1*2 s8.\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s2. s8.\ff s16\f s4 s8.\ff s16\f s4 %--- 11 s2.. s8\p s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE B dynMidiPriBB = { %--- 15 \partial 2... s2... } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE B dynMidiPriBC = { %--- 16 s2.. } %%%%%%%%%%%%%%%%%%%% PARTIE C dynMidiPriCA = { %--- 16 suite s8 s2 s8.\ff s16\f s4 s2 s8.\ff s16\f s4 s8.\ff s16\mp s2. s1 %--- 21 s8.\f s16\mp s2. s1 s1\f s2 s8.\ff s16\f s4 s2 s8.\ff s16\f s4 %--- 26 s2... s16\p s1*3 s2... s16\f %--- 31 s8.\ff s16\f s4 s8.\ff s16\f s4 s2 s8.\ff s16\f s4 s2.. s8\p s1*2 %--- 36 s1 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE C dynMidiPriCB = { %--- 37 \partial 2.. s2.. } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE C dynMidiPriCC = { %--- 38 s1 s8.\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s4 %--- 41 s1 s2 s2\cr s8.\!\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s4 s8.\ff s16\f s4 s1 %--- 46 s4. s8\ff s4.\f s8\ff s1\f } %%%%%%%%%%%%%%%%%%%% PARTIE D dynMidiPriD = { %--- 48 s2. s4\p } %%%%%%%%%%%%%%%%%%%% PARTIE E dynMidiPriEA = { %--- 49 s1 s1 %--- 51 s1 s4 s8\cr s16\!\ff s8\decr s16\!\f s4. s1*3 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE E dynMidiPriEB = { %--- 56 s1 } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE E dynMidiPriEC = { %--- 57 s1 } %%%%%%%%%%%%%%%%%%%% PARTIE F dynMidiPriFA = { %--- 58 s1\mf s1*2 %--- 61 s8 s4\cr s8\!\f s4 s8.\decr s16\!\mf s2 s8 s4.\cr s8.\!\f\decr s16\!\mf s4. s4.\cr s4.\!\f\decr s8\! s2 s2. s4\p %--- 66 s1*3 s4\cr s16\!\f s8\decr s16\!\p s2 s1\cr %--- 71 s1\!\f s1 } %%%%%%%%%%%%%%%%%%%% 1 DE LA REPRISE DE F dynMidiPriFB = { %--- 73 s1\p } %%%%%%%%%%%%%%%%%%%% 2 DE LA REPRISE DE F dynMidiPriFC = { %--- 74 s1\p } %%%%%%%%%%%%%%%%%%%% SYNTHESE MIDI SECONDO HAUT dynMidiPri = { \override DynamicTextSpanner #'dash-period = #-1 \dynMidiPriA \dynMidiPriBA \dynMidiPriBB \dynMidiPriBA \dynMidiPriBC \dynMidiPriCA \dynMidiPriCB \dynMidiPriCA \dynMidiPriCC \dynMidiPriD \dynMidiPriEA \dynMidiPriEB \dynMidiPriEA \dynMidiPriEC \dynMidiPriFA \dynMidiPriFB \dynMidiPriFA \dynMidiPriFC \dynMidiPriA \dynMidiPriBA \dynMidiPriBC \dynMidiPriCA \dynMidiPriCC } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE PARTITION (pas de \midi) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \ENTETEA \ENTETEB \ENTETEC \SECONDO \score { << \new PianoStaff << \new Staff = "secUpA" << \notePartSecHaut >> \new Dynamics = "dynamics" \dynPartSec \new Staff = "secDownA" << \notePartSecBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } \ENTETEA \ENTETEB \ENTETEC \PRIMO \score { << \new PianoStaff << \new Staff = "PriUpA" << \notePartPriHaut >> \new Dynamics = "dynamics" \dynPartPri \new Staff = "PriDownA" << \notePartPriBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 0.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % F. SORTIE MIDI COMMUNE (pas de \layout) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 0.95) ("f" . 0.75) ("mf" . 0.68) ("mp" . 0.61) ("p" . 0.55) ("pp" . 0.49) ("ppp" . 0.35) ("pppp" . 0.18) ("ppppp" . 0.00) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \KEYTIME s1 } \score { << \new Staff = "secUp" { \SILENCE << \noteMidiSecHaut \dynMidiSec >> } \new Staff = "secDown" { \SILENCE << \noteMidiSecBas \dynMidiSec >> } \new Staff = "PriUp" { \SILENCE << \noteMidiPriHaut \dynMidiPri >> } \new Staff = "PriDown" { \SILENCE << \noteMidiPriBas \dynMidiPri >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume tempoWholesPerMinute = #(ly:make-moment 108 4) } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D733-3-3Marches.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%