%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D881B-Fischerweise.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Fischerweise", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.60" \include "italiano.ly" \paper { line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) #(define top-margin (/ (- paper-height (* 259 mm)) 2)) #(define bottom-margin (/ (- paper-height (* 253 mm)) 2)) between-system-padding = 7\mm indent = 22\mm oddHeaderMarkup = \markup \fill-line { " " { \italic "♫ Franz Schubert: Fischerweise (D.881B) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Fischerweise (D.881B) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { dedication = \markup \center-column { \fontsize #0.5 \bold "Der Fürstin Kinsky, geborene von Kerpen gewidmet." " " } title = \markup { \fontsize #1.5 "Fischerweise" } subtitle = "Zweite Fassung" subsubtitle = " " poet = \markup { \hspace #23 \column { \center-column { \line { \fontsize #2 \bold "Franz Xaver Baron von Schlechta" } \line { \small "(1796-1875)" } } } } composer = \markup \center-column { \fontsize #3 \bold "Franz Schubert" \small "(1797-1828)" "D.881B (Op. 96, No 4, März 1826)" } % MUTOPIA mutopiatitle = "Fischerweise" mutopiacomposer = "SchubertF" mutopiapoet = "Franz von Schlechta" mutopiaopus = "D.881B (Op. 96, No 4)" mutopiainstrument = "Voice and Piano" date = "1826" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/10/30-1589" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % Des "\break" ont été introduits pour unifier les deux formats de sortie PDF % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1: Notes % C. PIANO: C1: Notes PIANO HAUT C2: Notes PIANO BAS C3: Dynamiques partition C4: Dynamiques midi % D. SORTIE PARTITION % E. SORTIE MIDI % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 4=160 %----- TONALITÉS ET MESURES KEY = { \key re \major } TIME = { \time 2/2 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-4.0 "Etwas geschwind. " } } %----- INSTRUMENTS ICHANT = { \set Staff.midiInstrument = "trumpet" \set Staff.midiMinimumVolume = #0.2 \set Staff.midiMaximumVolume = #1 } IPIANOHAUT = { \set Staff.midiInstrument = "acoustic grand" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.9 } IPIANOBAS = { \set Staff.midiInstrument = "bright acoustic" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } %----- CRESCENDOS ET MARKUPS CRESCM = \markup { \bold \italic "cresc." } LEISE = \markup { \bold \italic "leise" } %----- DYNAMIQUE SPECIALE SFORZATO = \markup { \musicglyph #"scripts.sforzato" } %----- REPOSITIONNEMENT DES DYNAMIQUES DYNEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override DynamicText #'extra-offset = #$beg-end #}) PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- REPOSITIONNEMENT DES MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poemeA = \lyricmode { \set fontSize = #-.5 Den __ Fi -- scher __ fech -- ten __ Sor -- gen und __ Gram und __ Leid nicht an; er -- löst am frü -- hen Mor -- gen mit leich -- tem __ Sinn den Kahn, mit __ leich -- tem __ Sinn den Kahn. Da la -- gert rings noch Frie -- de auf Wald und Flur und __ Bach, er ruft mit sei -- nem Lie -- de die __ gold’ -- ne Son -- ne wach, er __ ruft mit sei -- nem Lie -- de die gold’ -- ne Son -- ne wach. Da la -- gert __ rings __ noch __ Frie -- de auf Wald und Flur und Bach, er ruft __ mit __ sei -- nem __ Lie -- de die gold’ -- ne Son -- ne wach. } poemeB = \lyricmode { \set fontSize = #-.5 Er __ singt zu __ sei -- nem __ Wer -- ke aus __ vol -- ler __ fri -- scher Brust, die __ Ar -- beit gibt ihm Stär -- ke, die Stär -- ke __ Le -- bens -- lust, die __ Stär -- ke __ Le -- bens -- lust. Bald wird ein bunt Ge -- wim -- mel in al -- len Tie -- fen __ laut und plät -- schert durch den Him -- mel, der __ sich im Was -- ser baut, und __ plät -- schert durch den Him -- mel, der sich im Was -- ser baut. Bald wird __ ein __ bunt __ Ge -- wim -- mel in al -- len Tie -- fen __ laut und plät -- schert __ durch __ den __ Him -- mel, der sich im Was -- ser baut. Doch __ wer ein Netz __ will __ stel -- len, braucht __ Au -- gen __ klar und gut, muss __ hei -- ter gleich den Wel -- len und frei sein __ wie die Fluth, und frei sein __ wie die Fluth,. Dort an -- gelt auf der __ Brü -- cke die Hir -- tin, Schlau -- er Wicht! ent -- sa -- ge dei -- ner Tü -- cke, den Fisch be -- trügst du nicht. Dort an -- gelt __ auf __ der __ Brü -- cke die Hir -- tin, Schlau -- er Wicht! ent -- sa -- ge __ dei -- ner __ Tü -- cke, den Fisch be -- trügst du nicht. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. CHANT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% INTRO chantA = \relative do' { %--- 1 R1*2 } %%%%%%%%%%%%%%%%%%%% CORPS AVEC REPRISE IDENTIQUE chantB = \relative do' { \oneVoice %--- 3 \bar "|:" R1*7 %--- 10 r2 r4 fad8[ sol] %--- 11 la4 la8[ sol] fad4 mi8[ fad] sol2 mi4 mi8[ fad] sol4 sol8[ la] si4 fad sol2 r4 sol8[ la] si4 la sol fad %--- 16 fad2 mi4 la la4 sol8[ fad] mi4 la fad2 r4 fad8[ sol] la4 sol8[ fad] mi4 la re,2 r2 %--- 21 R1*2 r2 r4 mi la4 la la si dod2 la4 mi %--- 26 la4 la la dod8[ si] la2 r4 la re4 re re re re2 si4 sol8[ la] si4 sol fad la %--- 31 sol2 r4 mi8[ fad] sol4 si si mi re2 dod4 re la4 fad mi la %--- 35 re,2 r4 \TSCREXO #'(-0.5 . 0) re'^\LEISE dod8[ mi] re[ dod] dod[ mi] re[ dod] re2 la4 la la4 la la la %--- 39-43 fad2 r4 re' dod8[ mi] re[ dod] dod[ mi] re[ dod] re2 la4 la la4 la la la re,2 r2 \bar ":|" } %%%%%%%%%%%%%%%%%%%% DERNIERE PARTIE chantC = \relative do' { \oneVoice %--- 44-50 R1*7 %--- 51 r2 r4 fad8[ sol] la4 la8[ sol] fad4 mi8[ fad] \break sol2 mi4 mi8[ fad] %--- 54 sol4 sol8[ la] si4 fad sol2 r4 sol8[ la] si4 la sol fad fad2 mi4 la la4 sol8[ fad] mi4 la %--- 59 fad2 r4 la la4 sol8[ fad] mi4 la re,2 r2 R1*2 %--- 64 R1 r2 r4 si' dod4. la8 mi4 fad8[ sold] la2 la4 si dod2 la4 r %--- 69 r4 re2 re4 re2. si4 si4 sol fad la sol4 mi r mi8[ fad] sol4 si si mi %--- 74 re2 dod4 re-> la4 fad mi la re,2 r4 \TSCREXO #'(-1 . 0) re'^\LEISE dod8[ mi] re[ dod] dod[ mi] re[ dod] re2 la4 la %--- 79 si2 la4 r r4 fad8 fad la4 re4 dod8[ mi] re[ dod] dod[ mi] re[ dod] re2 la4 re %--- 83 la4 la la la re,2 r2 %--- 85-92 R1*8 \bar "|." } chantPart = { \chantA \chantB \chantC } chantMidi = { \chantA \chantB \chantB \chantC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartChant = { \clef treble \KEY \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Singstimme " \chantPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiChant = { \KEY \TIME \ICHANT \chantMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. CHANT : DYNAMIQUES PARTITION/MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTITION dynPartChant = { } %%%%%%%%%%%%%%%%%%%% MIDI dynMidiChant = { } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C1. PIANO HAUT : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I %%%%%%%%%%%%%%%%%%%% INTRO pianoHautIA = \relative do' { \oneVoice %--- 1-2 8[ la, la,] [ la, la,] [ la, la,] [ la, la,] } %%%%%%%%%%%%%%%%%%%% CORPS AVEC REPRISE IDENTIQUE pianoHautIB = \relative do' { \oneVoice %--- 3 8[ si, si,] [ si, si,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] %--- 6 [ la, la,] [ la, la,] [ si, si,] [ si, si,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, ] %--- 11 [ la, ] [ la ] [ la, la,] [ la mi' fad] [ si ] [ si, si] [ si mi ] 8[ si ] [ si, si,] [ si si] %--- 16 [ la la] [ la la] \voiceOne la sol' fad] [ la la] la fad' sol] la4 fad8[ sol] la4 sol8[ fad] [ la la] [ la fad' sol] la4 sol8[ la] %--- 21 si4 la8[ sol] [ si si] [ si sol' la] si4 fad8[ sold] la4 sold8[ fad] [ mi mi] 8[ mi mi] [ mi mi] 8[ mi mi] [ mi mi] %--- 26 8[ mi mi] [ mi mi] 8[ mi mi] [ mi mi] [ re, re,] [ re,] re'4 8[ re, re,] [ re ] [ si, si] [ si si] %--- 31 [ si mi ] [ si mi ] [ si si] [ si mi,] [ mi, mi,] [ mi re,] [ la, la] [ la la] %--- 35 [ la la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] %--- 39-43 [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] } %%%%%%%%%%%%%%%%%%%% DERNIERE PARTIE pianoHautIC = \relative do' { \oneVoice %--- 44 8[ si, si,] [ si, si,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ si, si,] [ si, si,] %--- 49 [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, ] [ la, ] [ la ] [ la, la,] [ la mi' fad] %--- 54 [ si ] [ si, si] [ si mi ] 8[ si ] [ si, si,] [ si si] [ la la] [ la la] \voiceOne la'4 sol8[ fad] [ la la] %--- 59 la fad' sol] la4 fad8[ sol] la4 sol8[ fad] [ la la] [ la fad' sol] la4 sol8[ la] si4 la8[ sol] [ si si] [ si sol' la] si4 fad8[ sold] %--- 64 la4 sold8[ fad] [ mi mi] 8[ mi mi] [ mi mi] 8[ mi mi] [ mi mi] 8[ mi mi] [ mi mi] 8[ mi mi] [ mi mi] %--- 69 [ re, re,] [ re,] re'4 8[ re, re,] [ re si,] [ si, si] [ si si] [ si mi ] [ si mi ] [ si si] [ si mi,] %--- 74 [ mi, mi,] [ mi re,] [ la, la] [ la la] [ la la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] %--- 79 [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] %--- 83 [ la, la,] [ la, la,] [ la, la,] [ la, la,] 8[ si, si,] [ si, si,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] %--- 88-92 [ la, la,] [ la, la,] [ si, si,] [ si, si,] [ la, la,] [ la, la,] [ la, la,] [ la, la,] 1 } pianoHautIPart = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIB \pianoHautIC } pianoHautIMidi = \context Staff \new Voice { \voiceOne \pianoHautIA \pianoHautIB \pianoHautIB \pianoHautIC } %%%%%%%%%%%%%%%%%%%% VOIX II %%%%%%%%%%%%%%%%%%%% INTRO pianoHautIIA = \relative do' { \voiceTwo %--- 1-2 s1*2 } %%%%%%%%%%%%%%%%%%%% CORPS AVEC REPRISE IDENTIQUE pianoHautIIB = \relative do' { \voiceTwo %--- 3 s1*14 %--- 17 s4 re s2 s4 re~ re8[ la] re4~ re8[ la] re4 s2 s4 re~ re8[ la] mi'4~ %--- 21 mi8[ si] mi4 s2 s4 mi~ mi8[ si] re4~ re8[ la] re4 s2 %--- 24 s1*4 %--- 28 s2. sol8[ la] %--- 29-43 s1*15 } %%%%%%%%%%%%%%%%%%%% DERNIERE PARTIE pianoHautIIC = \relative do' { \voiceTwo %--- 44-57 s1*14 %--- 58 re8[ la] re4 s2 s4 re~ re8[ la] re4~ re8[ la] re4 s2 s4 re~ re8[ la] mi'4~ mi8[ si] mi4 s2 s4 mi~ mi8[ si] re4~ %--- 64 re8[ la] re4 s2 %--- 65-68 s1*4 %--- 69 s2. sol8[ la] %--- 70-92 s1*23 } pianoHautIIPart = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIB \pianoHautIIC } pianoHautIIMidi = \context Staff \new Voice { \voiceTwo \pianoHautIIA \pianoHautIIB \pianoHautIIB \pianoHautIIC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoHaut = { \clef treble \KEY \TIME \set autoBeaming = ##f << \pianoHautIPart \pianoHautIIPart >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoHaut = { \KEY \TIME \IPIANOHAUT << \pianoHautIMidi \pianoHautIIMidi >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C2. PIANO BAS : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% VOIX I %%%%%%%%%%%%%%%%%%%% INTRO pianoBasIA = \relative do, { \oneVoice %--- 1-2 R1 r2 r4 } %%%%%%%%%%%%%%%%%%%% CORPS AVEC REPRISE IDENTIQUE pianoBasIB = \relative do { \voiceOne %--- 3 re2 re \oneVoice 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] %--- 6 re2 r4 \voiceOne re'2 re \oneVoice 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] re2 r4 %--- 11 2 r4 2 r4 2 4 2 r4 mi4( fad sol sold) %--- 16 la2. sol!4 fad4 mi8[ re] la'4-. la,-. re4 re'8[ mi] fad r re,[ mi] fad4 mi8[ re] la'4-. la,-. re4 re'8([ mi] fad) r mi,([fad] %--- 21 sol4) fad8[ mi] si'4-. si,-. mi4 mi'8([ fad] sol) r re,[ mi] fad4 mi8[ re] mi4-. mi-. la,8 mi''([ mi]) -. r -. r 8 mi''([ mi]) -. r -. r %--- 26 8 mi''([ mi]) -. r -. r 8 mi''([ mi]) r sol!4 fad4 fad fad mi8[ fad] sol2. 4 4 %--- 31 4 mi'8([ ] ) r8 r4 mi,4 sol sol 2( 4) fad'8([ sol!] la4) %--- 35 2 r4 2 r4 2 r4 \clef treble re'''-. dod8[ mi re dod] dod[ mi re dod] %--- 39-43 re2 r4 \clef bass 2 r4 2 r4 \clef treble re'''-. dod8[ mi re dod] dod[ mi re dod] re2 r4 \clef bass } %%%%%%%%%%%%%%%%%%%% DERNIERE PARTIE pianoBasIC = \relative do { \voiceOne %--- 44 re2 re \oneVoice 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] re2 r4 \voiceOne re'2 re \oneVoice %--- 49 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] re2 r4 2 r4 2 r4 %--- 54 2 4 2 r4 mi' mi,4( fad sol sold) la2. sol!4( fad4) mi8[ re] la'4-. la,-. %--- 59 re4 re'8([ mi] fad) r re,[ mi] fad4 mi8[ re] la'4-. la,-. re4 re'8([ mi] fad) r mi([fad] sol4) fad8[ mi] si4 si mi8 r mi([fad] sol) r re,[ mi] %--- 64 fad4 mi8[ re] mi4-. mi-. 8 mi''([ mi]) -. r -. r 8 mi''([ mi]) -. r -. r 8 mi''([ mi]) -. r -. r 8 mi''([ mi]) r sol!4 %--- 69 fad4 fad fad mi8[ fad] sol2. 4 4 4 mi'8([ ] ) r8 r4 mi,4 sol sol %--- 74 2( 4) fad'8([ sol!] la4) 2 r4 2 r4 2 r4 \clef treble re''' %--- 79 dod8[ mi re dod] dod[ mi re dod] re2 r4 \clef bass 2 r4 2 r4 \clef treble re''' %--- 83 dod8[ mi re dod] dod[ mi re dod] re2 r4 \clef bass \voiceOne re'2 re \oneVoice 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] %--- 88-92 re2 r4 \voiceOne re'2 re \oneVoice 2 r4 re'' dod8[ mi re dod] dod8[ mi re dod] re1 } pianoBasIPart = \context Staff \new Voice { \voiceOne \pianoBasIA \pianoBasIB \pianoBasIC } pianoBasIMidi = \context Staff \new Voice { \voiceOne \pianoBasIA \pianoBasIB \pianoBasIB \pianoBasIC } %%%%%%%%%%%%%%%%%%%% VOIX II %%%%%%%%%%%%%%%%%%%% INTRO pianoBasIIA = \relative do { \voiceTwo %--- 1-2 s1*2 } %%%%%%%%%%%%%%%%%%%% CORPS AVEC REPRISE IDENTIQUE pianoBasIIB = \relative do { \voiceTwo %--- 3 sol8[ si la sol] sol8[ si la sol] s1*3 %--- 7 sol8[ si la sol] sol8[ si la sol] %--- 8-43 s1*36 } %%%%%%%%%%%%%%%%%%%% DERNIERE PARTIE pianoBasIIC = \relative do { \voiceTwo %--- 44 sol8[ si la sol] sol8[ si la sol] s1*3 %--- 48 sol8[ si la sol] sol8[ si la sol] %--- 49-84 s1*36 %--- 85 sol8[ si la sol] sol8[ si la sol] s1*3 %--- 89 sol8[ si la sol] sol8[ si la sol] %--- 90-92 s1*3 } pianoBasIIPart = \context Staff \new Voice { \voiceTwo \pianoBasIIA \pianoBasIIB \pianoBasIIC } pianoBasIIMidi = \context Staff \new Voice { \voiceTwo \pianoBasIIA \pianoBasIIB \pianoBasIIB \pianoBasIIC } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartPianoBas = { \clef bass \KEY \TIME \set autoBeaming = ##f << \pianoBasIPart \pianoBasIIPart >> } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiPianoBas = { \KEY \TIME \IPIANOBAS << \pianoBasIMidi \pianoBasIIMidi >> } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C3. PIANO : DYNAMIQUES POUR LA PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartPiano = { %--- 1 INTRO s1\mf s1 %--- 3 CORPS s1*3 %--- 6 s2. s4\pp s1*3 s2. s4\p %--- 11 s1*12 %--- 23 s2. s4\pp s1*3 %--- 27 s2. \TSCREXO #'(-1.5 . 0) s4-\CRESCM s1*3 %--- 31 s2. s4\f s4 s16 s8.\cr s4. s8\! s4.\decr s8\! s2 s1 %--- 35 s8 s4.\pp s2 s1*7 %--- 43 s2. s4\mf %--- 44 DERNIERE PARTIE s1*3 %--- 47 s2. s4\pp s1*3 s2. s4\p %--- 52-63 s1*12 %--- 64 s2. s4\pp s1*4 %--- 69 s1-\CRESCM s1*2 %--- 72 s2. s4\f s2 s16 \PINEXO #'(-1 . 0) s4.\cr s32 s32\! \PINEXO #'(0.5 . 0) s4.\decr s8\! s4 \TSCREXO #'(1 . 0.5) s4-\SFORZATO s1 %--- 76 s2 s2\pp s1*7 %--- 84 s2. s4\mf s1*3 %--- 88-92 s2. s4\pp s1*4 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C4. PIANO : DYNAMIQUES POUR LE MIDI %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynMidiPiano = { %--- 1 INTRO \TEMPOBASE s1\mf s1 %--- 3 CORPS AVEC REPRISE IDENTIQUE \repeat unfold 2 { s1*3 s2. s4\pp s1*3 s2. s4\p %--- 11 s1*12 %--- 23 s2. s4\pp s1*3 %--- 27 s2. s4\cr s1*3 %--- 31 s2. s4\!\f s4 s2\cr s4\!\ff\decr s4. s8\!\f s2 s1 %--- 35 s2\decr s2\!\pp s1*7 %--- 43 s2. s4\mf } % fin du \repeat unfold 2 %--- 44 DERNIERE PARTIE s1*3 %--- 47 s2. s4\pp s1*3 s2. s4\p %--- 52-63 s1*12 %--- 64 s2. s4\pp s1*4 %--- 69 s1\cr s1*2 %--- 72 s2. s4\!\f s2 s4\cr s4\!\ff\decr s4. s8\!\f s2 s1 %--- 76 s2\decr s2\!\pp s1*7 %--- 84 s2. s4\mf s1*3 %--- 88-92 s2. s4\pp s1*4 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new Voice = "chant" << \notePartChant \dynPartChant >> \new Lyrics \lyricsto "chant" \poemeA \new Lyrics \lyricsto "chant" \poemeB \new PianoStaff << \set PianoStaff.instrumentName = "PianoForte " \new Staff = "pianoUp" << \notePartPianoHaut >> \new Dynamics = "dynamics" \dynPartPiano \new Staff = "pianoDown" << \notePartPianoBas >> >> >> \layout { \context { \Score \override SpacingSpanner #'spacing-increment = #1.6 \override TextScript #'font-size = #1 } \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \CRESC works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-0.5 . 1.5) \override DynamicLineSpanner #'Y-offset = #0 \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % E. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME s1 } \score { << \new Staff = "chant" { \SILENCE << \noteMidiChant \dynMidiPiano >> } \new Staff = "pianoUp" { \SILENCE << \noteMidiPianoHaut \dynMidiPiano >> } \new Staff = "pianoDown" { \SILENCE << \noteMidiPianoBas \dynMidiPiano >> } >> \midi { } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D881B-Fischerweise.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%