%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FICHIER SchubertF-D983C-DieNacht.ly % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % FRANZ SCHUBERT: Gesang "Die Nacht", für eine Singstimme mit Klavierbegleitung % AVEC SORTIES PARTITION ET MIDI SEPAREES % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \version "2.11.57" \include "italiano.ly" #(set-global-staff-size 18) \paper { %#(set-paper-size "a4") %#(set-paper-size "letter") line-width = 186\mm #(define left-margin (/ (- paper-width (* 186 mm)) 2)) indent = 22\mm oddHeaderMarkup = \markup \fontsize #2 \fill-line { " " { \italic "♫ Franz Schubert: Die Nacht (D.983C) ♫" } \fromproperty #'page:page-number-string } evenHeaderMarkup = \markup \fontsize #2 \fill-line { \fromproperty #'page:page-number-string { \italic "♫ Franz Schubert: Die Nacht (D.983C) ♫" } " " } #(ly:set-option 'point-and-click #f) } \header { title = \markup { \center-column { \fontsize #1.5 "Vier Gesänge" \fontsize #-1.5 "für vier Männerstimmen" "Op. 17" " " } } subtitle = \markup { \center-column { \fontsize #7 "4. Die Nacht" " " } } subsubtitle = \markup { \center-column { \fontsize #3 "(D.983C, Op. 17 No 4)" " " " " " " } } poet = \markup { \column { \line { \bold \fontsize #2 "Friedrich Adolf Krummacher" } \line { \small "(1767-1845)" } } } composer = \markup \center-column { \fontsize #4 \bold "Franz Schubert" \small "(1797-1828)" "(Veröffentlichungsjahr: 1823)" } % MUTOPIA mutopiatitle = "Die Nacht" mutopiacomposer = "SchubertF" mutopiapoet = "Friedrich Adolf Krummacher" mutopiaopus = "D.983C (Op. 17/4)" mutopiainstrument = "Voice" date = "1823" source = "Breitkopf & Härtel (1884-1897)" style = "Romantic" copyright = "Public Domain" maintainer = "Ph. Raynaud" moreInfo = "" footer = "Mutopia-2008/09/28-1561" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % % STRUCTURE GENERALE DU FICHIER % % Les sorties Partition et Midi sont dissociées (le volume de la sortie Midi a été affiné). % % - IDENTIFICATEURS DE FONCTIONS % A. POÈME % B. CHANT: B1 à B4: Notes et dynamiques TENORS I et II, BASSES I et II % C. SORTIE PARTITION % D. SORTIE MIDI : les "choir aahs", pas satisfaisants, ont été remplacés par un quatuor de clarinettes et les voix des % ténors baissées d'une octave % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % IDENTIFICATEURS DE FONCTIONS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %----- TEMPI TEMPOBASE = \tempo 8=68 TEMPOFERMATA = \tempo 8=40 TEMPOFERMATAL = \tempo 8=20 TEMPOFINA = \tempo 8=60 TEMPOFINB = \tempo 8=50 %----- TONALITÉS ET MESURES KEY = { \key re \major } TIME = { \time 6/8 } %----- MOUVEMENTS MOVEMENT = \markup { \bold \large { \hspace #-5 "Langsam." } } %----- INSTRUMENTS ITENOREI = { \set Staff.midiInstrument = "clarinet" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #1 } ITENOREII = { \set Staff.midiInstrument = "clarinet" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.8 } IBASSOI = { \set Staff.midiInstrument = "clarinet" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.7 } IBASSOII = { \set Staff.midiInstrument = "clarinet" \set Staff.midiMinimumVolume = #0 \set Staff.midiMaximumVolume = #0.6 } %----- REPOSITIONNEMENT DES DYNAMIQUES PINEXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override Hairpin #'extra-offset = #$beg-end #}) %----- SFORZATO POUR REMPLACER UN HAIRPIN DEFICIENT (T.II ET B.I) SFORZATO = \markup { \fontsize #3.8 \musicglyph #"scripts.sforzato" } %----- REPOSITIONNEMENT DES SCRIPT / MARKUP TSCREXO = #(define-music-function (parser location beg-end) (pair?) #{ \once \override TextScript #'extra-offset = #$beg-end #}) %----- MARKUPS DE PAROLES SCHWEI = \markup { \hspace #-1.5 \fontsize #0.4 "schwei - gend" } SCHWEIB = \markup { \hspace #-1 \fontsize #0.4 "schwei - gend" } AUSDER = \markup { \hspace #-1.5 \fontsize #0.4 "aus der Fer - ne" } AUSDERB = \markup { \hspace #-2.5 \fontsize #0.4 "aus der Fer - ne" } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % A. POEME %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% poemeI = \lyricmode { \set fontSize = #-.5 Wie schön __ bist du, freund -- li -- che Stil -- le, himm -- li -- sche Ruh’! Se -- het, wie die kla -- ren __ Ster -- ne wan -- deln in des Him -- mels __ Au -- en und auf uns her -- nie -- der __ schau -- en, schwei -- gend, schwei -- gend aus der blau -- en Fer -- ne, schwei -- gend, schwei -- gend aus der blau -- en Fer -- ne. Wie schön __ bist du, freund -- li -- che Stil -- le, himm -- li -- sche Ruh’! Schwei -- gend naht des Len -- zes __ Mil -- de sich der Er -- de wei -- chem __ Schoss, __ kränzt den Sil -- ber -- quell mit __ Moos __ und mit Blu -- men die Ge -- fil -- de, und mit Blu -- men die Ge -- fil -- de, und mit Blu -- men die Ge -- fil -- de, und mit Blu -- men die Ge -- fil -- de. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1. TENORE I : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% tenoreI = \relative do'' { %--- 0 \partial 8 re8 %--- 1 fad4.~ fad4 re8 la2. si8. dod16 si8 mi4 dod8 re8. la16 fad'8 mi4.\fermata mi4 mi8 mi4 mi8 \break %--- 6 fad8.->([mi16]) dod([ la]) dod4 si8 mi4 mi8 mi4 mi8 fad8.->([mi16]) dod([ la]) dod4 si8 dod4 mi8 re4 la8 sol'4 fad16([ re]) fad4. mi4 r8 r4 r8 \break %--- 12 re4.~ re4 si8 mi4.~ mi4 dod8 re4 mi8 fad([ la]) re, mi4( fad8) re4 r8 re4.( mi8.[ re16]) si8 \break mi4.( fad8.[ mi16]) dod8 re4 mi8 fad([ la]) re, %--- 19 mi4( fad8) re4\fermata re8 fad4.~ fad4 re8 la2. si8. dod16 si8 mi4 dod8 \break re8. la16 fad'8 mi4.\fermata mi4 mi8 mi4 mi8 fad8.->([mi16]) dod([ la]) dod4 si8 %--- 26 mi4 mi8 mi4 mi8 fad8.->([mi16]) dod([ la]) dod4( si8) \break dod4 mi8 re4 la8 sol'4 fad16([ re]) fad4.( mi4) r8 r4 r8 re4 re8 re4 si8 %--- 32-38 mi4 mi8 mi4 dod8 re4 mi8 fad la la,16 re \break mi4( fad8) re4 r8 re4 re8 mi8.([ re16]) si8 mi4 mi8 fad8.->([ mi16]) dod8 re4 mi8 fad la\fermata la,16 re mi4( fad8) re4.\fermata \bar "|." } tenoreIPart = { \tenoreI } tenoreIMidi = { \transpose do do, \tenoreI } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartTenoreI = { \clef treble \KEY \TIME \set autoBeaming = ##f s1*0 ^\MOVEMENT \set Staff.instrumentName = "Tenore I. " \tenoreIPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiTenoreI = { \KEY \TIME \ITENOREI \TEMPOBASE \tenoreIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B1a. TENORE I : DYNAMIQUES PARTITION / MIDI POUR TOUS %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% PARTITION dynPartTenoreI = { \dynamicUp %--- 0 \partial 8 s8\p %--- 1 s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp %--- 6 s2.*3 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. %--- 12 s2.\pp s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\decr s8\! s8 %--- 19 s4. s4 s8\p s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp s2. %--- 26 s2.*2 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. s2.\pp %--- 32-38 s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. } %%%%%%%%%%%%%%%%%%%% MIDI dynMidiTenoreI = { %--- 0 \partial 8 s8\p %--- 1 s4.\mp s4 s8\p s2. s2.\pp s8. s16\cr s8\!\p \TEMPOFERMATA s4 s16 s16\ppppp \TEMPOBASE s32 s8..\pp s2 %--- 6 s2.*3 s4. s4\cr s8\!\p s4\decr s16 s16\!\pp s4. s2. %--- 12 s2.\pp s2. s4\mf s8\cr s8\!\f\decr s8\!\mf s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\f\decr s8\!\mf s8 %--- 19 s4. \TEMPOFERMATA s8. s16\ppppp \TEMPOBASE s64 s16..\p s4.\mp s4 s8\p s2. s2.\pp s8. s16\cr s8\!\p \TEMPOFERMATA s4 s16 s16\ppppp \TEMPOBASE s32 s8..\pp s2 s2. %--- 26 s2.*2 s4. s4\cr s8\!\p s4\decr s16 s16\!\pp s4. s2. s2.\pp %--- 32-38 s2. s4\mf s8\cr s8\!\f\decr s8\!\mf s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\f\decr \TEMPOFERMATAL s16.\!\mf s32.\ppppp \TEMPOFINA s16..\mp s4. \TEMPOFINB s4. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2. TENORE II : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% tenoreII = \relative do'' { %--- 0 \partial 8 la8 %--- 1 re4.~ re4 la8 fad2. sol8. sol16 sol8 sib4 sib8 la8. la16 re8 dod4.\fermata re4 dod8 re4 si8 %--- 6 dod4-> la8 la4 sold8 re'4 dod8 re4 si8 dod4-> la8 la4 sold8 sol!4 dod8 re4 re8 dod4 re8 re4( si8) dod4 r8 r4 r8 %--- 12 la4_\SCHWEI ( lad8) si4 r8 si4_\SCHWEI ( sid8) dod4 r8 la4 dod8 re4 la8 dod4. re4 r8 la4_\SCHWEIB ( do8) si4 r8 si4_\SCHWEI ( re8) dod!4 r8 la4 dod8 re4 la8 %--- 19 dod4. re4\fermata la8 re4.~ re4 la8 fad2. sol8. sol16 sol8 sib4 sib8 la8. la16 re8 dod4.\fermata re4 dod8 re4 si8 dod4-> la8 la4 sold8 %--- 26 re'4 dod8 re4 si8 dod4-> la8 la4( sold8) sol!4 dod8 re4 re8 dod4 re8 re4( si8 dod4) r8 r4 r8 la4 lad8 si4 si8 %--- 32-38 si4 sid8 dod4 dod8 la!4 dod8 re re la16 la dod4. re4 r8 la4 do8 si4 si8 si4 re8 dod!4-> dod8 la4 dod8 re re\fermata la16 la dod4. la4.\fermata } tenoreIIPart = { \tenoreII } tenoreIIMidi = { \transpose do do, \tenoreII } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartTenoreII = { \clef treble \KEY \TIME \set autoBeaming = ##f \set Staff.instrumentName = "Tenore II. " \tenoreIIPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiTenoreII = { \KEY \TIME \ITENOREII \tenoreIIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B2a. TENORE II : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartTenoreII = { \dynamicUp %--- 0 \partial 8 s8\p %--- 1 s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp %--- 6 s2.*3 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. %--- 12 s2.\pp s2. s4\mf s16\cr s16\! \TSCREXO #'(1 . 0) s8^\SFORZATO s4 s2. s2.\pp s2. s4\mf s16\cr s16\! \TSCREXO #'(1 . 0) s8^\SFORZATO s4 %--- 19 s4. s4 s8\p s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp s2. %--- 26 s2.*2 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. s2.\pp %--- 32-38 s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3. BASSO I : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% bassoI = \relative do { %--- 0 \partial 8 fad8 %--- 1 la4.~ la4 fad8 re2. re8. re16 re8 sol4 sol8 fad8. fad16 la8 la4.\fermata si4 lad8 si4 sold8 %--- 6 la!4-> mi8 mi4 mi8 si'4 lad8 si4 sold8 la!4-> mi8 mi4 mi8 mi4 sol!8 fad4 fad8 mi4 re16([ fad]) la4( sold8) la4 r8 r4 r8 %--- 12 fad4. sol!4 r8 sold4. la4 r8 fad4 la8 re4 fad,8 sol!4( la8) fad4 r8 fad4( la8) sol4 r8 sold4( si8) la4 r8 fad4 la8 re4 fad,8 %--- 19 sol!4( la8) fad4\fermata fad8 la4.~ la4 fad8 re2. re8. re16 re8 sol4 sol8 fad8. fad16 la8 la4.\fermata si4 lad8 si4 sold8 la!4-> mi8 mi4 mi8 %--- 26 si'4 lad8 si4 sold8 la!4-> mi8 mi4. mi4 sol!8 fad4 fad8 mi4 re16([ fad]) la4( sold8 la4) r8 r4 r8 fad4 fad8 sol!4 sol8 %--- 32-38 sold4 sold8 la4 la8 fad4 la8 re fad, fad16 re sol!4( la8) fad4 r8 fad4 la8 sol4 sol8 sold4 si8 la4-> la8 fad4 la8 re fad,\fermata fad16 fad sol!4( la8) fad4.\fermata } bassoIPart = { \bassoI } bassoIMidi = { \bassoI } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartBassoI = { \clef bass \KEY \TIME \set autoBeaming = ##f \set Staff.instrumentName = "Basso I. " \bassoIPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiBassoI = { \KEY \TIME \IBASSOI \bassoIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B3a. BASSO I : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartBassoI = { \dynamicUp %--- 0 \partial 8 s8\p %--- 1 s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp %--- 6 s2.*3 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. %--- 12 s2.\pp s2. s4\mf \PINEXO #'(0 . 1.5) s16\cr s16\! \TSCREXO #'(1 . 0) s8^\SFORZATO s4 s2. s2.\pp s2. s4\mf \PINEXO #'(0 . 1.5) s16\cr s16\! \TSCREXO #'(1 . 0) s8^\SFORZATO s4 %--- 19 s4. s4 s8\p s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp s2. %--- 26 s2.*2 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. s2.\pp %--- 32-38 s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. s2.\pp s2. s4\mf s8\cr s8\!\decr s8\! s8 s2. } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B4. BASSO II : NOTES %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% bassoII = \relative do { %--- 0 \partial 8 re8 %--- 1 re4.~ re4 re8 re2. re8. re16 re8 re4 re8 re8. re16 re8 la4.\fermata mi'4 mi8 mi4 mi8 %--- 6 mi4-> la,16([ dod]) mi4 mi8 mi4 mi8 mi4 mi8 mi4-> la,16([ dod]) mi4 mi8 la,4 la8 la4 la8 la4 la8 la4. la4 r8 r4 r8 %--- 12 re4. sol!4 r8 mi4. la4 r8 r4 r8 r fad_\AUSDER la la,4. re4 r8 re4. sol4 r8 mi4. la4 r8 r4 r8 r fad_\AUSDERB la %--- 19 la,4. re4\fermata re8 re4.~ re4 re8 re2. re8. re16 re8 re4 re8 re8. re16 re8 la4.\fermata mi'4 mi8 mi4 mi8 mi4-> la,16([ dod]) mi4 mi8 %--- 26 mi4 mi8 mi4 mi8 mi4-> la,16([ dod]) mi4. la,4 la8 la4 la8 la4 la8 la4.~ la4 r8 r4 r8 re4 re8 sol4 sol8 %--- 32-38 mi4 mi8 la4 la8 r4 r8 r4 fad16 re la4. re4 r8 re4 re8 sol4 sol8 mi4 mi8 la4-> la8 r4 r8 r8 r8^\fermataMarkup fad16 re la4. re4.\fermata } bassoIIPart = { \bassoII } bassoIIMidi = { \bassoII } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ PARTITION notePartBassoII = { \clef bass \KEY \TIME \set autoBeaming = ##f \set Staff.instrumentName = "Basso II. " \bassoIIPart } %%%%%%%%%%%%%%%%%%%% RÉSUMÉ MIDI noteMidiBassoII = { \KEY \TIME \IBASSOII \bassoIIMidi } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % B4a. BASSO II : DYNAMIQUES PARTITION %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% dynPartBassoII = { \dynamicUp %--- 0 \partial 8 s8\p %--- 1 s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp %--- 6 s2.*3 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. %--- 12 s2.\pp s2.*3 s2.\pp s2.*2 %--- 19 s4. s4 s8\p s8.\cr s16\! s8.\decr s16\! s4 s2. s2.\pp s8. s16\cr s8\! s4\decr s8\! s2.\pp s2. %--- 26 s2.*2 s4. s4\cr s8\! s4\decr s16 s16\! s4. s2. s2.\pp %--- 32-38 s2.*3 s2.\pp s2.*3 } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % C. SORTIE PARTITION SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %{ -------------------- -------------------- %} \score { << \new ChoirStaff \relative << \new Voice = "tenoreI" << \notePartTenoreI \dynPartTenoreI >> \new Lyrics \lyricsto "tenoreI" \poemeI \new Voice = "tenoreII" << \notePartTenoreII \dynPartTenoreII >> \new Voice = "bassoI" << \notePartBassoI \dynPartBassoI >> \new Lyrics \lyricsto "bassoI" \poemeI \new Voice = "bassoII" << \notePartBassoII \dynPartBassoII >> >> >> \layout { } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % D. SORTIE MIDI SEULE %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %%%%%%%%%%%%%%%%%%%% REDEFINITION DES VOLUMES RESPECTIFS ATTRIBUES AUX DYNAMIQUES % volumes par défaut (LilyPond\usr\share\lilypond\current\scm\midi.scm): % sf 1.00 ff 0.80 mp 0.61 ppp 0.42 fp: 0.50 % ffff 0.92 f 0.75 p 0.55 pppp 0.34 % fff 0.85 mf 0.68 pp 0.49 ppppp 0.25 #(define my-absolute-volume-alist '()) #(set! my-absolute-volume-alist (append '( ("sf" . 1.00) ("ffff" . 1.00) ("fff" . 1.00) ("ff" . 1.00) ("f" . 0.80) ("mf" . 0.67) ("mp" . 0.56) ("p" . 0.47) ("pp" . 0.40) ("ppp" . 0.40) ("pppp" . 0.35) ("ppppp" . 0.01) ) my-absolute-volume-alist)) %%%%%%%%%%%%%%%%%%%% CHAQUE DYNAMIQUE RENCONTREE PRENDRA LE NOUVEAU VOLUME SPECIFIE #(define (my-dynamic-absolute-volume s) (let ((entry (assoc s my-absolute-volume-alist))) (if entry (cdr entry)) )) %%%%%%%%%%%%%%%%%%%% SILENCE AVANT MIDI (IL Y A PARFOIS UN CRAQUEMENT À L'OUVERTURE D'UN FICHIER MIDI) SILENCE = { \TIME s2. } \score { << \new Staff = "tenoreI" { \SILENCE << \noteMidiTenoreI \dynMidiTenoreI >> } \new Staff = "tenoreII" { \SILENCE << \noteMidiTenoreII \dynMidiTenoreI >> } \new Staff = "bassoI" { \SILENCE << \noteMidiBassoI \dynMidiTenoreI >> } \new Staff = "bassoII" { \SILENCE << \noteMidiBassoII \dynMidiTenoreI >> } >> \midi { \context { \Score % ECHELLE DU VOLUME DE SORTIE MIDI dynamicAbsoluteVolumeFunction = #my-dynamic-absolute-volume } } } %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % FIN DU FICHIER SchubertF-D983C-DieNacht.ly %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%