%{ This document aims for a clean and consistent LilyPond editing style: * comments on 10 tabs (further if necessary) * line numbers at end of line * brackets documented at end of line * differences from the facsimile documented at end of line * ugly tweaks documented at end of line (look for %tweak) I try to keep this file portable to future LilyPond versions. Therefore, I limit layout tweaks to a minimum. Enjoy this music! Mark Van den Borre %} \version "2.2.0" \header { mutopiatitle = "Divertissements pour la guitare, n°3 Allegretto " mutopiacomposer = "Fernando Sor (1778- 1839)" mutopiaopus = "O 1.3" mutopiainstrument = "Guitar" date = "1820s" source = "Golden Music Press/GFA/Frederic Noad facsimile edition" style = "Classical" copyright = "Creative Commons plus audio permission" maintainer = "Mark Van den Borre" maintainerEmail = "mark@markvdb.be" maintainerWeb = "http://markvdb.be" lastupdated = "2004/May/03" filename = "sor_op1_3.ly" title = "Six divertissements pour la guitare" opus = "Opus 1.3" instrument = "Guitarre" meter = "Allegretto" subtitle = "3. Allegretto" source = "Golden Music Press/GFA/Frederic Noad facsimile edition" composer = "Fernando Sor" enteredby = "Mark Van den Borre" tagline = "\\parbox{\\hsize}{\\thefooter\\quad\\small\\noindent\\hspace{\\stretch{1}} This music is part of the Mutopia project: \\hspace{\\stretch{1}} \\texttt{http://www.MutopiaProject.org/}\\\\ \\makebox[\\textwidth][c]{It has been typeset by " + \maintainer + ". Copyright \\copyright " + \maintainer + " 2004.} \\makebox[\\textwidth][c]{\\footnotesize This work is licensed under the Creative Commons Attribution-ShareAlike License, with the additional permission that attribution is not} \\makebox[\\textwidth][c]{\\footnotesize required in an audio derivative of this work. To view a copy of that license visit \\texttt{http://creativecommons.org/licenses/by-sa/1.0/} } \\makebox[\\textwidth][c]{\\footnotesize or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.}}" footer = "Mutopia-2004/05/03-453" } upperVoice = \notes \relative c'''{ \key d \major \partial 8*1 \stemUp 8^\markup {La 6e corde en Re}| %upbeat 4 8 4 8| %1 4. r4 8| %2 4 8 4 8| %3 4 \grace cis16 8 r8 | %4 4 a8 r | %5 4 8 r dis| %6 e4 fis8 a[ g e]| %7 4. 8 r8 | %8 4 8 g4 8| %9 4. r4 8| %10 4 8 4 8| %11 4 8 4 8| %12 4 8 r | %13 4 8 r | %14 a4 8 8. g16 8| %15 4 8 4 r8 \bar "||" %16 \partial 8*1 8| %upbeat 4 a8 a( gis) d'| %17 \slurUp d( cis b) b( a gis)| %18 | %19 4. 4 e8| %20 e4 e8 e4 e8| %21 e4 a8 e4 e8| %22 e4 e8 e4 e8| %23 e4 a8 e4 8| %24 4 8 4 8 %25 4 \grace gis16 8 4 8| %26 4 8 | %27 4 \grace gis16 8 r | %28 | %29 4 8 | %30 4 8 4 e8| %31 4. 8 r | %32 | %33 4 8 | %34 4 8 4 8| %35 a4 r8 r4 a'8| %36 4 8 4 8| %37 4. 4 b8| %38 4 8 4 8| %39 4. 4 a8| %40 gis4 gis8 gis4 gis8| %41 a4 s8 s4 a8| %42 gis4 gis8 gis4 gis8| %43 4 r8 r4 8| %44 4 r8 r4 8| %45 4 r8 r4 8| %46 4 r8 r4 8| %47 \stemDown 4. r4 8| %48 8 r r | %49 \stemUp 4 8 4 8| %50 4. r4 8| %51 4 8 \grace e8 4 8| %52 4 \grace cis16 8 r | %53 4 8 r | %54 4 8 8 r | %55 e4 fis8 a g e| %56 4. 8 r | %57 4 8 4 8| %58 4. r4 8| %59 4 8 4 8| %60 4 8 4 8| %61 4 8 r | %62 4 8 s | %63 a4 8 fis8.[ \grace {g32[ fis e fis]} g16 e8]| %64 8 r4 r r8| %65 facsimile : r8 r4 r8 4 s8 4 s8| %66 b4 s8 s4.| %67 4. 4.| %68 4 r8 r4 r8| %69 4. 4.| %70 4. r4 r8| %71 4. 4.| %72 4. r4 r8| %73 4. 4.| %74 4. r4 r8| %75 4. 4.| %76 4. r4 r8| %77 4. 4 s8| %78 4. r4 r8\bar "||" %79 } %end upperVoice middleVoice = \notes \relative c{ \stemUp \partial 8*1 s8| %upbeat d8 d' d d, d' d| %1 d,8 d' d d, d' d| %2 d,8 d' d d, d' d| %3 d,8 d' d d, d' s8| %4 \stemDown r a' cis s a a| %5 \stemUp r a4 \stemDown s8 a | %6 4 8 4 8| %7 s2.| %8 \stemUp a8 d, fis g d b'| %9 a d, d \stemDown a' d, ais'| %10 \stemUp b d, cis' \stemDown d d, cis'| %11 \stemUp cis d, b' \stemDown a4.| %12 r8 a4. a4| %13 r8 a4 r8 a8 s8| %14 \stemUp d dis s8 s4.| %15 s2.\bar "||" %16 \partial 8*1 s8| %upbeat s2.| %17 \stemDown e4 d8 cis4 e8| %18 s2.| %19 s2.| %20 b,16[ d' gis, d' gis, d'] e,,[ d'' gis, d' e, d']| %21 a,[ cis' a cis e, cis'] a,[ cis' a cis e, cis']| %22 b,[ d' gis, d' e, d'] e,,[ d'' gis, d' e, d']| %23 a,[ cis' a cis e, cis'] a, cis' a8 s| %24 s2.|s2.|s2.|s2.|s2.|s2.|s2.|s2.|s2.|s2.|s2.|s2.| %25-36 r4 r8 c b a| %37 s4. \stemUp g4.| %38 r4 r8 \stemDown bes a g| %39 \stemUp fis4. fis4.| %40 \stemDown 4 8 | %41 \stemUp 4 r8 r4 s8| %42 \stemDown 4 8 | %43 \stemUp a, \stemDown a' a a a a| %44 \stemUp a, \stemDown a' a a a a| %45 \stemUp a, \stemDown a' a a a a| %46 \stemUp a, \stemDown a' a a a a| %47 s2.|s2.| %48-49 \stemUp d,,8 d' d d, d' d| %50 d, d' d \stemDown d d d| %51 \stemUp d, d' d d, d' d| %52 d, d' d d, d' r8| %53 r8 \stemDown a'4 r8 a4| %54 r8 a4 r8 a fis| %55 s2.|s2.| %56-57 \stemUp a8 d, fis \stemDown g d b'| %58 \stemUp a d, d \stemDown d d ais'| %59 b \stemUp d, \stemDown cis' d \stemUp d, \stemDown cis'| %60 cis \stemUp d, \stemDown b' a d, s8| %61 r8 a'4 r8 a4| %62 r8 a4 r8 a | %63 \stemUp d dis s8 s4.| %64 s2.| %65 fis,8 d d fis d d| %66 g d d d d d| %67 \stemDown d, d' d d, d' d| %68 d, d' d d d d| %69 \stemUp d, d' d d, d' d| %70 d, d' d d d d| %71 d, d' d d, d' d| %72 \stemDown d, d' d d d d| %73 d, d' d d, d' d| %74 d, d' d d d d| %75 d, a' a d, a' a| %76 s2.|s2.|s2.\bar "||" %77-79 } %end middleVoice lowerVoice = \notes \relative c { \stemDown \partial 8*1 r8| %upbeat d4. d| %1 d d| %2 d d| %3 d d4 r8| %4 a'4. d| %5 a8 a'4 d,4.| %6 s4. s| %7 r8 a a a r4| %8 d,4. s| %9 d s| %10 d s| %11 d s| %12 a' d| %13 a d4 8| %14 4. a4 8| %15 d8 a8 fis8 d4 s8| %16 \partial 8*1 r8| %upbeat r4 8 4 8| %17 a,4. a,4.| %18 d4 r8 d4 r8| %19 r8 e e e4 s8| %20 \stemUp b4. e,4.| %21 a4. a4.| %22 b4. e,4.| %23 a4 s8 s4.| %24 \stemDown a8 a a a a a| %25 a a a a a a| %26 a a a a a a| %27 a a a a r r| %28 a r r a r r| %29 d,4. s4.| %30 facsimile: missing line gives fis e'4. e4.| %31 \slurDown a,8( e' e a,) r r| %32 a4 r8 a4 r8| %33 d,4. r4 d'8| %34 e4 r8 e4 r8| %35 a,8 a a a a a| %36 a a a a4.| %37 a8 a a a a a| %38 a a a a4.| %39 a8 a a a a a| %40 a a a a a a| %41 a a a a a a| %42 a a a a a a| %43 a4. s4.| %44 a2.| %45 a2.| %46 a2.| %47 s2.| %48 s2.| %49 d,4. d4.| %50 d4. d4.| %51 d4. d4.| %52 d4. s4.| %53 a'4 s8 d4 s8| %54 a4 s8 d4 s8| %55 4 8 4 8| %56 s8 a, a a s4| %57 d,4. s4.| %58 d4. s4.| %59 d4. s4.| %60 d4. s4.| %61 a'4. d4.| %62 a4. d4 fis8| %63 4. 4 8| %64 facsimile says 4 for last chord d,8 d d d d d| %65 d,4. d4.| %66 d4. s4.| %67 d4. d4.| %68 d4. s4.| %69 d4. d4.| %70 d4. s4.| %71 d4. d4.| %72 d4. s4.| %73 d4. d4.| %74 d4. s4.| %75 d4. d4.| %76 d8 d' cis d a fis| %77 d fis a d a fis| %78 s2.| %79 } %end lowerVoice \score { \context Staff << \time 6/8 \override NoteCollision #'merge-differently-dotted = ##t \override NoteCollision #'merge-differently-headed = ##t \clef violin \context Voice = one \override TupletBracket #'number-visibility = ##f \upperVoice \context Voice = two \lowerVoice \context Voice = three \middleVoice >> \midi { \tempo 8=180} \paper {} }