\version "2.6.0" \include "english.ly" \header { title="Hail to the Spirit of Liberty" subtitle="MARCH." composer="JOHN PHILIP SOUSA." mutopiatitle = "Hail to the Spirit of Liberty" mutopiacomposer = "SousaJP" mutopiainstrument = "Piano" date = "1900/Mar" source = "The John Church Company" style = "Classical" copyright = "Public Domain" maintainer = "Benjamin Bloomfield" maintainerEmail = "bhb123@gmail.com" lastupdated = "2005/Oct/10" footer = "Mutopia-2005/10/17-608" copyright = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \paper { raggedlastbottom=##t betweensystempadding = #0 } upper = \relative c' { \clef treble \key f \major \time 2/2 4-^ f8-.[ f-.] a-.[ f-. a-. c-.] | f-.[ c-. f-. a-.] c-. r << \stemDown {d4^^^( | bf) c4^^^( a) bf4^^^( | g)} \\ \stemDown {a4 | g g4 f f | e} \\ \stemDown {d4_( | d8) b\rest c4_( c8) b\rest bf4_(| bf)} >> r r \times 2/3 {c8[^( d e)]} \break \repeat volta 2 { f4 r8 f^( g4) r8 g8^( | a) r 4^( ) | r8 bf'^( g4) r8 a^( | f) r 4^( ) | d r8 g^( e4) r8 c( \break f4) | ^^ 8-.[ -.] 4-^ -^ | -^ -^ r \times 2/3 {c,,8[^( d e)]} | f4 r8 f^( g4) r8 g8^( | a) r 4^( ) \break r8 bf'8^( g4) r8 a8^( | f) r 4_( ) | d r8 g^( e4) r8 c^( | f4 a) ^( | 4. 8 4 ) \pageBreak % begin page 2 } \alternative { { 4^( ) \times 2/3 {c8[^( d e)]} } { 4^( ) } } \repeat volta 2 { 2-> -> | ->^( e->) | ->^( e->) \break ->^( e->) | ^( 4. 8 | 2 ) | 1 ~ | 2 a, \break g4-^ r f-^ r | d-^ r d4.^( f8) | d-.[ e-. f-. e-.] d4-. f-. | d r d4.^( f8 | a4) r c4.^( c,8) \break \acciaccatura c8 a'4 r \acciaccatura bf,8 g'4 r } \alternative { { << \stemUp {f1 ~ | f4 \stemDown f8[^( g] a[ bf c d])} \\ \stemDown {g,,4\rest | s2.} >> } { << \stemUp {f'1 ~ | f4} \\ \stemDown {g,4\rest | } >> r4 \phrasingSlurUp f2\( } } \pageBreak %begin page 3 \key bf \major bf1 ~ | bf2 c | d1 ~ | d2 f\) | ef^( c | a'2. g4 | f1)^( \break d2) f | ef1 ~ | ef2 f | d1 ~ | d2 bf | a4^( a'2.) | g2^( c,) \break f1 ~ | f2 f, | bf1^( ~ | bf2 c | d1 ~ | d2 f) | ef\(^( c) \break a'2. g4 | f1\)^( | d2) d2 | ef1^( | f2 g | bf4. a8 bf4.) c8\( | bf4 gf f ef \break d2 ~ \times 2/3 {d8[ ef e]} \times 2/3 {f8[ ef d\)]} | c2 c | bf1 ~ | bf4 r r2 | \repeat volta 2 { r2 r4 r8 c16[^( d] | ef8[ d c d] ef4) d-^ \break ef8[^( d c d)] ef4 d-^ | r1 | r2 r4 r8 ef16[^( f] | gf8[) f ef f] gf4 f-^ | gf8[ f ef f] gf4 f-^ | r2 r4 r8 ef16[^( f] \pageBreak %begin page 4 gf8[) f-. ef-. d-.] c2~ | c4 bf^^ a4.^^ ef'16[^( f] | gf8[) f-. ef-. d-.] c2~ | c4 bf^^ a4.^^ ef'16[^( f] | gf8[) f-. ef-. d-.] c4 bf | a^> g^> f^> e^> \break ef^> d^> c^> bf^> | a^> r r | 1~ | 2 | 1~ | 2 | \break 2. 4 | << \stemDown {f'1^( | d2)} \\ \stemDown {f,1_( | d2)} >> 2 | 1~ | 2 | 1~ | 2 bf' \break a4^( 2.) | 2 | 1~ | 2 f, | 1~ | 2 | 1~ \break 2 | | 2. 4 | << \stemDown {f'1^( | d2)} \\ \stemDown {f,1_( | d2)} >> 2 | 1 | 2 \break 4.^( 8 4. 8) | 4^> ^> ^> ^> | << \stemDown {\phrasingSlurUp d'2\( s4 \times 2/3 {f,8[ ef d\)]}} \\ \stemDown {d2~ \times 2/3 {d8[ ef e]} s4} >> | c2 | } \alternative { { 1~ | 4 r r2 } { 1~ | 4 r ^> r } } \bar "|." } lower = \relative c, { \clef bass \key f \major \time 2/2 4 f'8[ f] a[ f a c] | f[ c f a,] c r << \stemUp {fs,4^( | g8) d\rest e4^( f8) d\rest df4^( | c)} \\ \stemUp {fs,4_( | g) e_( f) df_( | c)} >> r4 r r \break \repeat volta 2 { f4 c | f, | g, c, | f, | bf, c, \break f, | d df | c -^ r \times 2/3 {c,8[_( d e)]} | f4 c | f, \break g, c, | f, | bf, c, | f, ^( | 4. 8 4 ) \pageBreak % begin page 2 (lower) } \alternative { { 4_( ) r } { 4_( ) r } } \repeat volta 2 { g4 c, | g, c, | g, c, \break g, c, | f, c | f, c | f e | d, c, \break bf, bf, | bf, | d | bf, | c \break e c, } \alternative { { 4 | f, r r2 } { 4 | r r2 } } \pageBreak %begin page 3 (lower) \key bf \major bf,4 | bf, f | bf, | bf, | c | f, | bf, \break bf, | c | f, | bf, | bf, | c | c \break f, | f | bf, | bf, f | bf, | bf, | c \break f, | bf, | bf, << \stemUp {e4\rest | d\rest | c\rest c\rest | c\rest | c\rest } \\ \stemDown {af2 | g1_( | f2) ef | d1_( | ef)} >> \break f,4 | f, | bf, | r \phrasingSlurDown 2\( \repeat volta 2 { 4^^\) ^^ ^^ r | r2 r4 \break r2 r4 | a 4. a16[_( bf] | c4) r | r2 r4 | r2 r4 | c r \pageBreak %begin page 4 (lower) r2 r4 ^^ | ^^ ^^ ^^ r | r2 r4 ^^ | ^^ ^^ 4.^^ ef'16[^( f] | gf8[) f ef d] c4 bf | a \break | f' | bf | bf, f | bf, | bf, | c \break f, | bf, | bf, | c | f, | bf, | bf, \break c | c | f, | f | bf, | bf, f | bf, \break bf, | c | f, | bf, | bf, << \stemUp {e4\rest | d\rest | d\rest c\rest } \\ \stemDown {af2 | g1 | f2 ef} >> \break d4 | | f, | f, } \alternative { { bf,4 | r 2 } { bf4 | r ^> r } } \bar "|." } dynamics = { s1\f | s1*2 | s2. s4*2/3\< s8*2/3\! s1\mf | s4 s2\< s4\! | s16 s1*15/16\mf | s4 s2\< s4\! | s1 s1 | s16 s1*7/16\ff s4\< s4\! | s16 s1*15/16\ff | s1*2 s1*5 % begin page 2 s1*2 | s16 s1*15/16\ff | s1*2 s1*4 | s2 s2\p s1*3 | s2 s4.\< s8\! | s1 s1*4 | s2 s2\p % begin page 3 s1*7 s1*7 s1*7 s1*4 | s2.\< s4\! | s1 | s2.\> s4\! s2. s4*2/3\< s8*2/3\! | s2 s4\> s4\! | s1*2 | s16 s1*7/16\ff s4. s16\< s16\! | s2. s4\fz s2. s4\fz | s1*2 | s2. s4\fz | s2. s4\fz | s1 %begin page 4 s1*5 | s4 \setTextCresc s4\< s2\! s1 | s2. s4\ff | \once \override TextScript #'extra-offset = #'( -0.5 . -1.5 ) s1^\markup { \italic grandioso. } | s1*4 s1*7 s1*7 s1*6 | s2\< s2\! s1*8 } pedal = { } \score { \context PianoStaff << \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \clef bass \lower >> \context Dynamics=pedal \pedal >> \layout { \context { \type "Engraver_group_engraver" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6.2 } } } \score { \context PianoStaff << \context Staff=upper << \upper \dynamics >> \context Staff=lower << \lower \dynamics >> \context Dynamics=pedal \pedal >> \midi { \tempo 4=200 \context { \type "Performer_group_performer" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } }