\version "2.6.0" \include "english.ly" \header { title="Hands across the Sea." subtitle="MARCH." composer="JOHN PHILIP SOUSA." mutopiatitle = "Hands across the Sea" mutopiacomposer = "SousaJP" mutopiainstrument = "Piano" date = "1899/Mar" source = "The John Church Company" style = "Classical" copyright = "Public Domain" maintainer = "Benjamin Bloomfield" maintainerEmail = "bhb123@gmail.com" lastupdated = "2005/Oct/12" footer = "Mutopia-2005/10/17-609" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } \paper { betweensystempadding = #0 raggedlastbottom=##f } upper = \relative c'' { \clef treble \key f \major \time 2/2 f8-.[ e-. d-. df-.] c4-. f-. | -. -. 2-^ | 8-.[ -. -.] r 4-.-^ -.-^ | -^ r -^ r \bar "||" \break \repeat volta 2 { 4-.-^ r g8-.[ f-. d-. bf-.] | a4^( f'8) r f,[ e f a] | c-. r g-.[ g-.] g-.[ r a-.] r | f4 r \acciaccatura g8 f8[_( e) f-. g-.] \break a8 r a[ a] a[ r a] r | a4^( d8) r d-.[ d-. d-. d-.] | d r d[ d] d r r | 2^( 4^^) r \break -.-^ r g8-.[ f-. d-. bf-.] | a4^( f'8) r f,-.[ e-. f-. a-.] c-. r g-.[ g-.] g-.[ r a-.] r | f4 r \acciaccatura g8 f8[_( e) f-. g-.] \break a8 r a[ a] a[ r a] r | a r [ r ] r r | r [ ] [ r ] r } \alternative { { 4 r -^ r } { 4 r8 ^( 4. 8) } } \bar "||" \break % begin page 2 4 r8 8^( 2) | 4-^ -^ -^ r8 ^( | 4) r8 8^( 2) | r4 f4-^ -^ -^ | r8 8^( 2) | 4.^( 8 4 ) \break #(set-octavation 1) 1~ | 4 r -^ -^ | r8 8^( 2) | d4 -^ -^ | r8 \stemDown 8^( 2) | \stemNeutral #(set-octavation 0) bf4 -^ -^ \break 4.-^ 8 4 | 4.-^ 8 4 | << \stemUp { f'1~ | f4} \\ \stemDown { 4 | } >> r8 8^( 4. 8) | 4 r8 ^( 2) | 4-^ -^ -^ r8 ^( \break 4) r8 ^( 2) | r4 f'-^ -^ -^ | r8 ^( 2) | 4.^( 8 4 ) | #(set-octavation 1) 1~ | 4 r -^ -^ | r8 ^( 2) \break d4 -^ -^ | r8 \stemDown ^( 2) | \stemNeutral #(set-octavation 0) bf4 -^ -^ | 4.-^ 8 4 | 4.-^ 8 4 | << \stemUp {f'1~ | f4} \\ \stemDown {4 | } >> r4 f,2 \bar "||" \pageBreak % begin page 3 \key bf \major bf4.^( c8 d4. c8 | bf2 f) | << \stemUp {\set fontSize = #-4 b'4\rest d8[^( c] bf4) d8[^( c] | bf4) b\rest a2\rest} \\ \stemDown {bf,1~ | bf2 f} >> | c'4.^( d8 ef4. d8 | c2 f,) \break << \stemUp {\set fontSize = #-4 b'4\rest ef8[^( d] c4) ef8[^( d] | c4) b\rest a2\rest} \\ \stemDown {c,1~ | c2 f,} >> | d'4.^( ef8 f4. e8 | f4. e8 f4. d8) | ef4.^( f8 g4. fs8 | g4. fs8 g4. ef8) \break 4.^( 8 4. ef8) | c2 | << \stemUp {bf1~ | bf4} \\ \stemDown {4 | } >> r4 f2 | bf4.^( c8 d4. c8 | bf2 f) \break << \stemUp {\set fontSize = #-4 b'4\rest d8[^( c] bf4) d8[^( c] | bf4) b\rest a2\rest} \\ \stemDown {bf,1~ | bf2 f} >> | c'4.^( d8 ef4. d8 | c2 f,) | << \stemUp {\set fontSize = #-4 b'4\rest ef8[^( d] c4) ef8[^( d] | c4) b\rest a2\rest} \\ \stemDown {c,1~ | c2 f,} >> | d'4.^( ef8 f4. e8 \break f4. e8 f4. d8) | ef4.^( f8 g4. fs8 | g4. fs8 g4. ef8) | 4.^( 8 4. ef8) | c2 | << \stemUp {bf1~ | bf4} \\ \stemDown {4 | } >> r4 r2 \bar "||" \pageBreak % begin page 4 \repeat volta 2 { r2 \repeat "tremolo" 4 { 16^( d16) } | \repeat "tremolo" 4 { 16\( c } \repeat "tremolo" 4 { 16 c\) } | 4 r r -.-^ | -.-^ r r2 | r2 \repeat "tremolo" 4 { 16^( e) } | \repeat "tremolo" 4 { 16\( d) } \repeat "tremolo" 4 { 16 d\) } \break 4 r r -^ | r r2 | r1 | 2.-^ 4 | 2.-^ 4 | 2. 4 | -^ -^ -^ -^ \break -^ -^ r2 | gf8-.-^[ f-.] ef4-. | -^ -^ -^ | 4.^( 8 4. 8 | 2 ) | << \stemUp { \set fontSize = #-4 e'4\rest d8[ c] bf4 d8[ c] | s64 bf4*15/16 s4} \\ \stemUp { bf'1^( | bf2)} \\ \stemDown { bf,1_( | bf2)} >> 2 \break 4.^( 8 4. 8 | 2 ) | << \stemUp { \set fontSize = #-4 f4\rest ef8[ d] c4 ef8[ d] | s64 c4*15/16 s4} \\ \stemUp { c'1^( | c2)} \\ \stemDown { c,1_( | c2)} >> 2 | 4.^( 8 4. 8 | 4. 8 4. 8) \break 4.^( 8 4. 8 | 4. 8 4. 8) | 4.^( 8 4. 8) | 2 | \phrasingSlurUp << \stemUp {\phrasingSlurUp bf'1\(} \\ \stemDown {4 } >> } \alternative { { \phrasingSlurUp << \stemUp {bf4\)} \\ \stemDown {4} >> r4 r2 } { << \stemUp {bf4\)} \\ \stemDown {4} >> r4 #(set-octavation 1) 4-^ r } } \bar "|." } lower = \relative c { \clef bass \key f \major \time 2/2 f8-.[ e-. d-. df-.] c4-. f-. | -. -. 2-^ | 4 8-. r 4-._^ -._^ | _^ r _^ r \bar "||" \break \repeat volta 2 { 4-.-^ -. bf,-. -. | c a, | g, c | f c, \break << \stemUp {d4\rest c\rest | c\rest c\rest } \\ \stemDown {f2 e | d c} >> | b4 g, | c r \break -.-^ bf, | c a, | g, c | f c, \break f f | e e | 8 r r r r } \alternative { { 4 r r } { 4 r r2 } } \bar "||" \pageBreak % begin page 2 (lower) 4 c, | f c, | f c, | f ^^ ^^ | d | g, g, \break c b bf? ^^ ^^ | e | d ^^ ^^ | c | bf ^^ ^^ \break a, | g, c | r8 4 | r r2 | 4 c, | f c, \break f c, | f ^^ ^^ | d | g, g, | c b | bf? ^^ ^^ | e \break d ^^ ^^ | c | bf ^^ ^^ | a, | g, c | r8 4 | r f2 \bar "||" \pageBreak % begin page 3 (lower) \key bf \major bf,4 f, | bf, f, | bf, f, | bf, f, | a, f, | a, f, \break a, f, | a, f, | bf, bf, | bf, bf, | ef ef | ef ef \break 4.^( g8 ef4. c8) | f,4 f, | 4._( 8 4. 8 | 4) r f'2 | bf,4 f, | bf, f, \break bf, f, | bf, f, | a, f, | a, f, | a, f, | a, f, | bf, bf, \break bf, bf, | ef ef | ef ef | 4.^( g8 ef4. c8) | f,4 f, | 4._( 8 4. 8 | 4) r8 _^ 4_^ _^ \bar "||" \pageBreak % begin page 4 \repeat volta 2 { 4 r b''2^( | c4) r 4. 8 | 4. 8 4 ^^ | r8 4^^ ^^ | r cs''2^( d4) r 4. 8 \break 4. 8 4 | r8 4^^ ^^ | 2.^^ 4 | 2.^^ 4 | 2. 4 | 2. 4 | ^^ ^^ ^^ ^^ \break ^^ ^^ r2 | 8-.-^[ -.] 4-. | f'^^ g^^ a^^ | f, | bf, f, | bf, f, | bf, f, \break a, f, | a, f, | a, f, | a, f, | bf, bf, | bf, bf, \break ef ef | ef ef | r8 g^( ef4. c8) | f,4 f, | \phrasingSlurDown 4.\( 8 4. 8 } \alternative { { 4\) r8 4^^ ^^ } { 4 r ^^ r } } \bar "|." } dynamics = { s1*3\ff | s2 s2\sf s2\sf s2\mf | s1*2 | s2 s2\< s4. s8\! s2 | s1 | s2\< s2\! | s2 s2\sf s2\sf s2\mf | s1*3 s4 s2.\< | s8 s8\! s2. | \once \override DynamicLineSpanner #'direction = #'-1 \once \override DynamicLineSpanner #'minimum-space = #'0 \setTextCresc s1\< | s4 s4\! s2\sf | s4. s2\> s8\! % begin page 2 s1*6\ff s1*6 s1*6 s1*7 s1*6 | s2 s2\p % begin page 3 s1*6\p s1*2 | s1\< s1\! | s1*2 s2.\> s8 s8\! | s1*3 | s1*2\p s1*6 | s1\< s4 s2.\! | s1*2 | s2.\> s8 s8\! | s1*2 | s4. s4.\ff s4 % begin page 4 s2 s2\ff | s1*5 s1*2 | s1*2\< | s1\! | s1*2 s1 | s2 | s2.\< s2.\! | s16 s1*15/16\ff | s1*3 s1*6 s1*7 } pedal = { } \score { \context PianoStaff << \context Staff=upper \upper \context Dynamics=dynamics \dynamics \context Staff=lower << \clef bass \lower >> \context Dynamics=pedal \pedal >> \layout { \context { \type "Engraver_group_engraver" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" minimumVerticalExtent = #'(-1 . 1) pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6 } } } \score { \context PianoStaff << \context Staff=upper << \upper \dynamics >> \context Staff=lower << \lower \dynamics >> \context Dynamics=pedal \pedal >> \midi { \tempo 4=200 \context { \type "Performer_group_performer" \name Dynamics \consists "Piano_pedal_performer" } \context { \PianoStaff \accepts Dynamics } } }