\version "2.11.0" #(ly:set-option 'point-and-click #f) \header { filename = "Tschaikowsky-op37,1.ly" title = \markup { "Январь. У камелька"} subtitle = "January. Before the chimney." opus = "op. 37,1" composer = "Петр И. Чайковский" mutopiatitle = "The Seasons: January" mutopiacomposer = "TchaikovskyPI" mutopiaopus = "O 37,1" mutopiainstrument = "Piano" source = "Rob. Forberg, Leipzig" year = "1897" style = "Romantic" copyright = "Public Domain" maintainer = "Till Rettig" lastupdated = "2006/November/24" footer = "Mutopia-2007/11/26-1171" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %#(set-default-paper-size "a4") %#(set-default-paper-size "letter") \paper { print-page-number = ##t ragged-last-bottom=##f system-count = #24 } u = { \change Staff = upper \stemDown \slurDown } m = { \change Staff = lower \stemUp \slurUp } sdown = {\stemUp \slurDown } sup = {\stemUp \slurUp } smid = {\stemDown \slurDown } mBreak = { } stemExtend = \once \override Stem #'length = #21 noFlag = \once \override Stem #'flag-style = #'no-flag connekt = \once \override Stem #'cross-staff = ##t beaminga = { #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) #(override-auto-beam-setting '(end * * * *) 2 4 'Staff) } beamingb = { #(revert-auto-beam-setting '(end * * * *) 1 4 'Staff) #(revert-auto-beam-setting '(end * * * *) 2 4 'Staff) #(override-auto-beam-setting '(end * * * *) 1 8 'Staff) #(override-auto-beam-setting '(end * * * *) 3 4 'Staff) } beamingc = { #(revert-auto-beam-setting '(end * * * *) 1 8 'Staff) #(revert-auto-beam-setting '(end * * * *) 3 4 'Staff) #(override-auto-beam-setting '(end * * * *) 1 4 'Staff) #(override-auto-beam-setting '(end * * * *) 2 4 'Staff) } %Oberstimme: Oben %Teil A upperaa = \relative c''{\stemUp \clef treble \key a \major \time 3/4 fis,8^\markup { \large \bold "Moderato simplice ma espressivo"} gis16( a) gis8( b) e,([ a)] } upperab = \relative c''{\stemUp \key a \major fis,8^\markup {\large \bold "Tempo I."} gis16( a) gis8( b) e,([ a)] } uppera = \relative c''{ -. -. 4( ) cis8 d16( e) 8([ cis]) 4 fis,8 gis16( a) cis8\( ais ~ ais b\) \mBreak fis8 gis16( a) gis8( b) e,( a) -. -. 4( ) cis8 dis16( e) gis,8\( cis b4\) cis8 dis16( e) gis,8\( cis b4\) cis8 dis16( e) gis8->\( e dis cis\) \mBreak 4\( \) d'!8 cis16( b) fis8( a) gis4 \sdown 8( ) 8( ) 4 \sup d'8 cis16( b) fis8( a) gis4 \mBreak \sdown 8( ) 8( ) 4 8( ) 8( ) 4 %fes wird falsch realisiert 8( ) ( ) c4 \sup d!16( f e8) d16( f e8) c4 \mBreak %Seite 4 d16( f e8) d16( f e8) c4 d8( ) s2 8->( ) ais16( cis b8) ->( ) ais16( cis b8) ais16( cis b8) fis4 \mBreak %Reprise fis8 gis16( a) gis8( b) e,([ a)] | -. -. 4( ) cis8 d16( e) 8([ cis]) 4 fis,8 gis16( a) cis8\( ais ~ ais b\) fis8 gis16( a) gis8( b) e,( a) \mBreak -. -. 4( ) } %Erste Schlussvariante upperb= \relative c''{\stemUp cis8 dis16( e) gis,8( cis b4) cis8 dis16( e) gis,8( cis b4) \bar "||" } %Mittelteil upperc = \relative c''{\stemUp \key g \major e4->^\markup{\large \bold "Meno mosso" } d8( c b ais) \mBreak s2.^\markup{\italic "leggierissimo" } e'4-> d8( c b ais) s2. e'4-> d8( c b ais) \mBreak s2. e'4-> d8( c b ais) r8 e'8( d8 c b ais) f'4-> bes,-> es-> \mBreak %Seite 5 as,-> g8[\( as] c bes\) f'4-> bes,-> es-> as-> d,-> g-> \mBreak b,4^\markup{\italic {poco riten.} } s \stemDown \arpeggio \stemUp b'4 s \times 2/3 {g'8\arpeggio\( e c\)} b4 s \stemDown \mBreak \stemUp b'4\( ais8[ b]\) \grace {b16[\( c b ais b]\)} \times 2/3 {as'8\( g8. f16\)} f4\( \times 2/3 {e16[\)\( dis e g fis g]} \stemDown c8-.\) r\fermata \stemUp e,4-> d8\( c b ais\) \mBreak s2. e'4-> d8\( c b ais\) s2. \mBreak e'4-> d8\( c b ais\) r8 e'\( fis, gis a ais\) fis'4-> d-> dis-> gis,-> s4 \stemDown 4 %Seite 6 fis'4-> d!-> dis-> gis,-> s4 4 fis'\( d! dis\) \mBreak g,->\( fis\) \clef bass g,\( \stemUp fis8\)~ \times 2/3 {fis16[(\( eis fis]) } \stemDown g16[ gis a ais] b[ cis8 d16~]\) d8\( dis~ dis[ e] eis[ fis]\) R2.^\fermataMarkup \bar "||" \mBreak \clef treble %Teil 1 fängt wieder an } %Coda/zweite Schlussvariante upperd = \relative c'' {\stemUp cis8 d16( e) fis8( cis) d4 d8 e16( fis) gis8( dis) e4 e8 fis16( gis) a8-.[( gis-. fis-. e-.] d!8) a4-> a'-> 8-.( 8-.) fis16( gis a8) e4.~ e8 fis16( gis a8) e4.~ e8 fis16( gis a4) r8 bis,8~ \( bis8 cis\) d4.\( \m 8\) \u s8 \clef bass s4 \clef treble s8 \stemUp a''4->~ a4\( g8[ f e dis]\) s2 a''4->~ a4\( g8[ f e dis]\) s2 #(set-octavation 1) s8 e''~ e2.~ e2.\fermata \bar "|." } %Oberstimme: Unten %Teil A middleaa = \relative c'{\stemDown r4 e~ } middleab = \relative c'{\stemDown r4 e~ } middlea = \relative c'{ e e2 r4 fis fis r dis( d) r e~ e e2 r4 e( ) e,( ) 8 r r4 r s2. r4 dis,( e) s2. r4 dis( e) s2. s s2 8( ) as( ) as( ) ( ) %Seite 2 as( ) as( ) ( ) as([ g)] \sup ^>( ) ^>( ) \smid s4 e,8( ) s4 e8( ) e( ) ( b) %Reprise r4 e~ e e2 r4 fis fis r dis( d) r e~ e e2 } %Erste Schlussvariante middleb = \relative c' {\stemDown r4 e( ) e( ) } %Teil B middlec = \relative c' {\stemDown 2. s2. 2. s2. 2. s2. 2. r4 2 s2. %Seite 5 s4 r s2. s\mBreak %s4 r 4 r8 r16 s16 \m r4 4\arpeggio \u r8 s \m r4 \u 4\arpeggio r8 s r4 \m 4\arpeggio \u r8 s r4 r r8 s s2 \stemDown 2. \mBreak s2. 2. s2. \mBreak r4 2 r4 \once \override NoteColumn #'force-hshift = #1 2 s2. s4 \m r4 \stemDown 4\arpeggio %Seite 6 s2. s4 \m r4 4\arpeggio \u s2. \mBreak s2. s2. s2. s2. %ab hier dann Teil middleab } %Zweite Schlussvariante middled = \relative c' {\stemDown r4 4 r R2. s2. s4. 4.\( 8\) r8 r8 4.\( 8\) r8 r [ ] \stemUp \m \connekt \stemExtend \noFlag 8~ \connekt \stemExtend \noFlag 8 \noBeam \connekt \stemExtend \noFlag 8 \connekt \stemExtend \noFlag 4. s8 \u s2 r4 a2.-> s2. a'2.-> s2. 4-.^\( -. -.\) 2. } %Linke Hand: %Erster Teil loweraa= \relative c { \clef bass \key a \major \time 3/4 r4 <<{\stemUp e2( e4) e2 }\\{\stemDown d4( cis) b8-. a-. gis4( a) }>>%two bars } lowerab = \relative c { \key a \major r4 <<{\stemUp e2( e4) e2 }\\{\stemDown d4( cis) b8-. a-. gis4( a) }>>%two bars } lowera = \relative c {%\set followVoice = ##t r 4( ) r ( ) r4 <<{\stemUp e2( e4) e2 r4 r a8( b) gis4 r a8( b gis-.) }\\{\stemDown d4( cis) b8-. a-. gis4( a) r4 b2~ b4 b2 ~ b8 }>> r8 r4 r %five bars <<{\stemUp \set followVoice = ##t fis'8[ gis16( a]) \u cis8[( b]) \m a([ gis)] e,16 e'-. fis-. gis-. a( b c8 ~ c b) e,2 a8( gis) }\\{ r4 b, e e,8 r e'2 a,8( gis) a( gis) e'4 }>>%three bars <<{\stemUp e,16 e'-. fis-. gis-. a( b c8 ~ c b) e,2 a8( gis) }\\{%\global e,8 r e'2 a,8( gis) a( gis) e'4 }>>%two bars <<{as2 des8( c) c2 s4 c2 s4 }\\{des,8( c) des( c) as'4 f8( e) f( e) \slurUp ( ) \slurDown f( g) f( g) \slurUp ( ) }>>%three bars %Seite 4 <<{c2 s4 }\\{f,8( g) f( g) ( ) }>> ( c,) ->( d) ->( c) ->( b) <<{\stemUp \slurUp g([ fis)]}\\{r8 b,}>> ->( b) <<{\stemUp \slurUp g([ fis)] g([ fis)]}\\{r8 b, r b}>> \slurDown e( dis) %Reprise r4 <<{\stemUp e2( e4) e2 }\\{\stemDown d4( cis) b8-. a-. gis4( a) }>>%two bars r 4( ) r ( ) r4 <<{\stemUp e2( e4) e2 }\\{\stemDown d4( cis) b8-. a-. gis4( a) }>> %two bars } %Erste Schlussvariante lowerb = { <<{ r4 r a8( b) gis4 r a8( b) }\\{r4 b,2~ b,4 b,2 }>> } %Mittelteil lowerc = \relative c { \key g \major 2. \mBreak \set tupletSpannerDuration = #(ly:make-moment 1 4) \set subdivideBeams = ##t \set Voice.beatLength = #(ly:make-moment 1 8) %Der hat mich viel Zeit gekostet!Macht den Takt zu einem 6/8-Takt!War als Score, jetzt nur auf Voice beschränkt \override Voice.TupletBracket #'bracket-visibility = ##f \override Voice.TupletNumber #'transparent = ##f \times 2/3 {\stemUp r16 e,[\( b' g' \u b e] a[ g e\) \m \clef violin ais\( b e] \u fis g b } e8\) \m \override Voice.TupletNumber #'transparent = ##t \clef bass 2. \times 2/3 {r16 e,16\( b' g' \u b e a[ g e \m c b g] c,[ b g]\)} e8-. 2. \mBreak \times 2/3 {\stemUp r16 e,[\( b' g' \u b e] a[ g e\) \m \clef violin ais\( b e] \u fis g b } e8\) \m \clef bass 2. r4 2 \times 2/3 {r16 des\( as' des \u f as\) \m r des,,\([ es bes' \u es g\)] \m r c,, es c' \u es as} \m \mBreak %Seite 5 \times 2/3 {r16 bes,,\( f' bes \u des f\)} \m r4 \times 2/3 {r16 des\( as' des \u f as\) \m r des,,[\( es bes' \u es g\)] \m r c,,\( es c' \u es as\)} \m \times 2/3 {r16 f,\( c' f \u as c\) \m r f,,\([ g d' \u g b\)] \m r es,,\( g fes' \u g c\)} \m \override Voice.TupletNumber #'transparent = ##f \stemDown \times 2/3 {r16 des,,[\( g] des' \u b[ f']} \stemUp ais8[ b] e\arpeggio c\) \m \stemDown \times 2/3 {r16 des,,[\( g] des' \u b[ f']} \stemUp ais8[ b]\) \m 4\arpeggio \override Voice.TupletNumber #'transparent = ##t \stemDown \times 2/3 {r16 des[\( g] des' \u b[ f']} \stemUp ais8[ b] e[ c]\) \m \stemDown \times 2/3 {r16 des,,[\( g] des' \u b[ f']\)} \m r4 r \stemUp \stemNeutral \times 2/3 {r16 c,[\( g'] e'[ \u g c]\)} \m r4 r4\fermata \stemNeutral 2. \mBreak \times 2/3 {\stemUp r16 e,[\( b' g' \u b e] a[ g e\) \m \clef violin ais\( b e] \u fis g b } e8\) \m \clef bass \stemNeutral 2. \times 2/3 {r16 e,16\( b' g' \u b e a[ g e \m c b g] c,[ b g]\)} \stemDown e8-.\stemNeutral r4 2 r4 2 \times 2/3 {r16 b\( g' dis' \u fis b\) \m r16 b,,[\( g' b \u d! g]\) \m r16 b,,\( g' b \u dis fis\) } \m \times 2/3 {r16 b,,[\( eis b' \u cis eis] } \stemUp ais8[ b] dis\arpeggio cis\) \m \mBreak %Seite 6 \times 2/3 {r16 b,,\( g' dis' \u fis b\) \m r16 b,,[\( g' b \u d! g]\) \m r16 b,,\( g' b \u dis fis\) } \m \times 2/3 {r16 b,,[\( eis b' \u cis eis] } \stemUp ais8[ b] dis\arpeggio cis\) \m \times 2/3 {r16 b,,\( g' dis' \u fis b\) \m r16 b,,[\( g' b \u d! g]\) \m r16 b,,\( g' b \u dis fis\) } \m \times 2/3 {r16 b,,\( eis g \u b d\) \m r16 b,[\( g' b \u cisis dis]\) \m r16 b,,\( eis g \u b d\)} \m \times 2/3 {r16 b,[\( fis'] \stemDown dis'\) r r } r4 r4 R2. R2.^\fermataMarkup \bar "||" \mBreak %Den Dreivierteltakt wieder herstellen \set Voice.beatLength = #(ly:make-moment 1 4) %ab hier dann lowerab, Reprise } bassstimme = \relative c { \stemDown \override Voice.TupletBracket #'bracket-visibility = ##f \override Voice.TupletNumber #'transparent = ##t s2.*8 %Takt 38 \times 2/3 {s16 des8 s4 des8 s4 c8 s8. } s2. \times 2/3 {s16 des8 s4 des8 s4 c8 s8. } \times 2/3 {s16 f8 s4 f8 s4 es8 s8. } s2.*11 %Takt 53 \times 2/3 {s16 b8 s4 b8 s4 b8 s8. } \times 2/3 {s16 b8 } s2 s8 \times 2/3 {s16 b8 s4 b8 s4 b8 s8. } \times 2/3 {s16 b8 } s2 s8 \times 2/3 {s16 b8 s4 b8 s4 b8 s8. } \times 2/3 {s16 b8 s4 b8 s8. } s4 s2.*3 } %Coda/ zweite Schlussvariante lowerd = \relative c{ r4 4\arpeggio ( ) \mBreak r \arpeggio ( ) R2. <<{\stemUp a'8 b16( cis) d8-.\( cis-. b-. a~ a\) r r a\( fisis gis\)}\\{\stemDown fis2 f4( e8) r r4 e4}>> %Zwei Takte e,8-. r <<{r \stemUp a'\( fisis gis\)}\\{r4 e}>> \mBreak e,8-. r r \stemDown fis'16\( f e8\) fis,16\( f e2\)\( e'4\) \override Voice.TupletBracket #'bracket-visibility = ##f \override Score.TupletNumber #'transparent = ##f \set tupletSpannerDuration = #(ly:make-moment 1 4) \set Voice.beatLength = #(ly:make-moment 1 8) \set subdivideBeams = ##t \stemUp \times 2/3 { a,,16\( e' a \u cis e a\) \m dis,[\( e a \u bis cis e]\)} \m r4 \stemDown 2.-> \override Score.TupletNumber #'transparent = ##t \stemUp \times 2/3 {a,16\( e' a \u dis e a\) \m \clef treble dis,[\( e a \u bis cis e]\)} \m s4 2.-> \times 2/3 {r16 a,\( e' a \u cis dis fis[ e cis]\) \m a'[\( cis e \u gis a cis]\) } s8 \m 4-.\( -. -.\) 2._\fermata \bar "|." } %Dynamic-Linie %Teil 1 dynamica = {s4\p s\< s s s s\! s2. s4\> s\!_\markup{\italic espress.} s s4\p s\< s s s2\! s2._\markup{\italic {poco più} \dynamic f } s2. s4 s_\markup{\italic espr.} s s2. s4\p s2 s2.\p s2. s s_\markup{\italic "poco cresc."} s s\f %Seite 4 s s\mf s4 s s_\markup{\italic dim.} s2. s4\p\< s s s s s\! s2. s4\> s_\markup{\italic espr.} s\! s2.\p s2\< s4\! s2._\markup{\italic "poco più" \dynamic f} s4 s_\markup{\italic dim.} s } %Mittelteil Teil dynamicb = { s2._\markup{\dynamic p \italic "molto express."} s s\p s\pp s\p s\pp s\< s2 s8 s8\! s2.\mf s\p s\mf s8_\markup{\italic cresc.} s8 s2 s2.\mf s s s s\p s s\pp s\p s \pp s4 s2\< s2 s8 s8\! s2.\mf s_\markup{\italic cresc. } %Ende S. 5 s s s_\markup{\italic dim.} s\p s s8\< s4_\markup{\italic riten.} s4 s8\! s2. } %Nach Teil eins in die Coda dynamicc = { s4\<_\mf s2\> s2. s8 s8\p s2 s8 s8\p s2 %s8 s8\p s8 s8_\markup{\italic cresc. } s4_\markup {\italic "molto espr." \dynamic f} s8 s8\p s8 s8_\markup{\italic "cresc. molto espr." \dynamic f} s4 s2 s4-\markup {\italic dim.} s8\ppp s8 s2 s2. s2. s8\ppp s8 s2 s2. s2.\ppp s2. %Fine } \score { \new PianoStaff << \set PianoStaff.instrumentName = "Piano" \set PianoStaff.connectArpeggios = ##t \new Staff = "upper" << \new Voice = "oben" { \voiceOne << {\beaminga \upperaa \uppera \upperb \beamingb \upperc \beamingc \upperab \uppera \upperd} >> } \new Voice = "unten" { \voiceTwo << {\beaminga \middleaa \middlea \middleb \middlec \middleab \middlea \middled} >> } \new Voice = "Dynamics" { \voiceFour { \dynamica \dynamicb \dynamica \dynamicc } } >> \new Staff = "lower" {\beaminga \loweraa \lowera \lowerb << \lowerc \bassstimme >> \lowerab \lowera \lowerd} >> \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } } \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" %\override VerticalAxisGroup #'minimum-Y-extent = #'(0.5 . 0.5) %\override DynamicLineSpanner #'Y-offset = #0 %\consists "Script_engraver" %\consists "Dynamic_engraver" %\consists "Text_engraver" %\override TextScript #'font-size = #2 %\override TextScript #'font-shape = #'italic %\consists "Skip_event_swallow_translator" %\consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAxisGroup #'keep-fixed-while-stretching = ##t %\override VerticalAlignment #'forced-distance = #6 } \context { \Score \override SpacingSpanner #'base-shortest-duration = #(ly:make-moment 1 8) \override SpacingSpanner #'common-shortest-duration = #(ly:make-moment 1 4) %\override SpacingSpanner #'packed-spacing = ##t } } } %{ \context PianoStaff \with { \override VerticalAxisGroup #'keep-fixed-while-stretching = ##t } %}