\version "2.10.0" %#(ly:set-option 'point-and-click #f) \header { filename = "Tschaikowsky-op37,2.ly" title = \markup { "Февраль. Маслянница"} subtitle = "Februar: Carneval" opus = "op. 37,2" composer = "Петр И. Чайковский" mutopiatitle = "The Seasons: February" mutopiacomposer = "TchaikovskyPI" mutopiaopus = "O 37,2" mutopiainstrument = "Piano" source = "Rob. Forberg, Leipzig" year = "1897" style = "Romantic" copyright = "Public Domain" maintainer = "Till Rettig" lastupdated = "2008/April/3" footer = "Mutopia-2008/04/21-1398" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %#(set-default-paper-size "a4") %#(set-default-paper-size "letter") \paper { print-page-number = ##t %ragged-last-bottom=##f system-count= #27 page-limit-inter-system-space = ##t page-limit-inter-system-space-factor = 1.1 %between-system-space = #0.1 } u = { \change Staff = upper \stemDown \slurDown } m = { \change Staff = lower \stemUp \slurUp } %sdown = {\stemUp \slurDown } %sup = {\stemUp \slurUp } smid = {\stemDown \slurDown } sneutral = {\oneVoice} sup = {\voiceOne} sdown = {\voiceTwo} mBreak = { } stemExtend = \once \override Stem #'length = #21 noFlag = \once \override Stem #'flag-style = #'no-flag connekt = \once \override Stem #'cross-staff = ##t tempoalign = { \once \override Score.RehearsalMark #'self-alignment-X = #left \override Score.RehearsalMark #'break-align-symbols = #'(key-signature) } %Oberes System %Oberstimme: Oben %Teil A initupper = \relative c''{ \clef treble \tempoalign \key d \major \mark \markup{\bold "Allegro giusto."} \time 2/4 } uppera = \relative c''{\sup a'4 e a e \sneutral d16-. e-. d-. e-. fis8-. fis-. | \sup e8 g e4 a e \mBreak a e \sneutral d16-. e-. d-. e-. fis8-. fis-. | 16-. fis g a bes8-> r r16 [ r ] c8^>_( ) \mBreak r16 [ r ] d8^>_( ) | \sup d8_( ) es_( ) f_( ) es,_( ) \sneutral r16 [ r ] e8_(^> ) | r16 [ r ] \sup f8^>_( ) \mBreak e8_( ) f( ) | g( ) f,( ) e8( ) f( ) a( ) g,( ) | fis( ) g( ) \mBreak b( ) a,( ) | c( ) b,( ) c( ) b,( ) \sneutral e'16-. d-. bes-. a-. g8-. r | %Ab hier Teil B/D } %Erste Schlussvariante upperb= \relative c''{ \sneutral e,16-. d-. bes-. a-. g8-. r \mBreak r4 -> ~ 8 ^> ^> r \bar "||" fis'16-. e-. d-. cis-. b8->( cis) \sup cis,^>( ) d^>( ) cis16( cis' g b) d,( d' fis, b) \mBreak g16( g' b, e) fis,( fis' b, d) \sneutral fis-. e-. d-. cis-. b8^>( cis) \sup cis,8^>( ) d^>( ) cis16( cis' g b) d,( d' fis, b) g16( g' b, e) fis,( fis' b, d) \mBreak \sneutral r8 4 8 ~ 8 4 8 b'16-. ais-. a-. gis-. fisis8 g( cis) b^>( dis,)-. e-. | r8 4 8 ~ \mBreak 8 4 8 cis'16-. c-. b!-. ais-. gisis8-. a^>( | d) cis^>( eis,-.) fis-. | b16-. cis-. d-. e-. fis8-. \noBeam ^> \sup eis,8^> eis' fis,^> fis' \mBreak \sneutral b,16-. cis-. d-. e-. fis8-. \noBeam ^> \sup eis,8^> eis' fis,^> fis' \sneutral d16-. e-. fis-. g-. a8-. \noBeam ^> \sup gis,^> gis' a,^> a' | \sneutral d,16-. e-. fis-. g-. a8-. \noBeam ^> \mBreak \sup gis,8^> gis' a,^> a' gis,8^> gis' a,^> a' bes,^> bes' e,,^> e' g,^> g' bes,,^> bes' d,^> d' a,^> a' | \sneutral \clef bass r4 dis,,16( e gis a) \mBreak %Ende S. 9 \clef treble r4 dis16( e gis a) \sup r4 dis16( e gis a) r4 dis16( e gis a) %Ab hier Teil A } %Mittelteil upperc = \relative c'{ \sneutral e16-. d-. bes-. a-. g8 r r4 ^> ~ 8 ^>[ ^>] r \bar "|:" %\mark \markup{\bold "L'istesso tempo."} s4*0^\markup{\bold "L’istessto tempo."} \sup 2_> 2_> 8.^>( 16) s4 \sneutral 4^>( 8) r8 r8 \sup f[( e d e] f4) \mBreak \sneutral 8^> r8 4 ~ ( 8-.) r8 r8 d([ d)] r d,([ d)] r e,([ e)] r e,([ e')] \bar ":|" \mBreak \sup 2_> _> 8.^> 16 s4 8.( 16 d'8) \sneutral r \sup r8 d,( g[ fis e fis] g) \sneutral r \mBreak \sup r d'( g[ fis e fis] g) \sneutral r \sup 2_> _> 8.^> 16 s4 8.^> 16 s8 \sneutral r \mBreak \sup r8 d( g[ fis e fis] g) r r e'( a[ gis fis gis] a) \sneutral r r16 e([ a e')] 4 r16 c([ e a)] 4 \mBreak %Ende S. 11 r16 e([ a e')] 4 r16 c([ e a)] 4 a'16( e' fis e) gis,( e' fis e) b( e fis e) cis( e fis e) a,,16( e' fis e) gis,( e' fis e) \mBreak \sup b( e fis e) cis( e fis e) | a,( cis d cis) r a([ cis a]) r e[( a e)] cis( e fis e) \m a,( cis d cis) r a([ cis a)] r e([ a e)] r cis([ e cis)] \mBreak r cis([ e cis]) r cis([ e cis]) r cis([ e cis]) r cis([ e cis]) r4 dis16( e gis a) \sneutral \u r4 dis16( e gis a) \sup \m r4 dis16( e gis a) \mBreak \u r4 dis16( e gis a) %Ab hier Teil A } %Coda/zweite Schlussvariante upperd = \relative c'' { \sneutral e16-. d-. bes-. a-. g8-. r e16-. d-. bes-. a-. \m \sup g8-. r \mBreak e16-. d-. bes-. a-. g8-. \sneutral r \u R2 R2 \clef bass ~ R \mBreak R \clef treble ~ ~ R2^\fermataMarkup g8-. g-. g16( a bes g) gis8-. a-. -.-> r8\fermata \bar "|." %Fine } %Oberstimme: Unten %Teil A middlea = \relative c''{\sdown 8( a,) ( e,) | 8( a,) ( e,) | s2 4 cis8( a) 8( a,) ( e,) | \mBreak 8( a,) ( e,) | s2 s2 s2 \mBreak s4 d d es f es s4 e s f \mBreak e f g f e f a g fis g \mBreak b a c b c b s2 %Ab hier TeilB/D } %Erste Schlussvariante middleb = \relative c' {\sdown s2 s s s cis4 d cis d g fis s2 cis4 d cis d g fis \mBreak s2*9 eis4 fis s2 eis4 fis s2 gis4 a s2 \mBreak gis4 a gis a bes e, g bes, d a s2 \mBreak %Ende S.9 s2*3 %Ab hier Teil A } %Teil B middlec = \relative c'' { s2*3 \sdown \slurUp fis4( g) e( f) f s2 \slurDown s4 bes,,4 ~ bes a \mBreak s2*6 \mBreak \sdown \slurUp cis''4( d) dis,( e) \slurDown gis( \stemUp ) \stemDown cis,( \stemUp 8) s \stemDown r4 c,~ c 8 s \mBreak r4 c' ~ c 8 s \slurUp dis'4( e) eis,( fis) \slurDown ais( \stemUp 4) \stemDown dis,4( \stemUp 8) s \mBreak \stemDown r4 d,~ d 8 s r4 d' ~ d 8 s s2*2 %Ende S. 11 s2*16 %Ab hier Teil A } %Zweite Schlussvariante middled = \relative c' { } %Unteres System: %Unterstimme: oben initlower = { \clef bass \key d \major \time 2/4 } %Erster Teil lowera = \relative c' { \sup a8( d) bes( d) a( d) bes( d) \sneutral \clef treble 2-> \clef bass bes16-. a-. g-. fis-. e8( a) \sup a( d) bes( d) \mBreak a( d) bes( d) \sneutral \clef treble 2-> 16-. r bes-. a-. g8-.^> r \sup \clef bass es8( bes') as4-> \mBreak f8( c') bes4^> g4 g g g g8( d') c4^> a8( e') d4^> a8( cis) a4 a a a a b b b b \mBreak cis cis d d d d \sneutral \clef treble 8 r8 e'16-. d-. bes-. a-. | %Ab hier Teil B/D } %Erste Schlussvariante lowerb = \relative c'' {\sneutral g8 r \clef bass e,16-. d-. bes-. a-. \mBreak g8-. g-. gis16( a bes gis) a8-. ^>[ ^>] r \bar "||" \sneutral r4 8 r fis16-. e-. d-. cis-. b8-. r \sup b'4 b b b \sneutral r4 8 r fis16-. e-. d-. cis-. b8-. r \sup b'4 b b b \mBreak \sneutral b,16-. cis-. d-. e-. eis8-. fis^>( a-.) gis^>( g) fis-. | \sup r8 4 8 r 8 r \sneutral cis16-. d-. e-. fis-. g8-. gis^>( \mBreak b) ais^>( a)-. gis-. \sup r8 4 8 | e,( ) d,( ) \sneutral b,16-. cis-. d-. e-. fis8-. \noBeam ^> \sup eis,^>( eis') fis,^>( fis') \mBreak \sneutral b,16-. cis-. d-. e-. fis8-. \noBeam ^> \sup eis,^>( eis') fis,^>( fis') \sneutral d16-. e-. fis-. g-. a8-. \noBeam ^> \sup gis,^>( gis') a,^>( a') \sneutral d,16-. e-. fis-. g-. a8-. \noBeam ^> \mBreak \sup gis,^>( gis') a,^>( a') gis,^>( gis') a,^>( a') bes,^>( bes') e,,^>( e') g,^>( g') bes,,^>( bes') d,^>( d') a,^>( a') \sneutral gis16( a bis cis) r4 %Ende S. 9 gis'16( a bis cis) r4 \u gis'16( a bis cis) r4 gis'16( a bis cis) r4 %Ab hier Teil A \m } %Mittelteil lowerc = \relative c'' {\sneutral g8 r \clef bass e,16-. d-. bes-. a-. g8-. g-. gis16( a bes gis) a8-. ->[ ->] r \bar "|:" \sup 2_> _> \sneutral 4->( ) ->( 8) r r 4( ~ ) \mBreak r8 c'(_\markup{\italic marcato} f[ e d e] f) r a( d, f,) r bes'( d, g,) r b'( e, gis,) r cis'( e, a,) r \bar ":|" \mBreak \sup 4->( ) ->( ) c'2-> \clef treble \sneutral a4->( bes8) r \clef bass \sup bes4( a ~ a g8) \sneutral r \mBreak \clef treble \sup bes'4( a ~ a g8) \sneutral r \clef bass \sup 4(-> ) (-> ) \clef treble ->( ) \sneutral b,->( c8) r \mBreak \clef bass \sup c4( b ~ b a8) \sneutral r \clef treble \sup c'4( b ~ b a8) \sneutral r \sup c4->( b) a->( gis) \mBreak %Ende S. 11 c4->( b) a->( gis) r8 cis-.[ d-.] r r gis,-.[ a-.] r r \clef bass cis,-.[ d-.] r \mBreak r gis,-.[ a-.] s | s2 s s s \mBreak s s s s s \mBreak s \voiceOne \clef bass %Ab hier Teil A } lowerd = \relative c'' {\sneutral g8-. r e16-. d-. bes-. a-. g8-. r \sdown \clef bass e16-. d-. bes-. a-. \mBreak g8-. r e16-. d-. bes-. a-. \sneutral g8-. g-. g16( a bes g) a8-. a-. bes->( g) r4 (\< )\! g'8-. g-. g16( a bes a) \mBreak a8-. a-. bes->( g) r4 (\< )\! \clef treble r4 (\< )\! R2^\fermataMarkup \clef bass g,8-. g g16( a bes g) gis8-. a-. -.-> r8\fermata \bar "|." %Fine } %Unteres System: %Unterstimme: unten bassa = \relative c { \sdown 4 s2 s2 4 s2 s2 4 as8( ) \mBreak 4 bes8( ) 8( b) ( c) ( d') ( c) 4 c8( ) cis,4 d'8( ) \mBreak 4 8( d) ( e') ( d) ( cis) ( d) ( dis) ( e) ( dis) ( e) \mBreak ( eis) ( fis) ( fis) ( g) ( fis) ( g) s2 %Ab hier Teil B/D } bassb = \relative c' { \sdown s2*5 g8( b,) fis'( b,) \mBreak ( b) ( b) s2 s g'8( b,) fis'( b,) ( b) ( b) \mBreak s2 s f'4( e d cis) s2 \mBreak s g'4( fis e d) s2 eis,4 fis \mBreak s2 eis4 fis s2 gis4 a s2 \mBreak gis4 a gis a bes e, g bes, d a s2 | %Ende S. 9 s2*3 %Ab hier Teil A } bassc = \relative c { \sdown s2*3 \slurUp fis4( g) gis( a) s2*10 \mBreak f2 g \slurUp 4( ) s2 R d4 ~ 8 s \mBreak R2 \slurDown d'4 ~ 8 s g,2 a d s \mBreak R2 e,4 ~ 8 s R2 e'4 ~ 8 s r4 r8 -. r4 r8 -. %Ende S. 11 \sdown r4 r8 r4 r8 a, r r e'-.[ a,-.] r r e'-.[ a,-.] r r e-.[ \mBreak a,-.] r r cis' \set followVoice = ##t \u fis4_>( f8-.) e-. \set followVoice = ##f d-. cis-. \m \sneutral a,-. cis \sdown fis4_>( f8-.) e-. d-. cis-. b-. a-. \mBreak gis-.[ a-. b-. a-.] gis-.[ a-. b-. a-.] gis16( a bis cis) r4 gis'16( a bis cis) r4 \clef treble gis'16( a bis cis) r4 \mBreak gis'16( a bis cis) \sneutral r4 %Ab hier Teil A \sdown \clef bass 4 s2 s2 4 s2 s2 4 as8( ) \mBreak 4 bes8( ) 8( b) ( c) ( d') ( c) 4 c8( ) cis,4 d'8( ) \mBreak 4 8( d) ( e') ( d) ( cis) ( d) ( dis) ( e) ( dis) ( e) \mBreak ( eis) ( fis) ( fis) ( g) ( fis) ( g) s2 %Ab hier Schlussteil s2*16 \bar "|." } %Dynamic-Linie %Teil 1 dynamica = { s2\f s2*5 s2\< s4 s4\ff s8_\markup{\italic "cresc."} s8 _\markup{\italic "poco"} s4 s8_\markup{\italic "a poco"} s4. s8 s8\< s4 s8\sf s8\> s8 s8\! s2\p s8 s8_\markup{\italic "cresc."} s4 s4 s\< s4\sf s8\> s8\! s8\< s8_\markup{\italic "sempre cresc."} s8 s8\! s8\sf s8\> s8 s8\! s2\f s\sf s\sf s\sf s\ff %Teil B/C } %Mittelteil Teil dynamicb = { s2 s s s\f s s8\p s8.\< s16\! s8 s8\sf s\> s4\! s2\f s s8\p s\< s4\! s8\sf s8\> s4\! s2\p s s-\markup{\italic "cresc."} s s\p s s-\markup{\italic "cresc."} s s\f s s s s2*8 s2\p-\markup{\italic "brillant"} s4 s-\markup{\italic "cresc."} s8\< s4 s8\! s2\ff } %Nach Teil eins in die Coda dynamicc = { %Fine s2 s s s2\f s s s s\p s s\sfp s s\< s-\markup{\italic "cresc."} s s16\! s16\f s4. s2\f s s s s\p s s s s\f s s s s\p s s s s\p s s s s\p s s s s\mf s s4 s-\markup{\italic "dim."} s2 s\p s s4-\markup{\italic "cresc."} s4-\markup{\italic "brillante"} s2 s\<\f s\ff s4\f s4 s2 s s s s s\< s4 s\ff s2\p s4-\markup{\italic "cresc."} s4-\markup{\italic "poco"} s4-\markup{\italic "a"} s-\markup{\italic "poco"} s8\sf s\> s4 s2\p s-\markup{\italic "cresc."} s\< s4\sf\> s4 s8\< s8_\markup{\italic "sempre cresc."} s8 s8 s8\sf\> s4. s2\f\< s\sf\>%mbreak s\sf\< s\sf\> s\ff s s s s\> s s\mf s s\p s s\p s s\pp s s s\fff s } \score { \new PianoStaff << \set PianoStaff.instrumentName = "Piano" \new Staff = "upper" << \new Voice = "oben" { \voiceOne {\initupper \uppera \upperb \uppera \upperc \uppera \upperd} } \new Voice = "unten" { \voiceTwo {\middlea \middleb \middlea \middlec \middlea} } % \new Voice = "Dynamics" { \voiceFour { \dynamica \dynamicb \dynamica \dynamicc } } >> \new Dynamics = "dynamics" { \dynamica \dynamicb \dynamica \dynamicc } \new Staff = "lower" << \new Voice = "obena" \voiceOne {\initlower \lowera \lowerb \lowera \lowerc \voiceOne \lowera \lowerd} \new Voice = "untena" \voiceTwo {\bassa \bassb \bassa \bassc } >> >> \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 72 4) } } \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) \override DynamicLineSpanner #'Y-offset = #0 pedalSustainStrings = #'("Ped." "*Ped." "*") pedalUnaCordaStrings = #'("una corda" "" "tre corde") \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" %\override TextScript #'font-size = #2 \override TextScript #'font-shape = #'italic \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics } } }