\version "2.7.40" %#(ly:set-option 'point-and-click #t) \header { filename = "Tschaikowsky-op37,8.ly" title = "Август: Жатва" subtitle = "August: Harvest time" opus = "op. 37,8" composer = "Петр И. Чайковский" mutopiatitle = "The Seasons: August" mutopiacomposer = "TchaikovskyPI" mutopiaopus = "O 37,8" mutopiainstrument = "Piano" source = "Rob. Forberg, Leipzig" year = "1897" style = "Romantic" copyright = "Public Domain" maintainer = "Till Rettig" lastupdated = "2006/August/11" footer = "Mutopia-2006/08/21-803" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %#(set-default-paper-size "a4") %#(set-default-paper-size "letter") \paper { print-page-number = ##t ragged-last-bottom=##t } u = { \change Staff = upper \stemDown \slurDown } m = { \change Staff = lower \stemUp \slurUp } %Oberstimme: Teil A upperaa = \relative c''{ \clef treble \key b \minor \time 6/8 \partial 4. r8^\markup {\large \bold "Allegro vivace"} ( eis,) } uppera = \relative c''{ 4( 8) r ( cis,) 4( 8) r ( b,) 4( 8) r r [ r ] b r r | r8 -.[ -.] -. r r r -.[ -.] -. r r r8 -.[ -.] -. r r r -.[ -.] -. [( eis,]) %zweites Mal Teil a 4( 8) r ( cis,) 4( 8) r ( b,) 4( 8) r r [ r ] b r r | %zweites Mal Teil b r8 -.[ -.] -. r r r -.[ -.] -. r r r8 -. -. 4 8~ 4( 8-.) [( eis]) %Sequenzierung a-Teil 4( 8) r ( cis) 4( 8) r ( b ) [( eis,] ) [( b] ) r -. -. [( ais]) 4( 8) r ( fis) 4( 8) r ( e ) [( ais,] ) 8[( e] %Stakkato-Stretta ) r -. -. 4( 8^.) r 4( 4 8^.) r 4( 8^.) r 4( 4 8^.) r 4( 8^.) r 4( 4 8^.) r 4( 4 8^.) r 4( 4 8^.) \slurNeutral r 4 4 4 4 4 4 8~ [( eis)] %Reprise 4( 8) r () 4( 8) r ( b,) 4( 8) r r [ r ] b r r | r8 -.[ -.] -. r r r -.[ -.] -. r r r8 -.[ -.] -. r r r -. -. -. r r r -. -. -. r r r -. -. -. <<{fis'( e}\\ {cis4(}>> << {d8) fis( e d) fis( e}\\{b8) cis4( b8) cis4(}>> << {d8) fis-. d-.}\\ {b8) cis-. b-.}>> 4. %ab hier dann die wilden Sechzehntel s2. r8 r16 s s s r8 r \clef violin -. s2. r8 r16 s s s r8 r \clef violin -. | r8 r s s4. | %Stakkato-Achtel-Oktaven s8 \stemUp ^.[ ^.] ^. ^. ^. | ^. ^. ^. ^. ^. ^. -. -. -. -. -. -. | -. -. -. 4 8-. | -. r r r -. -. | -. r r r -. -. -. r r r -. -. -. r r r -. -. -. -.[ -.] -. -. -. -. -. -. -. -. -. } %Erste Schlussvariante upperb= \relative c''{ %\clef treble %\key b \minor %\time 6/8 -. -. -. -. -. -. | -. #(set-octavation 1) -.[ -.] -. -. -. -. #(set-octavation 0) r r -. r r -. r r \m ^. s s \bar "||" } %Mittelteil upperc = \relative c''{ %\clef treble %\key b \minor %\time 6/8 <<{d4.^\markup{\large \italic "tranquillo"}\( ( cis) b4( a8) a4.\) b4.\( ( a) g4( fis8) fis4.\) a4.\( ( d,) fis4( e8) e4.\) fis4.\( ( b,) d4( cis8) cis4.\) } \\ { fis2.~ fis2. e es d4. d d2. b4. b bes2. }>> %\break 2. \clef bass \clef treble 4. <<{cis4( b8) a4.}\\{gis4. a}>> <<{e'4.\(( a,) b4( a8) a4.\) 2. 4.( ) gis'\(( cis,) d4( cis8) cis4.\) 2. 4.( ) b'4.\(( e,) dis4( e8) e4.\) cis'4.\(( fis,) eis4( fis8) fis4.\) b,2.~ b d4.\(( g,) d'4( cis8) cis4.\) }\\{g2. fis s s b a s s d cis e d gis,~ gis g4. g g2.}>> <<{d'4.\(( cis) b4( a8) a4.\) b4.\(( a) g4( fis8) fis4.\) a\(( d,) fis4( e8) e4.\) fis\(( b,) d4( cis8) cis4.\) 2. b'4.\(( ais) g4( fis8) fis4.\) d'( cis) ( ais) b'4.\(( ais) g4( fis8) fis4.\) d'( cis) ( ais) b4( ais8) ais4. }\\{fis,2.~ fis e es d4. d d2. b4. b bes2. s s s s s s s s fis'2. cis d4.( fis) fis'2. cis d4.( fis) e2. }>> R2. <<{b4( ais8) ais4.}\\{e2.}>> R2. R r4. r8 \stemUp 8( eis,) } %Coda/zweite Schlussvariante upperd = \relative c'' { -. -.[ -.] -. -.[ -.] | -. #(set-octavation 1) -.[ -.] -. -.[ -.] -. #(set-octavation 0) r r -. r r -. r r \m ^. s s \change Staff = "upper" 8-. r r -. r r b,,2.\fermata \bar "|." } %Linke Hand: %Erster Teil loweraa= { \clef bass \key b \minor \time 6/8 \partial 4. <<{r8 d'( cis') }\\{ r4.}>> } lowera = { <<{d'4( cis'8) r b( ais)}\\{r8 b, r b, r r}>> <<{b4( ais8) r a( gis)}\\ {r b, r b, r r}>> <<{a4( gis8) r g r}\\ { r b, r b, r b,}>> <<{fis8[ r e]}\\{r8 b, r}>> eis-.[ fis-.] g4.->(\stemUp g,8) a,-. g,-. fis,4.->( b,8-.) \stemDown eis-.[ fis-.] g4.->(\stemUp g,8) a,-. g,-. fis,4.->( b,8-.) \stemNeutral d'[ cis'] <<{d'4( cis'8) r b( ais)}\\{r8 b, r b, r r}>> <<{b4( ais8) r a( gis)}\\ {r b, r b, r r}>> <<{a4( gis8) r g r}\\ { r b, r b, r b,}>> <<{fis8[ r e]}\\{r8 b, r}>> eis-.[ fis-.] g4.->( g,8) a,-. g,-. \stemUp fis,4.->( b,8-.)\stemNeutral eis-.[ fis-.] g4.->( g8) gis4 cis'( gis'8) fis' \clef violin \relative c'' d8[( cis'']) <<{d''4( cis''8) r b'( ais')}\\{d''8 fis' cis'' fis'4.~}>> <<{b'4( ais'8) r}\\{fis'8 fis'4 fis'8}>> 4~ 8 4~ 8 \clef bass 4~ 8 c-. b,-. e-. \clef violin g''[( fis'']) <<{g''4( fis''8) r e''( dis'')}\\{g''8 b' fis'' b'4.~}>> <<{e''4( dis''8) r}\\{b'8 b'4 b'8}>> 4~-> 8 4~-> 8 4~-> 8 \clef bass f-.[ e-.] \stemUp a,-.[ f-. e-.] a,-.[ f-. e-.] a,-.[ f-. e-.] a,-.[ f-. e-.] \stemDown a,-.[ a-. aes-.] c-.[ a-. as-.] c-.[ a-. as-.] c-.[ a-. as-.] c-.[ c'-. b-.] e-. c'-. b-. e-.[ e'-. ees'-.] g-. e'-. ees'-. g-.[ g'-. fis'-.] b-. g'-. fis'-. \clef violin \stemUp b-.[ b'-. ais'-.] d'-. b'-. ais'-. d'-.[ ais'->( d']) ais'->( d') ais'->( d'[) ais'->( cis')] ais'->( cis') ais'->( cis') cis'->( fis) cis'->( fis) cis'->( fis) \clef bass cis->[( fis,]) cis->( fis,) cis->( fis,) \stemNeutral d'([ cis'])%Reprise Teil A <<{d'4( cis'8) r b( ais)}\\{r8 b, r b, r r}>> <<{b4( ais8) r a( gis)}\\ {r b, r b, r r}>> <<{a4( gis8) r g r}\\ { r b, r b, r b,}>> <<{fis8[ r e]}\\{r8 b, r}>> eis-.[ fis-.] g4.->(\stemUp g,8) a,-. g,-. fis,4.->( b,8) \stemDown eis-.[ fis-.] g4.->(\stemUp g,8) a,-. g,-. fis,4.->( b,8) e-. d-. \stemNeutral cis4.->( d8) gis-. fis-. eis4.->( fis8) 4( 8) 4( 8) 4( 8) -. -. 4. %Ab hier die wilden Sechzentel %\autochange <<{ e16( g b cis' \u %\change Staff = upper e'16 g' e'' cis'' b' g' e' \m %\change Staff = lower cis') | b16[( g e )] \u \clef bass cis[( b, g,] ) \m e,8( cis ) r8 } \\ e4 s4 s4 s4 s4 s8 s8>> <<{e16( b cis' e' \u g' b' g'' e'' cis'' b' g' \m e') | cis'[( b g]) \u \clef bass e[( cis b,]) \m g,8( cis) r | fis,16[(\( b, d fis]) \change Staff = upper \stemUp \slurUp b16( d') fis'[( b' d'' fis'' b'' d''']) fis'''8\)} \\ {e4 s4 s | s2. | fis,4 r8 \m fis16( b \u d' fis' b' d'') fis''8} >> <<{\u 8_. _. _. _. _. |} \\ { s4 s4.}>> \u 8_. _. -. _. \change Staff = lower _. _. | -. -. -. -. -. -. | -. -. -. 4 8-. | \stemUp b,8-. \stemDown e-.[ fis-.] g4.->~ g8 \stemUp a,-.[ g,-.] fis,4.->( \stemDown b,8-.) e-. fis-. g4.->~ g8 \stemUp a,-.[ g,-.] fis,4.->( \stemNeutral b,8-.) -.[ -.] -. -.[ -.] -. -.[ -.] -. \clef treble -.[ -.] } %Erste Schlussvariante lowerb = { 8-. -.[ -.] -. -.[ -.] -. -.[ -.] -. -.[ -.] -. r r -. r r \clef bass \break -. r r \stemDown < b, fis, b,,>_. r r \bar "||" } %Mittelteil lowerc = {\stemNeutral <<{a2.~ a a~ a fis( gis) d( e) | a,4.\( b, cis4( d8) d4.\) e\( fis fisis4( gis8) gis4.\) gis\( a b4( c'8) c'4.\) cis'!\( fis'4( e'8) d'4.( cis') \) | a2.~ a | fis'4.\( ( b) cis'4( b8) b4.\) cis'2.~ cis' | }\\{d2.~ d cis( c) b,~ b, gis,( g,!) fis, a, gis, d cis fis e e4.( a) | cis2.\( d dis2. e eis fis\)}>> <<{a'4.\( ( d') e'4( d'8) d'4.\) e'2.~ e' fis'~ fis' fis'4.\( ( b) fis'4( e'8) e'4.\) }\\{ fis2.\( g gis a ais b\) e~ e }>> <<{e2.~ e a~ a a~ a fis2.( gis) d( e) a,4.( b,) b,4( c8) c4. ais,( b,) cis4( d8) d4. d( dis) a4( g8) g4. fis4( e8) e4. bes,4( a,8) a,4. d'4.( cis') b( ais) gis( ais) b4( cis'8) cis'4. \clef treble d''4.( cis'') b'( ais') gis'\(( ais') b'4( cis''8) cis''4.\) cis''2. s \clef bass cis' s s s }\\{bes,2.( a,) d~ d cis( c) b,~ b, gis,( g,!) %\break %setzt schlechtere Varianten in der Reprise fis, a, g, gis, fis, g, a, d, fis~ fis fis~ fis fis'~ fis' fis'~ fis' g'4.( fis') \stemUp g'4( fis'8) fis'4. \stemDown g4.( fis) g4( fis8) fis4. g4( fis8) fis4. g4( fis8) fis \stemUp d'([ cis')] }>> } %Coda/ zweite Schlussvariante lowerd = { 8-. -.[ -.] -. -.[ -.] -. -.[ -.] -. -.[ -.] -. r r -. r r \clef bass -. r r \stemDown _. r r 8-. r r -. r r \stemUp 2.\fermata \bar "|." } %Dynamic-Linie %Auftakt dynamicaa = {\partial 4. s4.\p } %Teil 1 dynamica = { s2. s s s s\f s\p s\f s4.\p s8 s4\p | s2. s s s s\f s\p s\f s4. s8 s4\p %Thema 1 zweites Mal s2. s2 s4\f s2. s2 s4\p | s2. s2 s4\f s2. s2 s4\mf s2. s2. s2. s s\f s s s4. s\f s2. s s s2 s4\p %Thema Reprise s2. s s s s\f s\p s\f s\p s s s s4. s\f | %Die wilden Sechzehntel s2.\mf s s\f s s\ff s s s s s4.\mf s\f s s\p | s s\f s s\p s8 s8-\markup{\italic "cresc."} s2 | s2. s\f s s\ff s %Doppelstrich } %Mittelteil Teil dynamicb = { s2.\p s s s s s s s s-\markup{\italic marcato} s-\markup{\italic {poco cresc.}} s s s s s\mf s^\markup{\italic "espr."} s-\markup{\dynamic p \italic "espress."} s s | s s s s\p s s^\markup{\italic "cresc."} s4. s^\markup{\italic "stringendo" } s2. s\f s4. s^\markup{\italic "dim."} s2. s\p s^\markup{\italic "rit."} \break s-\markup{\dynamic p \italic "a tempo"} s2. s s s s s s s-\markup{\italic "poco cresc."} s2. s s s-\markup{\dynamic mf \italic " espr."} s2. s-\markup{\italic "dim"} s s\p s s s s\p s s s s\pp s s s-\markup{\italic "rit."} s s4-\markup{\italic "a tempo"} s4 s4\p } dynamicc = { s2. s } \score { \new PianoStaff << \set PianoStaff.instrument = "Piano" \new Staff = "upper" {\upperaa \uppera \upperb \upperc \uppera \upperd} \new Dynamics = "dynamics" {\dynamicaa \dynamica \dynamicb \dynamica \dynamicc} \new Staff = "lower" {\loweraa \lowera \lowerb \lowerc \lowera \lowerd} >> %\midi {\tempo 8 .=144 } %\layout {} \layout { \context { \type "Engraver_group" \name Dynamics \alias Voice % So that \cresc works, for example. \consists "Output_property_engraver" \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) %pedalSustainStrings = #'("Ped." "*Ped." "*") %pedalUnaCordaStrings = #'("una corda" "" "tre corde") % \consists "Piano_pedal_engraver" \consists "Script_engraver" \consists "Dynamic_engraver" \consists "Text_engraver" \override TextScript #'font-size = #1 \override TextScript #'font-shape = #'italic \override DynamicText #'extra-offset = #'(0 . 2.5) \override Hairpin #'extra-offset = #'(0 . 2.5) \consists "Skip_event_swallow_translator" \consists "Axis_group_engraver" } \context { \PianoStaff \accepts Dynamics \override VerticalAlignment #'forced-distance = #6 } } }