% -*- mode: LilyPond-mode ; coding: utf-8 -*- \version "2.10.15" \include "italiano.ly" %% %% Version 0 du 14 mai 2007 %% Version 1 du 17 mai 2007 : correction du mutopiatitle, %% mise en page sur deux %% pages, correction d'alignement de quelques points. %% \header{ title = \markup {\center-align { \medium " Urbs Jerusalem " \medium "1er verset" }} subtitle = "" piece = "" instrument = "" composer = "Jean Titelouze (1563-1633)" copyright = "Creative Commons Attribution-ShareAlike 3.0" source = "Archives des maîtres de l'orgue, vol.1, 1897, Alexandre Guilmant" opus = "" lastupdated = "2007-05-17" enteredby = "Gérard Gréco" maintainer = "Gérard Gréco" mutopiatitle = "Urbs Jerusalem (1er verset)" mutopiacomposer = "TitelouzeJ" mutopiainstrument = "Organ" style="Baroque" footer = "Mutopia-2007/05/17-977" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2007. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } %#(set-default-paper-size "a4" 'landscape) #(set-global-staff-size 18) % macros von Urs Metzger adjustSlash = { \once \override TextScript #'extra-offset = #'( -2 . 5 ) } halsdown = { \stemDown \tieDown \slurDown } halsneutral = { \stemNeutral \tieNeutral \slurNeutral } halsup = { \stemUp \tieUp \slurUp} hideBrackets = { \override TupletBracket #'bracket-visibility = ##f } hideTripletNumber = { \set tupletNumberFormatFunction = #'() } mmrestdown = { \once \override MultiMeasureRest #'staff-position = #-2 } mmrestdownn = { \once \override MultiMeasureRest #'staff-position = #-4 } mmrestup = { \once \override MultiMeasureRest #'staff-position = #4 } mmrestupp = { \once \override MultiMeasureRest #'staff-position = #6 } mmrestuppp = { \once \override MultiMeasureRest #'staff-position = #8 } mmrestupppp = { \once \override MultiMeasureRest #'staff-position = #10 } noflag = { \once \override Stem #'flag-style = #'no-flag } restdownnn = { \once \override MultiMeasureRest #'extra-offset = #'( 0.0 . -3.0 ) } restright = { \once \override Rest #'extra-offset = #'( 4.0 . 0.0 ) } scriptdown = { \once \override Script #'extra-offset = #'(0 . -1.3) } scriptdownn = { \once \override Script #'extra-offset = #'(0 . -2.3) } scriptdownnn = { \once \override Script #'extra-offset = #'(0 . -3.3) } scriptup = { \once \override Script #'extra-offset = #'(0 . 1.3) } showBrackets = { \override TupletBracket #'bracket-visibility = ##t } staffdown = { \change Staff = "basse" \halsup } staffup = { \change Staff = "dessus" \halsdown } std = { \change Staff = "basse" } stu = { \change Staff = "dessus" } % macros von Roland Goretzki. #(use-modules (ice-9 optargs)) #(define*-public (mus:make-context context element #:key id (operations '())) "Base function for building ContextSpeccedMusic objects." (apply make-music (append (list 'ContextSpeccedMusic 'property-operations operations 'context-type context 'element element) (if id (list 'context-id id) '())))) #(define*-public (mus:override context layout property val #:optional once) (mus:make-context context (make-music 'OverrideProperty 'once once 'grob-property property 'grob-value val 'symbol layout))) #(define* (silun dx dy #:optional once) (ly:export (mus:override 'Bottom 'Rest 'extra-offset (cons dx dy) once))) #(define* (silaa dx #:optional once) (ly:export (mus:override 'Bottom 'MultiMeasureRest 'staff-position dx once))) global = { \key do \major \time 4/4 } soprano = \relative do''' { \global \halsup %% 1 : #(silaa +7 #t) R1 la4 la2 sol4 fa2 mi4 la4 re,4 mi8 fa8 sol8 fa4 mi8 %% 5 : fa4 do2 fa4 ~ fa4 mi4 re2 do4. si8 la8 si8 do8 re8 mi4 r4 la4 la4 ~ la4 sol4 fa2 %% 10 : mi2 #(silun 0 +1 #t) r8 si8 do4 ~ do4 si8 la8 sol2 #(silun 0 +1 #t) r2 si4 do4 ~ do4 re8 mi8 fa2 sol4 mi4. fa8 sol8 mi8 %% 15 : fa4. mi8 re4 fa4 ~ fa4 mi8 re8 mi2 fa2 r2 r4 fa4 re8 mi8 fa8 sol8 la4 la,4 r4 la8 sol8 %% 20 : fa8 sol8 la4 r2 r8 do8 mi4. re8 do8 si8 la4 do4 re4 r4 #(silaa +4 #t) R1 #(silun 0 +1 #t) r8 mi8 re4 do8 re8 mi8 fad8 %% 25 : sol4 re4 mi8 do8 re8 mi8 fa8 mi8 re8 do8 re8 do8 si8 la8 sol4 do8 si8 mi8 re8 dod4 re4 si4 la8 si8 re4 sol,4 la4 si4 mi4 ~ %% 30 : mi4 re4 do4 fa4 sol4. fa8 mi2 r2 r4 la,8 si8 do8 si4 la8 sol4 sol'4 fa8 mi8 fa8 mi8 re2 %% 35 : r4 la8 si8 do2 ~ do4 re4 do4 fa4 mi8 re8 do8 si8 do2 ~ do8 si8 la4 sol2 fa4 re8 mi8 fa4 sol4 %% 40 : la4 sib4 la2 r8 la8 sol8 fa8 mi4 r8 do'8 ~ do8 sib8 la8 sol8 do4 la4 si?4 do4 sol'2 r8 mi8 re8 do8 si4 do4 ~ %% 45 : do2 #(silun 0 +1 #t) r2 r8 la'8 sol8 fa8 mi4 fa4 mi2 #(silun 0 +2 #t) r2 #(silaa +4 #t) R1 r8 fa8 mi8 re8 do4. re8 %% 50 : mi2 r8 do8 si8 do8 la2 r2 #(silun 0 +1 #t) r2 #(silun 0 -1 #t) r8 re8 do8 sib8 la2 #(silun 0 +2 #t) r8 la'8 sol8 fa8 sol4 fa4 mi2 %% 55 : r8 la,8 si8 do8 re2 #(silun 0 -1 #t) r8 sol,8 la8 si8 do2 #(silun 0 +1 #t) r2 r8 la8 re8 do8 sib4 la2 sol4 la1^\fermata \bar "|." } alto = \relative do'' { \global \halsdown %% 1 : r2 mi4 mi4 ~ mi4 re4 do8 re8 mi4 la,4. si8 do2 \dotsDown sib4. \dotsNeutral la8 sol8 la8 sib4 %% 5 : la4. sol8 fa4 do'4 si4 do2 sib4 la2 r2 la4 re2 do4 sib2 la2 %% 10 : #(silun 0 -1 #t) r8 mi8 sol2 fa8 mi8 re4 sol8 fa8 mi4 re4 #(silun 0 -2 #t) r8 mi8 sol2 fa8 mi8 la2 ~ la8 do8 si8 la8 sol2 #(silun 0 -1 #t) r2 %% 15 : la4 sib2 la8 sol8 la4 sol2 la4 #(silun 0 -1 #t) r4 #(silun 0 -2 #t) r8 fa8 re8 mi8 fa8 sol8 la2 sib4 la4 #(silun 0 -2 #t) r2 do,4 re4 ~ %% 20 : re8 mi8 fa8 sol8 la4 sol8 fa8 sol2 #(silun 0 -1 #t) r2 r8 fa8 la4. si8 do8 re8 si4 #(silun 0 -1 #t) r8 sol8 fa8 mi8 re8 sol8 mi4 fa8 sol8 la8 si8 do8 la8 %% 25 : re8 do8 si8 la8 sol8 la8 si8 do8 la8 sol8 la2 re,4 \dotsDown mi4. sol8 ~ sol8 sol8 la8 sol8 fad4 sol4. sol8 fa4 mi4. fad8 sol2 %% 30 : do8 si8 la8 sol8 la2 r4 mi8 fa8 sol4 la4 ~ la4 sol4 fa2 sol2 r2 r4 re8 mi8 fa4 sol4 ~ %% 35 : sol4 fa4 mi2 la8 sol8 fa4. sol8 la4 ~ la4 la8 sol8 fa8 mi8 la4 sol4 fa4 r4 do4 ~ do4 sib4 la4 re8 mi8 %% 40 : fa4 sol4 r8 fa8 mi8 re8 \dotsDown mi4. \dotsNeutral re8 do8 re8 mi4 re4 mi4 fa4 r4 r4 sol8 la8 si8 do8 si8 la8 sol2 sol4. \dotsNeutral sol8 %% 45 : la2 #(silun 0 -1 #t) r8 la8 si8 do8 la2 r8 la8 la8 si8 do2 r8 mi8 re8 do8 si2 r8 re8 do8 si8 la1 %% 50 : r8 la8 sol8 fa8 mi8 fa8 sol4 fa4 la4. sol8 fa8 mi8 re4 mi8 fa8 sol4 mi4 fa2 #(silun 0 -2 #t) r2 #(silun 0 -1 #t) r8 sol8 la8 si8 do8 si8 la8 sol8 %% 55 : fad4 sol2 fa4 mi4 fa4 mi4 fa4 ~ fa8 [ re8 ] sol8 la16 sol16 fad2 #(silun 0 +1 #t) r8 sol8 fa!8 mi8 re4. mi8 fad1 } tenor = \relative do'' { \global \halsup %% 1 : la4 la2 sol4 fa2 mi4 mi4 ~ mi4 re4 do8 re8 mi8 fa8 sol8 re8 sol8 fa8 mi8 fa8 sol4 %% 5 : do,4. si?8 la2 re4 do4 sol'4 sol4 ~ sol4 fa2 mi8 re8 do8 mi8 fa8 re8 mi2 re2 #(silun 0 +3 #t) r4 la4 %% 10 : do4 si8 la8 sol2 r2 #(silun 0 +3 #t) r4 si4 do4 si8 la8 sol2 do4 #(silun 0 +3 #t) r4 la4 do4 ~ do4 si8 la8 sol8 la8 si8 do8 %% 15 : re4. do8 sib8 sol8 la8 sib8 do4 #(silun 0 +3 #t) r4 do4 la4 ~ la8 si8 do8 re8 sib4 la4 fa'8 mi8 re8 do8 sib8 sol8 re'4 \dotsDown do4. \dotsNeutral si?8 la2 %% 20 : sib4 la4. si8 do8 re8 do4 si8 sol8 do4 mi4 ~ mi8 re8 do8 si8 la2 re8 sol8 fa8 mi8 re8 do4 si8 do4 re8 mi8 fa8 mi8 re8 do8 %% 25 : si4 sol'8 fa8 mi4 re8 do8 re8 mi8 fa4 la,4. si8 do8 si8 la8 sol8 do8 si16 la16 sol4 la8 si8 sol8 si8 re4 la8 si8 do2 si4 do4 %% 30 : r4 la8 si8 do4 re4 ~ re4 do2 si8 la8 si4 sib4 la2 r8 mi'8 re8 do8 si8 la8 sol8 la8 sib2. la8 sol8 %% 35 : la2 sol4 la8 sol8 fa4 sib4 la4. si8 do8 si8 la2 sol8 fa8 mi4 fa2 mi4 fa4 sol4 la4 sib4 %% 40 : la4 #(silun 0 +3 #t) r4 #(silun 0 +3 #t) r8 re8 do8 sib8 la2 sol2 r8 re'8 do8 sib8 la4 fa'4 ~ fa4 mi4. mi8 re8 do8 si4 do4 re4 mi4 %% 45 : r8 la,8 si8 do8 re4. mi8 fa4 mi8 re8 dod4 re4 r8 la'8 sol8 fa8 mi2 r8 sol8 mi8 fa8 sol4 mi4 fa2 #(silun 0 +4 #t) r8 fa8 mi8 re8 %% 50 : do4 si8 la8 sol2 r8 re'8 do8 si8 la4 do4 ~ do8 do8 si8 la8 sib4 sol4 r8 la8 si?8 do8 re8 do4 re8 mi4 re2 do4 ~ %% 55 : do4 si4 la8 sol8 la8 si8 do4 fa,4 sol4 la4 sib2 la2 #(silun 0 -1 #t) r8 sol8 re'8 do8 sib2 \once \override Script #'padding = # 1 la1 ^\fermata } cantusfirmus=\lyricmode{ %% %% Urbs beata Jerusalem, %% dicta pacis visio, %% Quæ construitur in coelis vivis ex lapidibus, %% Et angelis coronata ut sponsata comite. %% Urbs1 Je1 -- ru1 -- sa1 -- \skip 1 lem1 be1 -- a1 -- ta1 Dic1 -- ta1 pa1 -- cis1 \skip 1 vi1 -- si1 -- o,1 %%\skip 1 Quæ1 cons1 -- tru1 -- i1 -- tur1 in1 coe1-- \skip 1 lis1 \skip 1 Vi1 -- vis1 ex1 la1 -- pi1 -- di1 -- bus1 %%\skip 1 Et1 an1 -- \skip 1 ge1 -- lis1 co1 -- ro1 -- na1 -- ta, %%\skip 1 Ut1 spon1 -- sa1 -- ta1 \skip 1 \skip 1 \skip 1 \skip 1 co1 -- mi1 -- te1 \skip 1 \skip 1 } basse = \relative do' { \global \halsdown %% 1 : la1 la1 la1 sol1 %% 5 : fa1 sol1 la1 la1 re,1 %% 10 : mi1 sol1 mi1 fa1 mi1 %% 15 : re1 do1 re1 #(silaa -2 #f) R1 fa1 %% 20 : re1 mi1 fa1 sol1 la1 %% 25 : sol1 fa1 mi1 re1 mi1 %% 30 : fa1 mi1 re1 mi1 re1 %% 35 : do1 #(silaa -4 #t) R1 la1 do1 re1 %% 40 : re1 do1 fa1 sol1 sol1 %% 45 : fa1 R1 la1 sol1 fa1 mi1 %% 50 : fa1 sol1 fa1 mi1 re1 %% 55 : do1 re1 re1 ~ re1 } sopranomidi = \relative do''' { \global \halsup %% 1 : #(silaa +7 #t) R1 la8 r8 la2 sol4 fa2 mi4 la4 re,4 mi8 fa8 sol8 fa4 mi8 %% 5 : fa4 do2 fa4 ~ fa4 mi4 re2 do4. si8 la8 si8 do8 re8 mi4 r4 la8 r8 la4 ~ la4 sol4 fa2 %% 10 : mi2 #(silun 0 +1 #t) r8 si8 do4 ~ do4 si8 la8 sol2 #(silun 0 +1 #t) r2 si4 do4 ~ do4 re8 mi8 fa2 sol4 mi4. fa8 sol8 mi8 %% 15 : fa4. mi8 re4 fa4 ~ fa4 mi8 re8 mi2 fa2 r2 r4 fa4 re8 mi8 fa8 sol8 la4 la,4 r4 la8 sol8 %% 20 : fa8 sol8 la4 r2 r8 do8 mi4. re8 do8 si8 la4 do4 re4 r4 #(silaa +4 #t) R1 #(silun 0 +1 #t) r8 mi8 re4 do8 re8 mi8 fad8 %% 25 : sol4 re4 mi8 do8 re8 mi8 fa8 mi8 re8 do8 re8 do8 si8 la8 sol4 do8 si8 mi8 re8 dod4 re4 si4 la8 si8 re4 sol,4 la4 si4 mi4 ~ %% 30 : mi4 re4 do4 fa4 sol4. fa8 mi2 r2 r4 la,8 si8 do8 si4 la8 sol4 sol'4 fa8 mi8 fa8 mi8 re2 %% 35 : r4 la8 si8 do2 ~ do4 re4 do4 fa4 mi8 re8 do8 si8 do2 ~ do8 si8 la4 sol2 fa4 re8 mi8 fa4 sol4 %% 40 : la4 sib4 la2 r8 la8 sol8 fa8 mi4 r8 do'8 ~ do8 sib8 la8 sol8 do4 la4 si?4 do4 sol'2 r8 mi8 re8 do8 si4 do4 ~ %% 45 : do2 #(silun 0 +1 #t) r2 r8 la'8 sol8 fa8 mi4 fa4 mi2 #(silun 0 +2 #t) r2 #(silaa +4 #t) R1 r8 fa8 mi8 re8 do4. re8 %% 50 : mi2 r8 do8 si8 do8 la2 r2 #(silun 0 +1 #t) r2 #(silun 0 -1 #t) r8 re8 do8 sib8 la2 #(silun 0 +2 #t) r8 la'8 sol8 fa8 sol4 fa4 mi2 %% 55 : r8 la,8 si8 do8 re2 #(silun 0 -1 #t) r8 sol,8 la8 si8 do2 #(silun 0 +1 #t) r2 r8 la8 re8 do8 sib4 la2 sol4 la1^\fermata \bar "|." } altomidi = \relative do'' { \global \halsdown %% 1 : r2 mi8 r8 mi4 ~ mi4 re4 do8 re8 mi4 la,4. si8 do2 sib4. la8 sol8 la8 sib4 %% 5 : la4. sol8 fa4 do'4 si4 do2 sib4 la2 r2 la4 re2 do4 sib2 la2 %% 10 : #(silun 0 -1 #t) r8 mi8 sol2 fa8 mi8 re4 sol8 fa8 mi4 re4 #(silun 0 -2 #t) r8 mi8 sol2 fa8 mi8 la2 ~ la8 do8 si8 la8 sol2 #(silun 0 -1 #t) r2 %% 15 : la4 sib2 la8 sol8 la4 sol2 la4 #(silun 0 -1 #t) r4 #(silun 0 -2 #t) r8 fa8 re8 mi8 fa8 sol8 la2 sib4 la4 #(silun 0 -2 #t) r2 do,4 re4 ~ %% 20 : re8 mi8 fa8 sol8 la4 sol8 fa8 sol2 #(silun 0 -1 #t) r2 r8 fa8 la4. si8 do8 re8 si4 #(silun 0 -1 #t) r8 sol8 fa8 mi8 re8 sol8 mi4 fa8 sol8 la8 si8 do8 la8 %% 25 : re8 do8 si8 la8 sol8 la8 si8 do8 la8 sol8 la2 re,4 mi4. sol8 ~ sol16 r16 sol8 la8 sol8 fad4 sol4 ~ sol16 r16 sol8 fa4 mi4. fad8 sol2 %% 30 : do8 si8 la8 sol8 la2 r4 mi8 fa8 sol4 la4 ~ la4 sol4 fa2 sol2 r2 r4 re8 mi8 fa4 sol4 ~ %% 35 : sol4 fa4 mi2 la8 sol8 fa4. sol8 la4 ~ la4 la8 sol8 fa8 mi8 la4 sol4 fa4 r4 do4 ~ do4 sib4 la4 re8 mi8 %% 40 : fa4 sol4 r8 fa8 mi8 re8 mi4. re8 do8 re8 mi4 re4 mi4 fa4 r4 r4 sol8 la8 si8 do8 si8 la8 sol4. r8 sol4 ~ sol16 r16 sol8 %% 45 : la2 #(silun 0 -1 #t) r8 la8 si8 do8 la2 r8 la8 la8 si8 do2 r8 mi8 re8 do8 si2 r8 re8 do8 si8 la1 %% 50 : r8 la8 sol8 fa8 mi8 fa8 sol4 fa4 la4. sol8 fa8 mi8 re4 mi8 fa8 sol4 mi4 fa2 #(silun 0 -2 #t) r2 #(silun 0 -1 #t) r8 sol8 la8 si8 do8 si8 la8 sol8 %% 55 : fad4 sol2 fa4 mi4 fa4 mi4 fa4 ~ fa8 [ re8 ] sol8 la16 sol16 fad2 #(silun 0 +1 #t) r8 sol8 fa!8 mi8 re4. mi8 fad1 } tenormidi = \relative do'' { \global \halsup %% 1 : la8 r8 la2 sol4 fa2 mi8 r8 mi4 ~ mi4 re4 do8 re8 mi8 fa8 sol8 re8 sol8 fa8 mi8 fa8 sol4 %% 5 : do,4. si?8 la2 re4 do4 sol'8 r8 sol4 ~ sol4 fa2 mi8 re8 do8 mi8 fa8 re8 mi2 re2 #(silun 0 +3 #t) r4 la4 %% 10 : do4 si8 la8 sol2 r2 #(silun 0 +3 #t) r4 si4 do4 si8 la8 sol2 do4 #(silun 0 +3 #t) r4 la4 do4 ~ do4 si8 la8 sol8 la8 si8 do8 %% 15 : re4. do8 sib8 sol8 la8 sib8 do4 #(silun 0 +3 #t) r4 do4 la4 ~ la8 si8 do8 re8 sib4 la4 fa'8 mi8 re8 do8 sib8 sol8 re'4 do4. si?8 la2 %% 20 : sib4 la4. si8 do8 re8 do4 si8 sol8 do4 mi4 ~ mi8 re8 do8 si8 la2 re8 sol8 fa8 mi8 re8 do4 si8 do4 re8 mi8 fa8 mi8 re8 do8 %% 25 : si4 sol'8 fa8 mi4 re8 do8 re8 mi8 fa4 la,4. si8 do8 si8 la8 sol8 do8 si16 la16 sol4 la8 si8 sol8 si8 re4 la8 si8 do2 si4 do4 %% 30 : r4 la8 si8 do4 re4 ~ re4 do2 si8 la8 si4 sib4 la2 r8 mi'8 re8 do8 si8 la8 sol8 la8 sib2. la8 sol8 %% 35 : la2 sol4 la8 sol8 fa4 sib4 la4. si8 do8 si8 la2 sol8 fa8 mi4 fa2 mi4 fa4 sol4 la4 sib4 %% 40 : la4 #(silun 0 +3 #t) r4 #(silun 0 +3 #t) r8 re8 do8 sib8 la2 sol2 r8 re'8 do8 sib8 la4 fa'4 ~ fa4 mi4. mi8 re8 do8 si4 do4 re4 mi4 %% 45 : r8 la,8 si8 do8 re4. mi8 fa4 mi8 re8 dod4 re4 r8 la'8 sol8 fa8 mi2 r8 sol8 mi8 fa8 sol4 mi4 fa2 #(silun 0 +4 #t) r8 fa8 mi8 re8 %% 50 : do4 si8 la8 sol2 r8 re'8 do8 si8 la4 do4 ~ do16 r16 do8 si8 la8 sib4 sol4 r8 la8 si?8 do8 re8 do4 re8 mi4 re2 do4 ~ %% 55 : do4 si4 la8 sol8 la8 si8 do4 fa,4 sol4 la4 sib2 la2 #(silun 0 -1 #t) r8 sol8 re'8 do8 sib2 la1 ^\fermata } bassemidi = \relative do' { \global \halsdown %% 1 : la2.. r8 la2.. r8 la1 sol1 %% 5 : fa1 sol1 la2.. r8 la1 re,1 %% 10 : mi1 sol1 mi1 fa1 mi1 %% 15 : re1 do1 re1 #(silaa -2 #f) R1 fa1 %% 20 : re1 mi1 fa1 sol1 la1 %% 25 : sol1 fa1 mi1 re1 mi1 %% 30 : fa1 mi1 re1 mi1 re1 %% 35 : do1 #(silaa -4 #t) R1 la1 do1 re1 %% 40 : re1 do1 fa1 sol2.. r8 sol1 %% 45 : fa1 R1 la1 sol1 fa1 mi1 %% 50 : fa1 sol1 fa1 mi1 re1 %% 55 : do1 re2.. r8 re1 ~ re1 } \paper { %%#(set-paper-size "a4") before-title-space=0\mm after-title-space=15\mm head-separation = 0\mm between-system-padding=6\mm %%between-system-space=25\mm indent = 3\cm bottom-margin = 5\mm top-margin = 5\mm %raggedbottom = ##f %raggedlastbottom = ##f } \score{ \new PianoStaff << \override PianoStaff.VerticalAlignment #'forced-distance = #14 \new Staff = "dessus" << \clef "violin" \set Staff.midiInstrument = "pan flute" \soprano \alto >> \new Staff = "basse" << \clef "bass" \set Staff.midiInstrument = "pan flute" \tenor << \new Voice = "bidon" {\basse} \new Lyrics \lyricsto "bidon" {\cantusfirmus} >> >> >> \layout{ \context { \PianoStaff %\override VerticalAxisGroup #'minimum-Y-extent = #'(-20 . 20) } } } \score { << \new Staff { \set Staff.midiInstrument = "pan flute" \sopranomidi } \new Staff { \set Staff.midiInstrument = "recorder" \transpose do do' \sopranomidi } \new Staff { \set Staff.midiInstrument = "pan flute" \altomidi } \new Staff { \set Staff.midiInstrument = "recorder" \transpose do do' \altomidi } \new Staff { \set Staff.midiInstrument = "pan flute" \tenormidi } \new Staff { \set Staff.midiInstrument = "recorder" \transpose do do' \tenormidi } \new Staff { \set Staff.midiInstrument = "pan flute" \bassemidi } \new Staff { \set Staff.midiInstrument = "pan flute" \transpose do do, \bassemidi } %%$ \new Staff { % tempo staff %%$ s1* 56 %%$ \tempo 2 = 45 s4 \tempo 2 = 40 s4 \tempo 2 = 30 s4 \tempo 2 = 25 s4 %%$ \tempo 2 = 20 s1 %%$ } >> \midi{ \context { \Score tempoWholesPerMinute = #(ly:make-moment 100 4) } } }