\version "2.10.25" \header { title = \markup \center-align { \bigger "La Traviata" " " } subtitle = "Brindisi dell introduzione" subsubtitle = \markup {\italic "«Libiamo ne'lieti calici»"} composer = "G. Verdi" arranger = "Transcripción de N. Toledo" piece = "Nº 2" %copyright = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" % Mutopia headers mutopiatitle = "La Traviata - N2 Brindisi" mutopiacomposer = "VerdiG" mutopiainstrument = "Piano" source = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" style = "Romantic" copyright = "Public Domain" maintainer = "Alberto Corella" maintainerEmail = "ppiano@telefonica.net" footer = "Mutopia-2008/01/13-1215" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } upper = \relative c'' { \clef treble \key bes \major \time 3/8 R4.^\markup{\column {\line {\bold "Allegretto. ("\note #"4" #1 \bold " = 69)"} " "}} | r8 r \once\override DynamicText #'extra-offset = #'(-2.5 . 2) \f | 4.-> ~ | 8 -. -. | % 1.1 - 4 8-. -. -. | \set fingeringOrientations = #'(left) \override DynamicLineSpanner #'staff-padding = #3 \once\override PhrasingSlur #'positions = #'(7.0 . 6.0)\(\<[ \grace {ees'16-4[_( d-5])} \set fingeringOrientations = #'(up) \once\override Fingering #'avoid-slur = #'inside 8 ]\) | 4.\!\>( ~ | \revert DynamicLineSpanner #'staff-padding 8 )\! | % 1.2 - 8 \once\override DynamicText #'extra-offset = #'(0 . -2) \ppp \acciaccatura {d8-5} 16 | 8 \acciaccatura {d8-5} 16( ) | 4( 8) | f8-2 r \f | % 1.3 - 12 4. ~ | 8 -. -. | 8-. -. -. | \override DynamicLineSpanner #'staff-padding = #3 \once\override PhrasingSlur #'positions = #'(7.0 . 6.0)\(\<[ \grace {ees'16[_( d])} 8 ]\) | % 1.4 - 16 4.\!\>( ~ | \revert DynamicLineSpanner #'staff-padding 8 )\! | \once\override DynamicText #'extra-offset = #'(0 . -2) \ppp \acciaccatura {d8} 16 | 8 \acciaccatura {d8} 16( ) | R4.^\markup{\musicglyph #"scripts.ufermata"} | R4. | % 1.5 - 22 \once\override TextScript #'staff-padding = #2.0 r8^\markup{\italic "con grazia. leggeriss."} r f,,-1 | d'4. ~ | d8 f,-. d'-. | d8-. f,-. d'-. | d8-3\([ \appoggiatura{ees16-4[ d-3]} cis8-2 d-3\)] | % 2.1 - 27 f4.-5 ~ | f8\( ees d\) | c-2\pp \acciaccatura {d8-4} c16-3\( b c d\) | c8 \acciaccatura {d8} c16\( b c d\) | % 2.2 - 31 c4-3\( bes8-2 | f8-1\) r f | d'4. ~ | d8-. f,-. d'-. | d8-. f,-. d'-. | % 2.3 - 36 d8\([ \appoggiatura{ees16[ d]} cis8 d\)] | f4. ~ | f8\( ees d\) | c\pp \acciaccatura {d8} c16\( b c d\) | c8 \acciaccatura {d8} c16\( b c d\) | % 2.4 - 41 bes!4 r8 | r r bes-2 | ees4-4 ees8-3 | ees-3 \acciaccatura {f8-4} ees16-3\( d ees f\) | ees4->( d8) | % 2.5 - 46 \once\override TextScript #'staff-padding = #2.0 d4(^\markup{\italic "legato."} f,8-1) | c'4-3\p c8 | c8-3 \acciaccatura {d8-4} c16\( b c d\) | c4.( | bes8) r bes-2 | % 2.6 - 51 ees4-4 ees8-3 | ees8 \acciaccatura {f8} ees16\( d ees f\) | ees4.( | d4)\( \override Fingering #'avoid-slur = #'inside f8-4 | \set fingeringOrientations = #'(down) 4 \revert Fingering #'avoid-slur 8\) | % 3.1 - 56 a8-3 \acciaccatura {bes8-4} a16-3\( gis a bes\) | a4.\< ~ | a8\( c-5 f,-1\)\! | d'4. ~ | d8 f,-. d'-. | % 3.2 - 61 d8-. f,-. d'-. | d8\([ \appoggiatura{ees16[ d]} cis8 d\)] | \acciaccatura {g,8} g'4.-> ~ | g8\( \once\override Fingering #'avoid-slur = #'inside f-4 ees\) | d8-2\ppp \acciaccatura {ees8-4} d16-3\( cis d ees\) | % 3.3 - 66 c8-2 \acciaccatura {d8-4} c!16\( b c d\) | bes!8 4\f\> ~ | 8\!\( \) | \acciaccatura {ees'8} 16\p\( \) | 8 \acciaccatura {d8} 16\( \) | % 3.4 - 71 8 4\f\> ~ | 8\!\( \) | \acciaccatura {ees'8} 16\( \) | 8 \acciaccatura {d8} 16\( \) | 8 -> r | r\fermata r f,8 | % 3.5 - 77 d'4.\p ~ | d8 f,-. d'-. | d8-. f,-. d'-. | d8\([ \appoggiatura{ees16[ d]} cis8 d\)] | f4.-> ~ | f8\( ees d\) | % 4.1 - 83 c\pp \acciaccatura {d8-4} c16-3\( b c d\) | c8 \acciaccatura {d8} c16\( b c d\) | c4\( bes8 | f8\) r f | d'4. ~ | % 4.2 - 88 d8-. f,-. d'-. | d8-. f,-. d'-. | d8\([ \appoggiatura{ees16[ d]} cis8 d\)] | f4. ~ | f8\( ees d\) | c \acciaccatura {d8} c16\( b c d\) | % 4.3 - 94 c8-.\( \acciaccatura {d8} c16 b c d\) | bes4 r8 | r r bes | ees4 ees8 | ees-.\( \acciaccatura {f8} ees16 d ees f\) | % 4.4 - 99 ees4( d8) | d4( f,8) | c'4 c8 | c-. \acciaccatura {d8} c16\( b c d\) | c4.( | bes8) r bes | % 4.5 - 105 ees4 ees8 | ees \acciaccatura {f8} ees16\( d ees f\) | ees4.( | d4)\( f8 | a,4 a8-3\) | % 4.6 - 110 a8 \acciaccatura {bes8} a16\( gis a bes\) | a4.\< ~ | a8\! c( f,) | d'4. ~ | d8 f, d' | % 5.1 - 115 d-. f,-. d'-. | d8\([ \appoggiatura {ees16[ d]} cis8 d\)] | \acciaccatura {g,8} g'4. ~ | g8\( f ees\) | d8 \acciaccatura {ees8} d16\( cis d ees\) | % 5.2 - 120 c!8 c16\( bes c d\) | bes8 bes'4 ~ | bes4 bes,8 | g'4.\f ~ | g8-. bes,-. g'-. | g-. bes,-. g'-. | % 5.3 - 126 g-3\([ \appoggiatura {aes16[ g]} fis8-2 g-3]\) | bes4.-5\ff\> ~ | bes8\( aes g\)\! | f8-2 \acciaccatura {g8-4} f16-3\( e f g\) | f8 \acciaccatura {g8} f16\( e f g\) | % 5.4 - 131 f4\( ees8 | bes\) r bes | g'4. ~ | g8-. bes,-. g'-. | g-. bes,-. g'-. | g\([ \appoggiatura {aes16[ g]} fis8 g]\) | % 5.5 - 137 c4. ~ | c8\( bes aes\) | g8 \acciaccatura {a8-4} g16\( fis g a\) | f!8 \acciaccatura {g8} f16\( e f g\) | ees!8 r bes | % 5.6 - 142 ees4\p ees8 | ees8 \acciaccatura {f8} ees16\( d ees f\) | ees4.( | d4) f,8 | c'4 c8 | % 6.1 - 147 c8 \acciaccatura {d8} c16\( b c d\) | c4.( | bes4) bes8 | ees4 ees8 | ees8 \acciaccatura {f8} ees16\( d ees f\) | % 6.2 - 152 ees4.( | d4) f8 | a,4 a8 | a8 \acciaccatura {bes8} a16\( g a bes\) | a4. ~ | % 6.3 - 157 a8\( c \) | \override TextSpanner #'edge-text = #'("con 8ª " . "") \textSpannerUp d4.\pp\startTextSpan ~ | d8-. f,-. d'-. | d8-. f,-. d'-. | d8\([ \appoggiatura{ees16[ d]} cis8 d\)] | % 6.4 - 162 f4. ~ | f8\( ees d\) | c \acciaccatura {d8} c16\( b c d\) | c8 \acciaccatura {d8} c16\( b c d\) | c4( c8) | % 6.5 - 167 f,8 r f | d'4.-> ~ | d8 f,-. d'-. | d-. f,-. d'-. | d[\( \appoggiatura {ees16[ d]} cis8 d]\) | g4.-> ~ | % 7.1 - 173 g8\( f ees\) | d8 \acciaccatura {ees8} d16\( cis d ees\) | c!8 \acciaccatura {d8} c16\( b c d\) | bes8\stopTextSpan #(set-octavation 1) 4\f-> ~ | 8 4 ~ | % 7.2 - 178 8\( \) | 16( ) 8-. -. | 4-> ~ | 8 4 ~ | 8\( \) | 16( ) 8-. -. | % 7.3 - 184 8\f\< f'4\startTrillSpan_\markup{\finger "2 3"} ~ | f4. ~ | f4. ~ | \afterGrace f4.\stopTrillSpan {e16[-1 f]-2} | \set fingeringOrientations = #'(left) 16\!\ff bes bes bes | % 7.4 - 189 bes bes bes | bes bes bes | bes bes bes | 8 #(set-octavation 0) r r\fermata | % fin \bar "|." } lower = \relative c { \clef bass \key bes \major \time 3/8 \once\override Fingering #'extra-offset = #'(0 . -2.5) bes8-5^\f \set fingeringOrientations = #'(left) | bes, | bes, | bes, | % 1.1 - 4 bes, | bes, | bes, | bes, | % 1.2 - 8 | | bes, | bes, | % 1.3 - 12 bes, | bes, | bes, | bes, | % 1.4 - 16 bes, | bes, | | | R4.^\markup{\musicglyph #"scripts.ufermata"} | bes,8 | % 1.5 - 22 bes, | bes, | bes, | bes, | bes, | % 2.1 - 27 bes, | bes, | f-5 | f | % 2.2 - 31 bes, | bes, | bes, | bes, | bes, | % 2.3 - 36 bes, | bes, | bes, | f | f | % 2.4 - 41 bes, | bes, | << {\override Staff.NoteCollision #'merge-differently-dotted = ##t ees4.} \\ {ees8 } >> | << {ees4.} \\ {ees8 } >> | bes, | % 2.5 - 46 bes, | f | f | bes, | bes, | % 2.6 - 51 << {g4.} \\ {g8 } >> | << {g4.} \\ {g8 } >> | 8 | 8 | 8 | % 3.1 - 56 8 | d, | c, | bes, | bes, | % 3.2 - 61 bes, | bes, | | | | % 3.3 - 66 | \set fingeringOrientations = #'(left) 8 16_([ ) 8] | | | | % 3.4 - 71 8 16_([ ) 8] | | | | -> r | R4.^\markup{\musicglyph #"scripts.ufermata"} | % 3.5 - 77 bes,8 | bes, | bes, | bes, | bes, | bes, | % 4.1 - 83 f | f | bes, | bes, | bes, | % 4.2 - 88 bes, | bes, | bes, | bes, | bes, | f | % 4.3 - 94 f | bes, | bes, | << {ees4.} \\ {ees8 } >> | << {ees4.} \\ {ees8 } >> | % 4.4 - 99 bes, | bes, | f | f | | | % 4.5 - 105 << {g4.} \\ {g8 } >> | << {g4.} \\ {g8 } >> | | | | % 4.6 - 110 | d, | c, | bes, | bes, | % 5.1 - 115 bes, | bes, | | | | % 5.2 - 120 | \set fingeringOrientations = #'(left) 8 \( | \) | | ees, | ees, | % 5.2 - 126 ees, | | | | | % 5.3 - 131 | | | | | | % 5.4 - 137 | | | | | % 5.5 - 142 << {ees4.} \\ {ees8 } >> | << {g4.} \\ {g8 } >> | bes,8 | bes,8 | f | % 6.1 - 147 f | bes,8 | bes,8 | << {g4.} \\ {g8 } >> | << {g4.} \\ {g8 } >> | % 6.2 - 152 8 | 8 | | | d, | % 6.3 - 157 c, | -. f-.-2 d-.-3 | -. f-. d-. | -. f-. d-. | -. f-. d-. | % 6.4 - 162 -. f-. d-. | -. f-. d-. | -. f-. ees-. | -. f-. ees-. | -. f-. d-. | % 6.5 - 167 -. f-. d-. | -. f-. d-. | -. f-. d-. | -. f-. d-. | -. f-. d-. | bes, d | % 7.1 - 173 bes, d | bes, d | | r | r | % 7.2 - 178 r | r | r | r | r | r | % 7.3 - 184 | | | | | % 7.4 - 189 | | | r r\fermata | % fin \bar "|." } \score { \new GrandStaff << \new Staff = upper { \upper } \new Staff = lower { \lower } >> \layout { } \midi { } } \paper { first-page-number = 11 print-first-page-number = ##t ragged-last-bottom = ##f %#(set-paper-size "a4") }