\version "2.10.25" \header { title = \markup \center-align { \bigger "La Traviata" " " } subtitle = "Scena ed aria" subsubtitle = \markup {\italic "«Ah fors e lui che l'anima»"} composer = "G. Verdi" arranger = "Transcripción de N. Toledo" piece = "Nº 5" %copyright = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" % Mutopia headers mutopiatitle = "La Traviata - N5 Scena ed aria" mutopiacomposer = "VerdiG" mutopiainstrument = "Piano" source = "Calcografía de la 'Nueva Biblioteca Musical Económica', 1857-1869" style = "Romantic" copyright = "Public Domain" maintainer = "Alberto Corella" maintainerEmail = "ppiano@telefonica.net" footer = "Mutopia-2008/01/13-1218" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } upper = \relative c'' { \clef treble \key aes \major \time 3/8 << {\times 2/3 {16^\markup{\column {\line {\bold "Andantino. ("\note #"4" #1 \bold " = 96)"} " "}}[ ]} 8 r} \\ {\times 2/3 {e,16[ g bes]} e8 s} >> | << {\times 2/3 {16[ ]} 8 r} \\ {\times 2/3 {c,16[ f aes]} c8 s} >> | << {\times 2/3 {16[ ]} 8 r} \\ {\times 2/3 {c,16[ e g]} c8 s} >> | R4. | % 1.1 - 4 \stemUp \once\override TextScript #'extra-offset = #'(0 . -1) des16[_\markup{\dynamic p } \once\override TextScript #'extra-offset = #'(0 . -1.5) r_\markup{"Ah fors'è lui che l'anima..."} c r aes] r | \noBreak \stemNeutral f4-1^\markup{\italic dolciss.}\( f'8 | des4 f8-5\) | c4.-1( | \times 2/3 {bes16-.)-2[ c-.-1 des-.] } f8-4 ees-3 | \appoggiatura {ees16-3[ des]} c4 aes'8-5 | % 1.2 - 10 \stemDown \times 2/3 {g,16-.-1[ aes-. bes-.]} c8-> c-> | \stemNeutral f,8-1[ \appoggiatura {aes16[ g]} f8] r | des'16-.[ r c-. r aes-.] r | f4\( f'8 | des4 f8\) | c4. | % 1.3 - 16 \times 2/3 {bes16-.[ c-. des-.]} f8 ees | \appoggiatura {ees16[ des]} c4 aes'8 | \stemDown \times 2/3 {g,16-.[ aes-. bes-.]} c8 c | \stemNeutral f,8[ \appoggiatura {aes16[ g]} f8] r | \times 2/3 {\once\override DynamicLineSpanner #'staff-padding = #2.5 f16[-2\pp e-3 f]} f8 g-1 | aes8.-2 bes16 aes8 | % 1.4 - 22 \times 2/3 {aes16-.-2[ \once\override TextScript #'extra-offset = #'(0 . -1.5) g-._\markup{\italic cres.} aes-.]} aes8 bes | c8.-1\(\f\< des16-3 c8-2\) | \times 2/3 {c16-2[ b c]} c8 d | e8.\(\! d16 c8\) | \times 2/3 {c16-.[^\markup{\dynamic ppp} b-. c-.]} c8 d | e4.\fermata | % 1.5 - 28 \key f \major \bar "||" \textSpannerUp \override TextSpanner #'edge-text = #'("con 8ª ad libitum" . "") \once\override TextSpanner #'extra-offset = #'(0 . 2) f4\startTextSpan(\pp\> e16.\! d32) | e4( d16. c32) | \stemDown a8( bes g) | % 2.1 - 31 \stemNeutral a8.( g16 f8) | f'4->( e16. d32) | e4( d16. c32) | \stemDown a8. bes16 \times 2/3 {bes16-.[ a-. g-.]} | % 2.2 - 35 a4( f8) | des'-.\( des-. des-.\) | c4( f,8) | des'\( des16-. des-. des-. des-.\) | % 2.3 - 39 c4(\< f8)\!\stopTextSpan | a( g16) r \acciaccatura g8 \times 2/3 {f16 e d} | d8( c16) r \times 2/3 {c16-. f-. a,-.} | d8( c16) r \times 2/3 {a16-. bes-. g-.} | % 2.4 - 43 << {f4 r8} \\ {8 r r} >> | << {\times 2/3 {16[ ]} 8 r} \\ {\times 2/3 {e,16[ g bes]} e8 s} >> | << {\times 2/3 {16[ ]} 8 r} \\ {\times 2/3 {c,16[ f aes]} c8 s} >> | << {\times 2/3 {16[ ]} 8 r} \\ {\times 2/3 {c,16[ e g]} c8 s} >> | \bar "||" \key aes \major R4. | % 2.5 - 48 des16[ r c r aes] r | f4^\markup{\italic dolciss.}\( f'8 | des4 f8\) | c4.( | \times 2/3 {bes16-.)[ c-. des-.] } f8 ees | % 3.1 - 53 \appoggiatura {ees16[ des]} c4 aes'8 | \stemDown \times 2/3 {g,16-.[ aes-. bes-.]} c8-> c-> | \stemNeutral f,8[ \appoggiatura {aes16[ g]} f8] r | des'16-.[ r c-. r aes-.] r | f4\( f'8 | % 3.2 - 58 des4 f8\) | c4. | \times 2/3 {bes16-.[ c-. des-.]} f8 ees | \appoggiatura {ees16[ des]} c4 aes'8 | \stemDown \times 2/3 {g,16-.[ aes-. bes-.]} c8-> c-> | % 3.3 - 63 \stemNeutral f,8[ \appoggiatura {aes16[ g]} f8] r | \times 2/3 {\once\override DynamicLineSpanner #'staff-padding = #2.5 f16[\pp e f]} f8 g | aes8.-2 bes16 aes8 | \times 2/3 {aes16-.[ \once\override TextScript #'extra-offset = #'(0 . -1.5) g-._\markup{\italic cres.} aes-.]} aes8 bes | c8.-1\(\f\< des16 c8\) | % 3.4 - 68 \times 2/3 {c16[ b c]} c8 d | e8.\(\! d16 c8\) | \times 2/3 {c16-.[^\markup{\dynamic ppp} b-. c-.]} c8 d | e4.\fermata | % 3.5 - 72 \key f \major \bar "||" \textSpannerUp \override TextSpanner #'edge-text = #'("con 8ª ad libitum" . "") \once\override TextSpanner #'extra-offset = #'(0 . 2) f4\startTextSpan(\pp\> e16.\! d32) | e4( d16. c32) | \stemDown a8( bes g) | \stemNeutral a8.( g16 f8) | % 3.6 - 76 f'4->( e16. d32) | e4( d16. c32) | \stemDown a8. bes16 \times 2/3 {bes16-.[ a-. g-.]} | a4( f8) | % 4.1 - 80 des'-.\( des-. des-.\) | c4( f,8) | des'\( des16-. des-. des-. des-.\) | c4(\< f8)\!\stopTextSpan | % 4.2 - 84 a( g16) r \acciaccatura g8 \times 2/3 {f16 e d} | d8( c16) r \times 2/3 {c16-. f-. a,-.} | d8( c16) r \times 2/3 {a16-. bes-. g-.} | << {8} \\ {a,8} >> r \times 2/3 {16-. -. -.} | % 4.3 - 88 8->( c'16) r \times 2/3 {16-. -. -. } | 8 r r | \cadenzaOn c4 ~ \tiny c16\([ \override Fingering #'avoid-slur = #'inside fis-2 a-4 g-3] bes-5[ dis,-2 f-4 e-3] g-5[ b,-1 d-4 c-3] e-5[ a,-1 c-4 bes-3] d-5[ fis,-2 a g\)] \normalsize \stemUp bes-5_([ e,)] \stemNeutral d'8.-5\fermata c16 % 4.4 - 91 \cadenzaOff \bar "|" \set Score.currentBarNumber = #92 << {fis,8-1 r r} \\ {r } >> | % Pongo el sostenido para que no salga la alteración << {R4.} \\ {r8 } >> | 4 r8\fermata | \bar "||" \time 4/4 r4\fermata r8 c' c[ a] r f' | % 4.5 - 95 \bar "||" 8\p^\markup{\column {\line {\bold "Allegro. ("\note #"4" #1 \bold " = 120)"} " "}} \times 2/3 {f16-. c-. a-.} f8-.[ ] \times 2/3 {a'16-. f-. c-.} a8-.[ ] | 8 a,\noBeam a[ a] a4. g8 | f8 \times 2/3 {d'16-. a-. f-.} d8[ ] \times 2/3 {f'16-. d-. a-.} f8[ ] | % 4.6 - 98 4 r f'-3 e8-2 d-1 | << {c8 s8} \\ {c8^\markup{\finger 5} \override TextScript #'extra-offset = #'(0 . -4) c,16^\markup{\finger 1} c^\markup{\finger 2} \revert TextScript #'extra-offset } >> c16_4 c_3 c_2 c_1 c c c c c_4 c c c | % 5.1 - 100 c c c c c c c c c c c c c c c c | c c c c c c c c c c c c c c c c | % 5.2 - 102 c c c c c c c c c c c c c c c c | c c c c c c c c c c c c c c c c | 4 c' r8 c-1 c d | % 5.3 - 105 ees4 r r8 ees-3 ees f | << {ges4-5( ees) r r8. ees16} \\ {ges,2-1 r} >> | << {g'!2( ees4) r8. d16-2} \\ {g,2\ff r} >> | f'4.. ees16 \times 2/3 {ees4-. d-. c-.} | % 5.4 - 109 \cadenzaOn bes4-3 ~ \once\override PhrasingSlur #'positions = #'(2.5 . 4) bes16\( c-4 bes-3 a-2 bes-3 c-1 d ees f-1[ g aes bes] c-5[ aes-3 f-1 g-3] aes-4[ f-2 d-1 ees-2] f-3[ d-1 aes-2 bes] c[ aes f ees_2] d4_1\)_\markup{\italic "con forza."} r16 bes'[ a bes] g'8. f16 \cadenzaOff \bar "|" % 5.5 - 110 \set Score.currentBarNumber = #111 << {4} \\ {g,4} >> r4\fermata r8_\markup{\italic "doce à piacere"} bes'16-4\( aes!-3 g-2 aes-3 f-1 g-4\) | ees4-2 r r8 bes'16\( aes g aes f g\) | \once\override PhrasingSlur #'positions = #'(4 . 3) \once\override PhrasingSlur #'eccentricity = #-4 ees8\( des'16-5 c bes aes g-1 f-4 ees-3 f d! f ees f d f | % 6.1 - 112 \textSpannerDown \override TextSpanner #'edge-text = #'("allarg. " . "") ees16\startTextSpan f des ees c8-1 ees-4 bes4-2 ees\)\fermata\stopTextSpan | \bar "||" \key aes \major \time 6/8 \partial 8*2 8-.^\markup{\column {\line {\bold "Allº brillante. ("\note #"4" #1 \bold " = 84)"} " "}} -. | 4(-> 8) 16([ ) 8-. -.] | \acciaccatura aes'8 g4^\markup{\finger "23"}\trill f8 \acciaccatura aes8 g4\trill f8 | % 6.2 - 116 f4\trill^\markup{\finger "34"} ees8-2 -.[ -. -.] | 4.->( 8) -. -. | 4( 8) 16([ ) 8-. -.] | \acciaccatura aes8 g4\trill f8 \acciaccatura aes8 g4\trill f8 | % 6.3 - 120 f8_3 ees16(_2 g_1 bes_2 des_3) 8-> -> r | r4 r8\fermata r8 c,8-.-1_\markup{"Sempre libera degg'io"} des-.-2 | \noBreak f4->-4( \override Fingering #'avoid-slur = #'outside ees8-3) des16([-2 c-1) bes8-.-4 aes-.] | % 6.4 - 123 \acciaccatura aes8 g4_\markup{\finger 23}\trill f8_1 \acciaccatura aes8 g4\trill f8 | f4\trill^\markup{\finger 34}_( ees8-2) g-.-1[ aes-. bes-.] | des4.-4( c8-3) c-.-1 des-. | f4->( ees8) des16[( c) bes8-. aes-.] | % 6.5 - 127 \acciaccatura aes8 g4\trill f8 \acciaccatura aes8 g4\trill f8 | f4_( ees8) \times 2/3 {des'16[ ees des} c8 bes] | aes4 r8 r c-.-1 c-. | c16(-4 bes) g8-. bes-. bes16( aes) f8-. aes-.-4 | g8-2 c,4-1 r8 c'-. c-. | % 7.1 - 132 c16( bes) g4 bes16[-3( aes) f8-. f'-.-5] | \afterGrace e4.\trill {dis16[( e])} \afterGrace g4.\trill {fis16[( g)]} | c8[-5 e,16\(_2 g_1 c_2 e_4\)] f8-5[ f,16\(_1 aes!_2 c_3 f_5\)] | <<{e8 s4.} \\ {c4._\fermata ~ c8 }>> | % 7.2 - 136 \once\override TextScript #'extra-offset = #'(0 . -1) 4\(_\markup{\italic "con affetto."} 8 16[ \) 8-. -.] | \acciaccatura aes8 g4\trill f8 \acciaccatura aes8 g4\trill f8 | f4( ees8) << {\once\override TupletNumber #'transparent = ##t \times 2/3 {des'16 ees-5 des-4} s4} \\ {\set fingeringOrientations = #'(left) 8 \set fingeringOrientations = #'(up right) } >> | 16 r \once\override Staff.OttavaBracket #'extra-offset = #'(0 . 1) #(set-octavation 1) 4\> ~ 8 \! | 16 r 4\> ~ 8 \! | % 7.3 - 141 16 r 4\> ~ 8 \! | \arpeggio #(set-octavation 0) bes16-2 a bes8 \acciaccatura ees8-4 des-.-3 c-.-1 bes-.-3 | aes16-2 r \once\override Staff.OttavaBracket #'extra-offset = #'(0 . 1) #(set-octavation 1) 4\> ~ 8 \! | 16 r 4\> ~ 8 \! | \< #(set-octavation 0) f16-4\( ees des c-1\) bes8-.-2 g'16\(-5 f ees des\) | % 7.4 - 146 c8-. aes'16\( g f ees\) des8-. bes'16\( aes g f\) | ees8-.\! des'16-3\( \override Fingering #'avoid-slur = #'inside c bes-4 aes g f ees-3 des c \revert Fingering #'avoid-slur bes-2\) | f'16(-4 ees-2) aes4-5-> ~ aes8 bes,-1 \acciaccatura d8-3 ees8-4 | % 7.5 - 149 \bar "||" \time 3/8 << {aes4-5_(^\markup{Andantino.} g16. f32)} \\ {aes,4_\markup{\dynamic pp \italic "sotto voce"} r8} >> | g'4\( f16. ees32\) | c8-1\( des-4 bes-2\) | c8.-3\( bes16 aes8\) | aes'4-5\( g16. f32\) | % 8.1 - 154 g4\( f16. ees32\) | c8. des16 \times 2/3 {des-4[ c bes]} | c4-4( aes8-2) | fes'-.-5\( fes-. fes-.\) | % 8.2 - 158 ees4-4( aes,8-1) | fes'8-5 fes16-.-3\( fes-. fes-. fes-.\) | ees4-2( aes8-5) | \once\override DynamicLineSpanner #'staff-padding = #2 g8-3(\f f16-2) r \times 2/3 {aes16-.-4 g-. f-.} | % 8.3 - 162 f8-3( ees16-2) r \times 2/3 {ees16-.-2 aes-.-5 c,-.-1} | f8-4( ees16-3) r \times 2/3 {c16-.-2 \acciaccatura ees8-4 des16-.-3 bes-.-2} | \bar "||" \time 4/4 aes4-1^\markup{\bold "Allegro."} r8 ees' ees[ c] r aes' | << {\once\override DynamicLineSpanner #'staff-padding = #2.5 aes1-5\ff} \\ {a,8\rest \phrasingSlurUp 16\( 8[ ] [ ]\) \phrasingSlurNeutral} >> | % 8.4 - 166 \cadenzaOn << {aes8 c16-5 bes aes g f ees-2 d-1 f-2 aes-5 g \stemDown f[ees-3 d c-1 bes-2 c-1 d ees f-1 g aes bes c] r bes4\fermata \stemNeutral } \\ {4 r r s8*7 s4} >> \cadenzaOff \bar "|" \set Score.currentBarNumber = #168 << {ees4} \\ {} >> r4\fermata \once\override TextScript #'extra-offset = #'(0 . 4) r8^\markup{\italic "dolce a piac."} bes'16-4\( aes g aes f g\) | % 8.5 - 168 ees4-2 r r8 bes'16\( aes g aes f-1 g-2\) | ees8-1 des'16-3\( \override Fingering #'avoid-slur = #'inside c-1 bes-4 aes g f ees-3 f d f ees f d f | ees-3 f des! ees c8-1 \revert Fingering #'avoid-slur ees-4 bes4-2\) ees\fermata-5 | % 9.1 - 171 \bar "||" \time 6/8 \once\override TextScript #'extra-offset = #'(0 . 3) r4^\markup{\bold "1º Tempo."} r8\fermata r8 c-._\markup{\italic "assai brillante"} des-.| f4->( ees8) des16[( c) bes8-. aes-.] | \acciaccatura aes8 g4\trill f8 \acciaccatura aes8 g4\trill f8 | f4\trill_( ees8) g-.[ aes-. bes-.] | % 9.2 - 175 des4.( c8-.) c-. des-. | f4->( ees8) des16[( c) bes8-. aes-.] | \acciaccatura aes8 g4\trill f8 \acciaccatura aes8 g4\trill f8 | f4_( ees8) \times 2/3 {des'16[ ees des} c8 bes] | % 9.3 - 179 aes4 r8 r c8-. c-. | c16([ bes) g8-. bes-.] bes16([ aes) f8-. aes-.] | g8 c,4 r8 c'8-. c-. | c16( bes) g4 bes16([ aes) f8-. f'-.] | % 9.4 - 183 \afterGrace e4.\trill {dis16[ e]} \once\override TextScript #'script-priority = #-100 \afterGrace g4.^\prall^\markup{\natural} {fis16[ g]} | c8[ e,16\( g c e\)] f8[ f,16\( aes! c f\)] | << {e8 s2 s8} \\ {c4._\fermata ~ \once\override TextScript #'extra-offset = #'(0 . -1) c8[_\markup{\italic "con affetto."} ]} >> | % 9.5 - 186 \noBreak 4\( 8 16[ \) 8-. -.] | \appoggiatura aes8 g4\trill f8 \appoggiatura aes8 g4\trill f8 | f4-3( ees8-2) << {\tupletDown \once\override TupletNumber #'transparent = ##t \times 2/3 {des'16-4 ees-5 des-4} \tupletNeutral s4} \\ {8[ ]} >> | 16 r \once\override Staff.OttavaBracket #'extra-offset = #'(0 . 1) #(set-octavation 1) 4\> ~ 8 \! | % 10.1 - 190 16 r 4\> ~ 8 \! | 16 r 4\> ~ 8 \! | 8\arpeggio #(set-octavation 0) bes16-2\( a bes8\) \acciaccatura ees8 des8 c bes | aes16 r \once\override Staff.OttavaBracket #'extra-offset = #'(0 . 1) #(set-octavation 1) 4\> ~ 8 \! | % 10.2 - 194 16 r 4\> ~ 8 \! | 8 #(set-octavation 0) f16\( ees des c\) bes8-. g'16\( f ees des\) | c8-. aes'16\( g f ees\) des8-. bes'16\( aes g f\) | ees8-. des'16\( c bes aes g f ees des c bes\) | % 10.3 - 198 f'( ees) aes4 ~ aes8 bes,-1 \acciaccatura d8-3 ees8-4 | << {aes4.-5\( g4-4 f8-3} \\ {aes,4-1 r8 r4 r8} >> | << {g'16-5[ f-4] ees-5\) r r8 r4 r8} \\ {r8 ees,16-1-.\< f-. g-. aes-. bes-. c-. des-. ees-. f-. g-.\!} >> | << {aes4.-3\( g4-2 f8} \\ {r4 r8 r4 r8} >> | % 10.4 - 202 << {g16[ f] ees-5\) r r8 r4 r8} \\ {r8 ees,16-1-.\< f-. g-. aes-. bes-. c-. des-. ees-. f-. g-.\!} >> | aes8 4-> ~ 8 4->_\markup{\italic "cresc."} ~ | 8 4-> ~ 8 4-> | c16-4(\f\> bes-3) bes[-3( aes-2)] aes-3( g-2) g([ f)] f( ees) ees-2([ d-1)]\! | % 10.5 - 206 f-3( ees) aes8-. c,-. ees16-4 des f8-5-. g,-. | << {aes'4.-5\( g4 f8} \\ {aes,4-1 r8 r4 r8} >> | << {g'16[ f] ees\) r r8 r4 r8} \\ {r8 ees,16-.\< f-. g-. aes-. bes-. c-. des-. ees-. f-. g-.\!} >> | % 10.6 - 209 << {\once\override Staff.NoteCollision #'merge-differently-dotted = ##t aes4.\( g4 f8} \\ {aes8 r r r4 r8} >> | << {g16[ f] ees\) r r8 r4 r8} \\ {r8 g,16-1\< aes-.-2 bes-.-3 c-. des-. ees-. f-.-1 g-. aes-. bes-.\!} >> | c8 4-> ~ 8 4-> ~ | 8 4-> ~ 8 4-> | % 11.1 - 213 \set subdivideBeams = ##t \set beatLength = #(ly:make-moment 1 8) c16-4([ bes-3) a-2( bes-3) g-1( aes-3)] e-1([ f-4) c-1( des-2) g-5( f-4)] | \unset subdivideBeams \unset beatLength f-4\( ees c aes ees8\) f'4-5 ees8-3 | aes4.-5 #(define afterGraceFraction (cons 7 8)) \afterGrace c,4.\trill {b16_([ c])} | % 11.2 - 216 f4.-5 ees4.-3 | aes4.-5 \afterGrace c,4.\trill {b16_([ c])} | f4. ees | % 11.3 - 219 aes16\ff aes, aes' aes, aes' aes, aes' aes, aes' aes, aes' aes, | bes' bes, bes' bes, bes' bes, bes' bes, bes' bes, bes' bes, c' c, c' c, c' c, c'8-5 aes16-4\( f-3 ees-2 c-1\) | % 11.4 - 222 f4.-4 ~ f4 ees8-3 | aes,8-1 16 8 | 16 8 | % 11.5 - 225 4 r8 4 r8 | 4 r8 4 r8 | 4 r8 r4 r16 | 4 r8 r4 r16 | 2.\fermata | % fin \bar "|." } lower = \relative c { \clef bass \key aes \major \time 3/8 s4 r8 | s4 r8 | s4 r8 | 8-.\p r -. | % 1.1 - 4 -. r -. | -. r -. | -. r -. | -. r -. | -. r \set fingeringOrientations = #'(left )-. | -. \unset fingeringOrientations r -. | % 1.2 - 10 -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | % 1.3 - 16 -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | % 1.4 - 22 8-. r -. | -. r -. | -. r -. | -. r -. | -.\pp r -. | -. r r\fermata | % 1.5 - 28 \key f \major \bar "||" \stemDown \times 2/3 {\set fingeringOrientations = #'(up right) 16[\arpeggio\sustainDown a-3 c-2]} \times 2/3 {f16-1[ a-2 f-1]} \times 2/3 {c16-2[ a-3 \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f-5]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes'-3 c-2]} \times 2/3 {e16-1[ g-2 e-1]} \times 2/3 {c16-2[ bes-3 \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g-5]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g]\sustainUp} | % 2.1 - 31 \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) g]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g]\sustainUp} | % 2.2 - 35 \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes des]} \times 2/3 {f16[ bes f]} \times 2/3 {des16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes des]} \times 2/3 {f16[ bes f]} \times 2/3 {des16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f]\sustainUp} | % 2.3 - 39 \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16\arpeggio\sustainDown[ d-5 g-3]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) bes8-._\markup{\finger 2}\sustainUp r | \times 2/3 {16\arpeggio\sustainDown[ c-5 f-2]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) a8-._\markup{\finger 1}\sustainUp r | \times 2/3 {16\arpeggio\sustainDown[ c-5 e-3]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) g8-._\markup{\finger 1}\sustainUp r | % 2.4 - 43 4 r8 | s4 r8 | s4 r8 | s4 r8 | \bar "||" \key aes \major 8-. r -. | % 2.5 - 48 -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | % 3.1 - 53 -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | % 3.2 - 58 -. r -. | -. r -. | -. r -. | -. r -. | -. r -. | % 3.3 - 63 -. r -. | -. r -. | -. r -. | 8-. r -. | -. r -. | % 3.4 - 68 -. r -. | -. r -. | -.\pp r -. | -. r r\fermata | % 3.5 - 72 \key f \major \bar "||" \stemDown \times 2/3 {\set fingeringOrientations = #'(up right) 16[\arpeggio\sustainDown a-3 c-2]} \times 2/3 {f16-1[ a-2 f-1]} \times 2/3 {c16-2[ a-3 \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f-5]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) f]\sustainUp} | % 3.6 - 76 \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) g]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes' c]} \times 2/3 {e16[ g e]} \times 2/3 {c16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -4) g]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | % 4.1 - 80 \times 2/3 {16[\arpeggio\sustainDown bes des]} \times 2/3 {f16[ bes f]} \times 2/3 {des16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown bes des]} \times 2/3 {f16[ bes f]} \times 2/3 {des16[ bes \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) f]\sustainUp} | \times 2/3 {16[\arpeggio\sustainDown a c]} \times 2/3 {f16[ a f]} \times 2/3 {c16[ a \once\override Staff.SustainPedal #'extra-offset = #'(0 . -1) f]\sustainUp} | % 4.2 - 84 \times 2/3 {16\arpeggio\sustainDown[ d g]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -3) bes8-.\sustainUp r | \times 2/3 {16\arpeggio\sustainDown[ c f]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) a8-.\sustainUp r | \times 2/3 {16\arpeggio\sustainDown[ c e]} \once\override Staff.SustainPedal #'extra-offset = #'(0 . -2) g8-.\sustainUp r | 8 r << {\times 2/3 {c'16-. c-. c-.}} \\ {c,8} >> | % 4.3 - 88 << {f8 r \times 2/3 {c'16-. c-. c-.}} \\ {f,8 r c} >> | << {f8} \\ {f8} >> r r | \cadenzaOn 8 r s8 s1 s4 r8\fermata s8 % 4.4 - 91 \cadenzaOff 8\sustainDown r r\sustainUp | r r | 4 r8\fermata | \bar "||" \time 4/4 r4\fermata r8 r8 r2 | % 4.5 - 95 8 r r \noBeam r r | r r4 r2 | 8 r r \noBeam r r | % 4.6 - 98 \stemNeutral 4 r r2 | 4 r r r8 c,16-4( d | % 5.1 - 100 ees4) r r r8 d16( ees | f4) r r r8 ees16( f | % 5.2 - 102 ges4) r r r8 e!16( f | g!4) r r r8 f16( g | aes4) r r2 | % 5.3 - 105 R1 | 2 r | 2 r | R1 | % 5.4 - 109 \cadenzaOn 4 s2. r4 s2. r2 s4 % 5.5 - 110 \cadenzaOff \bar "|" 4 r\fermata r2 | R1 | R1 % 6.1 - 112 R1^\markup{\musicglyph #'"scripts.ufermata"} | \bar "||" \key aes \major \time 6/8 \partial 8*2 r8 r | 8 | | % 6.2 - 116 | | | | % 6.3 - 120 r4 r8 | R2.^\markup{\musicglyph #'"scripts.ufermata"} | 8^\markup{\dynamic pp} \set fingeringOrientations = #'(left) | % 6.4 - 123 | | | | % 6.5 - 127 | | | g f | c, c | % 7.1 - 133 g f | c, d | e f | 4 r8 r4\fermata r8 | % 7.2 - 136 8 | | | | des, des | % 7.3 - 141 ees ees | ees ees | aes, aes, | des des | ees ees | % 7.4 - 146 ees ees | ees ees | ees ees | % 7.5 - 149 \bar "||" \time 3/8 8 | ees | ees | 8 | 8 | % 8.1 - 154 ees | ees | 8 | 8 | % 8.2 - 158 8 | 8 | 8 | des,8 | % 8.3 - 162 ees8 | ees8 | \bar "||" \time 4/4 r8 16 4 r8 16 4 | r8 16 8[ ] [ ] | % 8.4 - 166 \cadenzaOn 4 r r2\fermata s8*5 s4 \cadenzaOff 4 r\fermata r2 | % 8.5 - 168 R1 | R1 | R1^\markup{\musicglyph #'"scripts.ufermata"} | % 9.1 - 171 \bar "||" \time 6/8 R2.^\markup{\musicglyph #'"scripts.ufermata"} | 8^\pp | | | % 9.2 - 175 | | | | % 9.3 - 179 | g f | c, c | g f | % 9.4 - 183 c, d | e f | 4 r8\fermata r4 r8 | % 9.5 - 186 8 | | | | % 10.1 - 190 des, des | ees ees | ees ees | aes, aes, | % 10.2 - 194 des des | ees ees | ees ees | ees ees | % 10.3 - 198 ees ees | aes aes | ees, ees | aes aes | | % 10.4 - 202 ees, ees | aes ges | f, ees | des des | % 10.5 - 206 ees ees | aes aes | ees, ees | % 10.6 - 209 aes aes | ees, ees | aes g | f ees | % 11.1 - 213 des des | ees ees | 16 c c c \set fingeringOrientations = #'(up) c-1 c c | % 11.2 - 216 bes bes bes bes-1 bes bes | 16 c c c c c c | bes bes bes bes bes bes | % 11.3 - 219 8 | | 16 c' c' c' | % 11.4 - 222 des des des des des des | 8 16 8 | 16 8 | % 11.5 - 225 4 r8 4 r8 | 4 r8 4 r8 | 4 r8 r4 r16 | 4 r8 r4 r16 | 2.\fermata | % fin } \score { \new GrandStaff << \new Staff = upper { \upper } \new Staff = lower { \lower } >> \layout { } \midi { } } \paper { first-page-number = 29 print-first-page-number = ##t ragged-last-bottom = ##f %#(set-paper-size "a4") }