Chavez, Carlos - selected bibliography Carlos Ch vez and Musical Nationalism in Mexico: An Examination of Xochipilli, an Imagined Aztec Dance and Chapultepec, Three Famous Mexican Pieces Aretz, Isabel. "Latin America." New Grove, 10:505-515. Asche, Charles Byron. "Cuban Folklore Traditions and Twentieth-Century Idioms in the Piano Music of Amadeo Rold n and Alejandro Garc¡a Caturla." D.M.A. diss., University of Texas at Baylor, 1983. B‚hague, Gerard. "Guatemala." New Grove, 7:775-776. ________. "Mexico." New Grove 12:226-229. ________. Music in Latin America: An Introduction. Englewood Cliffs, New Jersey: Prentice-Hall, 1979. ________. "Latin America." New Grove, 10:516-526. Blades, James. Percussion Instruments and Their History. London: Faber and Faber Limited, 1975. Borbolla, Carlos. "El Son, exclusividad de Cuba." In Anuario interamericano de investigaci¢n musical, ed. Gilbert Chase, v. 11:152-156. Austin, Texas: University of Texas, 1975. Boudler, John E. "Brazilian Percussion Composition Since 1953: An Annotated Catalogue." D.M.A diss., American Conservatory, 1983. Bowles, Paul. "On Mexico's Popular Music." Modern Music 18, no. 4 (1941): 225-230. Ch , Ercilia Moreno. "Bibliograf¡a, centros de investigaci¢n y archivos sonoros de m£sica tradicional en Latinoam‚rica." Latin American Music Review 12 (Spring/Summer 1991): 42-64. Chase, Gilbert. The Music of Spain. New York: W. W. Norton & Company, Inc., 1941. ________. Two Lectures in the Form of a Pair. Institute for Studies in American Music Monographs, no. 2. Brooklyn: Brooklyn College of The City University of New York, 1973. Ch vez, Carlos. Chapultepec, Three Famous Mexican Pieces. New York: Mills Music, Inc., 1968. ________. Chapultepec, Three Famous Mexican Pieces. From Music of Mexico. Carlos Ch vez, conductor. Decca DL 9527, 1956. [Obertura Republicana, renamed later Chapultepec, Three Famous Mexican Dances, [MLC Disc 00613] ________. Musical Thought. The Charles Eliot Norton Lectures, 1958-1959. Cambridge, Mass.: Harvard University Press, 1961. ________. "Revolt in Mexico." Modern Music 13 (March-April 1936):35-40. ________. "The Two Persons." Musical Quarterly 15 (April 1929):153-159. ________. Xochipilli, an Imagined Aztec Dance. From Mexico: Its Cultural Life in Music and Art. Carlos Ch vez, conductor. Columbia Records, Legacy LL 1015, 1964. [Jackson Reserve Room, M 2103] ________. Xochipilli, an Imagined Aztec Dance. New York: Mills Music, Inc., 1964. Cowell, Henry, ed. American Composers on American Music: A Symposium. New York: Frederick Ungar Publishing Co., 1962. ________. "The Sones of Cuba." Modern Music 8, no. 2 (January-February 1931): 45-47. Escobar, Roberto. "Hacia un enfoque general de la m£sica en Am‚rica Latina." Anuario de latinamericano de investigaci¢n musical, ed. Gilbert Chase, v. 8:105-119. Austin, Texas: University of Texas, 1972. Estrada, Julio. "Ra¡ces y tradici¢n en la m£sica nueva de M‚xico y de Am‚rica Latina." Latin American Music Review 3 (Fall/Winter):188-206. Flanagan, William. Notes for Music of Mexico. Performed by Orquesta Mexicana. Directed by Carlos Ch vez. Decca DL9527, 1956. Garfias, Robert. "The Marimba of Mexico and Central America." Latin American Music Review 4 (Fall/Winter 1983): 203-212. Geijerstam, Claes af. Popular Music in Mexico. Albuquerque: University of New Mexico Press, 1976. Gradante, William. "'El hijo del pueblo': Jos‚ Alfredo Jim‚nez and the Mexican Canci¢n ranchera," Latin American Music Review 3 (Spring-Summer 1982): 36-59. Guilbault, Jocelyne M. "Musical Events in the Lives of People of a Caribbean Island, St. Lucia." Ph.D. diss., University of Michigan, 1984. Igou, Orin Lincoln. "Contemporary Symphonic Activity in Mexico with Special Regard to Carlos Ch vez and Silvestre Revueltas." Ph.D. diss., Northwestern University, 1946. Kaptain, Laurence D. "The Wood that Sings:" The Marimba in Chiapas, Mexico. Everett, Pennsylvania: Honeyrock, 1992. Labastille, Irma Goebel. "Americanismo Musical." Modern Music 14 (January-February 1937):76-81. Loza, Steven Joseph. "The Musical Life of the Mexican/Chicano People in Los Angeles, 1945-1985: A Study in Maintenance, Change, and Adaptation." Ph.D. diss., University of California, Los Angeles, 1985. Magee, Robert Gerald. "The Solo Songs for Voice and Piano of Carlos Ch vez." D.M.A. diss., The University of Southern Mississippi, 1989. Malstr”m, Dan. Introducci¢n a la m£sica mexicana del siglo XX. Translated into Spanish by Juan Jos‚ Utrilla. M‚xico: Fondo de cultura econ¢mica, 1977. Mayer-Serra, Otto. "El estado presente de la m£sica en Mexico." Music series no. 14. English translation by Frank Jellinek. Foreword by Charles Seeger. Washington, D.C.: Pan American Union, 1946 Mead, Rita H. "Latin American Accents in New Music." Latin American Music Review 3 (Fall/Winter 1982): 206-232. Meierovich, Clara. "Especulaci¢n y verdad: Novedad hist¢rica en la biograf¡a m s temprana de Carlos Ch vez." Latin American Music Review 13 (Spring/Summer 1992): 114-123. Mendoza, Vicente T. Panorama de la m£sica tradici¢nal de M‚xico. Mexico: Imprenta Universitaria, 1956. ________. El romance Espa¤ol y el corrido mexicano: Estudio comparativo. Mexico: Ediciones de la Universidad Nacional Autonoma, 1939. Monsanto, Carlos. "Guatemala a trav‚s de su marimba." Latin American Music Review 3 (Spring/Summer 1982):60-72. Moreno Ch , Ercilia. "Bibliograf¡a, centros de investigaci¢n y archivos sonoros de m£sica tradicional en Latinoam‚rica." Latin American Music Review 12 (Spring/Summer 1991): 42-64. Morillo, Roberto Garc¡a. Carlos Ch vez: Vida y obra. Mexico City: Fondo de Cultura Econ¢mica, 1960. Nancarrow, Conlon. "Mexican Music--A Developing Nationalism." Modern Music 9 (November-December 1941): 67-69. Nettl, Bruno. An Introduction to the Folk Music of the United States. Detroit: Wayne State University Press, 1960. ________. Folk and Traditional Music of the Western Continents. 2d ed. Prentice-Hall History of Music Series. Englewood Cliffs, New Jersey: Prentice-Hall, 1973. O'Brien, Linda L. "Guatemala." New Grove 7:776-780. Orrego-Salas, Juan. "Traditions, Experiment, and Change in Contemporary Latin America." Latin American Music Review 6 (Fall/Winter 1985):152-165. Orta Vel squez, Guillermo. Breve hist¢ria de la m£sica en Mexico. Mexico: Libreria de Manuel Porrua, 1949. Parker, Robert L. Carlos Ch vez: Mexico's Modern-Day Orpheus. Boston: Twayne Publishers, 1983. ________. "A Recurring Melodic Cell in the Music of Carlos Ch vez." Latin American Music Review 12 (December 1991): 160-172. Peterman, Timothy James. "An Examination of Two Sextets of Carlos Ch vez: Toccata for Percussion Instruments and Tambuco for Six Percussion Players." D.M.A. diss., North Texas State University, 1986. Powell, Linton E. A History of Spanish Piano Music. Bloomington: Indiana University Press, 1980. Reuter, Jas. "La m£sica popular en la Ciudad de M‚xico." Latin American Music Review 5 (Spring/Summer 1984): 97-101. Rosenfield, Paul. "American Composers. VIII: Carlos Ch vez." Modern Music 9 (May-June 1932): 153-159. Slonimsky, Nicolas. Music of Latin America. New York: Thomas Y. Crowell Company, 1945. Smith, Ronald R. "Latin American Ethnomusicology: A Discussion of Central America and Northern South America," Latin American Music Review 3 (Spring-Summer 1982): 1-16. Sol¡s, Theodore. "Mu¤ecas de chiapaneco: The Economic Importance of Self-Image in the World of the Mexican Marimba." Latin American Music Review 1 (Spring/Summer 1980): 34-46. Stanford, E. Thomas. "Mexico." New Grove, 12 :229-240. ________. El villancico y el corrido Mexicano. Mexico: Instituto Nacional de Antropolog¡a e Historia, 1974. Stevenson, Robert Murrell. "Latin America." New Grove 10: 522-528. ________. "Mexico City." New Grove, 12:240-242. ________. "Ponce, Manuel M." New Grove, 7:74-75.