Crumb, George - compositions Each work is listed by title, author if different from the Crumb, instrumentation, date of its completion, first performance, publication date, and discography information. Missing information implies the material was unavailable for this paper, or not applicable. First performances were not uniformly listed with who performed. Therefore, this information has been omitted from this list and may be found in the body of the paper where applicable. The primary sourcesproviding this information were Edith Borroff's Three American Composers (University Press of America, 1986) and Peters Publishing. For a more detailed description of this information, please refer to the appendices, bibliography, and the discography. The works listed below are published by: C. F. Peters Corporation 373 Park Avenue South New York, New York 10016 Orchestral Music Echoes of Time and the River: Four Processionals for Orchestra, 1967. First performance 1967. Published 1967 Belwin-Mills. Recorded by Louisville Orchestra on First Edition Records LS-711. A Haunted Landscape, 1984. Recorded on New World Records NW326. Variazoni, For Large Orchestra, 1959. First performance 1965. Published in 1973. Recorded in 1981 by Louisville Orchestra LS-744. Chamber Music Black Angles: Thirteen Images from the Dark Land (Images I), for electric String Quartet, 1970. First performance 1970. Published 1971. Recorded on CRI-283, Vox SVBX 5306, Philips 6500881. Dream Sequence (Images III), for violin, cello, piano, percussion, and off- stage glass harmonica (2 players), 1976. First performance 1977, published in 1976. Recorded on Odyssey Y 35201. Eleven Echoes of Autumn, 1965. For violin, alto flute, clarinet, and piano. First performance 1966, published 1972. Recorded on CRI-233. Four Nocturnes (Night Music II), For violin and piano, 1964. First performance 1965. Published 1971. Recorded Mainstream MS/5016, Desto DC 6435/37, Odyssey Y 35201. An Idyll for the Misbegotten. For flute and three drummers, 1985. First performance 1986. Sonata for Solo Violincello, 1955. First performed 1956. Published 1958. Recorded on Desto DC-7169, Gasparo GS 101, B1565. String Quartet, 1954. First performance 1955. Voice of the Whale (Vox Balaenae) For Three Masked Players. For electric flute, electric cello, and electric piano, 1971. First performance 1972. Published 1972. Recorded on Modern American Music Series (Columbia) M32739, Cameo Classics (England) GOCLP 9018. Piano Works Celestial Mechanics (Makrokosmos IV), for piano (Four Hands), 1979. First performance 1979. Published 1979. Recorded on Smithsonian Institution NO67. Five Pieces for Piano (Electric amplification suggested for large halls), 1962. First performance 1962. Published 1963. Recorded on Advance FGR-3. Gnomic Variations, 1981. First performance 1982. Published 1982. A Little Suite for Christmas, A.D. 1979, 1980. First performance 1980. Published 1980. Makrokosmos, Volume I: Twelve Fantasy Pieces after the Zodiac, for amplified piano, 1973. First performance 1974. Published 1973. Recorded on Nonesuch H-71293. Music for a Summer Evening (Makrokosmos III), for two amplified pianos and percussion (two players), 1974. First performance 1974. Published 1974. Recorded on Nonesuch H-71311 (1975). Processional, 1983. Zeitgeist, for two pianos (two players), 1989. First performance 1989. Published 1989. Works for Organ Pastoral Drone, 1982. First performed 1984. Published 1984. Chamber With Solo Voice Ancient Voices of Children (From the Lorca Cycle), for soprano, boy soprano, mandolin,oboe, harp, electric piano, toy piano, three percussionists, 1970. First performed 1970. Published 1970. Recorded on Nonesuch H-71255 (1971). Apparition (From Walt Whitman), for soprano and piano, 1979. First performed 1981. Published 1980. Recorded on Bridge 2002. Lux Aeterna (for Five Masked Musicians) (from the Requiem Mass 13th Century), for soprano, bass flute, and soprano recorder, sitar, and two percussionists, 1971. First performance 1972. Published 1972. Recorded on Odyssey Y 35201. Madrigals, Book I (from Lorca), for soprano, vibraphone, and contrabass, 1965. First performance 1965. Published 1971. Recorded on Turnabout TV-S 34523, AR- Deutsche Grammophone 0654 085 (1973). Madrigals, Book II (from Lorca), for soprano, flute (and alto flute and piccolo), and percussion, 1965. First performance 1965. Published 1971. Recorded on Turnabout TV-S 34523, AR-DEutsche Grammophone 0654 085 (1973). Madrigals, Book III (from Lorca), for soprano, harp, and percussion, 1969. First performance 1970. Published 1971. Recorded on Turnabout TV-S 34523, AR- Deutsche Grammophone 0654 085 (1973). Madrigals, Book IV (from Lorca), for soprano, flute (alto flute and piccolo), contrabass, and percussion, (1969. First performance 1971. Published 1971. Recorded on Turnabout TV-S 34523, AR-Deutsche Grammophone 0654 085 (1973). Night Music I (Lorca), for soprano, keyboard, and percussion, 1963. First performed 1964. Published 1967 by Belwin-Mills. Recorded on CRI-218, Candide CE 3113. Revised Edition Mills Music, 1979. Night of the Four Moons (Lorca), for alto, alto flute (and piccolo), banjo, electric cello, and percussion, 1969. First performed 1970. Published 1971. Recorded Columbia M 32739. Songs, Drones, and Refrains of Death (Lorca), for baritone, electric guitar, electric contrabass, electric piano (and electric harpsichord), and two percussionists, 1968. First performance 1969. Published 1971. Recorded on Desto DC 7155. Piece for Choir Star-Child: A Parable for Soprano, Antiphonal Children's Voices, Male Speaking Choir with Handbells, and Large Orchestra (Texts freely adapted from Medieval sources of the 13th century: Dies Irae, Massacre of the Innocents, and John XII:36), 1977. First performed 1977. Published 1977. Revised by Crumb 1979. 4/93